Movie Reviews
‘Tinsel Town’ Review: Kiefer Sutherland and Rebel Wilson Charm in an Overstuffed but Winsome Holiday Comedy
It’s that time of year again. The time of year when you can’t walk into a multiplex or turn on your television (especially the Hallmark Channel) without encountering a movie determined to make you feel good about the holidays. It can all make you feel as Scrooge-like as washed-up Hollywood action movie star Brad Mac, the protagonist in Chris Foggin’s new addition to the overcrowded genre. It’s no spoiler to reveal that by the end of Tinsel Town (a cute punning title), Brad has learned to embrace the holiday, even if it means having to appear in a British pantomime show.
Brad is played by Kiefer Sutherland, displaying an admirable willingness to make fun of the fact that his days as Jack Bauer on 24 are long behind him (at least until the next reboot). In the best Scrooge tradition, Brad — a three-time Razzie Award nominee who at the story’s beginning is filming the seventh installment of his cheesy action movie series Killing Time — is an obnoxious blowhard who hits on his married co-star and refuses to do his own stunts.
Tinsel Town
The Bottom Line A Yuletide diversion for Anglophiles.
Release date: Friday, Nov. 28
Cast: Kiefer Sutherland, Rebel Wilson, Derek Jacobi, Mawaan Rizwan, Maria Friedman, Jason Manford, Asim Chaudhry, Danny Dyer, Ray Fearon, Lucien Laviscount
Director: Chris Foggin
Screenwriters: Frazer Flintham, Adam Brown, Piers Ashworth, Jake Brunger
1 hour 33 minutes
He quickly gets his comeuppance when he’s informed that the studio has nixed future installments of the franchise and that he’s basically become unemployable because he’s too difficult. His beleaguered agent says the only job available is a theater role in England, so Brad reluctantly makes the trek across the pond.
Greeted by his cheerful driver Nigel (Mawaan Rizwan) and informed that they’re headed to the Savoy, Brad settles down for a nap in the car. When he wakes up, he discovers that he’s not in London but rather the small town of Stoneford, three hours away. He’s not staying at the famous Savoy Hotel, but rather the Savoy Guest House that’s currently without running water. And the role he’s about to take on is Buttons in a pantomime production of Cinderella.
Just a few minutes in, it’s obvious that Tinsel Town requires a significant suspension of disbelief. But if you’re in the right frame of mind, you’ll just go with it. Nearly everything that occurs next proves thoroughly predictable, from Brad’s outrage at his current predicament to his hostility toward the cast and crew working on the show to his disengaged relationship with his young daughter (Matilda Firth), who’s now living with her remarried mother (Alice Eve) in London.
Along the way, however, Foggin and his quartet of screenwriters deliver plenty of entertainment. It’s not surprising, considering that the director and several of the scribes were previously responsible for such similarly sweet British comedies as Bank of Dave and Fisherman’s Friends.
It also helps considerably that the cast includes more than a few ringers, including Rebel Wilson as Jill, the show’s choreographer; Derek Jacobi as the stage door manager who used to be a panto star himself; and stage legend and three-time Olivier Award winner Maria Friedman as the actress playing the Fairy Godmother. Jacobi in particular gets the chance to shine, with a poignant monologue in which his character talks tenderly about his deceased husband.
The plotting becomes needlessly complicated at times, such as with Jack becoming a local hero after foiling a burglary, and later disgracing himself with a drunken tirade at a Christmas tree lighting ceremony, which leads to him being arrested and put on trial. There are subplots involving Jill’s contentious relationship with her bullying ex-husband (Danny Dyer) and the burgeoning romance between the panto’s Prince Charming (Lucien Laviscount, Emily in Paris) and Cinderella (Savannah Lee Smith, Gossip Girl). By the time the film ends with a spirited ensemble rendition of Katy Perry’s “Roar,” you may feel as overstuffed as if you’d gorged at a Christmas banquet.
There are plenty of amusing moments involving the colorful townspeople and the central character’s fish-out-of-water unease in his new situations. But Tinsel Town is most effective when concentrating on Brad’s inevitable heartwarming transformation from arrogant movie star to gleeful member of the panto’s hardworking ensemble, and his newfound maturity in terms of being a loving father to his daughter. Sutherland makes it all work, delivering a thoroughly winning performance that makes you buy into the overall hokum.
Movie Reviews
I Know Exactly How You Die – Review | Indie Slasher | Heaven of Horror
Watch I Know Exactly How I Die on VOD
The director of I Know Exactly How I Die is Alexandra Spieth, who ensures a tight pace and some gorgeous shots. She previously directed Stag and created and starred in the web-series [Blank] My Life. The screenplay comes from Mike Corey, and I do really like the plot and evolution of this story.
As already mentioned, the star Rushabh Patel is the executive producer. As a result, this movie is billed as “Rushabh Patel’s I Know Exactly How I Die“, which I am not a fan of. Unless Rushabh Patel is famous in ways I am not familiar with – nor is IMDb, as this is his first and so far only credit there.
This is like people wondering if Something Very Bad Is Going to Happen is connected to Stranger Things, because the media keeps referring to it as a new show from The Duffer Brothers. Sure, they produced it, but Haley Z. Boston created the original story and wrote the screenplay. And she’s not even a newcomer.
Okay, rant over, but I just don’t understand the marketing and press decisions of it all.
Anyway, as already mentioned, the practical effects in I Know Exactly How I Die are gorgeous. Any slasher fan should enjoy the concept of the plot as well as those amazing practical effects. And yet, you will have to endure a little terrible CGI, but this is an indie production, so budget restraints come into play. Of course, so does choosing the best talent, and that did not happen for CGI here!
I Know Exactly How You Die is out on VOD from April 7, 2026. You can rent it on Digital HD from your preferred platform, including Prime Video and Fandango at Home. The film will also be available on DVD.
Movie Reviews
‘Super Mario’ fans ignore weak reviews and send sequel to $372.5 million global box office debut, biggest opening of the year for a studio film | Fortune
Mixed reviews didn’t dissuade mass audiences from buying tickets to the “The Super Mario Galaxy Movie,” which scored the biggest opening of the year for a Hollywood movie. The Illumination and Nintendo co-production earned $130.9 million over the weekend and a massive $190.1 million in its first five days in North American theaters, according to studio estimates Sunday.
Universal Pictures released the sequel globally on Wednesday, capitalizing on kids’ spring break vacations in the week leading up to the Easter holiday. With an estimated $182.4 million from 80 overseas markets, the film is looking at an astronomical $372.5 million debut — the latest hit for the PG rating. Mexico is leading the international bunch with $29.1 million from 5,136 screens, followed by the U.K. and Ireland with $19.7 million.
The animated sequel, Illumination CEO Christopher Meledandri’s 16th movie in 16 years, is the industry’s biggest debut since “Avatar: Fire and Ash” launched over Christmas. The Chinese movie “Pegasus 3,” which was not a Motion Picture Association release, has the slight edge for the 2026 global record, however.
It’s also a dip from the first film, which opened to $204 million domestically during the same five-day time frame in 2023 ($147 of that was from Friday, Saturday and Sunday). “The Super Mario Bros. Movie” went on to be the second biggest movie of 2023, with over $1.3 billion in box office receipts.
“The Super Mario Galaxy Movie,” which features returning voice actors Chris Pratt, Jack Black, Anya Taylor-Joy and Charlie Day, had a massive footprint in the U.S. and Canada, where it played in 4,252 theaters, including 421 IMAX and 1,345 premium large format screens. It made $15 million from the IMAX screens alone.
“It’s exactly the kind of broad, crowd-pleasing release that brings people into theatres,” AMC Chairman and CEO Adam Aron said in a statement.
It also cost around $110 million to make, not including marketing and promotion expenses. But it arrived on a wave of less-than-stellar reviews. Its Rotten Tomatoes score is currently sitting at a lousy 40%. Ticket buyers were more enthusiastic, however.
The family audience gave the movie five out of five stars according to PostTrak exit polls, while general audiences gave it four stars and an A- on CinemsScore. Audiences skewed male (61%) overall, although when it came to families attending there were slightly more moms (52%) than dads.
“These kind of audience reaction scores just point to a ridiculously strong run, not only throughout the spring, but likely into the summer as well,” said Jim Orr, Universal’s president of domestic distribution.
“The Super Mario Galaxy Movie” will open in Japan later this month.
Last year, the first weekend in April hosted the launch of another video game blockbuster, “A Minecraft Movie,” which had a bigger three-day debut ($162.8 million) but didn’t have a “Project Hail Mary” in a strong second place, meaning the weekend overall is still up around 5%.
As expected, “The Super Mario Galaxy Movie” ended the two-week reignof the Ryan Gosling-led sci-fi hit “Project Hail Mary,” which landed in second its third weekend in theaters where it added $30.7 million, bringing its running domestic total to $217.2 million. Worldwide, it’s made $420.7 million to date.
Third place went to A24’s provocative new movie “The Drama,” starring Zendaya and Robert Pattinson, which made an estimated $14.4 million from 3,087 theaters. The film’s stars have been on a massive and charming press blitz to promote their R-rated movie about a engaged couple grappling with an unnerving revelation, which cost a reported $28 million to produce. The reveal has drummed up a fair amount of cultural discourse. While reviews have been more positive than not (82% on Rotten Tomatoes), it got a less promising B CinemaScore.
“Hoppers” and “Reminders of Him” rounded out the top five. And the box office outlook looks bright overall, up around 30% from last year.
“There’s no better opening act for a great summer than a huge month of April powered by a mega blockbuster like the ‘The Super Mario Galaxy Movie,’” said Paul Dergarabedian, comscore’s head of marketplace trends.
Top 10 movies by domestic box office
With final domestic figures being released Monday, this list factors in the estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore:
1.“The Super Mario Galaxy Movie,” $130.9 million.
2.“Project Hail Mary,” $30.7 million.
3.“The Drama,” $14.4 million.
4.“Hoppers,” $5.8 million.
5.“Reminders of Him,” $2.2 million.
6.“A Great Awakening,” $2.1 million.
7.“They Will Kill You,” $1.9 million.
8.“Dhurandhar The Revenge,” $1.9 million.
9.“Ready or Not 2: Here I Come,” $1.8 million.
10.“Scream 7,” 915,000.
Movie Reviews
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