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Disney Junior's Hanukkah episodes aim to introduce the holiday with 'joy and love'

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Disney Junior's Hanukkah episodes aim to introduce the holiday with 'joy and love'

Growing up, Phil Weinstein, executive producer of “Mickey Mouse Funhouse,” celebrated both Christmas and Hanukkah.

“My uncle had a religiously blended family,” Weinstein says. “We would go to their house and they would have a Christmas tree and a Hanukkah menorah. It was kind of awesome.”

That cherished childhood memory is present in “Hanukkah at Hilda’s,” one of the first “Mickey” episodes to celebrate the Jewish holiday. In the episode, premiering Dec. 6 on Disney Junior, Mickey and his pals get stranded in a snowstorm at Hilda’s house and learn that she is Jewish and celebrates Hanukkah. The gang then celebrates both December holidays with Christmas sugar cookies and jelly-filled doughnuts known as sufganiyot.

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Each year, starting around Thanksgiving, culture vultures get to unwrap an early present: a raft of films, TV shows, concerts and more that fill the calendar through the end of the season. And this week, The Times is happy to be your guide to some of the most noteworthy offerings, from Oscar contenders and crowd-pleasers to holiday specials you and the family can curl up with. Read on!

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Since its premiere in 2021, “Mickey Mouse Funhouse” has highlighted many culturally diverse holidays including Nochebuena, a Christmas Eve tradition celebrated by Latinos; the Korean holiday Chuseok; Día de Muertos and the Armenian holiday Vardavar. “In our show, we have these stairs to anywhere, which is really about imagination,” Weinstein says. “Imagination can take you anywhere and then, as we got into the show, we realized it doesn’t just have to be fantasy places that they go off to. We can really celebrate real things like Hanukkah and Nochebuena.”

That ethos is shared among the Disney Junior shows that will highlight the Jewish holiday this season. In an episode of Marvel’s “Spidey and His Amazing Friends” titled “Hanukkah Heist,” premiering Dec. 3, Spidey and the Thing help his Aunt Petunia save her beloved latkes from the show’s villains, including Rhino and the Green Goblin. “The Thing is a really special character, and he’s Jewish so it was very natural to tell a story through his point of view,” says Becca Topol, “Spidey’s’’ story editor and co-producer. “The Thing might be tough and gruff but ultimately he’s a softy when it comes to family and holidays and things he loves.”

Spiderman standing on top of a couch as The Thing holds a menorah with blue candles.

The “Hanukkah Heist” episode of “Spidey and his Amazing Friends” will premiere Dec. 6 on Disney Junior.

(Disney/Disney)

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The hook of the story is that all the bad guys want Aunt Petunia’s latkes because they are so delicious. Aunt Petunia’s secret ingredient, in addition to the potatoes, oil, salt and onions, is love. “I know that’s true for people in other religions, that the food always ends up being so closely connected to the celebration of holidays,” Topol says. “The real beauty of the episode is that I think audience members can connect with it whether they are Jewish or not. It is the togetherness of the family and the really close relationship that the Thing has with his aunt.”

Topol says at her Hanukkah celebrations, there are always a few people who have never had a latke before. “Every culture has their food that they are really proud of that everyone wants to have. You can appreciate this and learn more about the Jewish culture and what traditional Hanukkah is like and connect to it,” she says. “[We are] taking the specific and making it universal and relatable on a bigger level. Spidey is also having latkes for the first time so Spidey is a way in for our audience.”

“SuperKitties” songwriter Keith Harrison Dworkin wrote “Hanukkah Lights” for the “Hanukkah Rescue” episode that premieres Dec. 4 and finds the heroic felines lighting the menorah. “I grew up in a Jewish household so I know what it is to say the prayer over the menorah and go through that ritual. That’s really the centerpiece of the holiday,” he says. “That first version of the song is kind of in lieu of the prayer. And then at the end of the episode, we get the full song, which is kind of the danceable fun party version, and that’s just a lot of fun.”

Dworkin loved being able to create a song that feels modern and relatable “because sometimes Hebraic music cannot feel that way.” The central lyric of the song is that “even when hope grows dim together, we will make it through.” “That was the line that’s really what Hanukkah is about for me thematically,” he says. “It’s about hope. In this particular episode, we are teaching the kids that cultural diversity is good and Hanukkah is a positive and valuable and beautiful part of the holiday season. What a wonderful message to share.”

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Each of the episodes take the time to explain to their young audience what Hanukkah is. As she did for the Rosh Hashanah “Spidey” episode that aired last year, Topol worked with the nonprofit Tanenbaum as well as Disney Junior’s internal education and inclusion team.

“For our audience we need to explain it in a digestible way,” Topol says. “How are you going to explain something that’s relatively complicated? We really did want to go into the heart of it, the miracle of lights. The idea of introducing a holiday to viewers that they may not have celebrated before or know much about and introducing it with joy and love and family and togetherness is a way to really allow those universal themes of holiday to come out and bring more happiness and joy to the world.”

These may be preschool shows but for all involved, it’s also an opportunity to help impart positive messages on the young minds watching.

“We are all just people and we can treat each other with respect,” Weinstein says. “We are always consciously thinking about how we can hopefully help kids to learn how to treat their fellow humans.”

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Movie Reviews

Primate

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Primate
Every horror fan deserves the occasional (decent) fix, andin the midst of one of the bleakest movie months of the year, Primatedelivers. There’s nothing terribly original about Johannes Roberts’ rabidchimpanzee tale, but that’s kind of the …
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Tom Cherones, director and producer of ‘Seinfeld,’ dies at 86

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Tom Cherones, director and producer of ‘Seinfeld,’ dies at 86

Television director and producer Tom Cherones, best known for his work on the first five seasons of the Emmy-winning series “Seinfeld,” has died. He was 86.

He died Jan. 5 at his home in Florence, Ore., according to a statement from his family.

He directed some of the most iconic episodes of “Seinfeld,” including “The Chinese Restaurant,” “The Parking Garage” and “The Contest.” The first episode he directed was the show’s second-ever episode, “The Stake Out.” The director ultimately helmed over 80 episodes of the show.

“I think they liked the way I ran the set,” Cherones said of why he was chosen to direct so many “Seinfeld” episodes in an interview with the Television Academy Foundation. “I shot the show a little different … I just shot it in a way that I thought made it look better than the average show.”

Cherones left the show at the behest of its star Jerry Seinfeld.

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“Jerry asked me to [leave], he was tired of the same thing I guess,” he told the Television Academy Foundation. “We changed writers almost every season and finally he just wanted somebody else, another presence to try to keep it fresh. He always said from the beginning that when this thing isn’t working anymore we’re going to stop.”

Cherones received six Emmy nominations for his work on “Seinfeld,” winning his sole Emmy for his production work in 1993.

“Seinfeld” star Jason Alexander mourned Cherones death in an Instagram post on Friday.

“Tom directed nearly half the ‘Seinfeld’ episodes. He created the visual style and tone and how to capture the magical interplay of our cast,” Alexander wrote.

“His generosity also enabled me to become a member of the Directors Guild and he was a wonderful mentor. He was a good guy and a wonderful director and teacher. Generations of our fans have and will continue to enjoy his work. Thanks for everything, Tom. Rest well. My love to your family and friends.”

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After leaving “Seinfeld,” Cherones would go on to direct 23 episodes of the second season of the Ellen DeGeneres sitcom “Ellen.” He also directed several episodes of the ‘90s NBC sitcoms “Caroline in the City” and “NewsRadio” and stand-alone episodes of “Sabrina the Teenage Witch,” “Boston Common” and “Desperate Housewives.”

Cherones was born Sept. 11, 1939, in Tuscaloosa, Ala., and graduated with a degree in journalism from the University of New Mexico in 1961. After a four-year stint in the U.S. Navy, he earned a master’s degree from the University of Alabama in 1967.

He worked at a PBS affiliate station in Pittsburgh, including aiding in the production of “Mister Rogers’ Neighborhood.” Cherones moved to L.A. in 1975 and found production work on such series as “General Hospital” and “Welcome Back, Kotter,” and with several of the major Hollywood production studios.

Later in life, Cherones returned to the University of Alabama to teach production classes from 2002 to 2014.

Cherones is survived by his wife Carol E. Richards, his daughter Susan Cherones Lee, son Scott Cherones and two grandchildren, Jessa and Thomas Cherones.

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Movie Reviews

1986 Movie Reviews – Black Moon Rising | The Nerdy

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1986 Movie Reviews – Black Moon Rising | The Nerdy
by Sean P. Aune | January 10, 2026January 10, 2026 10:30 am EST

Welcome to an exciting year-long project here at The Nerdy. 1986 was an exciting year for films giving us a lot of films that would go on to be beloved favorites and cult classics. It was also the start to a major shift in cultural and societal norms, and some of those still reverberate to this day.

We’re going to pick and choose which movies we hit, but right now the list stands at nearly four dozen.

Yes, we’re insane, but 1986 was that great of a year for film.

The articles will come out – in most cases – on the same day the films hit theaters in 1986 so that it is their true 40th anniversary. All films are also watched again for the purposes of these reviews and are not being done from memory. In some cases, it truly will be the first time we’ve seen them.

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This time around, it’s Jan. 10, 1986, and we’re off to see Black Moon Rising.

Black Moon Rising

What was the obsession in the 1980s with super vehicles?

Sam Quint (Tommy Lee Jones) is hired to steal a computer tape with evidence against a company on it. While being pursued, he tucks it in the parachute of a prototype vehicle called the Black Moon. While trying to retrieve it, the car is stolen by Nina (Linda Hamilton), a car thief working for a car theft ring. Both of them want out of their lives, and it looks like the Black Moon could be their ticket out.

Blue Thunder in the movies, Airwolf and Knight Rider on TV, the 1980s loved an impractical ‘super’ vehicle. In this case, the car plays a very minor role up until the final action set piece, and the story is far more about the characters and their motivations.

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The movie is silly as you would expect it to be, but it is never a bad watch. It’s just not anything particularly memorable.

1986 Movie Reviews will continue on Jan. 17, 2026, with The Adventures of the American Rabbit, The Adventures of Mark Twain, The Clan of the Cave Bear, Iron Eagle, The Longshot, and Troll.


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