Connect with us

Entertainment

Kate Middleton's cancer is now in remission: 'It takes time to adjust to a new normal'

Published

on

Kate Middleton's cancer is now in remission: 'It takes time to adjust to a new normal'

After battling cancer most of last year, Kate Middleton says she’s now in remission.

Catherine, Princess of Wales, who confirmed last March that she had cancer after months of speculation about her health and well-being, said Tuesday that she is focused on recovery.

“It is a relief to now be in remission and I remain [focused] on recovery,” she said in a statement posted on social media. “As anyone who has experienced a cancer diagnosis will know, it takes time to adjust to a new normal. I am however looking forward to a fulfilling year ahead. Thank you to everyone for your continued support.”

Catherine, Princess of Wales, and husband Prince William, who is first in line to the British throne, on Tuesday were named joint patrons of the Royal Marsden — the cancer hospital where Catherine received treatment last year. Since 2007, William has been president of the Royal Marsden, a position that was held previously by his mother, the late Princess Diana.

“I wanted to take the opportunity to say thank you to The Royal Marsden for looking after me so well during the past year,” Catherine said in her statement. “My heartfelt thanks goes to all those who have quietly walked alongside William and me as we have navigated everything. We couldn’t have asked for more. The care and advice we have received throughout my time as a patient has been exceptional.”

Advertisement

In her new role, the 43-year-old princess said she hopes to save more lives and transform the experience of all those affected by cancer by supporting groundbreaking research and clinical excellence, as well as promoting patient and family well-being.

Catherine’s health issues and the royal missteps that followed became a global topic of discussion early last year when Kensington Palace announced that she had to take a break from royal duties after having “major abdominal surgery” in January. Rampant speculation ran amok about the princess’ retreat from the public eye, fueling months of broad concern about her condition and whereabouts.

In March, she made the cancer announcement in a poignant video message that came in the wake of reports that her medical records at the London Clinic were allegedly breached by hospital staffers. She began treatment in late February and announced in September that she had completed it, confirming that she would soon return to light public duties.

The announcement of Catherine’s patronage was made Tuesday during her visit to the Royal Marsden’s hospital in Chelsea. There, the mother of three met with patients being treated with chemotherapy and immunotherapy.

“We were honoured to welcome Her Royal Highness The Princess of Wales to The Royal Marsden in Chelsea this morning, and are delighted that Her Royal Highness is now joining His Royal Highness The Prince of Wales in becoming Joint Patrons of our specialist cancer centre,” said Cally Palmer, chief executive of the Royal Marsden NHS Foundation Trust.

Advertisement

Palmer said William has been “a wonderful supporter of our work for nearly two decades” and that his and Catherine’s royal patronage is inspiring for staff and patients and “enables us to shine a light on the outstanding work our staff deliver every day for patients and their families.”

During her Tuesday visit, Catherine disclosed some of the side effects she experienced after her cancer treatment, including speech issues and brain fog.

“You think treatment’s finished, crack on with that … daily tasks, but that’s still like a real challenge,” she told hospital staff, according to the Daily Mail. “And talking … the words totally disappear … understanding that as a patient, yes, there are side effects around treatment, but actually there are more long-term side effects.”

Advertisement

Movie Reviews

Movie Review: The Mortuary Assistant – HorrorFuel.com: Reviews, Ratings and Where to Watch the Best Horror Movies & TV Shows

Published

on

Movie Review: The Mortuary Assistant – HorrorFuel.com: Reviews, Ratings and Where to Watch the Best Horror Movies & TV Shows

Forget the “video game movie” curse; The Mortuary Assistant is a bone-chilling triumph that stands entirely on its own two feet. Starring Willa Holland (Arrow) as Rebecca Owens, the film follows a newly certified mortician whose “overtime shift” quickly devolves into a grueling battle for her soul.

What Makes It Work

The film expertly balances the stomach-churning procedural work of embalming with a spiraling demonic nightmare. Alongside a mysterious mentor played by Paul Sparks (Boardwalk Empire), Rebecca is forced to confront both ancient evils and her own buried traumas. And boy, does she have a lot of them.

Thanks to a full-scale, practical River Fields Mortuary set, the film drips with realism, like you can almost smell the rot and bloat of the bodies through the screen.

The skin effects are hauntingly accurate. The way the flesh moves during surgical scenes is so visceral. I’ve seen a lot of flesh wounds in horror films and in real life, and the bodies, skin, and organs. The Mortuary Assistant (especially in the opening scene) looks so real that I skipped supper after watching it. And that’s saying something. Your girl likes to eat.

Co-written by the game’s creator, Brian Clarke, the movie dives deeper into the demonic mythology. Whether you’ve seen every ending or don’t know a scalpel from a trocar, the story is perfectly self-contained. If you’ve never played the game, or played it a hundred times, the film works equally well, which is hard to do when it comes to game adaptations.

Advertisement

Nailed It

This film does a lot of things right, but the isolation of the night shift is suffocating. Between the darkness of the hallways and the “residents” that refuse to stay still, the film delivers a relentlessly immersive experience. And thankfully, although this movie is filled with dark rooms and shadows, it’s easy to see every little thing. Don’t you hate it when a movie is so dark that you can’t see what’s happening? It’s one of my pet peeves.

The oh-so-awesome Jeremiah Kipp directs the film and has made something absolutely nightmare-inducing. Kipp recently joined us for an interview, took us inside the film, discussed its details and the game’s lore, and so much more. I urge you to check out our interview. He’s awesome!

The Verdict

This isn’t just a cash-grab; it’s a high-effort adaptation that respects the source material while elevating the horror genre. With incredible special effects and a powerhouse cast, it’s the kind of movie that will make you rethink working late ever again. Dropping on Friday the 13th, this is a must-watch for horror fans. It’s grisly, intelligent, and genuinely terrifying.

Continue Reading

Entertainment

Former Live Nation executive says he was fired after raising ‘financial misconduct’ concerns

Published

on

Former Live Nation executive says he was fired after raising ‘financial misconduct’ concerns

A former executive at Live Nation, the world’s largest live entertainment company, is suing the company, alleging that he was wrongfully terminated after he raised concerns about alleged financial misconduct and improper accounting practices.

Nicholas Rumanes alleges he was “fraudulently induced” in 2022 to leave a lucrative position as head of strategic development at a real estate investment trust to create a new role as executive vice president of development and business practice at Beverly Hills-based Live Nation.

In his new position, Rumanes said, he raised “serious and legitimate alarm” over the the company’s business practices.

As a result, he says, he was “unlawfully terminated,” according to the lawsuit filed Thursday in Los Angeles County Superior Court.

“Rumanes was, simply put, promised one job and forced to accept another. And then he was cut loose for insisting on doing that lesser job with integrity and honesty,” according to the lawsuit.

Advertisement

He is seeking $35 million in damages.

Representatives for Live Nation were not immediately available for comment.

The lawsuit comes a week after a federal jury in Manhattan found that Live Nation and its Ticketmaster subsidiary had operated a monopoly over major concert venues, controlling 86% of the concert market.

Rumanes’ lawsuit describes a “culture of deception” at Live Nation, saying its “basic business model was to misstate and exaggerate financial figures in efforts to solicit and secure business.”

Such practices “spanned a wide spectrum of projects in what appeared to be a company-wide pattern of financial misrepresentation and misleading disclosures,” the lawsuit states.

Advertisement

Rumanes says he received materials and documents that showed that the company inflated projected revenues across multiple venue development projects.

Additionally, Rumanes contends that the company violated a federal law that requires independent financial auditing and transparency and instead ran Live Nation “through a centralized, opaque structure” that enables it to “bypass oversight and internal checks and balances.”

In 2010, as a condition of the Live Nation-Ticketmaster merger, the newly formed company agreed to a consent decree with the government that prohibited the firm from threatening venues to use Ticketmaster. In 2019 the Justice Department found that the company had repeatedly breached the agreement, and it extended the decree.

Rumanes contends that he brought his concerns to the attention of the company’s management, but his warnings were “repeatedly ignored.”

Advertisement
Continue Reading

Movie Reviews

‘Madhuvidhu’ movie review: A light-hearted film that squanders a promising conflict

Published

on

‘Madhuvidhu’ movie review: A light-hearted film that squanders a promising conflict

At the centre of Madhuvidhu directed by Vishnu Aravind is a house where only men reside, three generations of them living in harmony. Unlike the Anjooran household in Godfather, this is not a house where entry is banned to women, but just that women don’t choose to come here. For Amrithraj alias Ammu (Sharafudheen), the protagonist, 28 marriage proposals have already fallen through although he was not lacking in interest.

When a not-so-cordial first meeting with Sneha (Kalyani Panicker) inevitably turns into mutual attraction, things appear about to change. But some unexpected hiccups are waiting for them, their different religions being one of them. Writers Jai Vishnu and Bipin Mohan do not seem to have any major ambitions with Madhuvidhu, but they seem rather content to aim for the middle space of a feel-good entertainer. Only that they end up hitting further lower.

Continue Reading
Advertisement

Trending