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MOVIE REVIEW: Love Hurts, but not as much as the film

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MOVIE REVIEW: Love Hurts, but not as much as the film

Is Love Hurts an action movie? A romance? A comedy? As it turns out, the film is more disappointing than being stood up on a first date

The Snapshot: By trying to be an action movie, romance movie and comedy movie all at once, Love Hurts fails at being any of them.

Love Hurts

3 out of 10

14A, 1hr 23mins. Action Romance Comedy.

Directed by Jonathan Eusebio.

Starring Ke Huy Quan, Ariana DeBose, Daniel Wu, Lio Tipton, Cam Gigandet and Sean Astin.

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Believe me, dissuading couples from seeing Love Hurts is going to hurt me a lot more than it hurts you.

Despite having so many great components, the total marriage of the varied cast, script and a story with empty promises makes Love Hurts a Valentine’s Day mess. The film is a overly violent and underdeveloped disappointment.

The story is of a former assassin turned innocent realtor (Ke Huy Quan, best known for the Oscar-winning Everything, Everywhere All At Once) being dragged back into his criminal life by an ex-girlfriend (Ariana DeBose), only for a set of rival thugs to come and hunt them both down.

Former stuntman Jonathan Eusebio makes his debut as a film director, and while his skill for fight choreography is evident, he can’t make sense of the film’s weak screenplay and countless loose ends.

Not only is the movie a comedy with unfunny jokes, it’s also a romance with shallow relationships and thin chemistry between most of the pairings. Only the action elements sometimes succeed with some impressive fights and stunts — but the camera is so shaky and distracting it’s hard to enjoy them.

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Worst of all is the film’s atrocious script. There are multiple narrators with clashing tones, there are several side characters who appear with context or explanation, and the repetitive exposition is dull and pointless.

Throughout the story, there’s a recurring theme that “hiding ain’t living,” in that the source of love is being true to oneself and going after what it is we really want. But that theme, highlighted in so much of the marketing and early story, is left at surface level by only being repeatedly mentioned out loud instead of explored in any way.

Quan and DeBose (both Academy Award winners!) are both earnest, likeable actors who deserves better than this for a star vehicle. While I enjoyed him and Lio Tipton as his assistant Ashley, many other performers fell flat. 

Many of the rival assassins and killers are forgettable, each with thin, unneeded subplots that often get abandoned. Daniel Wu as master villain Knuckles is also barely in the film, but the most surprising letdown is DeBose’s work (normally great) as Rose, which is campy and hokey instead.

With such a great cast and unique concept, Love Hurts should’ve been a home run for Valentines Day. Instead, the film leaves you feeling empty and disappointed like being dumped by your ex-partner.

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Movie Reviews

Primate

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Primate
Every horror fan deserves the occasional (decent) fix, andin the midst of one of the bleakest movie months of the year, Primatedelivers. There’s nothing terribly original about Johannes Roberts’ rabidchimpanzee tale, but that’s kind of the …
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Movie Reviews

1986 Movie Reviews – Black Moon Rising | The Nerdy

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1986 Movie Reviews – Black Moon Rising | The Nerdy
by Sean P. Aune | January 10, 2026January 10, 2026 10:30 am EST

Welcome to an exciting year-long project here at The Nerdy. 1986 was an exciting year for films giving us a lot of films that would go on to be beloved favorites and cult classics. It was also the start to a major shift in cultural and societal norms, and some of those still reverberate to this day.

We’re going to pick and choose which movies we hit, but right now the list stands at nearly four dozen.

Yes, we’re insane, but 1986 was that great of a year for film.

The articles will come out – in most cases – on the same day the films hit theaters in 1986 so that it is their true 40th anniversary. All films are also watched again for the purposes of these reviews and are not being done from memory. In some cases, it truly will be the first time we’ve seen them.

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This time around, it’s Jan. 10, 1986, and we’re off to see Black Moon Rising.

Black Moon Rising

What was the obsession in the 1980s with super vehicles?

Sam Quint (Tommy Lee Jones) is hired to steal a computer tape with evidence against a company on it. While being pursued, he tucks it in the parachute of a prototype vehicle called the Black Moon. While trying to retrieve it, the car is stolen by Nina (Linda Hamilton), a car thief working for a car theft ring. Both of them want out of their lives, and it looks like the Black Moon could be their ticket out.

Blue Thunder in the movies, Airwolf and Knight Rider on TV, the 1980s loved an impractical ‘super’ vehicle. In this case, the car plays a very minor role up until the final action set piece, and the story is far more about the characters and their motivations.

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The movie is silly as you would expect it to be, but it is never a bad watch. It’s just not anything particularly memorable.

1986 Movie Reviews will continue on Jan. 17, 2026, with The Adventures of the American Rabbit, The Adventures of Mark Twain, The Clan of the Cave Bear, Iron Eagle, The Longshot, and Troll.


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‘Song Sung Blue’ movie review: Hugh Jackman and Kate Hudson sing their hearts out in a lovely musical biopic

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‘Song Sung Blue’ movie review: Hugh Jackman and Kate Hudson sing their hearts out in a lovely musical biopic

A still from ‘Song Sung Blue’.
| Photo Credit: Focus Features/YouTube

There is something unputdownable about Mike Sardina (Hugh Jackman) from the first moment one sees him at an Alcoholics Anonymous meeting celebrating his 20th sober birthday. He encourages the group to sing the famous Neil Diamond number, ‘Song Sung Blue,’ with him, and we are carried along on a wave of his enthusiasm.

Song Sung Blue (English)

Director: Craig Brewer

Cast: Hugh Jackman, Kate Hudson, Michael Imperioli, Ella Anderson, Mustafa Shakir, Fisher Stevens, Jim Belushi

Runtime: 132 minutes

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Storyline: Mike and Claire find and rescue each other from the slings and arrows of mediocrity when they form a Neil Diamond tribute band

We learn that Mike is a music impersonator who refuses to come on stage as anyone but himself, Lightning, at the Wisconsin State Fair. At the fair, he meets Claire (Kate Hudson), who is performing as Patsy Cline. Sparks fly between the two, and Claire suggests Mike perform a Neil Diamond tribute.

Claire and Mike start a relationship and a Neil Diamond tribute band, called Lightning and Thunder. They marry and after some initial hesitation, Claire’s children from her first marriage, Rachel (Ella Anderson) and Dayna (Hudson Hensley), and Mike’s daughter from an earlier marriage, Angelina (King Princess), become friends. 

Members from Mike’s old band join the group, including Mark Shurilla (Michael Imperioli), a Buddy Holly impersonator and Sex Machine (Mustafa Shakir), who sings as James Brown. His dentist/manager, Dave Watson (Fisher Stevens), believes in him, even fixing his tooth with a little lightning bolt!

The tribute band meets with success, including opening for Pearl Jam, with the front man for the grunge band, Eddie Vedder (John Beckwith), joining Lightning and Thunder for a rendition of ‘Forever in Blue Jeans’ at the 1995 Pearl Jam concert in Milwaukee.

There is heartbreak, anger, addiction, and the rise again before the final tragedy. Song Sung Blue, based on Greg Kohs’ eponymous documentary, is a gentle look into a musician’s life. When Mike says, “I’m not a songwriter. I’m not a sex symbol. But I am an entertainer,” he shows that dreams do not have to die. Mike and Claire reveal that even if you do not conquer the world like a rock god, you can achieve success doing what makes you happy.

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ALSO READ: ‘Run Away’ series review: Perfect pulp to kick off the New Year

Song Sung Blue is a validation for all the regular folk with modest dreams, but dreams nevertheless. As the poet said, “there’s no success like failure, and failure’s no success at all.” Hudson and Jackman power through the songs and tears like champs, leaving us laughing, tapping our feet, and wiping away the errant tears all at once.

The period detail is spot on (never mind the distracting wigs). The chance to hear a generous catalogue of Diamond’s music in arena-quality sound is not to be missed, in a movie that offers a satisfying catharsis. Music is most definitely the food of love, so may we all please have a second and third helping?

Song Sung Blue is currently running in theatres 

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