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Do Revenge: 10 Best Letterboxd Reviews

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Do Revenge: 10 Best Letterboxd Reviews

The extremely anticipated teen Netflix film Do Revenge was simply launched and rapidly grew to become the primary trending film on the streaming service. Revitalizing the teenager black comedy style, Do Revenge follows two teen women who’ve been wrongfully outcast and workforce as much as do revenge on one another’s bullies.


With an unbelievable solid of younger expertise that already has robust fan bases of their very own, it is no shock that followers rapidly flocked to the film to see what it was all about. And after they liked it, which most of them did, they flooded Letterboxd with their sincere and hilarious opinions and reactions.

SCREENRANT VIDEO OF THE DAY

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The Teen Film Of The 2020s

The world may solely be two years into the 2020s decade, however followers are already sure that Do Revenge goes to be the perfect teen film of the style. It is clear that author Celeste Ballard and author/director Jennifer Kaytin Robinson knew precisely what they have been doing after they crafted this film.

RELATED: 10 Greatest Motion pictures Like Netflix’s Do Revenge

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Letterboxd consumer hustlerss summed it up finest, calling Do Revenge thedefinitive teen film of the 2020s. a brand new normal set.” They go on to say that the plot twist has already made cinema historical past.

Exceeds Expectations

When the primary trailers for Do Revenge have been launched, they did not fire up numerous buzz. Briefly, the trailers made it look like this was one other run-of-the-mill teen, highschool film that ought to have been set in school (as Letterbox consumer raj identified), given the actors’ ages.

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Nevertheless, Raj was pleasantly stunned when Do Revenge managed to subvert all their expectations — which is precisely what the creators hoped would occur. As Raj writes of their 4 1/2 star evaluate, “every little thing was a bit too glorious. Positively, a really pleasing movie I might see myself possibly even rewatching sooner or later.”

Stunning Comparisons

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The creators behind Do Revenge have been very open about the place they drew their inspiration from — a lot of which stems from iconic ’90s and 2000s teen films. Nevertheless, Letterboxd consumer Giada and several other different followers of the film drew one other comparability, writing that, “Eleanor and Drea are to me what the Joker and Harley Quinn are to straight individuals.”

It might sound odd however each Eleanor and Drea and the Joker and Harley Quinn have poisonous, co-dependent relationships that make them do some morally questionable issues.

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Potential For A Slasher Sequel?

Whereas Do Revenge pulled off probably the greatest plot twists in teen historical past with Eleanor being the precise mastermind your complete time, some followers wished the film pushed the style much more. A well-liked criticism shared by Letterboxd consumer maca is that the film ought to have been a slasher movie.

There are definitely moments the place Eleanor and Drea might have plunged off the deep finish for actual, particularly within the ultimate confrontation with Max on the Ivy League get together. Nevertheless, it was extra necessary for the ladies to get their revenge in a manner that would not depart them wanted to serve jail time.

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A Film For The Ladies

Because the daybreak of the film business, movie bros have turned their noses up at movies catered to ladies calling them “chick flicks” and different derogatory phrases. Do Revenge took that criticism in stride and made a film that’s so purely for the ladies that any detrimental opinions by males do not matter.

RELATED: 10 Greatest Quotes From Do Revenge

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In reality, the ladies have taken over the Letterboxd opinions to ensure that no entitled, upset male reviewer will get any consideration. As consumer neelam writers, “this film is for the ladies solely.”

Subverting The Imply Woman Trope

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Imply women have at all times been part of teen films they usually definitely received a rise in recognition after Imply Ladies grew to become probably the greatest teen films. Do Revenge takes what Imply Ladies began and takes it to a complete different stage to introduce a brand new breed of imply women.

As a substitute, Letterboxd consumer jules factors out that they by no means made the imply women, solely the sufferer the entire time (like Imply Ladies did with Regina George) and as a substitute created imply lady characters who have been advanced and acted as each the sufferer and perpetrator. Thus, they created two flawed however liked teen lady characters in Eleanor and Drea.

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Wanted Extra Kissing

Do Revenge was by no means billed as a romance film, however like most teen films, romance seeped into the plot. In reality, each Drea and Eleanor discover worthy relationships and get steamy mid-credit make-out classes with their important others.

However for a lot of followers, that wasn’t sufficient. Letterboxd Consumer mya took to their evaluate to ask, “what precisely was stopping them from letting Drea and Eleanor kiss.” It looks as if a preferred query, as many followers hoped these two would find yourself romantically collectively by the tip.

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Creation Of The Netflix Actor Multi-Verse

Other than making a witty script and pulling off a formidable plot twist, Do Revenge additionally excels due to the good casting carried out by the casting division. As Letterboxd consumer yanneroo writes, “the casting is sooo excellent. I might acknowledge nearly everybody.”

RELATED: 10 Motion pictures & Exhibits The place You’ve Seen The Forged Of Netflix’s Do Revenge Earlier than

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With actors hailing from Netflix hits like Stranger Issues, 13 Causes Why, and Outer Banks, it definitely looks as if Do Revenge has created the Netflix actors enjoying youngsters multi-verse. Given Do Revenge’s success, possibly it will result in Netflix teen reveals having cross-over episodes like Disney Channel used to do.

Makes The Over-Performed Tropes Value It

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Whereas Do Revenge is exclusive, it does nonetheless play into some common teen tropes. This was nearly a difficulty for Letterboxd consumer loganfairbanks who overtly admitted they nearly took “half a star off” due to the mass textual content scene however “could not carry myself to do it.”

Sending a mass textual content is not the one over-played trope Do Revenge leans into as there’s additionally an epic make-over montage in direction of the start of the film. And but, by way of the distinctive characters and lovely coloration pallets, Do Revenge manages to make these overplayed tropes really feel recent and new.

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The Soundtrack Deserves All The Awards

Letterboxd consumer parademusical accompanied their five-star evaluate with a one-sentence evaluate, “Identify a greater soundtrack I will wait.” They will be ready a very long time as a result of the Do Revenge soundtrack is a masterpiece.

Director Jennifer Kaytin Robinson and music supervisor Rob Lowry talked at nice lengths about eager to make the soundtrack a mix of music they grew up with and common teen tracks of as we speak. Whatever the yr songs have been launched, most of them are female-led, which amps up the “lady energy” theme of the film.

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NEXT: 10 Greatest Twitter Reactions To Do Revenge

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Movie Reviews

Movie Review: Top 5 Movies to Watch This Father's Day June 16, 2024 –

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Movie Review: Top 5 Movies to Watch This Father's Day June 16, 2024 –

A staff report

June 16, 2024 – Happy Father’s Day! What better way to celebrate than by sitting down with your dad and enjoying some quality films together? Whether you’re looking for heartwarming classics or thought-provoking dramas, here are five movies that are sure to make this Father’s Day special:

1. To Kill a Mockingbird (1962)

Gregory Peck delivers an unforgettable performance as Atticus Finch, a principled lawyer in the American South who teaches his children valuable lessons about morality and justice. Based on Harper Lee’s novel, this timeless film is a poignant exploration of fatherhood and standing up for what is right.

Watch it: To Kill a Mockingbird on Prime Video

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2. Moneyball (2011)  

For the baseball-loving dads out there, “Moneyball” offers a fresh take on the sport with Brad Pitt portraying Billy Beane, the innovative general manager of the Oakland A’s. This David-vs.-Goliath story, based on a true story and Michael Lewis’ book, showcases how unconventional thinking can lead to unexpected victories.

Watch it: Moneyball on NetflixPrime Video

3. National Lampoon’s Vacation (1983)

Chevy Chase stars as the well-intentioned but hapless Clark Griswold, who embarks on a disastrous cross-country road trip with his family to the elusive Walley World. Full of humor and iconic moments, this comedy is a perfect choice for a lighthearted Father’s Day movie marathon.

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Watch it: National Lampoon’s Vacation on Prime Video

4. Minari (2020)

“Minari” tells the heartfelt story of a Korean American family striving for a better life in rural Arkansas. Steven Yeun’s portrayal of the father, Jacob, navigating the challenges of farming and family dynamics, is both tender and powerful. This critically acclaimed film offers a touching exploration of immigrant experiences and familial bonds.

Watch it: Minari on MaxPrime Video

5. Sr. (2022)

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In this moving documentary, Robert Downey Jr. pays tribute to his father, Robert Downey Sr., a pioneering filmmaker known for his avant-garde works. Through personal interviews and archival footage, the film celebrates their unique relationship and explores themes of legacy and artistic influence.

Watch it: Sr. on Netflix

This Father’s Day, honor your dad with a cinematic journey through these diverse and enriching stories that celebrate the complexities of fatherhood, family, and the human experience. Whether you prefer classic tales of courage, inspiring underdog stories, or intimate documentaries, these films are sure to create lasting memories and meaningful conversations with your dad.

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Joel Edgerton: ‘Bright' Didn’t Deserve “Harsh” Reviews — World of Reel

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Joel Edgerton: ‘Bright' Didn’t Deserve “Harsh” Reviews — World of Reel

I’m all for audiences embracing critically reviled films, that’s why I still regularly check out user scores on IMDb and Rotten Tomatoes, just to not be totally lost in my critical bubble, which is such an easy place to get sucked into.

Knowing the world of film criticism all too well, I realize that cliques happen, waves of peer-pressured bandwagon fervor wreak havoc. If it happens that you don’t agree with the flock, then you run the risk of being chastised and mocked. I couldn’t care less, but there are some who do. The hive mind mentality is most definitely part of today’s film criticism.

In 2017, critics seemed to be in universal agreement that David Ayer’s “Bright,” starring Will Smith and Joel Edgerton, was a terrible action movie. The film, which garnered a 26% on RT and 29 on Metacritic, was widely mocked by the critical community, with many proclaiming it to be the worst film of the year.

The critical response was so bad that Ayer ended up scolding a few of the detracting critics, including IndieWire’s David Ehrlich, going as far as daring Ehrlich to try to write his own script. One might understand Ayer’s ire, a lot was riding on his film which, at the time, was the most expensive Netflix ever produced at a reported budget of $90M.

In a rather surprising twist of fate, audience reactions for the film were the polar opposite of the critical community. “Bright” ended up receiving an RT audience score of 90% —which has since lowered to 84— and on Google the film was at 90%. On Netflix, based on 1,469 user submission, the reviews were also overwhelmingly positive, with most being 4 or 5 stars.

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Speaking to Inverse, Edgerton is now opening up about Bright’s nasty reviews. The actor praises the film’s blend of high fantasy with the police procedural genre, but acknowledges the impact of the negative reviews, stating they may have derailed plans for a sequel.

I have a lot of feelings about “Bright”. I’m fascinated by the disparity between critical and audience responses to movies. Often, the audience score is low, but critics love it, or vice versa. Occasionally, you get a double win or a double loss. My brother’s TV series, “Mr Inbetween”, is one of the rare double wins. But “Bright” was in the low 30s with critics, yet it resonated with viewers. Netflix’s algorithms would confirm that, as many people rated it highly, showing a clear appetite for more. I think critics were a bit too harsh on it.

About that sequel to “Bright,” it didn’t happen for a number of reasons, but the movie’s critical reputation wasn’t one of them. It was delayed a few times, due to co-star Will Smith’s busy schedule and due to Netflix’s inability to find a director (Ayer didn’t want to return). Eventually, Netflix canceled the whole thing after Smith’s “Oscar slap” scandal.

Ayer has never been embraced by critics, “Bright” is just one of many films he’s directed that got panned — the others include the likes of “The Tax Collector,” “Suicide Squad,” “Sabotage,” and “Street Kings.”

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‘Under Paris’ movie review: A shark tale lost in confusion and plausibility

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‘Under Paris’ movie review: A shark tale lost in confusion and plausibility

Under Paris begins with a pre-title sequence where a group of marine scientists are dangerously close to a man-eating shark. Unsurprisingly, all but one member of the team survives the vicious attack. The surviving scientist, Sophia (Berenice Bejo), goes on to live far away in Paris with memories of the traumatic incident where she lost her husband. The shark, named Lillith for some reason, finds her way to Sophia once again after conservation activist Mika (Léa Léviant) spots her in the Seine River with a tracker.

From this point, director Gens seems confused about whether the shark must be treated as a monster or pet. This dilemma, which persists for an hour of the film’s runtime, is rather frustrating to watch. By the time the film makes up its mind, it gets hard to root for the protagonist, especially since good old logic seems to take a hit too.

Add to the proceedings a smug mayor (Anne Marivin), who doesn’t want anything hampering the triathlon Olympics in Paris, leaving you wondering how the Parisian cops let a bunch of 20-year-old activists foil their covert operation? It’s possible, sure, but the film needs to sell it. Even as the number of underwater deaths begin mounting, the Parisians are strangely devoid of any panic. Further narrative issues come in the way of a screwball subplot involving the discovery of active World War II artillery under the Seine. The shark may be kept under wraps, but how is the mayor keeping this a secret? Again, it’s possible, but the film does not attempt whatsoever to convince the audience of the plausibility of the premise.

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