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De Los Reads: Here's what we're reading in June

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De Los Reads: Here's what we're reading in June

Welcome to “De Los Reads,” a monthly feature dedicated to amplifying the vibrant and diverse voices of Latinx authors.

In a literary landscape hungry for diverse voices, journalist Natasha S. Alford’s debut memoir, “American Negra,” offers a refreshing perspective on what it means to be Afro Latina in the United States.

Alford, who is vice president of digital content for the Grio and a CNN political analyst, explores the complexities of growing up as a bicultural child and discusses her embrace of her Black identity while acknowledging her Puerto Rican heritage.

“To me, saying I was Black was not about downplaying my Puerto Rican roots but about rejecting a system that seemed to have rejected me by default,” she writes in her book. “I didn’t look like the Latinos people expected to see in America — it seemed like everyone had gotten a clear memo. And not only was it fairer skin that made you Latino in America but the ability to speak Spanish.”

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Many Latinxs are confronted every day with the idea of “performing their identity” by speaking Spanish or even eating certain foods, she says, arguing that American society has many expectations about what Latinos should be.

“I wrote this book for the Latinos who’ve been asked, oh, how do you speak Spanish so well? People act surprised when they order certain kinds of food or they ask for directions. Even with me not being fluent in Spanish, the little Spanish that I speak, I always get sort of surprised reactions from many fellow Latinos, and it has this feeling of making you feel like an alien, even within your own culture, like you don’t belong.” Alford said.

Reggaeton is another element of Alford’s narrative. The blazing beat that ignites dance floors in Latin America and across the U.S. has served as a voice for marginalized communities, offering a platform for artists to address social issues, celebrate cultural heritage and express personal narratives.

As an undergrad at Harvard, Alford wrote her graduation thesis on reggaeton, questioning — as she shared in the memoir — whether Black feminist consciousness was being expressed in the genre.

“When I found La Sista’s work specifically, that was life-changing for me. … [She] showed what it meant to give a Latina woman, particularly a Latina woman of color, the microphone … [in] a genre where a lot of women were, ‘I can be in the background and the subject of male desires,’” wrote Alford.

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In the intersections of race and ethnicity, many Afro Latinxs are cornered by a society that challenges their identities to fit in, she says.

“American Negra is about how you create a career and life path in general where you get to be your full authentic self,” Alford said. “There were times when I perhaps sacrificed certain parts of my identity, or I code switched … We may straighten our hair, we may wear certain clothes. I did all of those things in an attempt to look quote-unquote presentable … utilize respectability politics to fit in. … In moving away from that respectability … that is in honoring your uniqueness and your heritage … [when] you actually can thrive … there’s freedom in that.”

De Los Reads June picks

The cover of "The Great Divide" is red with colorful flowers and leaves
The Art of Crying book cover with a teardrop under each of two eyes and the rest of a face
Into the Mighty Sea book cover with a paper boat and colorful squiggles on the water

(Ecco) (Voracious) (HarperCollins)

The Great Divide by Cristina Henriquez (Ecco, March)

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This captivating historical fiction takes the reader back to 1907, to the bustling world of Panama amid the monumental construction of the Panama Canal. It follows the story of Omar, who defies his father’s wishes to seek companionship and opportunity in the excavation zone, and Ada, a spirited Barbadian teen who travels to Panama seeking a job to pay for her sister’s life-saving surgery. Against the backdrop of historical events, this gripping tale navigates the complexities of human connection and resilience, offering a poignant glimpse into the lives of those who shaped the canal’s legacy.

The Art of Crying. The Healing Power of Tears by Pepita Sandwich (Voracious, April)

In many societies, crying is a sign of vulnerability or weakness. This graphic novel challenges the stigma surrounding tears, presenting them as a powerful act of healing and self-compassion. Through playful illustrations and introspective prose, the author guides readers on a journey of questioning and self-discovery, offering a refreshing perspective on the transformative potential of tears. [Disclaimer: Pepita Sandwich has previously contributed to De Los.]

Into the Mighty Sea by Arlene Abundis, illustrated by Cynthia Alonso (HarperCollins, June)

This picture book is a heartfelt voyage through the turbulent waters of childhood emotions and thoughts. It’s a tender narrative that celebrates the power of familial love and the importance of embracing and accepting strong emotions. The story’s comforting illustrations create a safe harbor where families can explore their feelings together. From moments of joy to those of fear and uncertainty, the story guides readers on a journey toward emotional safety.

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Roxsy Lin is a bilingual journalist and illustrator originally from Venezuela. Her work focuses on the pulse of the modern rhythms of Latinidad, arts and culture. @roxsy_lin

Movie Reviews

‘Madhuvidhu’ movie review: A light-hearted film that squanders a promising conflict

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‘Madhuvidhu’ movie review: A light-hearted film that squanders a promising conflict

At the centre of Madhuvidhu directed by Vishnu Aravind is a house where only men reside, three generations of them living in harmony. Unlike the Anjooran household in Godfather, this is not a house where entry is banned to women, but just that women don’t choose to come here. For Amrithraj alias Ammu (Sharafudheen), the protagonist, 28 marriage proposals have already fallen through although he was not lacking in interest.

When a not-so-cordial first meeting with Sneha (Kalyani Panicker) inevitably turns into mutual attraction, things appear about to change. But some unexpected hiccups are waiting for them, their different religions being one of them. Writers Jai Vishnu and Bipin Mohan do not seem to have any major ambitions with Madhuvidhu, but they seem rather content to aim for the middle space of a feel-good entertainer. Only that they end up hitting further lower.

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Dataland, the world’s first museum of AI arts, sets opening date and first exhibition

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Dataland, the world’s first museum of AI arts, sets opening date and first exhibition

After more than two and a half years of research, planning and construction, Dataland, the world’s first museum of AI arts, will open June 20.

Co-founded by new media artists Refik Anadol and Efsun Erkılıç, the museum anchors the $1-billion Frank Gehry-designed Grand LA complex across the street from Walt Disney Concert Hall in downtown Los Angeles. Its first exhibition, “Machine Dreams: Rainforest,” created by Refik Anadol Studio, was inspired by a trip to the Amazon and uses vast data sets to immerse visitors in a machine-generated sensory experience of the natural world.

The architecture of the space, which Anadol calls “a living museum,” is used to reflect distant rainforest ecosystems, including changing temperature, light, smell and visuals. Anadol refers to these large-scale, shimmering tableaus as “digital sculptures.”

“This is such an important technology, and represents such an important transformation of humanity,” Anadol said in an interview. “And we found it so meaningful and purposeful to be sure that there is a place to talk about it, to create with it.”

The 35,000-square-foot privately funded museum devotes 25,000 square feet to public space, with the remaining 10,000 square feet holding the in-house technology that makes the space run. Dataland contains five immersive galleries and a 30-foot ceiling. An escalator by the entrance will transport guests to the experiences below. The museum declined to say how much Dataland, designed by architecture firm Gensler, cost to build.

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An isometric architectural rendering of Dataland. The 25,000-square-foot AI arts museum also contains an additional 10,000 square feet of non-public space that holds its operational technology.

(Refik Anadol Studio for Dataland)

Dataland will collect and preserve artificial intelligence art and is powered by an open-access AI model created by Anadol’s studio called the Large Nature Model. The model, which does not source without permission, culls mountains of data about the natural world from partners including the Smithsonian, London’s Natural History Museum and the Cornell Lab of Ornithology. This data, including up to half a billion images of nature, will form the basis for the creation of a variety of AI artworks, including “Machine Dreams.”

“AI art is a part of digital art, meaning a lineage that uses software, data and computers to create a form of art,” Anadol explained. “I know that many artists don’t want to disclose their technologies, but for me, AI means possibilities. And possibilities come with responsibilities. We have to disclose exactly where our data comes from.”

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Sustainability is another responsibility that Anadol takes seriously. For more than a decade, Anadol has devoted much thought to the massive carbon footprint associated with AI models. The Large Nature Model is hosted on Google Cloud servers in Oregon that use 87% carbon-free, renewable energy. Anadol says the energy used to support an individual visit to the museum is equivalent to what it takes to charge a single smartphone.

Anadol believes AI can form a powerful bridge to nature — serving as a means to access and preserve it — and that the swiftly evolving technology can be harnessed to illuminate essential truths about humanity’s relationship to an interconnected planet. During a time of great anxiety about the power of AI to disrupt lives and livelihoods, Anadol maintains it can be a revolutionary tool in service of a never-before-seen form of art.

“The works generate an emergent, living reality, a machine’s dream shaped by continuous streams of environmental and biological data. Within this evolving system, moments of recognition and interpretation emerge across different forms of knowledge,” a news release about the museum explains. “At the same time, the exhibition registers loss as part of this expanded field of perception, most notably in the Infinity Room, where visitors encounter the 1987 recording of the last known Kauaʻi ʻŌʻō, a now-extinct bird whose unanswered call becomes part of the work.”

“It’s very exciting to say that AI art is not image only,” Anadol said. “It’s a very multisensory, multimedium experience — meaning sound, image, video, text, smell, taste and touch. They are all together in conversation.”

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Movie Reviews

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‘Michael’ — a new movie about the King of Pop – is drumming up big buzz. The film was produced in-part by the co-executors of the late singer’s estate, and has some critics questioning whether it is too focused on sanitizing the singer’s troubled image.

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