Movie Reviews
Stream It or Skip It: ‘Relationship Goals’ on Prime Video, a shameless commercial for self-help fodder passing as a romantic comedy
LET IT BE KNOWN that Relationship Goals (now streaming on Amazon Prime Video) is less of a romantic comedy than it is an act of synergistic corporate-religious shamelessness. Ostensibly, it’s a lightweight love-hate Valentine’s Day-themed banterfest between musicians-turned-actors Kelly Rowland (of Destiny’s Child) and Cliff “Method Man” Smith (of the Wu-Tang Clan). But that’s a flimsy tissue-paper cover for The Truth Of The Matter: It’s a 93-minute promotional tool for Relationship Goals: How to Win at Dating, Marriage, and Sex, a faith-based self-help tome by nondenominational Christian megachurch pastor Michael Todd, and a book that the movie’s dialogue tells us can be purchased at a certain online retailer that just so happens to be producing this movie. Michael Todd, who’s prominently featured in the story, and is depicted so glowingly, the movie barely stops shy of slapping wings and a halo on him. Michael Todd, who once went viral for coughing up a loogie and wiping it on his brother’s face during a sermon, to prove a point about faith. Gross, yes – and almost as gross as this advertisement trying to pass itself off as a movie.
The Gist: “Today is the day!” declares Leah Caldwell (Rowland) as she emerges from refreshing slumber. She works as a producer at Better Day USA, a network morning show in the GMA vein, and she’s in line to be promoted to showrunner. Total slamdunk. No questions. It’s just waiting for her once her boss (Matt Walsh) finally retires. IF ONLY, RIGHT? Here’s the wrench in the works: The invisible, nameless, faceless Higher-Ups – honest-to-gum deities or just corporate boardroom chair-moisteners? We can’t be sure! – have dictated the need for competition for the position, so in comes nighttime TV vet Jarrett Roy (Smith) to nudge our protag. He’s nudged her before, too – Jarrett is her ex, and she dumped him for cheating like a dog. You’ve got to be kidding me. Leah’s rightfully flaming pissed, and her besties, makeup gal Treese (Annie Gonzalez) and show anchor Brenda (Robin Thede), support her by listening and puffing her up and insisting that “God has a plan.”
But Leah doesn’t go full atheist. Oh no. She digs in, more determined than ever. In a pitch meeting for Valentine’s Day segments, her idea gets shot down. But Jarrett’s gets greenlit, and here’s where the movie gets really icky: Do a story fluffing up Michael Todd, a megachurch pastor and author played by real-life megachurch pastor and author Michael Todd, who’s introduced as a “YouTube sensation,” although nobody mentions the viral loogie incident. Specifically, the piece will transparently promo- er, that is, delve into megachurch pastor and author Michael Todd’s book Relationship Goals, which Jarrett says changed his life. It chased that dawg right out of him, and now he’s a new and improved man. O RLY is the look on Leah’s face, which squinches up even more when the boss dictates she and Jarrett team up to work on the story, which requires a trip to Tulsa where Brenda will interview megachurch pastor and author Michael Todd, and a visit to his church, which is also the church from real life, and we therefore get to see the church’s logo many times over, but understand the urgency with which we should immediately experience his mindblowing sermons (or, in lieu of that, consume his products).
Some boilerplate romcom stuff happens – Brenda can’t get her longtime basketball player boyfriend to propose, Treese goes on too many dud first dates, Jarrett and Leah get stuck in a car together traveling cross-country and encountering sassy waitresses at podunk diners – but the real narrative emphasis is on how megachurch pastor and author (and YouTube sensation!) Michael Todd’s book Relationship Goals can solve all the characters’ problems. Granted, these are simplistic situations and megachurch pastor and author (and YouTube sensation!) Michael Todd’s book Relationship Goals offers simplistic solutions, but one assumes there’s so much more to megachurch pastor and author (and YouTube sensation!) Michael Todd’s book Relationship Goals that you should probably order it right now from a prominent online retailer so you can live your bestest life forever and ever, and by the way, here’s the cover of the book in a couple dozen scenes so you know what it looks like. Meanwhile, said prominent online retailer wouldn’t mind if you also ordered a bunch of other products from it, including a variety of snack foods and small kitchen appliances whose logos are prominently featured in nice, clean, perfectly focused closeup shots. Helluva movie you’ve got here!
What Movies Will It Remind You Of? Think Like a Man and What to Expect When You’re Expecting became lousy movies too, but they weren’t so egregiously promotional. In the meantime, I’ll very impatiently wait for the movie Peacock Presents Flo From Progressive Insurance Insists You Should Bundle And Save On Home And Auto.
Performance Worth Watching: I’ve heard it’s tough to play yourself in a movie, but megachurch pastor and author (and YouTube sensation!) Michael Todd proves just how easy it is to play himself in an infomercial.
Sex And Skin: Megachurch pastor and au- OK, I’ll stop already. Anyway. The guy who wants you to buy his book says he’ll inform you how to “win at sex” – whatever the hell that means – although the movie never shows us or even talks about it. I call hypocrisy!
Our Take: I’d say Relationship Goals is as subtle as a fart in church, but in this case, Michael Todd’s mega-decibel rock-concert presentation would drown out even the most elephantine flatulence. And once we see Michael Todd spew his catchphrase-laden spiel – “You can’t Facebook faithfulness or Instagram integrity” couldn’t possibly be whipped cream coiled atop a steaming-hot cup of snake oil, could it? – for a Better Day USA interview, and witness his EARTHSHAKING sermon buffered by billowing clouds from the smoke machine, even the most hardcore agnostic will be coughing up a loogie of a prayer to save them from this junk.
I will hereby curb my cynicism for self-help philosophies and products under the assumption that some folks are empowered by them, whether it’s from motivational types like Michael Todd, Brene Brown or Matt Foley. You do you. We’re all doing our best to get through the day whether we’re reading the bible, speaking affirmations into the mirror or blasting Slayer while on the stationary bike. But this quasi-movie is pathetic in its attempt to paper over an advertisement with romcom tropes: quasi-clever banter, cutesy girl-bonding dance sequences, the love/hate dynamic between the leads, etc. And even without the relentless promotional considerations, the movie shows no interest in anything but featherweight cliches.
Granted, there’s no room for narrative innovation when you have content to push, be it via printed materials, live events or YouTube videos. Relationship Goals – the movie, not the book, although they blur together so thoroughly you’d think someone purchased a multi-speed immersion blender from a certain online retailer to guarantee a smooth mixture – features the Better Day USA segment on Michael Todd multiple times, with people in lobbies and offices stopping what they’re doing to watch, instantly converted, wide-eyed and nodding in agreement. Leah, forever steadfast in her dislike of her cheatin’ ex Jarrett, might even be swayed by the Power Of Michael Todd’s Word. Like I said, shameless. I’d be lying if the movie never made me laugh, however – there’s a moment where Leah and Jarrett high-five over having made a “well-rounded story” about our man-of-the-hour subject here, and one assumes if it wasn’t the luminous glow-up we see, it would’ve been a straight-up hardcore blowjob video.
Our Call: Um. No. SKIP IT.
John Serba is a freelance film critic from Grand Rapids, Michigan. Werner Herzog hugged him once.
Movie Reviews
Maxime Giroux – ‘In Cold Light’ movie review
(Credits: Far Out / Elevation Pictures)
Maxime Giroux – ‘In Cold Light’
The action is relentless in the complex thriller In Cold Light, a tense combination of crime and fugitive tale and family drama. It is the third feature and first English language film by Maxime Giroux, best known for a very different kind of film, the critically acclaimed 2014 drama Felix & Meira.
The tension and high energy of In Cold Light almost overwhelm the film, but are relieved, barely, by moments of character development and introspection that keep the audience pulling for the restrained and outwardly cold main character.
Speaking at the film’s Canadian premiere, director Giroux admitted he found creating an action film a challenge. Part of his approach was using very minimal dialogue, especially for the central character, letting the action speak for itself, and allowing silence to intensify suspense. Giroux has said he likes the lack of dialogue and speaks highly of the importance of silence in cinema; he prefers using “physical aspects of communication” in his films.
Young Ava Bly (Maika Monroe) is a competent and businesslike drug dealer, working in partnership with her brother Tom (Jesse Irving) and a small team. As the film begins, Ava has just been released from a brief prison sentence. She is hoping to return to her former position, but her brother’s associates consider her a risk due to her recent incarceration. While she works to re-establish herself, a shocking encounter with a corrupt police officer sends Ava’s life into chaos and forces her to go on the run.
Ava’s fugitive experience introduces a new character, to whom Ava turns for help: her father, Will Bly, played by Troy Kotsur, known for his excellent performance in CODA. Their first interaction is handled in a fascinating way, as Will is deaf and the two communicate through sign language. This, of course, provides another form of the silent interaction the director prefers; he explained that much of the father-daughter interaction was rewritten with the actor in mind. Their conflict is nicely expressed through a scene in which their initial conversation is intermittently cut off by a faulty light which goes out periodically, making communication through sign momentarily impossible, nicely expressing the rift between father and daughter.
As Ava continues to evade danger, her escape becomes complicated by new information, placing her in a painful dilemma. We gradually learn more about Ava, her background, and her character through occasional flashbacks and glimpses of her dreams. The plot becomes more complex and more poignant, and gains features of a mystery as well as an action tale, as she is pressed to choose from among equally unacceptable alternatives.
The climax of her efforts to protect both herself and those close to her comes to a head as she meets with the director of a rival drug gang. Veteran actress Helen Hunt is perfect in the minor but significant role of Claire, the rival drug lord, who plays odd mind games with Ava in an intriguing psychological fencing match. It’s an unusual scene, in which Ava’s personality is made clearer, and Claire’s understated dominance and casual speech do not quite conceal the threat she represents.
The frantic pace and emotional turmoil are enhanced by the camera work, which tends to focus tightly on Ava, and by a harsh, minimal musical score that sets the tone without distracting from the action. Giroux chose to shoot the film in Super 60; he describes digital as “too perfect” for the look he was going for, and since “Ava is rough,” the film portrays her better. The director describes the entire movie as “rough,” in fact, and deliberately chose a dark, washed-out look for much of the footage, occasionally using light and colour, in the form of fireworks, lightning, or a colourful carnival, to both relieve and emphasise the darkness.
The dynamic, intense story holds the attention in spite of the lengthy, sometimes repetitive chase scenes and subdued dialogue. Ava’s predicament, and the difficult decisions she is forced to make, are made surprisingly relatable, from the initial disaster that starts the action to the surprising flash-forward that concludes the film, on as high a note as the situation could allow. Fans of action movies will definitely enjoy this one.
Movie Reviews
Jeremy Schuetze’s ‘ANACORETA’ (2022) – Movie Review – PopHorror
PopHorror had the chance to check out Anacoreta (2022) ahead of its streaming release! Does this meta-horror flick provide interesting story telling or is it a confusing mess.
Let’s have a look…
Synopsis
A group of friends heads to a secluded woodland cabin for a weekend getaway, planning to film an experimental horror movie. As the shoot progresses, the project begins to fall apart—until a real and terrifying presence emerges from the darkness.
Anacoreta is directed by Jeremy Schuetze. It was written by Jeremy Schuetze and Matt Visser. The film stars Antonia Thomas (Bagman 2024), Jesse Stanley (Raf 2019), Jeremy Schuetze (Jennifer’s Body 2009), and Matt Visser (A Lot Like Christmas 2021)
My Thoughts
Antonia Thomas delivered an outstanding performance as the female lead in Anacoreta. It was remarkable to watch her convey such a wide range of emotions with authenticity and depth. I was continually impressed by her ability to switch seamlessly between different dialects. I absolutely loved her delivery of the dialogue of telling The Scorpion and the Frog fable.
Anacoreta employs a distinctive, meta-horror style of storytelling. The narrative follows a group of friends creating a “scripted reality” horror film, and as the plot unfolds, the boundary between their staged production and their actual lives becomes increasingly blurred. This was interesting, but at the same time frustrating as a viewer.

Check out Anacoreta on Prime Video and let us know your thoughts!
Movie Reviews
‘Hoppers’ review: Pixar’s best original movie in years
“So it’s like Avatar?” one character quips in Disney and Pixar’s “Hoppers,” bluntly translating the film’s high-concept premise for the sugar-fueled kids in the audience. And yes, the comparison is apt. The story follows a nature-obsessed teenage girl who manages to quite literally “hop” her consciousness into the body of a robotic beaver in order to spark an animal rebellion against a greedy mayor determined to bulldoze their forest for a freeway.
It’s a clever hook. The kind of big, elastic idea Pixar used to make look effortless. “Hoppers” does not reach the rarified air of “Up,” “Wall-E,” or “Inside Out,” but after a stretch of uneven originals like “Turning Red” and “Luca,” and outright misfires such as “Elemental” and “Elio,” this feels like a genuine course correction. The environmental messaging is clear without being preachy, the animals are irresistibly anthropomorphized, and the studio’s once-signature emotional sincerity is back in sturdy form.
Pixar can afford to gamble on originals when it has a guaranteed cash cow like this summer’s “Toy Story 5” waiting in the wings, but “Hoppers” earns its place in the catalogue. Director Daniel Chong crafts a warm, heartfelt film that occasionally strains under the weight of its own ambition, yet remains grounded by character and theme. Its meditation on conservation and animal displacement feels timely in a way that never tips into after-school-special territory.
We meet Mabel, voiced with bright conviction by Piper Curda, as a child liberating her classroom pets and returning them to the wild. Her moral compass is shaped by her grandmother, voiced by Karen Huie, who imparts wisdom about nature’s sanctity. True to both Pixar tradition and the broader Disney playbook, this beacon of guidance does not survive past the opening act. Loss, after all, is Pixar’s favorite inciting incident.
Years later, Mabel is still fighting the good fight, squaring off against the smarmy Mayor Jerry, voiced with slick menace by Jon Hamm. He plans to flatten the glade where Mabel and her grandmother once found solace. Mabel’s resistance feels noble but futile. The animals have already mysteriously vanished, the machinery is coming, and her last-ditch plan involves luring a beaver back to the abandoned forest in hopes of jumpstarting the ecosystem.
That’s when the film gleefully pivots into mad-scientist territory. At Beaverton University, Mabel discovers her professor, voiced by Kathy Najimy, has developed a device that can project human consciousness into synthetic animals. The process, dubbed “hopping,” allows Mabel to inhabit a robotic beaver and infiltrate the forest from within. It’s an inspired escalation that keeps the film buoyant even when the plotting grows predictable.
Her new posse includes King George, a lovably beaver voiced by Bobby Moynihan with distinct Bing Bong energy; a sharp-tongued bear voiced by Melissa Villaseñor; a regal bird king voiced by the late Isiah Whitlock Jr.; and a fish queen voiced by Ego Nwodim. As is often the case with Pixar, even in its lesser efforts, the world-building is meticulous. The animal hierarchy, complete with titles like “paw of the king,” is layered with jokes that play for kids while slyly winking at adults.
The plot ultimately follows a familiar template. Scrappy underdog rallies community. Corporate villain twirls metaphorical mustache. Emotional third-act sacrifice looms. At times, you can feel the machinery working a little too cleanly. Pixar, and Disney at large, has grown increasingly reliant on sequels and established IP, and “Hoppers” does not radically reinvent the wheel. In an animated landscape where films like “K-Pop: Demon Hunters,” “Across the Spider-Verse,” and “Goat” are pushing stylistic and narrative boundaries, being safe and sturdy may not always be enough.
And yet, there is something refreshing about a Pixar original that remembers how to tug at the heart without squeezing it dry. “Hoppers” is playful, peppered with cheeky needle drops, and builds to a sweet emotional catharsis that may or may not have left this critic a little misty-eyed. It feels earnest and engaged.
“Hoppers” may not be top-tier Pixar. But it is a welcome return to form, a reminder that the studio still knows how to marry big ideas with a bigger heart.
HOPPERS opens in theaters Friday, March 6th.
-
World7 days agoExclusive: DeepSeek withholds latest AI model from US chipmakers including Nvidia, sources say
-
Massachusetts1 week agoMother and daughter injured in Taunton house explosion
-
Denver, CO1 week ago10 acres charred, 5 injured in Thornton grass fire, evacuation orders lifted
-
Louisiana1 week agoWildfire near Gum Swamp Road in Livingston Parish now under control; more than 200 acres burned
-
Florida4 days agoFlorida man rescued after being stuck in shoulder-deep mud for days
-
Wisconsin3 days agoSetting sail on iceboats across a frozen lake in Wisconsin
-
Maryland4 days agoAM showers Sunday in Maryland
-
Oregon5 days ago2026 OSAA Oregon Wrestling State Championship Results And Brackets – FloWrestling
