Address Newsletter
Our weekly digest on buying, selling, and design, with expert advice and insider neighborhood knowledge.
Bill Murray, comedy great and wise guy of the century, was almost a doctor. True story: a young Murray was on a pre-med track at Regis University, right up until he was caught packing 10 pounds of pot at an airport, and dropped out of school before the powers that be had the chance to expel him. The arrest sent him home to Chicago and into the kooky realm of comedy. One iconic “Saturday Night Live” stint and countless films and classic lines later — “back off man, I’m a scientist” comes to mind — and it’s apparent that his impromptu career change panned out just fine.
But Murray would have been just as well-served to pivot to a different sector of the entertainment industry, as his show at Boston’s House of Blues demonstrated Thursday night. On tour as Bill Murray & His Blood Brothers, the 75-year-old actor and his band skillfully stormed through a selection of covers, seemingly for no other reason than a love of their craft.
On the band’s website, Murray’s billed as the group’s lead singer, and his flair for the dramatic serves him well as a shimmying, shuddering frontman. But if someone at the House of Blues were none the wiser about the older gentleman in the beanie and button-up shirt, he’d seem like an unassuming bandmate who was content to cede center stage for half of the performance. Of the evening’s 12 songs, Murray only took the lead on half of them, and otherwise happily cycled through instruments at a percussion station of sorts, complete with chimes, a cowbell, a shaker, a pair of congas, and a mic for backing vocals.
He didn’t even approach the front of the stage to sing lead until the third song, Warren Zevon’s “Werewolves of London,” a pick that allowed Murray to ham up the chorus’ howls. Whenever he took a back seat and returned to his instruments, Murray’s core bandmates — guitarists Mike Zito, Albert Castiglia, and Jimmy Vivino — took the lead for blues-soaked covers of song such as Prince’s “Little Red Corvette,” plus an original by Zito and Castiglia called “In My Soul.”
The only guests who were likely to have walked away disappointed Thursday night were those who thought they’d bought tickets to a novelty act in the vein of Murray’s SNL character Nick the Lounge Singer. Ever the entertainer, the actor didn’t shy away from his fine-tuned ability to warp his face and voice, but Murray wasn’t kidding around.
“I love your city,” he told the crowd. “I’ve been here a lot of times. I’ve made a lot of friends. Some are here tonight, some are gone. We’re gonna play tonight for the ones that are gone, OK?”

When Murray sang “Like A Rolling Stone,” he didn’t ask “how does it feel?”, he bellowed it, arguably with more conviction than the original. His exuberant rendition of Tommy Tutone’s “867-5309 / Jenny,” which felt like a shared karaoke session between Murray and the equally eager crowd, warranted a quick spin from the House of Blues’s disco ball, as did a cover of the Stephen Stills song “Love the One You’re With” that tapped in Cape Ann musician Juliet Hawkins as a singing partner.
If that sounds like a celebrity seeking a quick check, or a restless actor desperate to branch out, I’d advise you to buy a ticket, see for yourself, and back off, man.
This guy’s a musician.
BILL MURRAY & HIS BLOOD BROTHERS
With the Jimmy Carpenter Band. At the House of Blues, Thursday
Victoria Wasylak can be reached at victoria.wasylak@globe.com. Follow her on Bluesky at VickiWasylak.bsky.social.
Surprise: Another weekend and there’s more rain on the way. It’s bad enough we’ve had to post a First Alert.
For now, we’ll watch as clouds thicken today. We’ll squeeze out some drops later this afternoon and evening.
A weather maker is winding up in Canada, wrapping in cold air. All of that is going to dive down to New England.
We’re in the thick of it tomorrow. Rain will be coming at us in bursts with some dry time in between. Winds will likely push past 50 mph in Boston.

Those winds will eat away at temperatures; with wind chills barely above freezing. And no – not just in the morning – but the afternoon, too!
It’s so cold there’s the threat of snow as that rain bumps into colder air over the Berkshires, Worcester Hills and southern New Hampshire right up to Mount Washington.
The snow isn’t going to pile up but just know there could be some flakes flying over our highest hills.
The blue on our Futurecast map marks the spots where snow could mix with rain.
Rain spins out by Saturday evening but not before dumping about half an inch over Boston.
We’ll try to salvage the rest of the weekend with temperatures in the upper 60s by Sunday. Still, there’s the threat of bits and pieces of rain.
By the way, this isn’t any weekend, it’s the last weekend of spring. Meteorological summer starts on June 1.
The first day of summer remains drab and dreary with more rain chances and temperatures in the low 60 on Monday.
Federal immigration demands are once again centered on Massachusetts.
The House Judiciary Committee on Tuesday sent three letters to Boston Police Commissioner Michael Cox, Suffolk County Sheriff Steven Tompkins and Suffolk County District Attorney Kevin Hayden demanding, among other things, information on how many ICE detainers BPD has received and declined to honor from 2022 to 2026 and any communication between the three departments related to immigration.
House Judiciary Chairman Rep. Jim Jordan, R-Ohio, said in a statement that “releasing repeat criminals back to the streets solely because of their immigration status is crazy, and that’s exactly what Boston is doing.”
But Democrats push back on that framing.
“You’re familiar with Jim Jordan and his antics,” said Massachusetts Gov. Maura Healey. “This is more circus, it’s more theater and it’s not making our community safe.”
A spokesperson for the City of Boston wrote, “the city has provided this information many times…” going on to say “…these policies are part of keeping Boston the safest major city in America.”
The letters call for the documents to be sent to the House Judiciary Committee by June 10th at 5:00 pm. District Attorney Hayden’s office told NBC 10 they are reviewing the letter, neither Commissioner Cox or Sheriff Tompkins responded to requests for comment.
On the Market
At first glance, Joan Bennett Kennedy’s Back Bay home may not appear all that unusual, but the endless stories held within its walls illustrate how a sacred space became one woman’s shelter from the storm.
After divorcing Ted Kennedy in 1982, Bennett Kennedy returned to Boston and moved into 250 Beacon St. #10, and remained there for more than four decades until her death at age 89 in October. Now, her three-bedroom, three-bathroom home, which measures 2,075 square feet, is on the market at $2.59 million.
“Her home really played an important part in the transformation of her life,” her son, Ted Kennedy Jr., told the Globe. “She was a newly divorced woman coming back, trying to reestablish her roots in Boston, and she had her music, which was part of her unique identity, apart from being married to my father. She was seeking to reinvent herself and live on her own terms.”
It was there at 250 Beacon where Bennett Kennedy restarted her life. She earned a master’s degree in music education at 44, and became a staple on the Boston classical music scene, thanks to her lifelong dedication to the piano. But it was also where she faced significant struggles, ranging from depression to alcoholism. She didn’t hide her battles at a time when they weren’t commonly discussed.
“She paved the way for many other women who were suffering in silence,” said Kennedy Jr. “The Boston community just took her in and provided her with friendship and support.”
The circa-1925 building features an elegant lobby that leads to the elevators. Inside the fifth-floor unit, a foyer flows into a hallway and into the spacious living room, where hardwood floors run throughout and a wood-burning fireplace sits under a unique carved mantel surrounded by marble. But it’s the windows that capture the eyes, with views of the treetops and the Charles River in the distance.
“She would sit at her piano in the condo every afternoon for hours,” said Kennedy, who noted that the home later served as the spot where his mother penned “The Joy of Classical Music,” a guide for introducing classical music to families. Prominent musical figures, including John Williams, Seiji Ozawa, and Arthur Fiedler, were frequent guests.
The open floor plan continues in the dining area and library, filled with built-in bookcases and oversized windows.
The living room fireplace is two-sided; on its opposite side is the primary bedroom suite, with built-in bookshelves and a massive bay window with beautiful views. The primary suite features an en-suite bathroom with a pink vanity.
“These front rooms, all three of them, the amount of glass and the size of these windows are just magnificent,” said Linda Barrett of Douglas Elliman, who has the listing and knew Kennedy for years. “Being on the fifth floor, she sat right at the tree line, looking at the Charles River.”
A second of three full bathrooms has elegant marble tiles and a step-in shower. Across the hallway are two closets for storage and the galley kitchen with green/blue cabinetry and stainless steel appliances.


There are three bedrooms, one with teal carpeting and ample built-in storage.
The home has central air, and the building has a live-in superintendent. The fee is $1,725.39 per month. The piano is not included as part of the sale.
Our weekly digest on buying, selling, and design, with expert advice and insider neighborhood knowledge.
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