Colorado
“The Wild Robot” finds inspiration in director’s Colorado childhood
The idea behind “The Wild Robot” sounds like a paradox: An artificially intelligent machine transforms itself into an emotional creature after exposure to the wilderness.
Those emotions are not a malfunction, but rather a result of natural evolution for our android protagonist, Roz. In author Peter Brown’s hit book, and now the DreamWorks movie it’s based on, it’s also a matter of survival.
“When I first talked with (author Brown), he immediately mentioned something that had a huge impact on the movie,” said writer and director Chris Sanders, a Colorado Springs native and veteran of Disney and DreamWorks Animation features such as “Lilo & Stitch,” “The Croods” and “How to Train Your Dragon.” “It’s the idea that kindness can be a survival skill, and sometimes you have to change your programming and become more multidimensional to survive.”
The animated sci-fi tale, which hits the big screen on Sept. 27, is another stab at Oscar gold for DreamWorks, as well as the final film being produced in-house at the studio known for “Shrek.” Its last movie, the 2022 feature “Puss in Boots: The Last Wish,” was an uncommonly thoughtful sequel/spin-off that netted its creators a Best Animated Feature nomination.
“The Wild Robot” looks likely to nab another, with its jaw-droppingly beautiful visuals, richly constructed world, and themes and action that avoid the zany, slapstick-laden formula of most talking-animal stories.
“Programming is a theme in any robot movie, but this was a substantially different tone,” said Sanders, who graduated from Arvada High School before going on to the California Institute of the Arts. “Roz sees the animals as having individual programming, which is just her way of looking at things. She puts their behavior in terms she can understand.”
Indeed, the robot’s accidental crash-landing on a lush, deserted island kicks off a series of events that blur the organic and artificial. Voiced by Oscar winner Lupita Nyong’o, Roz is a service robot designed to meet the needs of humans. And yet there are no humans to fulfill her purpose, so she turns her attention to decoding the animal kingdom, from an insecure beaver and a grumpy bear to an orphaned gosling (Brightbill, voiced by Kit Connor) that she’s more or less forced to parent after accidentally killing his parents in her crash-landing.
The menagerie is driven by a skilled voice cast that includes Pedro Pascal (as Fink the fox), Catherine O’Hara (Pinktail the possum), Bill Nighy (Longneck the goose), Mark Hamill (Thorn the grizzly bear), Stephanie Hsu (bad robot Vontra) and Ving Rhames (Thunderbolt the falcon).
Sanders and his team offer clever sequences that inject realism into the otherwise fantastical scenes, cross-wiring the best parts of Pixar and Disney movies such as “WALL-E” with “Zootopia.” In one montage, Roz translates the chirps, barks and growls of the animals into a language that she (and we) can speak and understand — something like a Universal Translator in Star Trek. Most movies wouldn’t even bother explaining how they can communicate.
Writer-director Sanders, who grew up hiking and picnicking with his family along the Front Range — “every weekend, if the weather was good enough,” he said — saw opportunity in the blank spaces of the book. Author and illustrator Brown’s source material was first published in 2016 and ascended to No. 1 on the New York Times bestseller list while spawning its own middle-grade series.

“When I got into the book and the journey of the story, I realized these were really fresh characters I could attach myself to,” he said. “I got inside them immediately and understood their relationships are more subtle and intricate and felt more real than they would in a fairytale. I’ve worked on those before, and am proud of those projects. But as fanciful as the (‘The Wild Robot’s’) plot is, this felt like it was really happening because the relationships are believable.”
The movie contrasts the robot’s programming — and the idea that it can evolve past it — with evolutionary instinct and self-preservation. Without giving anything away, hard lessons lead to revelations about working together and the merits of personal sacrifice for the greater good.
Above all, there’s an artful, refreshing wisdom to “The Wild Robot” that’s missing from most movies, kids’ or otherwise. Sanders’ Colorado past showed him nature’s big-screen beauty, as well as the different ways one must adapt to the outdoors, and he certainly internalized that before moving to Hollywood, he said.
“Whether we were on a trail or having lunch, I always got altitude sickness,” Sanders remembered with a laugh, naming Devil’s Head, the Flatirons and the Royal Arch among his favorite spots. “I was super duper prone to that, whereas my brother never got sick. I never really connected that (to the book); it was just part of being a kid.”
Studying animals up close, however, was not part of being a kid, Sanders said. That could be why he’s so attracted to depicting them as an adult.
“We never had pets (growing up),” he said. “That’s why I drew them.”
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Colorado
Attorney General Phil Weiser’s underdog campaign for Colorado governor
Colorado
Congress looks to help fund new control tower at growing Northern Colorado airport
As Weld County and Northern Colorado continue to grow, leaders at the Greeley-Weld County Airport are preparing for an expansion they say will position the facility as a major transportation and economic hub for the region.
Airport director Cooper Anderson said the airport has reached a point where additional growth on its current footprint is no longer possible.
“We have reached our capacity, here, as far as growth on the south side of the airport,” Anderson said.
The airport is now developing land northeast of its existing facilities to accommodate larger aircraft and future aviation services.
“We needed to find a new area to expand and allow larger corporate jets, and eventual charters and commercial service down the road,” Anderson said.
Construction is already underway or completed on several infrastructure projects, including expanded taxiways and sites for future hangars. Anderson said the area being developed was farmland just a few years ago.
“It used to be corn fields, but since then we have ran water, sewage and gas is coming next week,” Anderson said.
The expansion effort has been supported by a combination of local and federal funding. Anderson noted that approximately $850,000 in federal funding was previously secured to develop a master design and long-term vision for the airport, with local money helping execute the plan. Additional federal tax dollars in recent years also helped fund taxiway expansion projects that have prepared the airport for future growth.
Now, Colorado leaders in congress are seeking millions more in federal funding to continue that momentum.
Rep. Gabe Evans, who represents Colorado’s 8th Congressional District, said the airport plays an important role in one of the nation’s busiest aviation corridors.
“The northern Front Range of Colorado is one of the densest airspace systems in the nation,” Evans said.
Before entering Congress, Evans served as a Black Hawk helicopter pilot out of Buckley Air Force Base and frequently flew throughout Northern Colorado. He said improvements at the Greeley airport would have benefits extending well beyond Weld County, noting other airports are overcrowded to the point of causing some nearby residents to complain of sound.
“It really does impact the entire Front Range,” Evans said.
Evans is working to secure additional federal funding that would help construct and staff an air traffic control tower in Greeley while supporting continued infrastructure improvements.
“When those bills are passed and sent to the president’s desk, writtten into those bills as a line item is several more million dollars to continue to expand the infrastructure at the Greeley airport,” Evans said. “So you can actually start to bring business flights into the Greeley airport and pull a lot of that traffic off of some of the overburdened airports in the metro area.”
Anderson said federal support demonstrates broad confidence in the airport’s future as a hub for business and travel.
“Having the addition of Congressman Evans’ office, and their congressional funding, I think shows how much everybody believes in this,” Anderson said.
That confidence is already attracting attention from the private sector, Anderson said, with major companies expressing interest in locating operations at the airport.
“Greeley’s population is booming. Weld County’s population in general is growing,” Anderson said.
Airport leaders view the expansion as a way to support economic development across the region.
“By us growing, and expanding our services, we are also helping the city of Greeley, Weld County and surrounding Northern Colorado communities and being able to grow economic opportunities for them,” Anderson said.
As the airport prepares for future growth, officials have also upgraded emergency response capabilities. The airport recently acquired two fire trucks that will improve its ability to respond to incidents involving larger aircraft. The vehicles also allow firefighters to use newer, non-toxic firefighting foam, replacing older products that posed environmental concerns.
Airport officials say those improvements will help ensure the facility can safely accommodate larger aircraft and increased traffic in the years ahead.
Colorado
‘We couldn’t do this in another place’: Horror film looks to make Southern Colorado the next Hollywood
COLORADO SPRINGS, Colo. (KKTV) – It’s commonly understood that many of the best blockbusters are made in Southern California but a group of local filmmakers wants to prove Southern Colorado can be a destination for both aspiring and established auteurs.
Shooting began in Fountain this spring on ‘Devil In The Trunk’, a new horror film set in Colorado’s eastern plains.
“Devil In The Trunk is about a small-town woman who encounters a mysterious traveler driving this car right here who claims to have the actual devil trapped in the trunk of her car,” executive producer Leon Kelly said. “As you can imagine, when the devil comes to your small town, terrible and dangerous things can happen.”
Director, writer, and producer Evan Alderson said they wanted to make the film as Colorado as possible.
“We ended up finding a local Colorado writer, and we ended up collaborating to come up with this idea that could act as a love letter to Colorado,” he said.
While Colorado may be most famous for its soaring mountain peaks, Kelly said the plains were a much more fitting setting.
“It’s both beautiful and dangerous at the same time,” he said. “One of the underlying themes is the desolation and the loneliness and how vulnerable some folks can be in small towns and out in rural areas.”
Kelly said not only is the film meant to showcase Colorado’s natural beauty, but also to showcase the talent of the people who live there.
“It’s a proof of concept, to show that we have not only the talented people but the infrastructure that can support really high-quality, independent films,” he said. “We know we’ve got great filmmakers here, we know we have really talented craftspeople here, but they don’t necessarily have the opportunities to work on something like this on this scale that’s a narrative film.”
With the Sundance Film Festival set to make its debut in Boulder in 2027, Kelly said people are asking new questions about what Colorado can do for those looking to tell stories on the big screen.
“Can Colorado become a hub? Can that be a place, a destination where others come? Can that be a place where our own filmmakers can come into their own?” he said.
Alderson said once the film is finished they will put it out on the film festival circuit, and even look for distribution.
“That will look like a theatrical release, potentially, in an ideal world, or it will be straight to streaming services like Amazon, Hulu, that type of stuff,” he said.
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