Movie Reviews
The Roundup Punishment Review: Sturdy Formula
The Roundup: Punishment is earnest and fun enough as a turn-your-brain-off action film, but its formula is its greatest flaw as it is its strength.
Director: Heo Myeong Haeng
Genre: Action, Crime
Run Time: 109′
US Release: May 3, 2024
UK Release: May 3, 2024
Where to watch: in theaters
Korean Title: City of Crime 4
English Title: The Roundup – Punishment
I don’t think I’ll ever comprehend how movie title translations work. Then again, I shouldn’t bash the English side only. I mean, the film Fate of the Furious is translated as Furious Ride: The Extreme in Korean.
Directed by Heo Myung-haeng, The Roundup: Punishment is the fourth installment in The Roundup series, following Ma Seok-do (Ma Dong-seok, of Train to Busan), and his battles against crime as the Seoul Police Agency lieutenant. This time, his battle is against an online gambling organization exploiting and even killing off teenagers. God help the criminals.
Maybe that was shorter than usual, but you need to understand that this goes for The Roundup series in general. They are not complicated movies. Ma Seok-do finds a group of irredeemable criminals, and his hulking mass of muscles and an even greater sense of justice leads him on an unstoppable rampage against crime. Lots of action, just as much comedic bits, and you have the series in a nutshell; The Roundup: Punishment is no exception.
It’s easy to understand if you look at Ma Dong-seok. His filmography mainly consists of him as a physically dominant action star that also doesn’t forget a bit of heart and a little adorableness on the way. In other words, he’s the Korean equivalent of Dwayne Johnson, Jason Statham, Liam Neeson, etc, where the actor has created a popular typecast image around himself, one that’s genuinely likeable and easy to consume. I don’t dislike these sort of actors. Yes, one could accuse them for basically playing the same character in every movie, but even creating that iconic typecast image takes genuine skill.
If Ma Dong-seok was really ctrl cv-ing his performances across his movies, then that image would have run dry very fast. Instead, while his general mannerisms and settings are similar, he brings in different bits of heart or dialogue to each of his roles, so that they are recognizable as the Ma Dong-seok brand, but still feels just different enough to watch. When this typecast imagemaking is done well, I can enjoy myself, and that certainly is the case with The Roundup: Punishment. Ma Dong-seok is a large part of what makes the film tick.
But if the movie puts in no effort beyond its star, then even a strong typecast image cannot carry the entire film on its own. Thankfully, The Roundup: Punishment isn’t one of those movies. For one, the film’s action is actually a lot stronger than I expected. Ever since John Wick (2014) popularized the “steady cam” style of action, so to speak, more movies have thankfully been following its example, and this is one of them. Camera remains fairly steady, and the shots are long and clean, giving the audience enough time to take in the stunt work.
In addition, the film doesn’t forget that Ma Dong-seok isn’t the only character in the film. Seok-do’s police comrades might not get deep or largely compelling stories, but they still remain likeable and relevant in bringing in the film’s villains. They also provide the main source of this film’s comedy. Not all of them land, but they give off a general air of people who are sincere and have known each other for a long time, which gives me enough incentive to stick through even the bad jokes.
The movie also puts in a bit of effort in making its villains compelling, although in this regard, it also runs into an issue. Baek Chang-gi (Kim Mu-yeol, of The Gangster, The Cop, The Devil), a former special forces member turned criminal, doesn’t have too many iconic lines, or lines in general. But he makes up for it by bringing an air of a cold and completely serious killer, which extends to his action as well. It makes him entertaining to watch, and he comes off as a credible threat to some extent.
But that’s the main issue, “to some extent.” And this comes back to a problem that’s not just prevalent in the film but the entire series. Ma Dong-seok is such a hulking, impressive looking badass that it’s hard to really feel like any threat is viable against him. Unless we start introducing super soldiers into the mix, any criminal is going to come off as an underdog against Seok-do.
I realize that is a part of the series’ charm: to see an unstoppable badass crush irredeemable villains. But when you’re on the fourth installment, I feel some change has to be made in that department. Either bring in someone who can match Seok-do or at least hold up better against him, or if you can’t build a credible physical threat (understandable, considering the actor’s the size of a two-ton truck), have a villain that challenges him intellectually or politically.
In addition, while the positives I mentioned above do keep the film entertaining enough for the main lead’s charm to carry through, it also means if you can’t get on board with that primary charm, the film’s going to feel a lot more empty. Then you’ll end up noticing its paper-thin story, lack of any real deep arcs, or some plot holes and conveniences that will further take you out of the experience. As the series continued, the Ma Dong-seok magic has lost some of its initial spark, and thus the aforementioned downsides have become a lot more noticeable.
In the end, when I score the films I review, I do so on the basis of how much I was immersed and enjoying myself with it. And on that front, The Roundup: Punishment is solid. But that doesn’t mean I don’t realize how this sort of movie, and to that extent, Ma Dong-seok’s primary filmography, won’t work for others who are less forgiving of the typecast format. Even I recognize that despite being a fun time, The Roundup series needs to change soon. I hear there are 2~3 more films planned in this franchise, and I can only hope those can keep up the Ma Dong-seok formula strong, and not let it run itself into the ground.
The Roundup: Punishment is out now globally in theaters.
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Movie Reviews
UNTIL DAWN Review
UNTIL DAWN is nicely shot and paced well, with believable performances. However, the movie has a strong humanist worldview featuring gruesome violence, lots of strong foul language, and excessive gore. The violence includes psychopathic killers, people spontaneously exploding, stabbings, kidnapping, demonic possession, and more. The frequent dying over and over in the plot of UNTIL DAWN puts the sanctity of life into question. It forces the characters to conduct abhorrent and unacceptable immoral actions for survival.
Dominant Worldview and Other Worldview Content/Elements:
Strong humanist worldview that twists the concept of modern psychology into a supernatural hellscape with unexplained time loops and reoccurring nightmarish horror filled with excessive violence and gore, but with unexplained pagan supernatural elements (such as a storm circling a house, the appearance of more buildings, the time loop itself, and many more), the time loop perverts the laws of mortality and implies that the consequences of violence, murder, suicide, etc., don’t apply, the psychologist controlling the time loop discusses the situation with modern psychology in vague circles meant to confuse and disorient the nature of the reality in which the victims are trapped, religion or God is not explicitly discussed, but there’s an unexplained cross in front of a house that isn’t explained and a character references the belief that a possessed person cannot become possessed through contact but rather weakness of faith, and some occult content where one woman is a self-described psychic and is into “woo-woo” stuff as another character describes it, she tries to amplify her psychic abilities with help from the others by holding hands and meditation, and she often has strong feelings and seems to have a sense the others do not have, but no worship or symbols are shown, plus a girl dating a guy is said to have previously dated a girl as well as other men;
Foul Language:
At least 101 obscenities (including 62 “f” words), two strong profanities mentioning the name of Jesus, and four light profanities;
Violence:
Very severe violence and gratuitous blood and gore throughout including but not limited to dead bodies, monsters, scarred masked psychopath, stabbing, beating, and people spontaneously exploding;
Sex:
No sex shown, but a person puts on a VHS tape and a pornographic movie is heard playing briefly but not shown, and a woman is said to date a lot of people and one time dated another woman;
Nudity:
No nudity;
Alcohol Use:
No alcohol use;
Smoking and/or Drug Use and Abuse:
No smoking or drugs; and,
Miscellaneous Immorality:
A psychologist is a callous antagonist whose motives are relatively unknown beyond having a morbid curiosity that led to awful experiments and playing games with other people, he purposely keeps people trapped for no known reason other than his sick and twisted observations that end in gruesome murder and unnecessary torture.
One year after her sister Melanie vanished without a trace, Clover and her friends look to find more information about her disappearance. Clues lead them to an abandoned mining town. This place of unimaginable horrors traps them all in a horrifying time loop where they will be murdered again and again.
UNTIL DAWN is nicely shot and paced well, with believable performances, but it has a strong humanist worldview overall with some occult elements is filled with gruesome violence, gore, lots of strong foul language, and a time loop that leads to an increasing amount of horrific murder and unacceptable immoral actions for survival.
The movie begins with a woman named Melanie clawing her way through the dirt with an unknown monster chasing after her. Digging her way out, she looks up to a masked psychopath standing over her with a scythe. She begs him, “No! Please not again. I can’t!” He fatally stabs her without a thought. It cuts to the main title, and an hourglass is shown with a ticking clock sound and unsettling music.
Cut to a group pf people in a red car driving up a winding mountain, an obvious nod to THE SHINING. It’s been one year after Clover’s sister Melanie vanished without a trace. The group consists of Max, Nina, Megan, Abe, and Clover. Shortly after their mother died, Melanie had decided to start a new life in New York. Clover decided to stay, which created tension between the sisters before Melanie left.
Clover and her friends are looking for more information about her disappearance. Their last stop is the last place she was seen in a video message taken in front of a middle-of-nowhere gas station. Megan, a proclaimed psychic, wants to join hands outside and see if they can feel any mystical energy regarding Melanie. Their attempt is cut short when an RV blares its horn and almost hits them, scaring them all.
Clover goes inside the gas station for a cup of coffee while the others talk outside. Clover asks the man behind the register if he worked here last year. After confirming he’s been working there for years, she shows him a picture of Melanie from the video. He asks if she was missing and clarifies saying that Clover is not the first to come asking. When she asks if many people around here go missing, he says people “get in trouble” in Glore Valley. As their only lead, the group decides to go there and stick together.
Nervously driving to the valley in an increasingly dangerous storm, the group begins to question what they are doing. Suddenly the storm stops but is still raging behind them. They park in front of a house with a “Welcome Center” sign, with the storm circling around the area but leaving the house dry. Confused, they get out of the car and look around. Nina decides to see if there’s anyone inside so they can come up with a plan. Everyone goes in except Clover, who walks up to the strange rain wall.
Inside the house, they find a dated and dusty interior. The power and water don’t work, and they conclude that they are the first people to come there in years. There is a strange hourglass with a skull on the wall. Checking the guest book, Nina finds Melanie’s name signed multiple times, with increasingly shaky handwriting. In another room, Abe finds many missing posters with faces on a bulletin board and finds poster with Melanie’s face.
Outside, Clover thinks she sees a person in the rain. She also hears Melanie’s voice and runs after it. Concerned, Max calls after her and he pulls her back in. As Nina signs the guestbook, the sun suddenly sets and the clock starts ticking.
Inside the house now with the hourglass turned over, they try to understand what’s happening. The car is out in the rain now with someone revving the engine threateningly. Some of them go to the dark basement, where the lights don’t work. There is an eerie sense of dread as Abe goes to check out a noise, and Nina finds a scarred and masked psychopath standing in a room as the top half of Abe’s body falls to the ground.
Hearing the commotion upstairs, the others go to see what happened and Max spots the killer. They run to hide, and the apparently invincible psychopath horrifically stabs each of them as they try to fight back. The sand in the hourglass runs back, as each character returns to where they were when Nina originally signed the book (she now signs it a second time). They remember what had just taken place, and how they were all murdered. Clearly stuck in this time loop escape room situation, they will now have to figure out how to escape this terrifying hellscape as the situations get worse with every loop.
UNTIL DAWN is nicely shot and paced well, with believable performances. However, the movie has a strong humanist worldview featuring gruesome violence, lots of strong foul language, and excessive gore. The violence includes psychopathic killers, people spontaneously exploding, stabbings, kidnapping, demonic possession, and more. The frequent dying over and over in the plot puts the sanctity of life into question. It forces the characters to conduct abhorrent and unacceptable immoral actions for survival.
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