Connect with us

Movie Reviews

'Saturday Night' MOVIE REVIEW: A Chaotic, Funny, Flawed Dive into the Birth of SNL – Screen Realm

Published

on

'Saturday Night' MOVIE REVIEW: A Chaotic, Funny, Flawed Dive into the Birth of SNL – Screen Realm
Sony Pictures

Saturday Night provides an engagingly tense and often humorous window into what the birth of Saturday Night Live might have felt like behind the scenes. Director and co-writer Jason Reitman (Up in the Air, Juno, Ghostbusters: Afterlife), who reportedly spent nearly two decades refining the screenplay, crafts a lively portrayal of the frenzied energy and creativity that shaped this iconic moment in television history.

While I wouldn’t call myself an avid follower of SNL, I’ve seen enough episodes and sketches over the years to appreciate its cultural impact, even if I lack a deep familiarity with its 1975 roots. This distance from the show’s origins didn’t diminish my enjoyment; in fact, it allowed me to experience the film without feeling the need to fact-check every moment. For those well-versed in the SNL mythology, this retelling might inspire a closer examination of how accurately it represents the tumultuous launch. But for the rest of us, Saturday Night offers an enjoyable look at the high-wire act of live comedy, capturing the essence of a TV milestone.

Reitman’s screenplay, co-written with Ghostbusters collaborator Gill Kenan, uses a mostly real-time format to strong effect. The pacing is brisk, with dialogue that’s often as cutting as it is funny, keeping it all flowing at an almost relentless clip.

If there are flaws, they might lay with the film’s broad look at the night and the sheer volume of characters. While the core cast keeps the main story moving, the inclusion of so many additional figures sometimes leaves scenes feeling scattered, lacking a clear purpose beyond a “spot the famous face” game. A more streamlined focus on a select few characters or a narrower angle on SNL’s first broadcast could have strengthened the film’s emotional and narrative impact.

Despite this detraction, Saturday Night is still an entertaining, witty exploration of this iconic show’s origins. Yes, it’s often hard to care strong one way or another without a stronger emotional core and a focus that to serve the drama, but the film does well to capture the spirit and chaos of SNL’s early days; it’s frequently as lively and unpredictable as the show itself.

Advertisement

Movie Reviews

“Billie Eilish – Hit Me Hard and Soft: The Tour” Movie Review – Spotlight Report

Published

on

“Billie Eilish – Hit Me Hard and Soft: The Tour” Movie Review – Spotlight Report

Billie Eilish fans prepare yourself,  the much talked about secret project has finally arrived on the big screens!

Billie Eilish has always been about intimacy over artifice, but her latest concert film takes that to a visceral new level. Co-directed by Eilish and James Cameron, Billie Eilish – Hit Me Hard and Soft: The Tour (Live in 3D) manages to bridge the gap between a massive stadium show and the quiet grit of life backstage.

The film starts 18 minutes out from the show and builds the tension until audiences are literally folded into a box with her. Being taken under the stage, passing fans who have no idea she’s inches away, sets a tone of total immersion. What makes this film different is the balance between the spectacle and the behind-the-scenes reality. We see the creative shorthand between Billie and James Cameron as they chase what she calls the “best kind of sensory overload”.

Advertisement

The film is very much fan focussed, with the sound mix being so specific that you can hear individual fans singing along in sync with the visuals.

There are so many standout moments, the handheld camera work during “Bad Guy” that gives a dizzying POV of the band, and the chilling minute of silence Billie requests from the crowd to record a vocal loop.

The film captures her unique stage presence. Influenced by rap culture, Billie refuses to have anyone else on stage, unlike many female artists that use back up dancers. Billie can hold the entire stadium in awe by herself which is incredible to witness, until Finneas joins her for a beautiful, emotional piano set.

Between the high-tech visuals and the “Puppy Room” (where she keeps rescue dogs for staff to decompress), the film feels incredibly personal. While the film doesn’t give us any new insights into Billie, Billie Eilish – Hit Me Hard and Soft: The Tour (Live in 3D) is an enjoyable experience that elevates the tradition concert film.

Advertisement
Continue Reading

Movie Reviews

Mortal Kombat 2 film producer asks ‘why the f**k’ critics who ‘have never played the game’ were allowed to review it | VGC

Published

on

Mortal Kombat 2 film producer asks ‘why the f**k’ critics who ‘have never played the game’ were allowed to review it | VGC

The producer of the Mortal Kombat 2 movie has called out critics who gave it a negative review.

At the time of writing, Mortal Kombat 2 has a score of 73% on film review aggregator site Rotten Tomatoes, and a score of 48 on Metacritic.

While this means reviews have generally been mixed, the film’s producer Todd Garner took to X to criticise those who wrote negative reviews, suggesting that some of them were written by critics who aren’t familiar with the source material.

“Some of these reviews are cracking me up,” Garner wrote. “It’s clear they have never played the game and have no idea what the fans want or any of the rules/canon of Mortal Kombat.

“One reviewer was mad that a guy ‘had a laser eye’! Why the fuck do we still allow people that don’t have any love for the genre review these movies! Baffling.”

Advertisement

When questioned on this viewpoint by some followers, Garner explained that while he doesn’t have an issue with negative reviews in general, his problem is specifically reviewers who don’t appear to be familiar with Mortal Kombat.

“My comment was very squarely directed at a couple of reviewers that did not like the ‘zombies’ and the fact that there was a ‘guy with a laser eye’, etc,” he said. “Those are elements that are baked into the Mortal Kombat IP and therefore we were dead in the water going in.

“There is no way for that person to review how it functioned as a film, because they did not like the foundational elements of the IP. I just wish when something is so obviously fan leaning in its DNA, that critics would take that into consideration.”

One follower then countered Garner’s complaint by arguing that he shouldn’t be criticising people who don’t know the games, when the films themselves take creative license with the IP.

Advertisement

“Bro to be fair, you invented Cole Young, Arcana and couldn’t even get the simple lore of Mileena and Kitana correct,” said user Dudeguy29. “I’d say you shouldn’t be tossing any stones here.”

“Fair,” Garner replied.

Garner previously criticised the cast of the Street Fighter movie when, during The Game Awards last year, comedian Andrew Schulz – who plays Dan in the Street Fighter film – claimed that the Mortal Kombat 2 movie cast were also in attendance, before joking: “I’m just kidding, they didn’t come, they don’t care about you, they only care about money.”

The jibe didn’t go down well with Garner, who stated on X at the time: “I don’t climb over others to get ahead”. When recently asked how he felt about the cast vs cast rivalry, however, Mortal Kombat co-creator Ed Boon laughed and said he had no issue with it at all.

Mortal Kombat 2 is released in cinemas this Friday, May 8, while Street Fighter arrives later in the year on October 16.

Advertisement
Blue Heron Review: Some Things Last a Long Time","user_role":"guest","event_url":"https://www.austinchronicle.com/screens/film-review/blue-heron-canadian-family-drama-charts-heavy-trauma-and-lingering-grief","post_type":"post","post_id":452530});