John Mulaney, a Chicago native and former New Yorker, is a recent transplant to L.A. In his latest project with Netflix, “Everybody’s in L.A.,” the stand-up comedian explores the city he describes as a place that simultaneously “confuses and fascinates” him.
The show, which has a pseudo-late night format and features actor and comedian Richard Kind as the announcer, began May 3 as part of the Netflix Is a Joke Festival. It streamed live and ended Friday (all six episodes are available to watch). Mulaney also performed at the Hollywood Bowl on Saturday in one of the festival’s most anticipated shows.
The show calls on the aesthetics of a ’70s living room for its set, the sketch humor of “Saturday Night Live” and the production chaos of Netflix’s recent ventures into the livestreaming space. Mulaney enlists comedians in town for the festival and L.A.-based experts to “try to figure out just what the hell is going on here.”
John Mulaney in a scene from Episode 1 of “Everybody’s in L.A.”
(ADAM ROSE/Adam Rose/NETFLIX)
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With a number of topics specific to Southern California setting the tone and theme for each episode, some humor might be lost on the crowd of non-Angelenos tuning in. Here is a guide to some of the L.A. people, places and things discussed in each episode of “Everybody’s in L.A.”
Ongoing
Saymo delivery bot
The Saymo delivery bot has rolled through the show each night, bringing guests snacks and ginger ale.
(Adam Rose / Netflix)
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Based on the many food delivery robots that roll through the streets of L.A., Mulaney and company created the Saymo, perhaps a play on the Waymo self-driving cars that are permeating the city. The robot has appeared in each episode, providing snacks and beverages — ginger ale in particular (Mulaney: “It’s not just for sick”) — to guests on the show. Jon Stewart, who mentioned frequently that he is not from L.A. (“The Daily Show” host is from New Jersey), jumped up as the bot approached the stage in the second episode and called it a “rolling toilet” after remarking that he had never seen a robot like that before.
Episode 6
La Brea Tar Pits Paleontologist Emily Lindsey, the associate curator and excavation site director of the La Brea Tar Pits, was one of Mulaney’s guests on Friday’s final episode. She described the pits as “the most important Ice Age fossil site in the world,” but tar pits is a misnomer — it’s actually asphalt that bubbles up through the site. That asphalt is what trapped many prehistoric animals, like saber-toothed cats, mammoths and giant sloths, whose excavated remains are now on display at the site’s museum. Located in Mid-City, the site is home to more than 100 pits where fossil excavations, which began in the early 1900s, continue to this day.
Mayor Karen Bass The episode’s topic was the future of L.A., and the city’s leader called into the show to weigh in. Bass, the 43rd mayor of Los Angeles, said, “The future of L.A. is incredible.” Mulaney interjected, “Yeah, but you’re the mayor.” She didn’t give specific details about the city’s future, but instead emphasized its diverse culture and said L.A. was the “entertainment capital of the world.” Comedian Mike Birbiglia, a guest (and New Yorker, as Mulaney noted), asked the mayor if “we’re supposed to eat almonds or not,” which she replied by saying “we eat healthy.” Fellow comedian and guest Hannah Gadsby said she didn’t share the mayor’s optimism about L.A.: “From the outside, it doesn’t look like a healthy place.” Bass, however, was undeterred.
John Carpenter
John Carpenter, left, with John Mulaney in the final episode of “Everybody’s in L.A.”
(Adam Rose/Netflix)
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The renowned director and master of horror arrived midway through the episode, and he turned out to be L.A.’s biggest hype man. Carpenter spoke about arriving in Los Angeles from Kentucky to attend USC, explaining that he quickly fell for the city. “The weather, the people — L.A. for me was paradise. I’ve lived here ever since and I love it. Love every inch of it.” But what does he think the future holds for the city? Carpenter predicts Mexico will take over the city and then later the “long-awaited Doobie Brothers prophecy takes place: California breaks off into the sea.”
Episode 5
Earthquakes The penultimate episode’s theme was to be expected — a show about life in L.A. wouldn’t be complete without discussing earthquakes. When Mulaney introduced the theme, the audience roared, to which he said, “Hey, don’t clap too hard, we’ll start one.” Mulaney then discussed the frequency of earthquakes in Southern California because of its location between the Pacific Plate and the North American Plate. He also noted that this year marked the 30th anniversary of the Northridge earthquake, which caused $40 billion in damage.
One of the prerecorded segments featured an interview with an L.A. woman whose home video showing her family during an earthquake — which captured her panicked husband running out of the shower naked — won a cash prize on “America’s Funniest Home Videos.”
Lucy Jones Renowned seismologist Dr. Lucy Jones, who has been called the “Beyoncé of earthquakes,” joined the show to add some expertise . She told viewers that if they are in Los Angeles, they are within a few miles of an earthquake fault line. She answered questions from inquisitive fellow panelists and live callers. She also said the advice to stand in a door frame during an earthquake is dated guidance — she recommends getting under a hard surface like a desk or table. Jones also mentioned how the recent earthquake in New Jersey “ruined” her day because she had to make several TV appearances.
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Los Lobos
Los Lobos perform on “Everybody’s in L.A.”
(Adam Rose / Netflix)
The Mexican American rock band was the evening’s musical guest, performing hit song “La Bamba.” The band originated in East Los Angeles in the 1970s and reached international fame in 1987 when their rendition of the song topped the charts, thanks to the Ritchie Valens biopic named after “La Bamba.” Founding band members David Hidalgo and Louie Perez met at Garfield High School in East L.A., where the group recently performed a concert commemorating the band’s 50th anniversary in November.
Episode 4
The Paranormal
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Cassandra Peterson, best known as Elvira, Mistress of the Dark, on Episode 4 of Netflix’s “Everybody’s in L.A.”
(Adam Rose/Netflix)
Mulaney promised the paranormal-themed fourth episode would be full of “a lot of spooky s—,” which is also a phrase he used to describe L.A. after saying that many people have reported paranormal experiences and haunted houses in the city. He then mentioned the large population of Angelenos who are into “amulets and candles and oils and incense.” After satirizing the horoscope-reading population, he said, “Sometimes the witchy s— gets so intense that they basically become Catholic.”
The spooky theme remained the focus of conversations with live callers and of the episode’s guests, including horror royalty Cassandra Peterson, better known as Elvira, Mistress of the Dark. Peterson described experiencing paranormal activity in her L.A. home many years ago, saying the situation became so dire she had to call in an exorcist.
Kerry Gaynor
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Kerry Gaynor, left, helped John Mulaney to quit smoking.
(Ryan West / Netflix)
Over his 40-year career, Kerry Gaynor developed a method of hypnotherapy that has helped many people, including A-list celebrities, to quit smoking, drinking and using drugs, or kick other bad habits. Mulaney said that he visited Gaynor in 2021, skeptical that the therapist could help him drop his 26-year smoking habit. After two sessions together, Mulaney said he quit cold turkey and has not used any nicotine since. Other celebrities who have used Gaynor’s services include Martin Sheen, Heather Locklear, Aaron Eckhart and Emily Procter. Gaynor said his method of hypnotherapy is successful because he taps into the subconscious mind to help clients fully understand how their addiction could be killing them. He also said that many of his clients don’t experience withdrawal or cravings.
Plaque marking the center of L.A. In one of the many random prerecorded segments that Mulaney’s show plays between live segments, the camera pans in on an unassuming plaque in a grassy area, marking the exact center of the city. It reads in haphazardly hand-stamped letters: “Exact center, point of balance of the plane of the City of Los Angeles,” and is situated near the parking lot of Franklin Canyon Park, between the San Fernando Valley and Beverly Hills. Allan E. Edwards, a former U.S. Geologic Survey employee, determined the point in December 1990, even if on a map it doesn’t appear to be the city’s center.
Episode 3
Helicopters Mulaney cracked several one-liners about the episode’s aviation theme, calling a chopper circling an STD billboard “the official bird of Los Angeles.” As he introduced the theme, he said: “They’re everywhere in L.A., they hover and they give you a headache. No, I’m not talking about actors,” before Kind interrupted with an emphatic “F— actors!” In addition to helicopter journalist Zoey Tur, Mulaney hosted comedian Nate Bargatze, who said his 2021 special filmed at Universal Studios was interrupted by a helicopter police chase. “That’s just L.A.,” Bargatze said before Mulaney interjected, “That’s just what happens when you film at Universal CityWalk.” To cap off the discussion, Mulaney took live calls from at-home viewers, as he has done throughout the show’s run, and one caller pointed out that Disney parks, including Disneyland in Anaheim, are no-fly zones, which Tur confirmed. Unfortunately for Bargatze, Universal is fair game.
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Zoey Tur
Zoey Tur and John Mulaney on the set of “Everybody’s in LA.”
(Ryan West / Netflix)
The L.A.-based journalist known for pioneering live reporting from a helicopter was the expert guest for Tuesday’s episode. Tur, who was identified as a “helicopter queen,” said her career materialized when she grew frustrated working as a journalist in L.A. because she couldn’t get to timely stories fast enough thanks to the city’s infamous traffic. She said she bought a helicopter in 1977 and learned how to fly with the help of off-duty L.A. Fire Department pilots. Tur has covered global news stories, from O.J. Simpson’s white Bronco chase to the 1992 Los Angeles riots and other major local watershed moments, during her storied career.
Old punks Mulaney introduced a prerecorded segment featuring L.A. punk musicians from the 1970s and ’80s by calling the city home to some of the “best punk bands ever.” Fred Armisen was tasked with interviewing L.A.’s punk elders in a focus group, where he spoke with such musical legends as Lee Ving of Fear, Mike Watt of the Minutemen and Exene Cervenka of X. He asked them about their glory days, and Don Bolles of the Germs noted that the group of 11 prolific punk musicians probably had never been assembled together before.
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Armisen also showed them a series of photos and asked them to react — a shot of Ronald Reagan elicited a chorus of boos, and Kid Congo Powers called him a “f— monster.” The group’s final activity was to create a theme song for the L.A. tourist board. Titles like “Please Don’t Move Here” and “You’ll Be Famous for a Minute” ultimately were shot down in favor of “Ghosty Ghost Place Superstar,” an anthem the group improvised together to close out the segment.
Episode 2
Palm trees In a monologue, Mulaney did a deep dive on the picturesque trees that line L.A.’s streets. He noted that they are not native plants and that they were brought in to beautify the city about 100 years ago, which is roughly their lifespan, meaning that many of the area’s palm trees will die soon. He also added that the trees use a lot of water and don’t improve air quality, saying they are “gorgeous but useless, like the fountain at the Grove or Gavin Newsom.” Amanda Begley, a senior leader at nonprofit TreePeople, came on to confirm the facts from Mulaney’s monologue and said palm trees are technically a type of grass.
Warren G
Warren G brought the house down with a performance of his hit “Regulate.”
(Adam Rose / Netflix)
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From Long Beach, rapper, record producer and DJ Warren G was the musical guest on the second episode. After his performance of “Regulate,” comedian and guest Gabriel Iglesias gave the rapper a standing ovation. Mulaney also noted that Stewart, another guest on the panel, had Warren G as a guest on his show 30 years ago, where he sang the same song. The rapper is an instrumental figure in the rise of the West Coast rap scene in the ’90s, working with the likes of Snoop Dogg, Nate Dogg and Dr. Dre.
James Goldstein
Andy Samberg took on the role of L.A. pseudo-celebrity James Goldstein, who is known for sitting courtside at Lakers and Clippers games.
(Adam Rose / Netflix)
Mulaney enlisted friend Andy Samberg to take on the role of James Goldstein, an L.A. businessman known for sitting courtside at Lakers and Clippers games. Mulaney introduced the bit by saying that his show, just like a Lakers game, attracts well-known guests in the front row and hinted at more cameos in coming episodes. Samberg sported a long white wig and a sequined jacket with a cowboy hat, mimicking Goldstein’s singular style. During the segment, Stewart called Goldstein a “robber baron,” saying that he made his fortune off the high rent he charges at the mobile home parks he owns.
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Episode 1
Coyotes Coyotes, the wolf-adjacent animals that are prevalent in the Greater L.A. area, are not particularly well liked by Angelenos, especially those who have dogs and fear the animals will attack their pets. Mulaney made the animal the topic of his first episode, which featured a coyote expert and local callers sharing stories about their encounters with them. Tony Tucci, chair and co-founder of Citizens for Los Angeles Wildlife, came on to share what to do if you see a coyote in the wild, saying that it’s important to make yourself “larger than life” and generate a lot of noise. Jerry Seinfeld, a fellow guest on the show, mocked Tucci’s suggestions, which included traveling with an air horn tied around your neck.
Ray J Mulaney brought R&B singer and television personality Ray J onto the show and described him as a “Black Forrest Gump,” noting that he had been a part of several cultural touchstones of the 21st century — though no mention of Kim Kardashian. During his interview on the show, Ray J discussed how he is in the process of divorcing his wife, Princess Love, to whom he has been married since 2016. The couple previously announced they were divorcing three times but called it off each time, until his wife in February said they had separated and were pursuing a divorce. “She was mad,” Ray J said after saying that he is heading to Africa to find his “queen.”
Lou Adler
Will Ferrell transformed into L.A. personality Lou Adler in a segment highlighting a VIP audience member.
(Adam Rose / Netflix)
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Will Ferrell appeared as Lou Adler, the record and film producer and co-owner of the Roxy Theatre in West Hollywood. Adler has worked with music legends like the Mamas & the Papas and Carole King and produced films including Cheech and Chong’s “Up in Smoke” and “The Rocky Horror Picture Show.” Ferrell donned Adler’s famous look — a beret and colored sunglasses — and tried to cajole Mulaney into partying with him in a hilarious bit.
“Trying to find your niche as a movie star isn’t easy,” said Frank Scheck in The Hollywood Reporter. Take Glen Powell. A year ago, the Twisters and Anyone but You star was being talked about as possibly the next Tom Cruise. But he “stumbled badly” when he tried to play a macho action hero in November’s remake of The Running Man, and he’s now turned in a second straight box office flop. He took a risk with How to Make a Killing, playing a guy cheated by fate who we’re supposed to root for as he begins murdering off the seven rich relatives standing between him and an enormous inheritance. But c’mon. “Powell is charming, but he’s not that charming.”
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The movie “needed to pick a side,” said Jacob Oller in AV Club. It could have been “a clownish class comedy” or “bitter sociopathic satire,” but it winds up being neither, and “at the center of it all is Powell, making the same face for an hour and 45 minutes, too unflappable to root for, too smug to magnetize as an inhuman American Psycho.” I’m not ready to give up on him, said Nick Schager in the Daily Beast. To me, he and co-star Margaret Qualley, who plays the femme fatale who eggs on the killing spree, come across as “such alluringly nasty delights” that this reworking of the 1949 black comedy Kind Hearts and Coronets “ survives its potentially lethal missteps and works on its own limited terms.” Though its teeth aren’t as sharp as they should be, “it’s smart and spiky enough to leave a pleasurably painful mark.”
‘Pillion’
Directed by Harry Lighton (Not rated)
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★★★★
While this gay BDSM rom-com from a rookie director “might sound niche,” said Amy Nicholson in the Los Angeles Times, “free yourself to see it and you’ll discover it’s a universal romance.” Former Harry Potter side figure Harry Melling stars as a shy singleton who’s figuring out what he wants in a relationship when he happens into a submissive-dominant entanglement with a tall, handsome biker played by Alexander Skarsgard. Soon, Melling’s Colin is obeying his lover’s every order, including by shaving himself bald and sleeping like a dog on the floor. But the “kinky-funny” screenplay, which won a prize at Cannes, makes sure we see that Colin is not stuck but growing.
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While the movie’s sex scenes are “refreshingly graphic,” they’re “never used or shock value,” said Odie Henderson in The Boston Globe. “The real shock comes from how emotionally involved the characters become within the construct of their kink.” And when Colin brings his new lover home to meet the parents, Skarsgard and Lesley Sharp, as Colin’s suburban London mom, do memorable work because “neither of them approaches the scene in a way you’d expect.” Until the ending, which “feels a little neat,” said Zachary Barnes in The Wall Street Journal, the movie “proceeds with an assurance of tone that’s especially impressive for a first-time filmmaker handling material like this.” Harry Lighton’s debut “could have been simply shocking, revving its engine in sexed-up style. Instead, Pillion purrs.”
‘Midwinter Break’
Directed by Polly Findlay (PG-13)
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★★
Lesley Manville and Ciarán Hinds “would be appealing to watch just fumbling for their reading glasses,” said Natalia Winkelman in The New York Times. Unfortunately, this “staid” drama about an aging Irish couple puts that claim to the test. A “slow-moving film with a sappy score and mellow mood,” Midwinter Break opens with Manville’s Stella surprising Hinds’ Gerry by arranging a spur-of-the-moment trip to Amsterdam. Alas, “precious little conflict occurs until long afterward.”
But while Polly Findlay’s adaptation of a Bernard MacLaverty novel is a “delicate” film, said Lindsey Bahr in the Associated Press, its impact can be profound “if you can get on its level.” Stella, a devout Catholic, has an ulterior motive for dragging Gerry abroad, and when she nervously proposes how she’d like to live more purposefully in retirement, “it feels earth-shattering.” This is a couple accustomed to leaving much unsaid, including how the violence of the Troubles led them to flee Belfast years earlier for Scotland. Manville and Hinds give the movie everything they’ve got, said Caryn James in The Hollywood Reporter. In a scene in which Stella pours out her heart to a stranger, “Manville delivers one of her most magnificent performances, which is saying a lot.” Alas, the script lets them down, “not because it needs more action but because this ordinary couple’s problems seem so unsurprising, their inner lives so veiled.”
This story contains spoilers for the pilot of “Marshals.”
When the curtain came down on “Yellowstone” last year, Kayce Dutton had finally found his happily-ever-after.
The youngest son of wealthy rancher John Dutton (Kevin Costner) had secured a modest cabin in a mountainous region where he could reside in secluded peace with his beloved wife, Monica (Kelsey Asbille), and son, Tate (Brecken Merrill), far from the turbulent dysfunction of his family.
“Kayce found his little peace of heaven, getting everything he ever wanted and fought for,” said Luke Grimes, who plays the soft-spoken Dutton in “Yellowstone.”
Grimes reprises the role in CBS’ “Marshals,” which premiered Sunday. But in the new series, Kayce’s serenity has been brutally shattered, forcing him to find a new path forward after an unimaginable tragedy.
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The drama is the first of several planned spinoffs of “Yellowstone,” which became TV’s hottest scripted series during its five-season run. And while some familiar faces return and events unfold against the magnificent backdrop of towering mountains and lush greenery, “Marshals” is definitely not “Yellowstone” 2.0.
Luke Grimes as Kayce Dutton in “Marshals,” which combines the gritty Western flavor of “Yellowstone” with the procedural genre.
(Sonja Flemming / CBS )
In “Marshals,” Kayce joins an elite squad of U.S. Marshals headed by his Navy SEAL teammate Pete Calvin (Logan Marshall-Green). The drama combines two distinct brands — the gritty Western flavor of “Yellowstone” with the procedural genre, a flagship of CBS’ prime-time slate.
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During an interview at an exclusive club in downtown Los Angeles, Grimes expressed excitement about dusting off his cowboy hat and boots, though he admitted to having initial concerns about whether the project was a fit.
“I had never watched a procedural before, so I had to do some homework on what that was,” Grimes said hours before the gala premiere of “Marshals” at the Autry Museum of the American West in Griffith Park. “And I just couldn’t wrap my head around it at first. In the finale, Kayce had ridden off into the sunset. So I thought, ‘Let him be, let him go.’ ”
Those doubts eventually ebbed away.
“To be honest, there was a part of me that didn’t want to let Kayce go just yet,” Grimes said. “Saying goodbye to him was really hard, so the opportunity to keep this going was something I couldn’t pass up. We get to show his backstory and also this other side of him that we didn’t see in ‘Yellowstone.’ ”
But this Kayce is a man in crisis. “Yellowstone” devotees will likely be shocked by the “elephant in the room” — the revelation in the pilot episode that Monica has died of cancer. The couple’s sexy and loving chemistry was a key element in the series while also establishing Grimes as a heartthrob.
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“I think fans will be upset — and they should be,” Grimes said as he looked downward. “Kayce is very upset. It’s the worst thing that could have happened to him. But as much as I’m really upset not to work with Kelsey, it’s a good idea for the show.”
He added, “His dream life is no longer available to him. Now the only thing he has is his son, who is not so sure he wants the same life as Kayce. A big part of the season is Kayce learning how to manage all these new things — new job, being a single father.”
“His dream life is no longer available to him. Now the only thing he has is his son, who is not so sure he wants the same life as Kayce,” said Luke Grimes about his character Kayce.
(Jay L. Clendenin / For The Times)
Executive producer and showrunner Spencer Hudnut (CBS’ “SEAL Team”) acknowledged in a separate interview that viewers may be stunned by the tragedy. “Real life intervenes for Kayce. Unfortunately it happens to so many of us.”
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But he stressed that although Monica is physically gone, her presence will be heavily felt this season.
“She is guiding Kayce, and their relationship is moving forward,” Hudnut said. “His dealing with his inability to confront his grief is a big part of the season. It became clear that something horrible had to happen to put Kayce on a different path.”
As the development evolved, Grimes embraced the procedural concept: “This is a very different show and structure. This is an action show, very fast paced. I meet a lot of fans who say they really want to see Kayce go full Navy SEAL.”
Alumni from “Yellowstone” returning in “Marshals” include Gil Birmingham as tribal Chairman Thomas Rainwater and Mo Brings Plenty as his confidante Mo.
“Yellowstone” co-creator Taylor Sheridan, who had already spearheaded the prequels “1883” and “1923,” will further expand the “Yellowstone” universe later this month with “The Madison,” starring Michelle Pfeiffer and Kurt Russell, about a New York City family living in Montana’s Madison River territory. Later this year, Kelly Reilly and Cole Hauser will star in “Dutton Ranch,” reprising their respective “Yellowstone” roles as John Dutton’s volcanic daughter Beth Dutton and her husband, boss ranch hand Rip Wheeler.
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Hudnut said fans of “Yellowstone” will recognize themes that were central to that series: “The cost and consequences of violence, man versus nature, man versus man.”
“We’re trying to tap into what people loved about ‘Yellowstone’ but to tell the story in a different framework,” he said. “The procedural brand is obviously very successful for CBS. And nothing has been bigger than ‘Yellowstone.’ So the challenge is, how do you marry those things?”
Taking on the lead role prompted Grimes to reflect on how “Yellowstone” transformed his life after co-starring roles in films like “American Sniper” and “Fifty Shades of Grey” and playing a vampire in the TV series “True Blood.”
“‘Yellowstone’ changed my life in many, many ways,” he said. “The biggest change is that I now live where we shot the show in Montana. The first time I went there, I would have never thought I would ever live there.
“I would come back to the city after shooting. But a little bit more each year, I felt more out of place here, and more peace and at home there. I’m a big nature person — I never was a big city person, but I had to be here to do what I wanted. But after the third season, my wife and I decided to move there. We wanted to start a family.”
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The topic of a Kayce spinoff kept coming up during the filming of the finale, but “meanwhile we were having a baby, so that was the biggest thing on my plate.”
“‘Yellowstone’ changed my life in many, many ways,” said Luke Grimes.
(Jay L. Clendenin/For The Times)
Grimes was also dealing with the off-screen drama that impacted production due to logistical and creative differences between Costner and Sheridan. Costner, who was the show’s biggest attraction, exited after filming the first part of the final season. His character was killed off.
Asked about the backstage tension, Grimes said, “I just tried to do my job to the best of my ability, and not get caught up in all that. It was sort of frustrating, but I felt lucky to have a job.”
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He recalled getting a call from Sheridan about the plans for a spinoff: “He said, ‘I think you should talk to the guy who is going to be the showrunner. I’m not telling you to do it, and I’m not telling you not to do it. But Spencer is great and he has some good ideas.’ ”
Hudnut said Kayce “was always my favorite character. Also, Luke is not Kayce. Kayce is an amazing character, but Luke is really thoughtful and smart. He is a true artist and has an artist’s soul, while Kayce is kicking down doors and terrorizing people. And Luke has such a great presence. He can do so much with just a look to the camera. He is a true leading man.”
In addition to starring in “Marshals,” Grimes is also an executive producer. He pitched the opening sequence — a flashback showing Kayce in the battlefield. He also performs the song that plays over the final scene, in which he visits his wife’s grave. The ballad is from Grimes’ self-titled country album which was released last year.
“Luke’s creative fingerprints are all over the pilot,” Hudnut said.
Grimes said he does not feel pressure about being the first follow-up from “Yellowstone” to premiere.
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“We’re not trying to make the same show, so no matter what happens, its a win-win,” he said. “I had a blast doing it.”
I am a sucker for all those straight-to-video slasher movies from the 90’s; there was just a certain point where you knew the acting was terrible, however, it made you fall in love. I can definitely remember scanning the video store sections for all the different horror movies I could. All those movies had laughable names and boom mics accidentally getting in the frame. Truckerseems like a child of all those old dreams, because it is.
Let’s get into the review.
Synopsis
When a group of reckless teens cause an accident swroe to never speak of it. The father is reescued by a strange man. from the wreckage and nursed back to health by a mysterious old man. When the group agrees to visit the accident scene, they meet their match from a strange masked trucker and all his toys with revenge on his mind.
Roll on 18 Wheleer
Trucker is what you would imagine: a movie about a psychotic trucker chasing you. We have seen it many, many times. What makes the film so different is its homage to bad movies but good ideas. I don’t mean in a negative way. When you think of a slasher movie, it’s not very complicated; as a matter of fact, it takes five minutes to piece the film together. This is so simple and childlike, and I absolutely love it. Trucker gave us something a little different, not too gory, bad CGI fire, I mean, this is all we old schlock horror fans want. Trucker is the type of film that you expect from a Tubi Original, on speed. However, I would take this over any Tubi Original.
I found some parts that were definitely a shout-out to the slasher humor from all those movies. Another good point that made the film shine was the sets. I guess what I can say is the film is everything Joy Ride should have been. While most modern slashers are trying to recreate the 1980s, the film stands out with its love for those unloved 1990’s horror films. While most see Joyride, you are extremely mistaken, my friend; you will enjoy this film much more.
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In The End
In the end, I enjoyed the entire film. At first, I saw it listed as an action thriller; I was pleasantly surprised, and Trucker pulled at my heart strings, enveloping me in its comfort from a long-forgotten time in horror. It’s a nostalgic blast for me, thinking back to that time, my friends, my youth, and finding my new home. Horror fans are split down the middle: from serial-killer clowns (my side) to elevated horror, where an artist paints a forty-thousand-year-old demon that chases them around an upper-class studio apartment. I say that a lot, but it’s the best way to describe some things.
The entire movie had me cheering while all the people I hated suffered dire consequences for their actions. It’s the same old story done in a way that we rabid fans could drool over, and it worked. In all the bad in the world today, and my only hope for the future is the soon-to-end Terrifier franchise. However, the direction was a recipe to succeed with 40+ year old horror fans like me. I see the film as a hope for tomorrow, leading us into a new era.