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Kensuke's Kingdom Review: Simple & Heartfelt Animation

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Kensuke's Kingdom Review: Simple & Heartfelt Animation

Kensuke’s Kingdom takes full advantage of its simple story with vivid animation and detail that evoke heartfelt childlike wonder.


Directors: Neil Boyle & Kirk Hendry
Genre: Animated, Adventure
Run Time: 84′
UK & Irish Release: August 2, 2024
US Release: TBA
Where to watch: in cinemas

Kensuke’s Kingdom is a British 2-D animated film … which, the more I think about it, I can’t remember the last time I ever saw one of those. This work of animation is based on Michael Morpurgo’s 1999 novel that I had never even heard of, but having seen the film and then read the summary of the book’s plot, I can almost guarantee it would have moved me had I read it as a kid.

Thankfully, this film adaptation brought out that reaction of childlike wonder in a distinctly simple, heartfelt way that very few animated films – hell, very few films, period – manage to do.

In Kensuke’s Kingdom, Michael (Aaron MacGregor) is a boy who’s traveling at sea with his family. But when a storm throws him and his dog overboard, they’re washed up on a remote island. They eventually come across a former Japanese World War II soldier named Kensuke (Ken Watanabe, of Godzilla), who’s turned the island into his own haven. Michael soon assimilates into his … well, kingdom, and the two of them fill in missing pieces of each other as they survive together … along with Stella the dog. Stella the dog is very important.

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I know this premise may not sound too extraordinary, and at its core, it’s really not. You’ve seen some variation of this type of story before. But in the case of Kensuke’s Kingdom, it’s all about the execution that takes full advantage of its simplicity. The film doesn’t try to throw a bunch of zany jokes at you, it doesn’t fall back on hand-holding or excessive verbal exposition for the kids, and it absolutely doesn’t suffer from the rushed pacing that I’ve criticized other family-oriented animated films ad nauseum for doing (which is shocking, considering the movie’s length of just 84 minutes).

I really need to stick to that last point, because it contributes to what a graceful film Kensuke’s Kingdom is. It wants you to relish in the beauty of its landscapes, sharply naturalistic sound work, and smaller details that a lot of animated films wouldn’t necessarily think to include, like the unspoken hesitation of a character to go somewhere while another moves unwaveringly, or the proper seconds needed for a delayed reaction to a certain revelation, or every lifelike movement of Stella. Much more time than I was expecting is spent on Michael stranded on the island before he meets Kensuke, making you feel not just every sight, sound, and touch of such a remote environment, but the passage of days he spends stuck there all alone and the almost jarring contrast when he finds another person to talk with and receive help from.

Kensuke's Kingdom
Kensuke’s Kingdom (Modern Films)

The animation has an almost sketchy quality to it that, for the most part, really complements that rugged, simple story. That doesn’t even include the couple of scenes where the form is switched up. The first instance is cute and fitting of a good old family bonding scene, but the second one is downright chilling as it delivers backstory in a remarkable paint-like style that’s married to brilliant, multilayered visuals. I just don’t like the facial animations on Michael and his family. They’re a little stiff and occasionally lifeless, especially when compared to Kensuke’s expressions that I get a lot more emotion out of (despite him being the most reserved character of the film).

At the core of Kensuke’s Kingdom is the relationship between Michael, Kensuke, and Stella. Yes, I’m including her because dogs are better than people and deserve equal billing. Especially this one. Both human characters are missing something crucial, with Michael’s being obvious – a sense of responsibility and maturity – and Kensuke’s being revealed later. On the surface, this is your typical young-boy-befriends-old-wise-man storyline, but the pacing and visual storytelling are so good and bolstered by the fact that Kensuke himself speaks no English. This was apparently changed from the book, and it’s a really smart decision that makes their bond stick out in a unique way and feel all the more impactful that it happens at all. It even adds a cultural undercurrent to their connection that a lot of kids – and let’s be honest, many adults – could really learn from.

I was even starting to dread the possibility of Michael reuniting with his family because he’d grown so close to Kensuke and his home, and Kensuke clearly came to see him as a son. But obviously, Michael could never forget about the loved ones he would leave behind forever by staying. The more I thought about it – and the film quietly lets you think about it a lot – the more my heart broke at the thought of either scenario. Without revealing the outcome, the ending genuinely got me emotional for all of these reasons.

Going into Kensuke’s Kingdom, however, I had one major fear, because I saw one of the major developments of the film in its trailer: a group of poachers arrives to terrorize the island and the main cast’s animal friends. I was dreading this as potential film-ruining because it would turn this warm, minimalist story of friendship with no forced conflict into another evil-white-man-versus-nature story that we’ve seen a billion times. The Wild Robot’s already gonna make that mistake later this year, so I was ready to have this film tainted as a whole for the same reason.

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Kensuke’s Kingdom: Trailer (Modern Films)

But despite what the marketing may tell you, this is not the film’s focus or even one of the main driving forces of the plot. It happens for around ten minutes, the characters reel in response and grow closer … and then the story moves on. There’s no big climax where our heroes join forces to save their home or anything like that. We just get to see more of the proper progression and endgame of their journey together. Words can’t describe how relieved I am to say that. Sure, the character growth yielded from this could have been done more organically, but screw it. I’ll take it.

As a story, Kensuke’s Kingdom isn’t spectacular, but it’s told in such an engaging way that puts razor-sharp focus on all of its strengths. I can see a lot of people coming out of it thinking it was simply “cute” and not much more, and I would understand that. But as someone who’s had an admittedly complicated relationship with more eccentric animated films and shows, I think I just appreciate this one for not falling into most of tropes and stylistic choices that others do. That, and Kensuke’s Kingdom brought me back to childhood memories of reading similar survival tales like The Hatchet or The Cay, so that chord was struck with enough intensity to penetrate my rusty, cynical heart. There was clearly a lot of love put into this film, and I’m happy to give my own love back to it.


Kensuke’s Kingdom will be released in UK and Irish cinemas on August 2, 2024.

Nausicaä of the Valley of the Wind Film Review – Loud And Clear Reviews

Miyazaki’s Nausicaä of the Valley of the Wind has an engaging narrative, strong leads, spectacular visuals, and an environmental theme.

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Movie Reviews

MOVIE REVIEW: “THE KINDERHOOK CREATURE” is a fantastic deep dive into one of cryptozoology’s lesser-known mysteries – Rue Morgue

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MOVIE REVIEW: “THE KINDERHOOK CREATURE” is a fantastic deep dive into one of cryptozoology’s lesser-known mysteries – Rue Morgue

By BREANNA WHIPPLE

Starring Bruce G. Hallenbeck, Martha Hallenbeck and Paul Bartholomew
Directed by Seth Breedlove
Small Town Monsters

Whether you are a skeptic or a believer, it cannot be denied that certain pockets of our planet are hotspots for unusual activity. You’d be hard-pressed to find a person unfamiliar with the mysterious disappearances in the Bermuda Triangle, for example. Furthermore, places like Skinwalker Ranch in Utah have been documented extensively after multitudes of reports of various phenomena – UFOs, ghosts, cryptids, ancient shapeshifting elemental spirits that consume human flesh… it has it all. The Pacific Northwest is another location of intrigue with phenomena ranging from UFOs and cryptids to ghosts and sea monsters. 

More often than not, all that is supernatural seems to flow collectively. It’s not at all uncommon for grey aliens to come with a side of poltergeists and shapeshifters. Evidently, where there is smoke, there is fire. And Kinderhook, New York, is one such place ablaze with the high strangeness.

Nestled in the Hudson Valley, Kinderhook is an old town with even older legends. Despite being over 100km from the village of Sleepy Hollow, Kinderhook was the inspiration for Washington Irving’s The Legend of Sleepy Hollow. (Ichabod Crane was modelled after a Kinderhook schoolmaster; plaques honour this fact in the small community.) At a glance, one can sense an otherworldly ether in this place where the veil is seemingly especially thin.

THE KINDERHOOK CREATURE is a companion piece to The Kinderhook Creature & Beyond: A Personal Reminiscence by Bruce G. Hallenbeck. Naturally, Hallenbeck guides the unfolding events chronicled in the doc. Growing up under the care of his beloved late grandmother, Martha Hallenbeck, in a home surrounded by dense woods, he has memories that read like a choose-your-own-adventure novel. An unseen, incomprehensible, supernatural threat to shock and astound lurks around every corner. Martha was once quoted as saying, “I’d love to live in a haunted house!” Bruce’s apt response was, “Grandma, I think you do.” 

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“Haunted” feels like an inappropriate description.  What happens in Kinderhook is so fantastical that it is difficult to fit under a single umbrella. White, bloblike apparitions are only the tip of the iceberg. A sargantuan beast with red eyes, the doc’s eponymous creature, has been seen stalking nearby. Strange noises emanate from the woods, UFOs have been spotted, objects have levitated and strange dreams have been had… Something is very different in Kinderhook. 

To call THE KINDERHOOK CREATURE a wild-ride would be a gross understatement – the film is so full of so many unexpected twists, turns and encounters that it is a curious wonder why the area hasn’t been more widely acknowledged in cryptozoological circles until now. Again, director Seth Breedlove and the Small Monsters team have shone their spotlight on a tiny, strange corner of the world. On top of fantastic interview content, the documentary is chock-full of archival footage. Masterfully edited, THE KINDERHOOK CREATURE is made with love and attentive care, which is much deserved for a field of interest that isn’t always taken very seriously.

Of course, mystery is the source of the allure. As a species, we simply cannot know everything. Not every mystery can be solved, regardless of how advanced we become. Apelike humanoid sightings have been reported for as long as Indigenous people have been recording history with hide and stone. Theorists pore over speculations of time-travelling advanced beings, primitive species, protectors of the forest… It all sounds outrageous to those who have yet to open their mind to the possibility that there are forces at work that we simply cannot comprehend. One can easily write off the Patterson-Gimlin film as a hoax, but how can one explain the similarities in sightings from around the globe, again, for decades, if not centuries? One of the tales told in THE KINDERHOOK CREATURE mentions a sighting of a family of the Bigfoot-like cryptid. A similar occurrence is documented in the 1956 book The Long Walk by Sławomir Rawicz – a dramatic, first-hand account of a group of Gulag escapees in the 1940s that encountered a family of Yeti-like creatures in the Himalayas after fleeing Siberia on foot.

Even in the specific cases presented in THE KINDERHOOK CREATURE, there are curious synchronicities spanning a century. A woman speaks of an instance in 1981 when she and a friend skipped school to pick apples. While biking down a dirt road flanked by corn fields on both sides, they encountered a massive creature that towered above the stalks. Its gait was so wide that it was able to jump across the road with ease, its apelike arms swinging. What the girls likely did not know was that 100 years earlier, in 1881, livestock regularly went missing in the area. Locals eventually found a cave with piles of bones lying outside the entrance. Upon this discovery, they encountered a similar beast. They shot at it, nearly missing it. However, it left a mysterious lock of brown hair behind.

Breedlove has proved time and time again that Small Town Monsters is the reigning champion of quality cryptozoological documentaries. Aside from the obvious fun that naturally comes with investigating strange phenomena, much of the film focuses on Hallenbeck’s relationship with his grandmother. The bond they shared was beyond unique. They seemed to share an abundance of love, joy, fun and an appreciation for the mysterious. 

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We can learn a lot from these stories, exploring history, fear and curiosity. With THE KINDERHOOK CREATURE, Small Town Monsters again proves that cryptids and the legends that surround them will never get boring.

THE KINDERHOOK CREATURE: IN THE SHADOW OF SASQUATCH is available now on digital platforms. 

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Ron Brown’s movie reviews: ‘Project Hail Mary’ and more

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Ron Brown’s movie reviews: ‘Project Hail Mary’ and more

Lisa Dent

Weekdays 2-6pm

A native of Rockford, Lisa Dent, heard 2 pm to 6 pm weekdays, began her radio career in Fort Atkinson, Wisconsin in 1981. She has worked at stations in Minneapolis, San Diego, Seattle, and Houston. Dent returned to Chicago in 2002. (Click for more.)

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Movie Reviews

Movie Reviews 2026: Ukrainian and World Premieres

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Movie Reviews 2026: Ukrainian and World Premieres

The world of cinema and TV series offers hundreds of premieres every year, but not all of them are worth the time spent. Viewers are increasingly looking not just for entertainment, but for meaning — stories that leave an aftertaste, make them think, or help them experience strong emotions. That is why reviews are becoming an important guide: they help separate truly high-quality content from loud but empty hype. UNN has reviewed the most anticipated premieres and selected films worth watching.

“Kakhovka Object” (war drama)

The film shows war not only as combat operations but also as a test of human dignity, character, and choice. Through the fate of the main character, the viewer sees how difficult it is to make decisions in extreme circumstances when every step can affect the lives of others. The director masterfully combines psychological tension with realistic details, creating an atmosphere of complete immersion. The film is not only about war but also about human responsibility, strength of spirit, and the ability to remain human in the chaos of events.

“Mavka. The True Myth” (romantic fantasy)

The premiere will take place on March 1, 2026. This is a continuation of the Ukrainian fantasy tradition, where national myths and legends come to life on screen. The film reveals Mavka’s inner world, her desire for love and freedom, as well as the conflict between the human and the magical. The animation promises to be bright and detailed, and the story is universal: it touches on the themes of choice, self-discovery, and responsibility for one’s feelings. This film will be a good example of modern Ukrainian animation, capable of captivating both children and adults.

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“When Will You Divorce?” (corporate comedy)

A comedy about personal life and work relationships that raises questions about the balance between career and personal feelings. The film humorously shows how easy it is to get confused in one’s own emotions, trying to satisfy the expectations of others. The authors successfully combined light life situations and ironic dialogues, which makes the viewing entertaining but not superficial. This film is for those who appreciate modern humor and recognize themselves or colleagues in the characters. 

“Odyssey” (epic adventure drama)

A large-scale adaptation of Odysseus’s travels after the Trojan War. The film shows not only the hero’s physical trials but also his inner transformation: courage, ingenuity, patience, and moral choice in critical moments. The artistic design and the use of modern technologies to create epic landscapes and battle scenes are impressive. The director managed to combine a classic story with a modern cinematic rhythm, which makes “Odyssey” not only spectacular but also emotionally deep. 

“Lord of the Universe” (sci-fi, action)

The film transports the viewer into a vibrant magical world where heroes fight for justice, and the line between good and evil constantly shifts. This is a story about courage, self-sacrifice, and responsibility for one’s own destiny and the destiny of others. The combination of special effects, a fantasy world, and an adventure plot makes the film attractive to a wide audience. But the main thing is not the effects, but the internal struggle of the characters, which gives the film depth and meaning.

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“Scream 7” (2026)

The return to the famous slasher franchise proved unsuccessful. Despite the direction of series veteran Kevin Williamson and the comeback of Neve Campbell and Courteney Cox, the film received mostly negative reviews from critics. 

Thus, 2026 promises to be a landmark year for Ukrainian and world cinema. Even with fewer premieres, there is a tendency towards a deep elaboration of characters, psychological conflicts, and moral issues, which makes modern films and series not only entertainment but also a way of understanding human life and the modern world.

“You Are Space” breaks records: Ukrainian sci-fi attracts over 326,000 viewers10.02.26, 21:04 • 6852 views

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