Entertainment
Hold ’em! Beyoncé makes history as she tops Billboard's country-music chart
Beyoncé’s country music looks like it’s gonna stick around, ’round, ’round, ’round, ’round.
The “Break My Soul” singer empirically put to rest the debate about her inclusion in the genre when she made chart history Tuesday. Her twangy new singles “Texas Hold ’Em” and “16 Carriages” debuted on Billboard’s Hot Country Songs chart, with the line dance challenge-inspiring “Texas Hold ’Em” holding up the No. 1 position and “16 Carriages” riding into the No. 9 spot of the Feb. 24 chart, which is based on streaming, airplay and sales.
Beyoncé joins Taylor Swift as the only solo women to clinch that achievement with no accompanying artists, Billboard said, and Bey makes history as the first woman to top both Billboard’s Hot Country Songs and Hot R&B/Hip-Hop Songs charts.
The superstar, who released the new songs after her Verizon commercial aired during Super Bowl LVIII earlier this month, joins Morgan Wallen,
Justin Bieber, Billy Ray Cyrus and Ray Charles as the only acts to have led both the Hot Country Songs and Hot R&B/Hip-Hop Songs charts, Billboard said.
Her pair of songs also charted on the publication’s all-genre Billboard Hot 100, with “Texas Hold ’Em” climbing to the No. 2 spot and “16 Carriages” parking at No. 38.
While “Renaissance’s” first act stood on the shoulders of disco and club music giants — vogue-ing its way into the EDM genre in 2022 — the Destiny’s Child alum is similarly bringing her Houston country-music roots to “Act II,” the second album in her expected genre-jumping trilogy that debuts March 29.
Although she might be among the most recognized names, Bey is by no means the only Black artist making waves in country music. Hootie & the Blowfish alum Darius Rucker, Mickey Guyton, Kane Brown, Breland, Willie Jones, Jimmie Allen, Reyna Roberts, Blanco Brown, Tanner Adell and Brittney Spencer are just a few of the contemporary artists who have left their mark on the predominantly white genre that has long had a fraught history with racism.
Bey appeared to experience that firsthand back in 2016 when her “Lemonade” track “Daddy Lessons” — which highlighted her Southern roots with lyrics about her father, references to the Bible and the 2nd Amendment — was rejected by the Recording Academy’s country music committee for a Grammy Award nomination. Shortly thereafter, Bey proved that “Daddy Lessons” was unabashedly a country song by performing it at the 2016 Country Music Assn. Awards alongside the Chicks, and later released a version of the song featuring the country trio.
Even the late greats Olivia Newton-John and Tina Turner got pushback when they crossed over in the 1970s, as did rapper Lil Nas X when he released “Old Town Road” in 2019.
The Cécred founder similarly faced some resistance when she hard-launched onto the country-music scene this month, with the likes of actor and country musician John Schneider explicitly criticizing her country move (as well as the crossing over of other pop artists) and the Tennessean newspaper asking if the Nashville establishment would embrace her. Meanwhile, a country-music radio station in Oklahoma said it wasn’t even aware of Beyoncé’s latest pivot, initially denying requests to play her music on the station because it “just didn’t know about her foray in this genre.”
But “Texas Hold ’Em” is now officially being promoted to country radio and other formats, Columbia Nashville said in an email to stations on Feb. 14, Billboard said.

Entertainment
Shailene Woodley and Lucas Bravo show how to do unkempt and enamored

Shailene Woodley, actor and environmentalist, was featured in Outside magazine late last year beneath the headline “Here’s What It’s Like to Go Camping With Shailene Woodley.”
Actor Lucas Bravo looked like he could have told that same story as he and Woodley stepped out in Paris — she with a messy half-up, half-down ’do, no makeup and loose jeans and he with a beanie, fleece-lined jacket and forest-green sweater.
They looked ready for roasting marshmallows, which is appropriate because they are apparently sweet on each other. The Parisian PDA established their new coupledom.
According to her Outside interview, 33-year-old Woodley is an old hand at camping thanks to family outings at Leo Carrillo State Park in Malibu and other California coastal haunts. The “Divergent” star is a climate advocate, as Outside related, having worked with nonprofits and NGOs and taken part in the Standing Rock protest against the Dakota Access Pipeline.
She told the news outlet she’d had to pick up a new sleeping pad at REI: “I left my old one with my ex.” It’s not clear the ex to whom she is referring, but she famously dated and was engaged to NFL quarterback Aaron Rodgers — another brawny, bearded man. The former Green Bay Packer and “Big Little Lies” star broke off their engagement in February 2022.
Bravo, 37, plays swoon-worthy chef Gabriel on “Emily in Paris” and is a Paris denizen. But he talked with The Times in a September interview about his five years in Los Angeles as a struggling actor following a semester in law school.
“Every day, I would ask a different friend for a couple of bucks and go to Taco Bell and get the 99 cent cheesy double beef burrito,” he said.
Perhaps Woodley and Bravo will cozy up in L.A. next, grab a burrito and head over to Leo Carrillo.
Movie Reviews
‘The Penguin Lessons’ Review: Steve Coogan Makes a Feathered Friend in Sweet British Buddy Dramedy

There are two things that can make any movie better: Steve Coogan and penguins.
Fortunately, and not surprisingly considering its title, The Penguin Lessons features both. Well, at least one penguin, who goes by the name Juan Salvador. But he’s more than enough. He’s Coogan’s best onscreen partner since Rob Brydon in the Trip movies.
The Penguin Lessons
The Bottom Line You’ll take it to heart.
Release date: Friday, March 28
Cast: Steve Coogan, Vivian El Jaber, Bjorn Gustafsson, Alfonsina Carrocio, David Herrero, Jonathan Pryce
Director: Peter Cattaneo
Screenwriter: Jeff Pope
Rated PG-13,
1 hour 50 minutes
Loosely based on a memoir by Tom Michell, the film takes place in 1976 in Buenos Aires, where teacher Tom (Coogan) arrives to teach English to teenage students at a tony private school. His timing wasn’t exactly fortuitous, as not long after he gets there the country is rocked by a military coup, with people disappearing subsequently.
Not that any of the tumult affects Tom, who soon embarks on a weekend getaway to Uruguay with his Swedish colleague (Bjorn Gustafsson, priceless), where he enjoys a flirtation with a local woman. Walking together on the beach, they encounter an oil slick and the bodies of several dead penguins. One, however, is still alive. Tom is eager to move on. “There’s nothing we can do,” he says with mock solemnity. “You can’t interfere with nature.”
But she implores him to help, and Tom, trying to impress her, agrees to take the penguin back to his hotel room and clean him up. Not only does this attempt at seduction not work, but Tom finds himself stuck with a penguin that won’t leave him, even after he throws him back into the ocean. In one of the film’s many implausibilities that you just have to go with, he smuggles the bird to Argentina and hides him in his on-campus apartment to avoid the watchful eyes of the school’s officious headmaster (Jonathan Pryce).
It’s not hard to guess what happens next. Tom, whose cynicism has already been well established, finds himself warming up to the adorable Magellanic penguin (I cop to knowing this from the press notes), working hard to procure fish to feed him and even bringing him to the classroom as a teaching aide. Which naturally does wonders for his bored students, who take a renewed interest in their lessons. And for Tom himself, who previously snuck off for naps during classes but now finds himself teaching with fresh vigor.
The trailer for The Penguin Lessons makes it look like a cutesy comedy, something that might have easily been called “The Dead Penguin’s Society.” The film is that, to a large degree. But it also attempts something more ambitious with a major plot element involving the disappearance of Sofia (Alfonsina Carrocio), the granddaughter of school housekeeper Maria (Vivian El Jaber), seized off the street by government figures right in front of Tom, who’s too terrified to intervene.
We eventually learn the reason for Tom’s hard-boiled indifference, involving a tragic incident from his past. With his appreciation for life newly restored by his feathered friend, he soon finds himself in the unlikely position of political activist, using Juan Salvador to strike up a conversation with one of the men who took Sofia and winding up spending a night in jail, beaten up for his troubles.
The film doesn’t fully succeed in blending its disparate tones, but under the careful direction of Peter Cattaneo (an old hand at this sort of feel-good material, thanks to such previous efforts as The Full Monty and Military Wives), it emerges as an engaging delight from start to finish. That’s partially thanks to the canny screenplay by frequent Coogan collaborator Jeff Pope (Philomena, Stan & Ollie) and partially, no make that majorly, to the superb performance by Coogan, whose expert deadpan comic timing and delivery make the film laugh-out-loud funny at times.
The Penguin Lessons also proves unexpectedly moving, its emotional manipulations fully forgivable. By the time it ends with home-movie footage of the real-life Juan Salvador happily swimming in the school’s pool, you’ll have fully succumbed to its charms.
Entertainment
Yes, Ben Affleck is spilling about J.Lo. But the rest of his life is so boring even the FBI yawned

While the world focuses on what Ben Affleck says about his second split from Jennifer Lopez, the star seems more concerned about that January visit from the FBI. Because it turns out the FBI was not at all concerned about him.
FBI agents visiting his house while the Palisades fire burned is yet another episode in the constantly unfolding soap opera that has played out around Affleck since he and Matt Damon won the original screenplay Oscar for “Good Will Hunting” in 1998.
You know the soap opera: The first Jen divorce. The back tattoo. The drinking thing. More drinking. The rebound. The reunion. The second Jen divorce. Sadfleck. And of course, the bit about Affleck’s technically excellent skills in the sack.
“Some people like to follow the soap opera … and you became a character in that soap opera,” the actor-director-producer told GQ in an interview published Tuesday. “You don’t write it, you don’t direct it, you don’t even know you’re in it, but you are.”
Affleck said he is aware that the soap opera is often absurd.
“The FBI did, in fact, visit my house. But this is pretty revealing, right? So I come home and I see there’s a story with sources that say, ‘Hey, the FBI was at your house.’ I’m like, ‘Well, this is strange.’ So I call them and say, ‘Hey, FBI, were you at my house? Do you want to talk to me?’”
We don’t know, the FBI says.
“I get transferred along. Finally, somebody who is actually responsible for what was happening was like, ‘Oh, we had no idea that was your house.’”
FBI agents were simply going door to door ringing the bell and seeing if the people who answered might be down to share anything they might have seen. Except Affleck’s door came with paparazzi lying in wait, and a story was born.
“Whoever wrote the story made up something about how it was related to an investigation about a drone that I guess did crash into one of the helicopters [actually, it was an airplane] two or three miles up Mandeville Canyon. Turns out, no, it wasn’t about that,” he said.
“So it’s like: You’ve seen this event about the FBI at my house. I had no idea,” he added. “My only involvement was to track it down, figure it out.”
In reality, Affleck says he’s just “a middle-aged guy,” or as GQ described it, “a twice-divorced father of three who commutes to an office most days.” Nothing newsworthy about his day-to-day life.
Except — maybe — the causes of the J. Lo divorce.
But Affleck debunks even that. “Yeah, there’s no scandal, no soap opera, no intrigue,” Affleck told GQ. “The truth is, when you talk to somebody, ‘Hey, what happened?’ Well, there is no: ‘This is what happened.’ It’s just a story about people trying to figure out their lives and relationships in ways that we all sort of normally do.”
So, nothing to see here. Move along, FBI. You have other doors to knock on.
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