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Michael Oher speaks out for the first time amid legal battle with the Tuohy family

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Michael Oher speaks out for the first time amid legal battle with the Tuohy family

Retired NFL player Michael Oher, whose life story inspired the Oscar-winning film “The Blind Side,” has spoken out for the first time following his lawsuit against the Tuohy family.

Oher alleges the Tuohys tricked him into signing a conservatorship when he was 19, claiming it was the same as adoption. He says the family exploited him, using his “name, image and likeness to promote speaking engagements” from which they collected millions, according to the New York Times Magazine.

“For a long time, I was so angry mentally. With what I was going through,” the 38-year-old told the magazine about his strained relationship with Sean and Leigh Ann Tuohy. “I want to be the person I was before ‘The Blind Side,’ personality-wise. I’m still working on it.”

In the film, Quinton Aaron plays Oher, who was an unhoused Black teenager. Leigh Anne, portrayed by Sandra Bullock, and her husband Sean, played by Tim McGraw, take him in and eventually become Michael’s legal guardians, dramatically changing all their lives. They provide him tutoring and other support, and Michael succeeds at school and at his sport. The Times’ 2009 review of the movie called it “high on hope, low on cynicism and long on heart.” But Oher claims the film and the 2006 book it was based on don’t tell the truth of his life.

He filed a petition in a Tennessee court last year claiming that the couple who said they’d adopted him never actually did. On Aug. 14, he submitted a 14-page document to the Shelby County Probate Court, alleging the Tuohys tricked him into signing the conservatorship, which he thought was part of an adoption when they took him in. This document gave the Tuohys the power to make business deals using his name, including those related to the film. Oher says the couple kept nearly two decades’ worth of financial information from him. He accuses the Tuohys of ignoring their legal and financial responsibilities to him.

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Oher said he chose not to speak out when the 2009 film was released because he was focused on the start of his professional career with the Baltimore Ravens.

“Pro football’s a hard job,” Oher said in the interview with the magazine, published Sunday. “You have to be locked in 100 percent. I went along with their narrative because I really had to focus on my NFL career, not things off the field.”

The former first-round draft pick also addressed accusations made last year by the couple that Oher had attempted to shake them down for $15 million. The allegation came after Oher filed his suit. Martin D. Singer, the Tuohys’ attorney, said at the time the couple “will not hesitate to defend their good names, stand up to this shakedown and defeat this offensive lawsuit.”

“I worked hard for that moment when I was done playing, and saved my money so I could enjoy the time,” Oher said. “I’ve got millions of dollars. I’m fine.”

Although Oher didn’t attend the movie’s official premiere, he was persuaded to watch it a month after its release. He said it was like watching “a comedy about someone else.” Oher said the film underplayed his intelligence to such a degree that it made his new co-workers question his capabilities.

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“The NFL people were wondering if I could read a playbook,” he said. “I started seeing stuff [online] that I’m dumb. I’m stupid. Every article about me mentioned ‘The Blind Side,’ like it was part of my name. … If my kids can’t do something in class, will their teacher think, ‘Their dad is dumb — is that why they’re not getting it?’”

The next hearing in the lawsuit is set for October.

Movie Reviews

Movie Review: The Mortuary Assistant – HorrorFuel.com: Reviews, Ratings and Where to Watch the Best Horror Movies & TV Shows

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Movie Review: The Mortuary Assistant – HorrorFuel.com: Reviews, Ratings and Where to Watch the Best Horror Movies & TV Shows

Forget the “video game movie” curse; The Mortuary Assistant is a bone-chilling triumph that stands entirely on its own two feet. Starring Willa Holland (Arrow) as Rebecca Owens, the film follows a newly certified mortician whose “overtime shift” quickly devolves into a grueling battle for her soul.

What Makes It Work

The film expertly balances the stomach-churning procedural work of embalming with a spiraling demonic nightmare. Alongside a mysterious mentor played by Paul Sparks (Boardwalk Empire), Rebecca is forced to confront both ancient evils and her own buried traumas. And boy, does she have a lot of them.

Thanks to a full-scale, practical River Fields Mortuary set, the film drips with realism, like you can almost smell the rot and bloat of the bodies through the screen.

The skin effects are hauntingly accurate. The way the flesh moves during surgical scenes is so visceral. I’ve seen a lot of flesh wounds in horror films and in real life, and the bodies, skin, and organs. The Mortuary Assistant (especially in the opening scene) looks so real that I skipped supper after watching it. And that’s saying something. Your girl likes to eat.

Co-written by the game’s creator, Brian Clarke, the movie dives deeper into the demonic mythology. Whether you’ve seen every ending or don’t know a scalpel from a trocar, the story is perfectly self-contained. If you’ve never played the game, or played it a hundred times, the film works equally well, which is hard to do when it comes to game adaptations.

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Nailed It

This film does a lot of things right, but the isolation of the night shift is suffocating. Between the darkness of the hallways and the “residents” that refuse to stay still, the film delivers a relentlessly immersive experience. And thankfully, although this movie is filled with dark rooms and shadows, it’s easy to see every little thing. Don’t you hate it when a movie is so dark that you can’t see what’s happening? It’s one of my pet peeves.

The oh-so-awesome Jeremiah Kipp directs the film and has made something absolutely nightmare-inducing. Kipp recently joined us for an interview, took us inside the film, discussed its details and the game’s lore, and so much more. I urge you to check out our interview. He’s awesome!

The Verdict

This isn’t just a cash-grab; it’s a high-effort adaptation that respects the source material while elevating the horror genre. With incredible special effects and a powerhouse cast, it’s the kind of movie that will make you rethink working late ever again. Dropping on Friday the 13th, this is a must-watch for horror fans. It’s grisly, intelligent, and genuinely terrifying.

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Entertainment

Former Live Nation executive says he was fired after raising ‘financial misconduct’ concerns

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Former Live Nation executive says he was fired after raising ‘financial misconduct’ concerns

A former executive at Live Nation, the world’s largest live entertainment company, is suing the company, alleging that he was wrongfully terminated after he raised concerns about alleged financial misconduct and improper accounting practices.

Nicholas Rumanes alleges he was “fraudulently induced” in 2022 to leave a lucrative position as head of strategic development at a real estate investment trust to create a new role as executive vice president of development and business practice at Beverly Hills-based Live Nation.

In his new position, Rumanes said, he raised “serious and legitimate alarm” over the the company’s business practices.

As a result, he says, he was “unlawfully terminated,” according to the lawsuit filed Thursday in Los Angeles County Superior Court.

“Rumanes was, simply put, promised one job and forced to accept another. And then he was cut loose for insisting on doing that lesser job with integrity and honesty,” according to the lawsuit.

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He is seeking $35 million in damages.

Representatives for Live Nation were not immediately available for comment.

The lawsuit comes a week after a federal jury in Manhattan found that Live Nation and its Ticketmaster subsidiary had operated a monopoly over major concert venues, controlling 86% of the concert market.

Rumanes’ lawsuit describes a “culture of deception” at Live Nation, saying its “basic business model was to misstate and exaggerate financial figures in efforts to solicit and secure business.”

Such practices “spanned a wide spectrum of projects in what appeared to be a company-wide pattern of financial misrepresentation and misleading disclosures,” the lawsuit states.

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Rumanes says he received materials and documents that showed that the company inflated projected revenues across multiple venue development projects.

Additionally, Rumanes contends that the company violated a federal law that requires independent financial auditing and transparency and instead ran Live Nation “through a centralized, opaque structure” that enables it to “bypass oversight and internal checks and balances.”

In 2010, as a condition of the Live Nation-Ticketmaster merger, the newly formed company agreed to a consent decree with the government that prohibited the firm from threatening venues to use Ticketmaster. In 2019 the Justice Department found that the company had repeatedly breached the agreement, and it extended the decree.

Rumanes contends that he brought his concerns to the attention of the company’s management, but his warnings were “repeatedly ignored.”

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Movie Reviews

‘Madhuvidhu’ movie review: A light-hearted film that squanders a promising conflict

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‘Madhuvidhu’ movie review: A light-hearted film that squanders a promising conflict

At the centre of Madhuvidhu directed by Vishnu Aravind is a house where only men reside, three generations of them living in harmony. Unlike the Anjooran household in Godfather, this is not a house where entry is banned to women, but just that women don’t choose to come here. For Amrithraj alias Ammu (Sharafudheen), the protagonist, 28 marriage proposals have already fallen through although he was not lacking in interest.

When a not-so-cordial first meeting with Sneha (Kalyani Panicker) inevitably turns into mutual attraction, things appear about to change. But some unexpected hiccups are waiting for them, their different religions being one of them. Writers Jai Vishnu and Bipin Mohan do not seem to have any major ambitions with Madhuvidhu, but they seem rather content to aim for the middle space of a feel-good entertainer. Only that they end up hitting further lower.

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