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Música (2024) Review

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Música (2024) Review

Música explores how surroundings and upbringing shape us, offering a view of the world through others’ eyes.

No two people are the same, everyone has differences.  Physically families seem to show similarities but even they are not carbon copies of one another.  This is not only true for our physical appearance but also how we think and feel. We all have our own opinions and our views of the world at large are not completely alike.  Factors such as our upbringing, the part of the world we are from and those older individuals who help shape us, play into how we see everything and everyone around us.  For Rudy, this also includes his love of music.

Rudy (Rudy Mancuso; The Flash) sees the everyday world differently.  While other people may see two guys in the park playing basketball, Rudy experiences a drum rhythm keeping the beat as the ball bounces against the pavement.  Similarly, others would see a girl swinging back and forth on a swing set while Rudy hears the melody of a song as the swing squeaks with each rotation back and forth. For the musician in him, it opens his eyes and mind to songs that play incessantly in his head.  For the regular guy, it is often distracting and interferes with his daily life.

Rudy gets distracted while in class when talking to his girlfriend, Haley (Francesca Reale; Stranger Things), and even when he is having dinner at home with his mom. So when Haley dumps Rudy, the last thing Rudy needs is to meet someone new.  Enter Isabella (Camila Mendes; Riverdale)…the beautiful, intelligent, Brazilian, young woman working at the fish store.   Spending time with Isabella opens Rudy up in ways he never thought possible but when Haley wants him back he starts dating both ladies at the same time, and the results are disastrous. At the same time, these two women have just opened Rudy up creatively which helps him to expand his puppet show and become successful in the arts.

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Mancuso not only stars in the film but co-wrote and directed it as well.  As his feature film directorial debut, he does a very good job.  He exposes the audience to the world around him but shows it from a different perspective.  As demonstrated previously, the jackhammer breaking apart the street or the bus tires as they run over the rough and uneven streets all create a song in his head.  One only he can hear but one which he visually attempts to show us.

Mendes is a breath of fresh air in comparison to the “Gringa” Haley as Mancuso’s Mother, Maria (newcomer Maria Mancuso), likes to describe her.  She has an authenticity to her that helps the audience connect to her character.  Reale does a good job playing the rich, white girl who pretends to be sympathetic towards Rudy’s ethnicity but who simply doesn’t “get it”.  Mancuso’s mother playing his mother was a smart but risky choice.  She manages to pull it off though.  Rudy is a star and director of his own story and is the master both in front of and behind the camera.  It will be interesting to see if he could do as good a job as director with someone else’s work.

Música not only allows the audience to view the world from someone else’s eyes, but it also punctuates the idea that our surroundings and upbringing help us to meld into the person we ultimately become.  The writing, directing, soundtrack, cast, etc. pull the viewer in from almost the beginning and hold their attention for the hour-and-a-half run time.  With humor and heart, Mancuso adeptly brings the audience into his world and his mind and, not only leaves us wanting more but expands our horizons to attempt to get us to “think outside the box”.

Grade: A

Música images are courtesy of Amazon Studios. All Rights Reserved.

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Movie Reviews

Prasanna Vadanam Movie Review – Gulte

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Prasanna Vadanam Movie Review – Gulte

2.75/5


2 Hr 26 Mins   |   Thriller   |   03-05-2024


Cast – Suhas, Payal Radhakrishna, Rashi Singh, Viva Harsha, Nitin Prasanna and others

Director – Arjun Y K

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Producer – Manikanta J S, Prasad Reddy T R

Banner – Arha Media, Little Thoughts Cinemas

Music – Vijai Bulganin

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Suhas has become one of the bankable actors in Tollywood. He is now out with his latest film, Prasanna Vadanam, based on a man with face blindness. Directed by Arjun YK, let’s review the film here.

Plot

Surya(Suhas), a Radio RJ meets with a terrible accident and ends up with a rare disease named Prosopagnosia. Due to this, he gets face blindness and cannot identify the faces of people around him. One fine day, he witnesses the brutal murder of a young girl. He informs the cops but instead gets embroiled in the case. Left with no choice; he approaches top cop Vaidehi(Rashi Singh) for assistance. But things turn on its head and multiple cases are now filed on Surya. The rest of the story is about how Surya proves his innocence with the help of his girlfriend Adhya(Payal Radhakrishna).

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Performances

Suhas is known for his versatile characters gets a tailor-made role in Prasanna Vadanam. As he has a unique disease, the scope for him to perform uniquely is high in the film, and Suhas lives up to all the expectations. His performance in the second half is highly impressive and arrests you till the end. Nithin Prasanna, who was last seen in Ambajipeta Marriage Band, delivers yet another bankable performance. The various shades he showcased in his performance were impressive. Rashi Singh, who played the top cop, was decent, but she should have worked more on the expressions in the latter part of the film. Viva Harsha was okay, and so was Payal Radhakrishna.

Technicalities

Vijay Bulganin composed the music for the film, and his songs are quite ordinary. None of the songs register with the audience, but the background score is quite impressive. The sound design neatly elevates the proceedings and is composed in a stylish manner. The camera work is so-so and one cannot complain keeping the budget in mind. The production values are also okay, and there is nothing much to rave about. The editing is perfect as the narrative is crisp and to the point.

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Suhas
Interval twist

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Lag in the second half
Songs
Flashback

Analysis

Making thrillers is one of the biggest tasks for any writer-director. But newcomer Arjun YK has chosen a story with face blindness which is something new for Telugu cinema. So, this itself makes things interesting for Prasanna Vadanam. Prasanna Vadanam starts on a very interesting note, and the best part is that director Arjun does not waste any time entering the conflict point in the film.

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Once the heroine is introduced, the love track gets a bit boring, but that too passes, and things become interesting for the audience. Once the crime is committed, the concentration shifts towards the cops and how they will deal with the case. But the way director Arjun brings in the half-time twist is superb and unexpected. As the director reveals the man behind the murder, things become a bit difficult for the director to handle the proceedings.

This is when the proceedings become slow and a bit dull. Also, the reason behind the motive of the murderer is not showcased convincingly. Also, the way Suhas behaves in the second half looks a bit odd. As he has face blindness, the director could have added more drama and played with the effects, but that does not happen, and things move slowly until the pre-climax.

Director Arjun has potential and narrates the film well for the most part. However, way too many cinematic liberties and a lack of hold on emotions are some of the drawbacks. Prasanna Vadanam has decent moments that hold your attention. However, one needs to prepare for the pace and lack of depth in the proceedings as well.

Bottom Line – Passable Thriller

Rating: 2.75/5

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Sabari Movie Review: Varalaxmi Proves She Can Do Female Centric Roles

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Sabari Movie Review: Varalaxmi Proves She Can Do Female Centric Roles

Sabari, starring Varalaxmi Sarathkumar and directed by Anil Katz. The film hit theatres today.

What is it about?

The film follows Sanjana (Varalaxmi Sarathkumar), a single mother whose world is turned upside down when a horrifying truth comes to light: the child she raised is not her biological daughter.

Plot:

The story begins with a twisted past, revealing a villain, Mime Gopi, who escaped a mental asylum with an obsession—finding the daughter he believes was swapped. This sets him on a violent collision course with Sanjana, who will stop at nothing to protect the child she has loved and raised as her own.

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Sabari showcases the unwavering bond between a mother and child. As a single parent navigating the challenges of a broken marriage, Sanjana embodies strength and determination.

The movie appears like a psychological horror- thriller at first. While watching the first half, the film comes across a female led emotional thriller where the single parent appears to be going through hardships. Everything goes for a toss in the second half. It is in the second half that the film becomes an irreparable mess. The plot turns are created or arranged in a way that seems unrealistic and artificial.

Verdict: The screenplay of Sabari is far-fetched and the climax is so old that you will not believe this is a film made in 2024. However, Varalaxmi Sarathkumar has delivered a terrific performance.

Rating: 2.75/5

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Movie Reviews

Movie Review: The Fall Guy – CinemaNerdz

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Movie Review: The Fall Guy – CinemaNerdz

Based on the television show of the same name that ran for five seasons from 1981-86 and starred Lee Majors and Heather Thomas, director David Leitch’s new film, The Fall Guy, employs the same combination of action and sexual tension that fueled the show (albeit not necessarily between the two main characters). This approach makes for an entertaining and somewhat nostalgic aura around a film that, if approached a different way, could have resulted in another disappointing cinematic adaptation of a popular television property.

Colt Seavers (Ryan Gosling) is a stuntman at the top of his game. He is performing death-defying stunts alongside his wannabe director girlfriend Jody (Emily Blunt) until one stunt goes awry and a severely injured Colt all but retires from the profession. That is, until his services are requested on the film that his now ex-girlfriend Jody is making her directorial debut with. The prospect of making peace with her entices him to take up the mantle of stuntman again. When he gets on set however, he quickly learns that there is more to his emerging from retirement than simply performing a few stunts as the star of Jody’s film (played by Aaron Taylor-Johnson) has disappeared and the film’s producer Gail Meyer (Hannah Waddingham) enlists Colt to track him down and bring him back to set. Of course, this is easier said than done and Colt soon finds himself embroiled in a conspiracy that could derail not only his reconciliation with Jody, but her career as well.

"The Fall Guy" poster

Like he has done with films like Bullet Train (2022) and Deadpool 2 (2018), director David Leitch shows off his ability to deliver action sequences that invigorate a rather tepid plot (as in the case of Bullet Train), but also showcase a well-written story centered around a likable character played by a charismatic actor (i.e. Deadpool 2). Working from a script by Drew Pearce (whom he collaborated last with making 2019’s Fast & Furious Presents: Hobbs & Shaw), Leitch embraces the entertainment value of the original property without resorting to a camp approach as have many other television adaptations. What emerges is an action/adventure piece with a legitimate mystery for the hero to solve while simultaneously trying to get his life back on track.

As Colt, Gosling does a fine job of blending the character’s natural suave demeanor with the uncertainty he is facing during this crossroads moment of his life path. Likewise, Blunt is equally capable as the talented filmmaker who is unsure exactly why her former flame has shown up on her set after so much time away. Taylor-Johnson embraces the bombastic nature of his character as a spoiled star too used to getting his way.

Ryan Gosling in "The Fall Guy."Ryan Gosling in "The Fall Guy."

Ryan Gosling in “The Fall Guy.”

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Nods to the original television show, courtesy of David Scheunemann’s production design, including Colt’s iconic truck, prove a welcome and non-distracting homage to the series. Along with Leitch’s use of movement to capture the action sequences, the editing provided by Elísabet Ronaldsdóttir allows the film’s action sequences to move along at a brisk and well-paced speed.

The nostalgic and non-ironic adaptation of the television series The Fall Guy allows the film to stand on its own apart from its namesake property (although there is a cameo at the end of the credits featuring original stars of the series) and exist as its own successful action/adventure film.

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