The holiday season is Hallmark’s Super Bowl.

This year alone, Hallmark has 80 hours of original holiday-themed programming, including two unscripted series, two scripted series, a holiday special and 24 movies with titles such as “The Snow Must Go On” and “Christmas at the Catnip Cafe” that run from mid-October to Christmas.

The company also has branched out into the experiences business with a Hallmark Christmas Cruise and the Hallmark Christmas Experience festival in Kansas City, Mo., where the company is based.

“I think that’s one of the most brilliant business decisions they’ve made, and they’re expanding there because they have to,” Anjali Bal, associate professor of marketing at Babson College, said of Hallmark’s experiences business. “It allows a connection between the consumer and the brand on a direct level in a way a movie can’t provide.”

It may seem like a far cry from Hallmark’s roots as a greeting card purveyor, but company executives say the holiday feelings evoked by its cards, ornaments and gift wrap translate into the type of content they produce.

And that plethora of content has turned Hallmark into a Christmas juggernaut, fueling competitors such as Lifetime and Netflix, which also produce holiday romantic comedies in the vein of Hallmark movies.

But Darren Abbott, Hallmark’s chief brand officer, doesn’t seem overly concerned.

“There’s a reason everyone else is trying to do this, and it’s because consumers are looking for this,” he said.

Hallmark’s legacy is rooted in celebrating holidays and Christmas, he said, “and no other business or brand has that.”

Countdown to Christmas

Founded in 1910 by an 18-year-old entrepreneur hawking postcards, Hallmark built its brand over the years through cards, holiday ornaments and retail stores.

The family-owned business ventured into entertainment in 1951 with the television presentation Hallmark Hall of Fame. Today, Studio City-based Hallmark Media operates three cable networks, including the Hallmark Channel, which debuted in 2001, as well as a subscription streaming service.

Though Hallmark had aired holiday movies practically since the inception of its cable channel, the company doubled down on the season in 2009, rolling out “Countdown to Christmas,” a 24-hour-a-day programming block focused solely on holiday content, a tradition that has lasted for 16 years.

Hallmark produces about 100 movies a year, both holiday and non-holiday films.

As a privately-held company, Hallmark did not disclose its finances, though executives acknowledge the holiday season is a key driver of entertainment revenue.

The expansion into entertainment is a way for Hallmark to stay in the zeitgeist over multiple generations and to diversify its business beyond just cards and retail products, analysts said.

“Their television stations and experiences business allows them to stay culturally relevant while staying true to their origin,” said Bal, the marketing professor.

Holiday programming — and the breezy, romantic fare Hallmark has become known for — has become increasingly popular with audiences.

Holiday features, both old movies and new, typically make up more than a third of total movie viewing time in December, according to U.S. television data from Nielsen. That percentage has remained fairly consistent for the last three years, though it reached 42% in December 2021.

Hallmark’s television viewership also edges up in the months leading into the holidays. In October, Hallmark commanded 1% of total viewership across linear TV and streaming, ticking up to 1.2% in November, according to Nielsen data. During that same time, competitor A&E, which owns Lifetime, remained constant at 0.9%.

Hallmark’s feel-good movies typically resonate with audiences across the country. They invariably conclude with happy endings (and at least one kiss), where romantic misunderstandings, financial difficulties and family drama all get resolved. After years of criticism, the movies’ casts and plot lines are diversifying, though experts say there is still room for improvement.

“These films are designed to be highly appealing to broad audiences,” said Kit Hughes, associate professor of film and media studies at Colorado State University, who watched every single Hallmark film released in 2022 for research on the portrayal of small business owners. “They’re good consensus movies.”

To grow its audience and the types of stories it tells, Hallmark has increasingly turned to brand partnerships, including with the NFL.

Last year, the company released a movie centered around a Kansas City Chiefs romance; this year, it released one about Buffalo Bills fans. Hallmark also has a partnership with Walt Disney Co. to release a holiday movie next year set at Walt Disney World. The film stars Lacey Chabert, who Abbott describes as Hallmark’s “Queen of Christmas.”

Meeting Hallmark stars on cruise ships

Hallmark’s foray into the cruise business might seem odd, but it follows a long tradition of entertainment companies
creating real-world experiences with their fans, whether that’s on a ship, in a theme park or on a stage. As part of its massive tourism business, Disney operates its own line of cruise ships that promote the company’s classic characters.

Hallmark launched its first “Hallmark Christmas Cruise” last year on Norwegian Cruise Lines. The inaugural cruise from Miami to the Bahamas sold out even before a planned TV marketing campaign. After racking up a wait list of 70,000 people, Hallmark had to add a second cruise, Abbott said.

For this year’s cruise, from Miami to Cozumel, Mexico, Hallmark had to book a bigger ship to accommodate demand. During the November cruise, attendees participated in various Christmas festivities, such as ornament-making workshops and cookie-decorating, and mingled with Hallmark stars in various on-stage games.

The cruises even spawned an unscripted Hallmark show focused on the experiences of several attendees and their interactions with Hallmark actors.

Many are not exactly household names, but they’ve starred in dozens of Hallmark holiday movies over the years and have loyal fan bases.

Abbott joined the cruise last year, and while he’s not a “cruise person,” he said he was fascinated to see how guests interacted with the stars.

“We’re a bit of a respite from what’s going on in the world right now,” he said, “and these experiences sort of hit on that at the right time and the right place.”

Movie Name : Shambala

Release Date : Dec 25, 2025
123telugu.com Rating : 3/5
Starring : Aadi Sai Kumar, Archana Iyer, Swasika Vijay, Madhunanadan, Ravi Varma, Meesala Laxman,
Shiju Menon, Harsha Vardhan, Shiva Karthik, Shailaja Priya and Others
Director : Ugandhar Muni
Producers : Mahidhar Reddy and Rajasekhar Annabhimoju
Music Director : Sricharan Pakala
Editor :  Shravan Katikaneni

Related Links : Trailer

After a long time Aadi Saikumar came up with a promising film titled “Shambala.” The movie gained buzz among the audiences with its promotional material and it hit the big screens today. Let’s see how it is.

Story:

Set in the 1980s, a meteor hits a small village called Shambhala. After that, some unexpected incidents start happening there. The locals are shattered, believing that the meteor is an evil force bringing them bad luck. To investigate the meteor, a geoscientist and an atheist, Vikram (Aadi Sai Kumar), visits Shambhala.

After his arrival, multiple deaths take place, and the villagers blame Vikram’s disbelief in their traditions as the actual cause. What exactly is happening in Shambhala? Did Vikram find the answers? This forms part of the crux of the story.

Plus Points:

The core point chosen by the director is quite interesting. Among recent films blending science and devotion, Shambhala stands out as a fresh attempt, largely due to its backstory, which has never been explored before. This makes things interesting though the screenplay doesn’t land always.

The backstory is narrated through Dialogue King Sai Kumar’s voiceover, providing us intriguing information. The mystery element is the film’s USP. Starting from Ravi Varma’s peculiar episode, the director makes the audience play a guessing game, with unexpected events unfolding.

Scenes depicting the villagers’ odd behavior keep us intrigued, and these sequences are well-conceived. The second half moves at a brisk pace, featuring a surprising twist and several good moments, making Shambhala a satisfying watch.

Aadi Saikumar delivers a very good performance as Vikram, a staunch atheist. His costumes are well-designed, and he looks suave on screen. He finally gets a promising script that complements his talent. Archana Iyer gets a good role and impresses with her presence. Madhunandhan, Ravi Varma, Lakshman Meesala, Indraneil, and others provide solid support.

Minus Points:

Shambhala takes some time to find its rhythm. The movie starts on an interesting note, but after that, it loses its grip, with the mid-portions of the first half falling flat and the pacing dipping. The emotional connection between Aadi and Madhunandan could have been established better, as the movie’s finale relies on it entirely.

The use of AI for the backstory takes away from the intrigue of the plot, and it would have been better if filmmakers avoided it altogether, as it doesn’t look good on the big screen. Even if the special effects or animation aren’t of high quality, the effort is what audiences notice.

The climax ends on a simple note and needed more impact. The movie has many gore scenes that fit the storyline, though some visuals may be disturbing for a few viewers. At times the movie is slightly predictable.

Technical Aspects:

Sricharan Pakala’s background score is effective, and the sound design is neat. Praveen K Bangarri’s cinematography is good, and Sravan Katikaneni’s editing is satisfactory in the second half. The production values are solid.

As for director Ugandhar Muni, he did a decent job with Shambhala. The core point he chose for the story is impressive. While some portions of the narrative aren’t engaging, the thrilling and mystery moments make the overall experience decent.

Verdict:

On the whole, Shambhala is a watchable mystical thriller with a strong core point. The mystery element, the backstory, and sequences depicting the villagers’ odd behaviour are the film’s highlights. Aadi Saikumar and the rest of the cast deliver good performances. The mid-portions of the first half with pacing issues, a few predictable moments, and the AI visuals are the key drawbacks. Nonetheless, Shambhala is a better outing from Aadi in recent times and it can be given a try if you like mystery thrillers.

123telugu.com Rating: 3/5

Reviewed by 123telugu Team 

Pat Finn, a veteran comedy actor known for playing the Heck family’s friendly neighbor Bill Norwood on “The Middle,” died Monday, reportedly following a three-year battle with cancer. He was 60.

“After a beautiful life filled with laughter, love, family, and friends, we share the heartbreaking news of the death of Pat Finn,” Finn’s family said in a statement to multiple outlets. Finn’s manager, Andrea Pett-Joseph, who described the actor as “the kindest, most joyful person in any room, told Deadline that he died surrounded by his family and friends. His death was first reported by TMZ.

Finn broke into show business in the 1990s, appearing in various sitcoms. His first major role was on “The George Wendt Show,” where he played Dan Coleman, the brother of Wendt’s character, George Coleman. He also had a recurring role on “Murphy Brown” as Phil Jr., the son of the original owner and bartender of Phil’s Bar (portrayed by Pat Corley) who took over the establishment in later seasons.

”Seinfeld” fans might remember Finn from his role as Joe Mayo in “The Reverse Peephole” episode. He also portrayed alternate-universe Monica’s boyfriend Dr. Roger in a couple of episodes of “Friends.” Finn’s credits also included roles on “The Drew Carey Show,” “3rd Rock From the Sun,” “That ’70s Show,” “Curb Your Enthusiasm,” “The Bernie Mac Show,” “2 Broke Girls” and “The Goldbergs.” His most recent credits included the films “Unexpected” (2023) and “Diamond in the Rough” (2022).

Born in Evanston, Ill., Finn attended Marquette University in the 1980s, where he met his future wife, Donna, and Chris Farley, with whom he became friends. After graduating, Finn, along with Farley, joined Chicago’s Second City to hone his comedy chops.

In a 2022 interview published on Phoenix.org, Finn said he’d always gravitated toward comedy.

“My mom and I watched ‘The Carol Burnett Show’ and ‘The Odd Couple,’” he said. “I really liked the idea of sitcoms. Growing up in Chicago, nobody said they wanted to be an actor. They wanted to be firefighters or in sales. … A career in comedy didn’t become a reality until I was picked up by The Second City and then the main stage.”

According to a statement provided to the New York Post, Finn was diagnosed with bladder cancer in 2022. Although he went into remission, the cancer later returned and metastasized.

A lifelong Bears fan, Finn “often showed the biggest signs when the Bears scored a touchdown” in his final days, the statement from the actor’s family said. “No pressure Bears — just saying — do it for Pat.”

Finn is survived by wife Donna and their three children, Cassidy, Caitlin and Ryan.