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Late Night with the Devil (2024) – Movie Review

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Late Night with the Devil (2024) – Movie Review

Late Night with the Devil, 2024.

Written and Directed by Colin Cairnes and Cameron Cairnes.
Starring David Dastmalchian, Laura Gordon, Ian Bliss, Fayssal Bazzi, Ingrid Torelli, Rhys Auteri, Georgina Haig, Josh Quong Tart, Christopher Kirby, Steve Mouzakis, Gaby Seow, Michael Ironside, and Paula Arundell.

SYNOPSIS:

A live television broadcast in 1977 goes horribly wrong, unleashing evil into the nation’s living rooms.

Playing with fire and selling his soul for ratings during Sweeps Week in sibling writers/directors Colin Cairnes’s and Cameron Cairnes’s unnerving and engrossing Late Night with the Devil, 1970s late-night talk show host Jack Delroy (a commanding, transfixing David Dastmalchian who wears inner conflict all over his face) has invited a medium (Fayssal Bazzi), a skeptic skilled in hypnotism (Ian Bliss), and a psychological therapist (Laura Gordon) working closely with a young girl (Ingrid Torelli) drifting in and out of possession at the expense of a traumatic incident following briefly living with a satanic cult on the same episode, a special Halloween show looking to turn around dwindling viewership.

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Jack also has some personal reasons for taking an interest in spirits, having recently lost his wife (Georgina Haig) to lung cancer and is still visibly in the grieving process, even after taking a six-month hiatus from hosting the talk show. He also has a suspicious connection to a different kind of cult in some Californian woods, mostly a peaceful place to destress from the hectic nature of hosting the show during its offseason. The filmmakers make it clear from the get-go that he is a shady person and perhaps was even before he lost his wife, but David Dastmalchian is a gifted actor who can find the time in that sliminess, simultaneously rooting for him while eagerly awaiting all hell to break loose, and quite literally in this case.

Some authentic production design bolsters the performances of the outstanding ensemble, with camera angles and cinematography mimicking a late-night talk show. This allows for more immersion during the interviews and escalates tension, especially when the supporting players have been formally introduced individually and are all onstage, arguing amongst themselves. Strange phenomena occur, freaking out close on-air associates of the show, but Jack naturally keeps pushing forward with no interest in pulling the plug on the episode. The live audience is enamored with what they see, resembling our cultural fascination with disasters waiting to happen on live TV.

Presented as archived raw footage of a hellish night gone wrong, Late Night with the Devil also transitions into black-and-white during TV commercial segments, where these characters debate amongst themselves whether what’s happening is real or part of the show, with each subsequent break giving David Dastmalchian room to gradually, subtly, express that absorption into a dark side of embracing some unexplained horrors for ratings that will not only save his show but might help him finally overtake Johnny Carson. He unsettlingly becomes all too comfortable exploiting the drama between these differing beliefs, not to mention a young girl recovering from tragedy for personal gain, at one point encouraging a live exorcism.

Naturally, that scenario makes for more traditional horror, miraculously putting a refreshing spin and perhaps the most tired, exhausted subgenre out there. It also helps that, much like the original The Exorcist, Late Night with the Devil spends considerable time exploring and building its characters so that when we hear that familiar possessed voice saying outlandish, crude things, there is also room for pause to wonder if it’s telling the truth this time. There are also impressive practical effects grounded in realism, upping the terror of this chaotic evening.

As bonkers and nightmarish as those final 30 minutes are, Late Night with the Devil also feels like it drops the ball on fleshing out these characters fully. It somewhat leaves Jack’s past open to interpretation, but in a manner that leaves the narrative feeling undercooked thematically. Still, this is engrossing, twisted fun that somehow elicits an uproarious laugh during the climactic terror. It’s a compelling study of the sins people will commit for fame and fortune, knowing that there will be a complicit audience in lapping up the car crash drama. 

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Flickering Myth Rating – Film: ★ ★ ★ ★ / Movie: ★ ★ ★ ★

Robert Kojder is a member of the Chicago Film Critics Association and the Critics Choice Association. He is also the Flickering Myth Reviews Editor. Check here for new reviews, follow my Twitter or Letterboxd, or email me at MetalGearSolid719@gmail.com

 

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Movie Reviews

It’s Not My Film review – relationship-crisis movie takes the long road through the Baltics

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It’s Not My Film review – relationship-crisis movie takes the long road through the Baltics

The endgame of a relationship – or maybe the crisis from which the relationship will emerge reinvigorated – is the subject of this likable, low-key two-hander from Polish film-maker Maria Zbaska. A couple is in crisis; one half is musician Zofia Chabiera who is making her confident acting debut as Wanda, bored and aimless, feeling those first intimations of mortality as people in their late 30s tend to; her unused and thwarted passion is beginning to curdle within her.

Wanda is in a stagnant relationship with Jan, played by Marcin Sztabinski, a heavy-set guy who maybe wasn’t quite as heavy-set when they first got together; he runs a bike repair shop, a situation to which he has dwindled having once dreamed of biking around the world. Wanda is irritated beyond endurance at the way Jan does nothing but doom scroll. (Rather shrewdly, she points out that people who spend their time knitting at least have a scarf to show for it.)

But it is Jan who has had the imagination to dream up a plan to challenge them both: they will hike along the remote and icy Baltic coastline, sleeping in a tent and generally braving the terrible cold. If they stay the course, they will stay together – but if either loses heart and leaves the sandy shore, then they are finished as a couple.

Well, perhaps there are no prizes for guessing whether they have cathartic rows and revelations and quirky serendipitous encounters with unusual people along the way. But the relationship between Jan and Wanda looks very real as they trudge along the vast and freezing seascape, like an ice-cold version of David Lean’s desert. And what does it all add up to? Perhaps not all that much: but it’s a charming and plausible relationship drama featuring people who look as if they might actually be in a relationship.

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It’s Not My Film is at Hull Independent Cinema on 20 March, then tours, as part of the Kinoteka Polish film festival, and on Klassiki from 21 March

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Ponman Movie Telugu Review And Rating, OTT Movie Review

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Ponman Movie Telugu Review And Rating, OTT Movie Review
Movie Name : Ponman

Release Date : 14 March, 2025
123telugu.com Rating : 3/5
Starring : Basil Joseph, Sajin Gopu, Lijomol Jose ,Deepak Parambol, Anand Manmadhan, Sandhya Rajendran, Rajesh Sharma, Kiran Peethambaran, Reju Sivadas, Jaya Kurupp, Midhun Venugopal, Thankam Mohan, Shylaja P Ambu
Director : Jothish Shankar
Producer : Vinayaka Ajith
Music Director : Justin Varghese
Cinematographer : Sanu John Varghese
Editor : Nidhin Raj Arol
Related Links : Trailer

Ponman, the latest Malayalam film starring Basil Joseph, has made its way to OTT and is now available in Telugu as well. Here’s our take on this dark comedy-drama.

Story:

PP Ajesh (Basil Joseph) has an unusual profession – he lends gold to families in need during weddings, helping them meet societal expectations. When he lends 25 sovereigns of gold to Steffi (Lijomol Jose), he expects an equivalent amount of money to be paid the day after the wedding. However, she refuses and moves to Kollam, her ruthless husband Mariyano’s (Sajin Gopu) hometown. Determined to reclaim what is rightfully his, Ajesh embarks on a risky journey. What challenges does he face? Why did he choose such a precarious profession? Was Mariyano aware of the deal? How does Steffi respond? The film unravels these answers intriguingly.

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Plus Points:

Basil Joseph once again proves his knack for picking unique roles. Venturing into dark comedy with a socially relevant backdrop adds an interesting dimension to the film. His performance is compelling, effortlessly balancing humour and emotion.

Sajin Gopu delivers a powerful act as Mariyano, embodying an unpredictable and ruthless character. After making an impression in Aavesham, he surprises with a completely different persona, keeping the audience engaged.

Lijomol Jose makes a mark despite her limited screen presence, portraying Steffi with conviction. The supporting cast, including Anand Manmadhan and Sandhya Rajendran, adds depth to the narrative. The comedy woven into serious moments is a strong highlight of the film.

Minus Points:

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While the first half lays a strong foundation, the second half falters in pacing, making the film feel sluggish. The writing loses its grip, leading to sequences that lack the intended impact.

Basil Joseph delivers a solid act, but given his track record in comedic roles, audiences might find it difficult to accept him in a serious setting. The character could have been better suited to an actor with a more intense screen presence.

Certain characters, especially Anand Manmadhan’s, start off well but eventually fade into the background. A more defined character arc would have enhanced their impact on the story.

The climax, which should have been a high point, instead feels abrupt and underwhelming. The final confrontation lacks intensity, and the resolution could have been more gripping.

Technical Aspects:

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Director Jothish Shankar presents a decent effort, but a more refined screenplay and stronger character development could have elevated the film. Justin Varghese’s music is functional but doesn’t leave a lasting impression. Sanu John Varghese’s cinematography effectively captures the film’s setting, while Nidhin Raj Arol’s editing could have been sharper to maintain a tighter narrative. The production values are decent.

Verdict:

On the whole, Ponman presents a decent premise with a mix of dark comedy and social commentary. While Basil Joseph delivers a commendable performance, the film is weighed down by a slow second half, underdeveloped characters, and an abrupt climax. Despite its flaws, it offers a few engaging moments, making it a passable one-time watch for those who enjoy offbeat dramas.

123telugu.com Rating: 3/5

Reviewed by 123telugu Team 

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Be Happy movie review: Abhishek is ‘extraordinary’, says Amitabh Bachchan; check what others are saying | Mint

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Be Happy movie review: Abhishek is ‘extraordinary’, says Amitabh Bachchan; check what others are saying | Mint

Amitabh Bachchan calls Be Happy, Abhishek Bachchan’s latest movie, “extraordinary”. The dance-drama, directed by Remo D’Souza, premiered on Amazon Prime Video on March 14.

“…what an honour for you Abhishek .. proud of you .. and today saw BE HAPPY .. such an extraordinary performance .. love you,” Big B wrote on Twitter (now X).

As a father, Amitabh Bachchan loved his son’s performance in the movie. But, what about others? Let’s find out.

“BE HAPPY is truly an amazing film! I watched it today with my Maa, and it was such a heart-touching experience. Incredible performances—more power to Jr. Bachchan!” wrote one social media user.

“it’s a gripping movie, Brilliant performance by Abhishek,” wrote another user.

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“Just watched ‘Be Happy’ and I’m still reeling from Abhishek Sir’s incredible performance.. Abhishek Sir! You’re one of the most talented actors of our time. Your acting is always top-notch, but this performance was something special. Keep shining, AB!” came from another user.

“A tender, heartwarming portrayal of a father-daughter bond. His quiet, nuanced, and emotionally guarded role as a single parent really suited him,” reacted one user.

Be Happy movie reviews

“The script gets something right in the father-daughter bond but doesn’t excavate the depth and complexities of single parenting, grief and trauma. In focusing on the drama, D’Souza takes his eye off his core competence—dance,” Udita Jhunjhunwala wrote on Livemint.

“A direct-to-OTT release is a smart choice, freeing it from box office pressures and allowing viewers to discover it on their own time. Despite its flaws, Be Happy leaves you with a smile,” Rishabh Suri wrote on Hindustan Times.

“Abhishek Bachchan literally shines as the struggling single father…But even his honest and sincere effort cannot save this ship that starts sinking in the second half!” wrote Trisha Gaur on Koimoi while calling actress Inayat Verma a “show-stealer”.

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“Verma is a sparkler, lighting up the screen. And Bachchan, who did such a solid job being a dad-to-a-daughter in ‘I Want To Talk’, comes off more stolid here,” commented Shubhra Gupta on Indian Express.

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