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Movie Review: BLONDE

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Movie Review: BLONDE

I begin this evaluation with one thing essential. Set off Warning. Blonde made information earlier this yr when it was introduced the Marilyn Monroe pseudo-biopic can be rated NC-17. At that time, we weren’t certain what that meant. Nicely, it seems, it means every part. Andrew Dominik’s new characteristic brings every part to the desk: consensual and non-consensual intercourse, nudity, violence, suicide, graphic depictions of abortion, little one abuse … and lots of that is within the first hour.

Often, I like to start out with some deeper thought, however readers want to pay attention to this. Know your limits. This movie is rather a lot and completely none of it’s simple. When you’re all set with the above, right here’s every part it is advisable to find out about Blonde.

Blonde is a fictionalized retelling of Hollywood legend Marilyn Monroe’s (Ana de Armas) life. Nothing is off-limits. The narrative begins in childhood as her mom (Julianne Nicholson) struggles with psychological sickness. We see Monroe rise to stardom and her “fairy story” marriages earlier than issues spiral uncontrolled, resulting in her deadly drug overdose. Adrien Brody and Bobby Cannavale co-star within the film. Andrew Dominik directs the movie from his script. Blonde relies on the Joyce Carol Oates novel of the identical identify.

Diving proper in, Blonde fights a tough battle because it pertains to perspective. Whereas the film brings all of the hallmarks of a biopic, Blonde can and must be thought of a piece of historic fiction. In any case, that is based mostly on a novel. Although, the appear and feel of this movement image simmer inside a misleading grey space.

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On a fictional movie, a artistic crew shouldn’t be beholden to historical past. Sadly, although, Blonde follows actual individuals who lived actual lives and suffered very actual trauma. I’m not a Marilyn Monroe scholar, so I’m unable to guage Blonde by way of a historic lens.

Although, when analyzing a persona as extremely manufactured as Marilyn Monroe’s was, few will actually be capable to. The metaphorical line separating actuality and fiction is extremely blurry. So, whereas Netflix hypes this movie as a piece of fiction, the actual fact this offers with actual folks complicates the scenario. Blonde is able to completely altering the Marilyn Monroe narrative, and never essentially for the higher.

Ana de Armas recreates an iconic Marilyn Monroe moment in Blonde.

As talked about, I’m not a Marilyn Monroe historian, and albeit, what number of Hollywood movies all the time get the small print proper? There will definitely be biographical inaccuracies, however I’m selecting to go away that to extra realized historians. That is labeled as a piece of historic fiction and the figures onscreen finally are characters.

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So, to place slightly wanted context to this evaluation, I’m framing this examination of Blonde to have a look at the movie as a bit of historic fiction quite than a purely historic work. 

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When Netflix introduced Blonde, the most important questions surrounding this film revolved round Ana de Armas enjoying Monroe. It’s clear the actress shares a hanging resemblance with the legendary film star.

Ana de Armas poses as Marilyn Monroe

To be trustworthy, in a handful of scenes I wasn’t certain if I used to be seeing Monroe or de Armas. Likewise, there are solely a handful of cases the place de Armas couldn’t fairly nail Monroe’s iconic babydoll coo. It’s a heck of a efficiency, undoubtedly the caliber able to making her a frontrunner come awards season.

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Sadly, it appears shocking to say that on this Marilyn Monroe story, de Armas doesn’t have sufficient to do. She slays what she’s given. Nonetheless, this film is greatest described as “Marilyn Monroe torture porn.” The actress spends many of the movie’s roughly 160-minute runtime with tears streaming down her face for one cause or one other.

This isn’t a qualm in opposition to de Armas’s efficiency. She is appearing to the script she’s been given. It appears unlucky for all concerned that Dominik’s script has little interest in exploring Monroe, or really, any of those characters. His singular focus is exploring the hell this lady endures. 

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Bobby Canavale and Ana de Armas recreate a moment as Marilyn Monroe and Joe DiMaggio in Blonde.

Regardless of telling a linear story, there isn’t any sense of narrative to Blonde. As a substitute, Dominik’s script feels structured in seemingly remoted moments.

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Issues occur to Monroe with no buildup or improvement. It virtually feels “stream of consciousness,” however the script itself has no consciousness of why occasions occur. Issues happen with no understanding of how Monroe ended up the place she is. We don’t see the development. The actress is passively uncontrolled in her personal life as she bounces from one horrible second to the subsequent. 

Truthfully? Blonde does a disservice to Ana de Armas as a performer. This might (and should) be an awards-caliber half. Nonetheless, it doesn’t permit her to really discover Monroe as a completely shaped particular person. Unusually, de Armas is all the time in “Monroe” mode and this feels disingenuous.

Adrien Brody gazes at Ana de Armas in Blonde.

Even within the intensely private moments together with her mom or when she’s coping with the boys in her life, she is all the time “Marilyn Monroe.” The voice by no means shifts, and neither does her look or persona. If Blonde is actually inquisitive about exploring Marilyn Monroe as a girl, we must always truly see “Norma Jeane” in some unspecified time in the future.  

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On the similar time, Blonde is fascinated by an obvious “daddy” fixation because it pertains to Monroe’s lovers. Nonetheless, the script is so inquisitive about hopping from one traumatic occasion to the subsequent that it doesn’t cease to discover these relationships. 

Joe DiMaggio (Cannavale) is hardly an element on this movie. He seems in roughly 4 scenes: the couple’s first date, the wedding proposal, a post-wedding scene and the metaphorical finish of their marriage. There’s no sense of humanity of their relationship. Issues are by no means really comfortable. Consequently, it’s arduous to understand why the bond shaped. One second, he’s proposing; within the subsequent, he’s beating her mindless. (As I stated within the intro … this complete film is one gigantic set off warning.)

Ana de Armas is made up as Marilyn Monroe in Blonde.

Weirdly, the film has extra fondness for Arthur Miller (Brody) than for any of the opposite characters, together with Marilyn Monroe. When Monroe meets and shortly marries the playwright, the narrative involves a screeching halt.  

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Unusually, Miller is the one character who will get moments of interiority. He’s granted scenes alone to speak concerning the relationship and his struggles to grasp his spouse (which he really desires to do).

Throughout their marriage, for some cause, we see the connection by way of Miller’s eyes. For these acquainted with the historical past, this can be a alternative that’s befuddling and irritating. Even from a strictly narrative perspective, it feels off-putting. Regardless of this, Miller merely vanishes from the story like each different determine in Monroe’s life. 

This all builds to a disappointing and demoralizing third act. Marilyn Monroe’s demise is widespread information, so I’m unsure we are able to keep away from spoilers right here.

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The third act finds Monroe in a haze of medication (which appear to be the one issues permitting her to manage.) Nonetheless, that is maybe an intentional alternative by Dominik. It retains her in a haze. There’s no actual trace as to when the drug abuse begins. Hastily, it’s there. There’s no setup or improvement (which might grant Monroe’s character the event she desperately wants.) Nonetheless, as she begins capturing Some Like It Sizzling, she will now not operate. 

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It’s throughout this level within the narrative when the movie introduces President Kennedy, solely to drop him one graphic intercourse scene (with questionable consent) later. His function within the script is just to obtain oral intercourse and verbally demean Monroe.

Ana de Armas as Marilyn Monroe, walking through a crowd of people.

Actually, these unfamiliar with the story may not even understand that is alleged to be John F. Kennedy. It’s not like he receives any character improvement. Because the scene performs out, Monroe is the intercourse employee, he’s the “John.” That’s it. For yet one more highly effective (and sophisticated) relationship in Marilyn Monroe’s life, little is finished to discover it.

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Decisions like these are finally why this film feels manipulative and rooted in hatred for Marilyn Monroe. Whereas these actors (significantly Ana de Armas) do every part they’ll to carry highly effective performances, this script will not be inquisitive about anybody’s humanity (exterior of possibly Arthur Miller.) Blonde is just inquisitive about an examination of ache and struggling. Nobody ought to undergo what Marilyn Monroe does on this movie. It’s unimaginable to see in any manner how this film comes from a spot of affection. Blonde is riveted by the ache and distress of a girl who deserved so a lot better. 

Try our film opinions right here. 

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Blonde is accessible to stream on Netflix on September 28, 2022. 

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Movie Reviews

Caitlin Cronenberg’s ‘HUMANE’ (2024) – Movie Review – PopHorror

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Caitlin Cronenberg’s ‘HUMANE’ (2024) – Movie Review – PopHorror
Horror is often at its best when it can move outside the world of basic tropes and jump scares and examine the most frightening traits of real people. When the genre puts seemingly normal humans in dark circumstances and lets their evil protrude, that shows truly terrifying results. Such is the case in Humane, the directorial debut from Caitlin Cronenberg. Caitlin is the daughter of horror legend David Cronenberg (The Fly 1986, read our retro review here) and the sister of the emerging Brandon Cronenberg (Infinity Pool 2023). She was previously known for still photography, but let’s see how her opening salvo in the director’s chair went.

Humane was written by Michael Sparaga (United We Fan 2018) and stars Jay Baruchel (Random Acts of Violence 2019) Emily Hampshire (Mom 2024) and Peter Gallagher (American Beauty 1999). The story follows the upper crust York family in a dystopian world, where the government requires volunteers to be killed to control the population. Those that volunteer have their families rewarded with tons of money upon their death. The heads of the York family gather their children to tell them the news, and all hell breaks loose.

Only one of the Yorks sticks to the death pact, so the government must collect a second body. Trapped in the desolate mansion, the family must now either work together or fall apart, as secrets and tension mount.

Humane hits a home run in terms of the chemistry and clear delineation of its characters. Every member of the York family has a rocky history, clear motivation, and can be seen for who they are, very quickly. The brother and sister dynamic and family toxicity feels real and is worn on each of their faces. This dialogue-heavy success is well paced, and leads to some genuinely funny dark comedy, without ever killing the tension that it builds.

Humane also uses its rooms to isolate the characters and peel back the curtain on their relationships. Cronenberg clearly thrives in the chaotic world she builds, just like her father. But unlike David’s body-horror, Caitlin weaves societal statements into her work. Themes of classism, racism, governmental divide, and greed are woven expertly into this game of survival. With all of the subtext it provides, it would feel dystopian not to have this movie in the upper crust of your horror lists by year’s end.

Humane is currently streaming on Shudder.

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Movie Reviews

Sathyam Sundaram Movie Review – Gulte

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Sathyam Sundaram Movie Review – Gulte

3/5


2 hrs 57 mins   |   Slice-of-life   |   28-9-2024


Cast – Arvind Swamy, Karthi, Sri Divya, Devadarshini, Jayaprakash and others

Director – C Premkumar

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Producer – Jyothika, Surya

Banner – 2D Entertainment

Music – Govind Vasantha

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96-fame director C Prem Kumar returns to the director’s chair after nearly five years to helm Sathyam Sundaram, a slice-of-life film on relationships and nostalgia. The film stars Aravind Swamy and Karthi in lead roles, who play the titular characters of Sathyam and Sundaram respectively. Sathyam and Sundaram is originally titled Meiyazhagan in Tamil. While the Tamil film is set in Thanjavur and Chennai, the Telugu film’s locations have been changed to Guntur and Vizag respectively. Sathyam Sundaram is produced by Jyothika and Suriya, who have previously backed critically acclaimed films like Soorarai Pottru (Aakasame Nee Haddura in Telugu) and Jai Bhim.

What is it about?

Sathyam (Aravind Swamy) and his family lose their beloved ancestral house in Guntur due to a property litigation in 1996, following which they tearfully leave the town and move to Chennai. 22 years later, Sathyam makes a trip back to Guntur to attend his sister’s wedding. What happens when Sathyam bumps into an overly friendly childhood acquaintance in the village (Sundaram) forms the crux of the story.

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Performances

Karthi is the heart and soul of the film and he is the reason why everyone connects with the story. He also elicits the most laughs out of the audience. Aravind Swamy plays an introverted character with a lot of trauma. His screen presence fades a bit when he is with Karthi, but nevertheless, he delivers a strong performance.

Sri Divya and Devadarshini play the wives of these main characters. Despite their limited screentime, they are both endearing and memorable. Rajkiran, as Sathyam’s uncle Sukumar, is extremely relatable and effective, reminding a lot of us of our uncles.

Technicalities

The film has extremely emotional and soul stirring music by Govind Vasantha. The intent and meaning of the original Tamil lyrics of the songs have also been translated competently by Rakendu Mouli.

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The film’s original location Thanjavur, with its ancient temples, plays a major role in determining the film’s overall production values. Though the makers of the film have changed the location in the Telugu version to Guntur, it is hard to miss the effect of Thanjavur in the film.

In addition to the friendship between Sathyam and Sundaram, the film also emphasises the relationship these actors share with animals of all kinds, ranging from cats, parrots to bulls and snakes. It adds a wholesome and heartwarming flair to the overall narrative.

The cinematography, by Mahendiran Jayaraju, plays a huge role in conveying the film’s soothing-yet-hard hitting themes. The result makes the film look both real and cinematically beautiful at the same time.

Thumbs up

Karthi & Aravind Swamy
90s nostalgia
Writing
Worldbuilding
Music

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Thumbs down

Runtime
Slow paced narrative

Analysis

Sathyam Sundaram is a beautiful trip down the memory lane. Much like the director’s previous film 96 (and its Telugu remake Jaanu), a majority of the film takes place in the space of one night with just two characters.

Movies that take place entirely within the span of a single night fit well in the thriller genre, but clearly, 96 and Sathyam Sundaram are exceptions to this rule. Each dialogue, scene, sub-plot and arc in the film leaves a person with a smile and a good feeling in their hearts.

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The film slowly but steadily wins the heart of everyone with its sincere emotions. A couple of scenes in particular, have the potential of making the audience tear up, due to their highly effective and relatable emotionality.

The makers have taken good care to ensure that it appeals well to Telugu audience, with attention to detail given to the dialogues, comedy and lyrics. This film will particularly impress 90s kids, with its bicycle sub-plot, flashback portions in the village and the actors humming iconic 90s songs like Singarala.

The film could have been much easier to enjoy though, had it been 30-40 minutes shorter (the runtime is 177 minutes long). The film’s makers could have also gone for a different title since it gives a spoiler to one of the film’s biggest mysteries. All in all, Sathyam Sundaram is a positive step in the direction of good, soulful cinema. However, those who do not enjoy slice-of-life emotional dramas or three-hour long films must definitely think twice before watching Sathyam Sundaram.

Verdict: Emotional Journey Of Pure Hearts

Rating: 3/5

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Movie Reviews

Satyam Sundaram Telugu Movie Review, Karthi, Aravind Swamy

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Satyam Sundaram Telugu Movie Review, Karthi, Aravind Swamy

Movie Name : Sathyam Sundaram

Release Date : September 28, 2024

123telugu.com Rating : 3.25/5

Starring : Karthi, Arvind Swamy, Sri Divya, Devadarshini, Swathi Konde and others

Director : C. Prem Kumar

Producers : Jyotika Sadanah, Suriya Sivakumar

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Music Director: Govind Vasantha

Cinematographer: Mahendiran Jayaraju

Editor: R.Govindaraj

Related Links : Trailer

Karthi and Arvind Swamy’s Meiyazhagan made its debut in cinemas yesterday, and the Telugu version, Sathyam Sundaram, released today. Take a look at the review to know how this Prem Kumar directorial performs.

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Story:

In 1996, Sathyam (Arvind Swamy) and his family are forced to leave their home in Guntur and start afresh in Vizag. Two decades later, Satyam returns to Guntur for his cousin’s wedding, where he encounters Sundaram (Karthi), a spirited individual who seems unusually attentive to him. Sathyam feels puzzled and uneasy, as he doesn’t recognize Sundaram or understand his actions. As events unfold during the wedding, Sathyam prepares to return to Vizag, but a series of dramatic incidents between the two reveal hidden emotions and long-lost connections, leading Satyam to discover Sundaram’s true identity.

Plus Points:

In an era where deeply emotional stories are becoming rare, Satyam Sundaram stands out as a heartwarming film that relies on genuine expressions and simple, meaningful conversations. The film’s strength lies in its ability to connect with the audience through its beautifully crafted characters and the subtle emotions they convey.

Karthi and Arvind Swamy’s performances are a major highlight. Both the actors sink into their characters so naturally that their on-screen presence feels effortless. Karthi’s outgoing and energetic persona blends well with Arvind Swamy’s quiet, introverted nature, creating a delightful contrast. Their chemistry, mixed with humor, brings a sense of lightheartedness that is engaging and enjoyable.

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The supporting cast also adds value, delivering strong performances that enhance the emotional depth of the film. Another major asset is Govind Vasantha’s music, which amplifies the film’s emotional tone, making certain moments even more impactful.

Minus Points:

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Though the film is emotionally engaging, its slow pace and reliance on lengthy dialogues may not appeal to everyone. Some viewers might find the narrative dragging in places, particularly because the story focuses more on conversations and small gestures rather than a gripping plot.

The absence of major twists or high intensity moments might leave those looking for a fast-paced drama feeling underwhelmed. Additionally, the extended runtime could test the patience of some viewers, as certain scenes feel unnecessarily prolonged.

Technical Aspects:

One of the film’s technical achievements is its seamless adaptation from Tamil to Telugu. The attention to detail – from signboards to banners and even the opening and closing credits—is impeccable, making it feel like a straight Telugu film. The team deserves credit for ensuring the authenticity of the language and setting.

Director C Prem Kumar once again proves his ability to explore human emotions with finesse, much like his work in 96. He masterfully portrays the journey of self-discovery through the perceptions of others, though the slow pace of his films may not suit every viewer’s taste.

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The Telugu dialogues are skillfully dubbed, and the cinematography beautifully captures the charm of rural life. The production values, while modest, are used effectively to maintain authenticity throughout. Although the editing is decent, trimming some extended sequences would have improved the film’s overall flow.

Verdict:

On the whole, Sathyam Sundaram is a heartfelt drama about human relationships. Karthi and Arvind Swamy’s performances add warmth to their characters, making their interactions enjoyable. While the slow pace and long runtime might not suit everyone, the film offers a thoughtful look at memories and connections. If you’re in the mood for something reflective, Sathyam Sundaram is worth considering.

123telugu.com Rating: 3.25/5

Reviewed by 123telugu Team

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