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Movie review: ‘Anora’ is morbidly spectacular

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Movie review: ‘Anora’ is morbidly spectacular

Mark Eydelshteyn, left, and Mikey Madison in “Anora.” Credit: Neon via TNS

Each year, the Palme d’Or is awarded to the director of the year’s best feature film that is admitted to the highly prestigious Cannes Film Festival. The award is often considered to be second in value, following only the Best Picture Academy Award. 

With this in mind, when a film from the idiosyncratic director Sean Baker — known for stunts like filming an entire movie on an iPhone (“Tangerine”) and sneaking into Disneyland to record footage against the park’s policy (“The Florida Project”) — won the esteemed Palme d’Or laurels at the 2024 Cannes festival, it turned heads. 

In contrast to the more to-be-expected dramatic winners like 2019’s “Parasite” or 2023’s “Anatomy of a Fall,” Baker — also known for having an interest in telling the stories of disenfranchised female sex workers — stood out as a director differentiated from the suits, ties and general prestige expected of the award recipient. Instead, his film “Anora” embraces the intrinsic messiness of its subject matter, resulting in a story that feels authentically human.

In “Anora,” star Mikey Madison plays the titular character, a sex worker whose life unexpectedly changes when Zakharov, the boyish son of a Russian oligarch, played by Mark Eidelstein, meets her in the club where she works to ask her to be exclusive with him. What directly proceeds this request feels like the archetypal teenage male fantasy — a girlfriend available for sex at all times, with only breaks to play video games — but quickly morphs into a charming romance dripping with the blissful naivety of young love. 

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This bubble bursts when Zakharov’s father attempts to break up their relationship, threatening a fantasy between two people of distinctly different backgrounds that perhaps was doomed from the start.

Despite being only 139 minutes, “Anora’s” breakneck, real-time pacing almost makes it feel like three distinguishable films. The first third of the film is devoted to a modern-day Romeo and Juliet performance, in which Eidelstein really gets to shine. 

His youthful humor and apparent cluelessness to the world around him make him charmingly pathetic to not just Anora, but the audience as well. He plays well off Madison’s character with undeniable chemistry, subverting the normal shyness of budding romances via Zakharov’s blunt demands in broken English and Anora’s background as a sex worker. 

Although Anora, Zakharov and the audience might wish they could stay in this salacious fairytale forever, dripping with the bright neon of nightclubs and, at times, the Las Vegas strip, the fish-out-of-water story is plunged back into the ocean when Zakharov’s family gets word of the relationship and sends hitmen to break it up.

The hilarious incompetence of the goons, mixed with the frightening urgency of the situation, lends itself to some great comedic moments in this fast-paced, stressful sequence. These moments introduce the audience to Igor (Yuriy Borisov), one of the men sent to break off the relationship who becomes a surprise standout of the film, with his stereotypical Eastern-European sincerity contrasting the spoiled, exuberant Zakharov.

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With the first two thirds of “Anora” being a rollercoaster of romance, drama and comedy, the final bits of the film finally allow some space to breathe. Without delving into spoilers, this rectitude does not result in a feeling of contentment, as the harsh realities of Anora’s situation come crashing down on the audience like a speeding car that hits a brick wall.

“Anora” offers a little bit of everything for its audience. On one hand, it’s a realistic, grounded story akin to Baker’s other films. On the other, it bleeds bittersweet, as its soundtrack consists entirely of pre-existing songs and luscious cinematography that seduces audience members with nostalgia for older romantic tales that they hope “Anora” will emulate. 

“Anora” isn’t interested in being a classic Hollywood romance. Instead, it lets Madison’s character take the lead, with the events that transpire occurring because of her decisions and harsh reality. 

Though there are some flaws in the film — such as an over-indulgent runtime — that question whether it really should’ve won the Palme d’Or over other Cannes standouts like “The Substance” or “The Apprentice,” “Anora” is a deeply important and entertaining film that shines light on the humane side of the sex-worker industry in an intently faithful manner.

Rating: 4/5

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Review | 96 Minutes: train bomb thriller forgoes excitement for life lessons

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Review | 96 Minutes: train bomb thriller forgoes excitement for life lessons

2/5 stars

Guilt proves to be a powerful trigger for a retired bomb disposal expert in the Taiwanese action thriller 96 Minutes, when his past mistakes prove every bit as deadly as a bomb planted on board a cross-country express train.

Austin Lin Po-hung stars as Kang-ren, still haunted by his failure to prevent a deadly department store bomb attack three years earlier, whose past catches up with him at high speed after attending a memorial service for the victims.

Travelling back to the capital with the other attendees, Captain Li (Lee Lee-zen), who was Kang-ren’s boss, receives an anonymous message warning that there is a bomb on board set to detonate in exactly 96 minutes, or if any attempt is made to stop the vehicle or unload its passengers.

Clues point to the bomber being on either their train or the one that left a few minutes prior. Both are filled with grieving relatives, scarred survivors, as well as Kang-ren’s own mother (Lu Hsueh-feng) and fiancée (Vivian Sung Yun-hua).

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With the clock ticking, the police must find the device, identify the bomber and save the day before either train hurtles into Taipei station.

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Review | Another World: macabre human fable is a new milestone for Hong Kong animation

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Review | Another World: macabre human fable is a new milestone for Hong Kong animation

4/5 stars

Hong Kong filmmakers rarely get as philosophical about the human condition as they do in the animated feature Another World, which contemplates the limits of goodness in the face of great evil, set against a vibrant action fantasy backdrop.

Adapted from Naka Saijo’s novel Sennenki: Thousand-Year Journey of an Oni with both narrative flair and visual potency, this impressive effort by first-time director Tommy Ng Kai-chung and writer-producer Polly Yeung Po-man is an anomaly in more ways than one.

Although the film’s focus on reincarnation appears to align it with Eastern religions, Another World’s belief in kindness renders it a universally engaging watch. Young children should stay away, however, as they might be scarred by some of the shockingly grisly moments in this macabre tale.

Leading us into the afterlife is one of its spirit guides, Gudo (voiced by Chung Suet-ying), who is tasked with helping deceased souls let go of their memories and escorting them past a magical waterfall into the next life – all the while making sure the “seed of evil” inside each of them, if any, does not sprout out of resentment.

His latest charge is a girl named Yuri (Christy Choi Hiu-tung), whose pure and lively character fascinates Gudo. Yuri is initially not aware that she has died and is instead persistent in her search for her younger brother, whose fate remains unknown for much of the runtime.

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Now You See Me: Now You Don’t Movie Reviews Are In – And There’s One Clear Critics’ Consensus

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Now You See Me: Now You Don’t Movie Reviews Are In – And There’s One Clear Critics’ Consensus

The first critics’ reactions to Now You See Me: Now You Don’t are finally here, and they largely agree that the Lionsgate threequel is another major hit. After being stuck in development, the highly anticipated Now You See Me Sequel will finally arrive in theaters on November 14, 2025, continuing the story of the iconic Four Horsemen, illusionists and street magicians who are experts in orchestrating elaborate heists. 

In Now You See Me‘s third installment, the Four Horsemen recruit three skilled illusionists for another heist involving the world’s largest queen diamond before finding it belongs to a powerful crime syndicate. The hype surrounding the movie is poised to rise after the first wave of reactions had high praise for the project. 

Critics who saw an early screening of Now You See Me: Now You Don’t in New York shared their first reactions on X. The threequel received largely positive reactions, with nearly all critics saying that it is thoroughly entertaining and fun. 

Film critic Andre Saint-Albin described the film as “a sleight-of-hand masterpiece,” noting that Now You See Me 3 has an “entertaining story” and a “phenomenal diamond heist.” He also teased that the film has an “epic” third act while also praising the new casting additions: 

“‘Now You See Me: Now You Don’t’ is a sleight-of-hand masterpiece! The Four Horsemen (Eisenberg, Harrelson, Franco, Fisher) return for their next trick with an entertaining story & a phenomenal diamond heist. Smith, Sessa & Greenblatt plant the seeds as Gen-Z firebrands, clashing with old-school magic. New seeds, old tricks, epic third act! Fleischer’s directs a ride so good fun you’d swear it was sorcery!”

Entertainment reporter Jonathan Sim boldly claimed that Now You See Me: Now You Don’t is a “funny, thrilling heist movie” and teased that it was “filled with surprises:”

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“#NowYouSeeMe: Now You Don’t gives us the magic we’ve been waiting for. A funny, thrilling heist movie. The Horsemen are back in action with non-stop fun, tricks, and joy. The new characters are an A+ addition. Filled with surprises and just as dazzling and astonishing as ever.”

While Critics Choice’s Tony Mosello admitted that it’s more of the same, he said that fans will love Now You See Me: Now You Don’t due to its fun “twists and surprises, with elevated stakes:”

“NOW YOU SEE ME: NOW YOU DON’T proves the original Horsemen still have “it”, injecting the show with youthful energy via the newcomers and a fun, campy, and villainous Rosamund Pike. Full of twists and surprises, with elevated stakes; it’s more of the same, but fans will LOVE it.”

CinemaBlend’s Riley Utley shared that the threequel made her “smile from ear to ear,” and the movie reminded her why the first movie made her fall in love with films in the first place:

“‘Now You See Me: Now You Don’t’ reiterates with exclamation points why the first ‘Now You See’ movie was one of the projects that made me fall in love with movies. There’s nothing better than projects that make me smile from ear to ear, blow my mind and make it clear why movies are magic.”

That Hashtag Show’s Manny Gomez praised how the latest Now You See entry allowed the original cast to “set the stage for the new magicians to shine:”

“#NowYouSeeMe is a fun addition to the franchise that allows the beloved cast to set the stage for the new magicians to shine. Loved the magic… misdirection… and twists and turns that make going to the movies fun.”

The Direct’s David Thompson was proud to declare that the “magic is back” in the Now You See Me franchise after seeing that the third installment was filled with “some satisfying twists and turns:”

“Happy to report the magic is BACK in the #NowYouSeeMe franchise — loved the new cast, a bunch of fun sequences, & some satisfying twists and turns.”

Film critic and The Film Blerds host Brandon Norwood said that fans of the series will definitely “love” Now You See Me: Now You Don’t because it is “thoroughly entertaining:”

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“NOW YOU SEE ME: NOW YOU DON’T: Thoroughly entertaining! The younger cast mixes in well with the OGs. Fans of the series, you’ll love this. Really miss mid-budget studio popcorn fare like this.”

Popternative’s Christopher Gallardo enjoyed the latest Now You See Me entry and described it as a “new-gen rivals old-gen story” that has a special flair:

“NOW YOU SEE ME: NOW YOU DON’T is an exciting thrill-ride with all the tricks and dazzle you’d want. It’s a ‘new-gen rivals old-gen’ story with a special flair that shines with it’s fun cast chemistry. Sessa, Greenblatt, and Smith especially rock all throughout!”

FandomWire’s PossesSEAN gave high praise to the movie’s “impressively staged set pieces,” calling the threequel a “great popcorn movie:”

“#NowYouSeeMe: NOW YOU DON’T was catnip for me — another exhilarating, funny caper with some of the most impressively staged set pieces of the year. A great blend of old and new that effectively ups the stakes and scale. What a great popcorn movie!”

Ethan Simmie of The Movie Draft Podcast admitted that Now You See Me: Now You Don’t went “full Mission: Impossible mode,” with him celebrating the fact that it was “some of the most fun” he’s had at the movies this year: 

“NOW YOU SEE ME: NOW YOU DON’T is some of the most fun I’ve had at the movies all year! This entry goes full Mission: Impossible mode and is hilarious, entertaining, and perfectly meta. I could watch one of these every single year forever. We really do come to the movies for magic.”

Directed by Ruben Fleischer, Now You See Me: Now You Don’t is one of the 12 biggest sequels in 2025. The movie has a stacked cast, including Jesse Eisenberg, Woody Harrelson, Isla Fisher, and Dave Franco. They are joined by newcomers Justice Smith, Ariana Greenblatt, Dominic Sessa, and Rosamund Pike. Now You See Me: Now You Don’t ⁠⁠⁠will premiere in theaters on November 14, 2025.

Now You See Me 3’s Success Could Lead to Franchise’s Promising Future 

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Based on the first wave of reactions, Now You See Me: Now You Don’t seems poised for success, which is good for the franchise’s future. Moreover, widespread critical praise could boost the movie’s box office returns.

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The long wait for Now You See Me: Now You Don’t could be seen as an advantage because it offers a sense of nostalgia to original fans. The nine-year gap also allowed the movie’s writers to strike an ideal balance, crafting intricate heists while establishing seamless chemistry between the returning cast and new additions.

If successful, Now You See Me: Now You Don’t could lead to future installments or potential spin-offs. With prequel entries to many recognizable franchises like Alien: Earth (read more about Season 2 here) and It: Welcome to Derry finding success in streaming, the threequel’s triumph at the box office could push Lionsgate to explore a spin-off focusing on the younger versions of the Horsemen. 

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