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‘Back to the Future: The Musical’ Broadway review: Watch the movie instead

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‘Back to the Future: The Musical’ Broadway review: Watch the movie instead

Delightful and delicious? No — it’s DeLorean. 

“Back To The Future: The Musical,” which opened Thursday night on Broadway, doesn’t have much going for it in the way of tuneful songs, show-stopping dances or enthralling storytelling. But it does have a star vehicle. 


Theater review

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Two and a half hours, with one intermission. At the Winter Garden Theatre, 1634 Broadway.

Its very own Wells Fargo Time Machine. A Chitty Chitty Flux Capacitor. A Greased (Struck By) Lightnin’.

Onstage, the famous DeLorean drives, spins, flies and turns upside down with the actors inside it. The hotrod is the biggest special effect the Winter Garden Theatre has seen since “Rocky the Musical” plopped a boxing ring in the middle of the orchestra nearly 10 years ago.

But Huey Lewis did not sing “Power of Car,” he sang “Power of Love.” And heart is completely absent from director John Rando’s shiny and serviceable staging of the beloved 1985 science-fiction movie.

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Coursing emotion, teen angst and can-do scrappiness are what set director Robert Zemeckis’ original film apart from other entries in the time-travel genre. “Back To The Future” wasn’t HG Wells or “Star Trek IV: The Voyage Home.” And it’s hardly remembered as a flashy spectacle, either. The flick was a fun ‘80s adventure romp about a guitarist who winds up in 1955 Main Street, America. 

Doc Brown (Roger Bart) unveils his time-traveling DeLorean.
Matthew Murphy and Evan Zimmerman, 2023

“Future” didn’t star somebody serious like Charlton Heston in “The Planet of the Apes,” but instead cast smart-aleck Michael J. Fox, who was then best known as the hilarious Alex P. Keaton on “Family Ties.”

On Broadway, however, we have a bloated gizmo nobody asked for that, while enjoyable in parts and with an embraceable star in Casey Likes as Marty, never justifies its perplexing existence as a stage musical. “Reenact the movie, sure,” the audience sits there thinking. “But please stop singing.”

Besides its unfortunate songs and some 2023 tweaks — Doc Brown (Roger Bart) now gets plutonium poisoning at the start instead of being shot to death by Libyan terrorists — the show is beat-for-beat the same plot as the film up until a more neatly wrapped-up ending.


Casey Likes in Back to the Future
Casey Likes takes on the role of Marty McFly in “Back to the Future: The Musical” on Broadway.
Matthew Murphy and Evan Zimmerman, 2023

Marty McFly (Likes) is still a high school-hating rebel whose geeky father George (Hugh Coles) has grown into a sad-sack disappointment that’s constantly tormented by his bully boss Biff (Nathaniel Hackman). So Marty seeks refuge at the home of Doc, the local Hill Valley, Calif., mad scientist.

During a nighttime parking-lot demo of his new DeLorean time machine, Doc is fatally poisoned. So, the kid must go back in time to save his friend’s life. But, whoops, the car runs out of juice at his destination and he’s stuck for good in 1955. So it’s up to Past Doc to help Marty go back … to the future! 

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Hyperactive Bart does to Doc exactly what he did to Fredrick in “Young Frankenstein”: talks ultra-fast, grimaces and shouts. His Brown is a clown who is impossible to care one iota about, let alone 1.2 gigawatts. His one big song called “21st Century,” a trippy dream sequence at the start of Act 2, is the show’s most significant departure from the movie. But it’s hampered by a creepy, ’90s KoolAid cult vibe.


Roger Bart in Back to the Future
A song called “21st Century,” featuring Roger Bart as Doc, has a creepy KoolAid cult vibe.
Matthew Murphy and Evan Zimmerman, 2023

Where the show somewhat finds its way are the scenes featuring the younger versions of Marty’s mom Lorraine (Liana Hunt) and dad. By coming in contact with them — she gets the hots for her own kid — he screws up the world’s timeline and potentially his very existence. Therefore, Marty must ensure that the ‘rents meet and fall in love at the Enchantment Under The Sea Dance.

Those hormonal shenanigans at least allow for some amusing broad comedy onstage, mostly featuring the excellent Coles as geeky George. Coles, at first, does a terrifyingly spot-on Crispin Glover impression, and then finds artfulness in mimicry by exaggerating his movements in a highly theatrical way. His learning-to-be-cool duet with Likes, called “Put Your Mind To It,” is one of the only songs you’ll remember all night.

Otherwise the score, by Glen Ballard (of “Jagged Little Pill” fame), is awful whenever it’s not borrowing from Alan Silvestri’s rousing theme music from the film. You’ll note its inferiority when excellent songs from the movie, such as “Johnny B. Goode” and “Power of Love” are performed amid all the modern mediocrity.

And the audience is especially grateful for the famous old one-liners (“Great Scot!,” “Ronald Reagan? The actor?!”) when the original screenwriter Bob Gale’s new book gives Doc a cringey joke about COVID.


Casey Likes in Back to the Future
Lorraine (Liana Hunt) gets the hots for Marty (Casey Likes), her son from thirty years in the future.
Matthew Murphy and Evan Zimmerman, 2023

Marty marks the second iconic movie-to-stage role for Likes in a lacking musical adaptation, after last season’s “Almost Famous.” He’s undoubtedly a big talent and he brings the same gee-whiz energy here that’s so easy for an audience to root for. How unfortunate that he’s been done such a disservice by this forgettable music. He is a far better singer than the musical lets him be.

Some will insist that the show is meant for “Back to the Future” super fans only. Well, speaking as one of those super fans who has watched the film trilogy countless times to the point of “Pledge of Allegiance”-like recitation, the musical left me cold and uninvolved.    

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It made me want to go back… to the movie! 

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Movie Reviews

Karan Johar, Guneet Monga’s Kill Movie Review: The ‘kill’ never slows down

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Karan Johar, Guneet Monga’s Kill Movie Review: The ‘kill’ never slows down

Nikhil Nagesh Bhat’s high energy action film Kill is not for the faint hearted.
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Language: Hindi

Director: Nikhil Nagesh Bhat

Cast: Lakshya, Raghav Juyal, Tanya Maniktala, Abhishek Chauhan, Ashish Vidyarthi, Adrija Sinha, Harsh Chhaya

 It’s true that we don’t really need stars to make a successful film. Nikhil Nagesh Bhat’s Kill has totally killed it with all its energy.  It is fresh, bold and a unique story that not many have thought about and that’s what makes it different. Violent no doubt, but don’t most movies have an element of violence?

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I believe Kill is a path breaking Indian action film, but definitely not for the faint heart. It is true that I am not too fond of extreme bloodshed, murder and also not to forget the smashing of head scenes. But keeping my choices aside, I would say Kill is a well-made film and the action sequences are simply mind-blowing. Having watched the movie at the
Red Sea International Film Festival
last year for the first time, I wonder, why did it take so long for the film to be released in India?

It’s insanely violent. What works for Kill is the simple storyline and no beating around the bush. Not much twist and turns and most importantly hitting the hammer right on the nail and sometimes on the people too. The action takes place inside the train with no unnecessary drama, dancing and singing. The concept is daring and fresh for the Indian audience and that makes 
Kill
 stand out. No flying cars, choppers and superman stunts and most importantly actors like Lakshya, Raghav Juyal and the battalion of dacoits are relatable to the Indian audience. They look like ordinary guys and that’s what makes them special. Lakshya plays the role of an army man, Amrit who is a great boyfriend to Tulika played by Tanya Maniktala.

Lakshya has done a brilliant job, but the actor to look out for is Raghav Juyal. He has a promising career ahead of him. He is one evil character you can’t stop hating. Raghav’s performance is intense and the dialogue delivery, expressions, and every action is absolutely compelling. I must say that this man truly knows his craft. The best thing that the movie brings out is that murderers too have emotions.

If you are looking for a high energy action film 
Kill
 is one such must watch. Nikhil Nagesh Bhat’ has no doubt done a brilliant job as a director, but without cinematographer Rafey Mehmood probably this film wouldn’t have been such a hit. The best part about the film Kill is that not even once will you get bored. No matter how much at times I hated the gory action scenes and tried closing my eyes, the more I got interested in what’s happening next. The discomfort of the blood splatter, the punching, kicking, stabbing and smashing of head all in a train will surely make you think twice before booking a train ticket next time!

Rating: 4 out of 5

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WATCH the trailer of Kill here: 

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Movie Review: ‘A Quiet Place: Day One’ | Recent News

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Movie Review: ‘A Quiet Place: Day One’ | Recent News

“A Quiet Place: Day One” made a grave miscalculation with its advertising. Scenes were filmed with the intention of putting them in the trailers, but not the movie. This way, when people saw the movie, they wouldn’t be able to properly anticipate the surprises and story progression. To that end, the advertising succeeded, I was indeed thrown off while watching the movie. But here’s where they didn’t succeed: the scenes shot just for the trailers were terrible, with clumsy dialogue and careless pacing. I was so mad at Hollywood for continuing this series without the creative vision of director John Krasinski, especially when the movie looked like garbage without his input. I only saw this movie out of obligation for the column, and I wouldn’t be surprised if fans of the series stayed away entirely because of those awful trailers. But it turns out that not only is this movie better than the trailers, it’s better than the two installments that Krasinski directed.

“Day One” casts aside the familiar Abbott family in favor of new protagonist Sam (Lupita Nyong’o). Sam is a cancer patient taking a trip from her hospice to Manhattan along with her nurse Reuben (Alex Wolff) and service cat Frodo. Sam only agrees to the trip on the condition that the group stop for pizza at her favorite place in Harlem. The sudden invasion of echolocating aliens means a delay in pizza. Honestly, Sam is only interested in self-preservation to the end that it means eventual pizza.

Sam shelters in place for a bit with Reuben, who has a great scene where he stares down an alien like he’s staring down death itself. Also in the shelter is familiar character Henri (Djimon Hounsou) from “Part II” of the series, here forced to make an unthinkable decision. She moves on to helping some children in Central Park before finding a companion in anxious wreck Eric (Joseph Quinn). Can the two survive in alien-infested New York long enough to get a slice of pizza? If so, what happens after that?

“Day One” has the most suspense yet for a “Quiet Place” movie. It was scary enough that characters had to keep quiet to save their lives on a family farm or in small town. But in New York, the noises are as big as the pizzas. Speaking of food, I wonder if the characters’ best bet for survival would be to let the aliens fill up on noisy people and then hope they’re too stuffed to give chase. Maybe that’s why the film’s biggest flaw is that the main characters get away with making as much noise as they do.

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The film does an excellent job of wringing scares out of not only the slightest sounds, but loud-looking images. Even with everybody promising to be quiet, a crowd of people is going to make noise eventually, that’s just how crowds are. So if the characters find themselves as part of a crowd, the clock is already ticking. And that’s with a reasonable amount of effort being made. Some people just aren’t cut out for quiet, and associating with those people in this environment could prove fatal.

“A Quiet Place: Day One” had me afraid to breathe loudly in the theater, a testament to the film’s immersiveness. And yet, the suspenseful atmosphere is only the second-best thing about the movie. The real star here is, well, the star: Lupita Nyong’o. This movie doesn’t have returning players John Krasinski, Emily Blunt, or even recent Oscar-winner Cillian Murphy, and Nyong’o makes up for all of them. One way or another, Sam doesn’t have much time left on this Earth, but you’ll want to be there for every moment. It took until nearly the exact halfway point of the year, but I think we have our first serious contender for an acting Oscar. Not bad for a movie whose advertising had me thinking it would be one of the worst films of the year.

Grade: B

“A Quiet Place: Day One” is rated PG-13 for terror and violent content/bloody images. Its running time is 100 minutes.


Robert R. Garver is a graduate of the Cinema Studies program at New York University. His weekly movie reviews have been published since 2006.

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Movie review: 'Despicable Me 4' fun for kids, nightmare for adults

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Movie review: 'Despicable Me 4' fun for kids, nightmare for adults
The experience of watching “Despicable Me 4” is a Kafkaesque nightmare, and not only because one of the main characters turns himself into a roach. The film is an interminable 95 minutes of circular, intertwining, seemingly never-ending storylines rendered with such audio-visual cacophony that it dissolves into an indiscernible din. This fourth (or is it sixth?) installment of the inexplicably …
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