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Billie Eilish ‘really happy’ about relationship with Jesse Rutherford | CNN

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Billie Eilish ‘really happy’ about relationship with Jesse Rutherford | CNN



CNN
 — 

All goes nicely for Billie Eilish and her boyfriend Jesse Rutherford.

The singer, 20, says she’s thrilled to be relationship the Neighbourhood frontman, 31, regardless of criticism about their age distinction.

Eilish advised Vainness Honest of her relationship: “It’s actually cool and I’m actually excited and I’m actually glad about it.”

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“I managed to get … [my life] to some extent the place I not solely was identified by an individual that I assumed was the most popular f****** f***** alive however pulled his ass,” she mentioned, candidly. “Are we kidding me?… Jesse Rutherford, everybody.”

She opened up about their relationship, saying her “love language” is “bodily contact.”

“Aside from that, similar to freedom…you recognize, I don’t need to be managed,” she mentioned. “I need to be trusted and I need to have the ability to have house and I need love and a spotlight. And equal admiration is absolutely necessary.”

Eilish added that Rutherford conjures up her and that she does the identical for him.

“It’s actually cool,” she mentioned.

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That is the sixth yr Eilish has participated in an annual interview with the publication, which has change into one thing of a convention.

“They imply a lot to me,” she mentioned of the yearly chats.

Movie Reviews

'Kenda' movie review: Intense drama with an allegorical twist

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'Kenda' movie review: Intense drama with an allegorical twist

Sahadev Kelvadi’s ‘Kenda’ is set against the gritty backdrop of the late 1990s and early 2000s, the film plunges into the turbulent world of a young man adrift. Unemployed and without direction, he finds himself entangled in a complex web of crime and politics. As he navigates this treacherous landscape, he must confront the dark and primal desires that lurk within, threatening to consume him. Will he find redemption or succumb to the shadows that haunt him?

Protagonist Keshava’s (B V Bharath) humdrum existence is disrupted when he crosses paths with Narasimha Shastry (Vinod Ravindran), a leader with a hidden political agenda. Behind the façade of a respected newspaper owner, Shastry harbors a duplicitous nature, his words and actions a stark contrast.

Once he takes the fateful step, there’s no turning back, and Keshava’s fate becomes inextricably linked to the consequences of his choices.

At its core, Kenda is a powerful allegory for the eternal struggle to find purpose and authenticity in a chaotic world. The film also masterfully deconstructs the toxic effects of rigid masculinity, revealing the impact it has on individuals and society as a whole.

The film is a scathing critique of the establishment’s failures. Delving deeper, it masterfully explores the complex and often blurred lines between crime and politics, revealing the toxic symbiosis that can exist between the two.

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This film draws inspiration from the likes of Albert Camus, Theatre of the Absurd and the French New Wave movement.

As a result, the film’s dialogue is infused with rich philosophical and literary references.

‘Kenda’ stands out for its grounded and realistic depiction of characters and the crime world, remarkably achieved without relying on explicit violence or gore.

While the first half of the film unfolds at a leisurely, the narrative gears up significantly in the second half. Ritwik Kaikini’s soft-rock soundtrack deserves a mention, so does the performance of lead artistes.

While ‘Kenda’ may have some minor flaws, that can be overlooked, the film meets the expectations.

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Produced by Roopa Rao (‘Gantumoote’ fame). The film received an award for direction at Dada Saheb Phalke Film Festival. 

Published 26 July 2024, 20:13 IST

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Video game actors are on strike. Here's what that means

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Video game actors are on strike. Here's what that means

Video game performers are officially on strike.

The Screen Actors Guild-American Federation of Television and Radio Artists called a walkout this week on behalf of roughly 2,600 actors doing voice-over, motion-capture and other work in the gaming industry.

Union leaders took the step after they could not reach an agreement on artificial intelligence terms while bargaining for a new contract with the top video game companies, including Activision, Electronic Arts, Insomniac and Blindlight.

“We’re not going to consent to a contract that allows companies to abuse AI to the detriment of our members,” SAG-AFTRA President Fran Drescher said in a statement Thursday. “Enough is enough.”

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Audrey Cooling, a spokesperson for the video game producers, said in a statement: “We are disappointed the union has chosen to walk away when we are so close to a deal, and we remain prepared to resume negotiations.”

How did we get here?

The union has been in contract negotiations with the video game companies since 2022, and the Interactive Media Agreement expired that November.

Video game performers are seeking a new agreement that will require video game producers to obtain their consent and compensate them when using AI to replicate their voices or likenesses. They are also demanding wage increases to keep up with inflation, more rest time and set medics for hazardous jobs.

Tensions escalated in September 2023, when union members voted 98% in favor of authorizing a strike.

Duncan Crabtree-Ireland, chief negotiator and national executive director of SAG-AFTRA, said at the time that the companies were not “willing to meaningfully engage on the critical issues,” including compensation, AI and safety.

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The companies vowed to “negotiate in good faith to reach an agreement that reflects the important contributions” of game performers.

On July 20, the union’s national board of directors granted Crabtree-Ireland the authority to call a strike, citing a lingering dispute over AI.

How will this affect the video game companies?

Much like last year’s Hollywood writers’ and actors’ strikes against the film and TV studios and streaming services, this one could potentially lead to longer-term production lulls, particularly for games scheduled for release in 2025 or 2026.

Production is expensive and on a tight schedule, a reality that doesn’t give video game companies a lot of margin to “sit this out,” said Joost van Dreunen, an adjunct assistant professor at NYU Stern School of Business and author of “One Up: Creativity, Competition, and the Global Business of Video Games.”

For instance, companies can’t afford to miss out on the all-important holiday spending season. November and December traditionally account for about half of annual game sales, he said.

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“If you don’t get things across the line, if you can’t finish your work and release it on time, you’re going to miss a very, very important window, and that’s going to hurt you financially,” Van Dreunen said.

But not all games are covered by the strike. According to contract provisions, games that were in production when the union provided the company with notice of its termination are not subject to the strike order, according to a SAG-AFTRA spokesperson.

What’s next?

As of Friday, SAG-AFTRA video game actors are barred from lending their services to any struck games.

Those services may include acting, singing, dancing, stunts, motion capture, auditions, camera tests, rehearsals, authorizing the use of one’s voice or likeness, background and stand-in work.

Covered performers are also prohibited from promoting struck games via social media, interviews, conventions, festivals, award shows, podcast appearances or any other platform. (The ongoing San Diego Comic-Con has been exempt from this rule due to its proximity to the strike announcement.)

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The union has indicated that it will also hold pickets as part of the walkout.

Only time will tell how long it will take the union and the companies to reach a tentative agreement and end the work stoppage.

The last strike by video game actors stretched on for nearly a year, from October 2016 to September 2017. Back then, AI had yet to become a major concern and performers were pushing for residual-like payments based on video game sales — similar to how film and TV actors are compensated for their work.

Van Dreunen said companies would likely try to resolve the contract negotiations by September, but at the latest, by the end of the year, before answering to investors during their next earnings calls.

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'Deadpool & Wolverine' movie review: Fox's last dance, Deadpool & Wolverine bromance

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'Deadpool & Wolverine' movie review: Fox's last dance, Deadpool & Wolverine bromance

Superhero fatigue is real. With no good movies recently, Marvel has lost its course. But brace yourselves — straight from 20th Century Fox, sorry, Disney — a hero makes his grand MCU entrance. He’s the messiah, the merc with a mouth; he is… The Marvel Jesus. Buckle up, peanut, because this isn’t your average cape-and-tights movie — or is it?

Directed by Shawn Levy (‘Free Guy’), this third instalment is a hot mess —kind of like Wade Wilson himself on a bad hair day. Just as the world’s falling apart (again), the Time Variance Authority’s Paradox (Matthew Macfyden) recruits him to put his timeline out of its misery. Deadpool refuses and drags the worst variant of the Wolverine (Hugh Jackman) out of retirement to help stop this crazy scheme. They are sent to the ‘Void’ — yes, the same one from ‘Loki’ season one, episode five, now ruled by Cassandra Nova (Emma Corrin), Professor Charles Xavier’s evil twin.

The film takes you on a wild ride with surprise appearances from the Fox Universe. The plot is a bit shaky with jokes that sometimes fall flat, but it’s saved by some really cool action sequences, with slow-motion effects set to popular ’90s tunes. It’s a fun, if messy, farewell to the Fox universe, offering a peek at what mutant battles might look like in the MCU — and it doesn’t look too bad. Ryan Reynolds keeps it lively with his snappy humour, and Hugh Jackman proves yet again why he’s the ultimate Wolverine, leaving us with a touching montage of his ‘X-Men’ moments during the end credits.

So, does this Marvel messiah live up to the hype? Well, yes and no. Deadpool doesn’t exactly ace it. He’s the irritating but quirky hero we didn’t even know we needed, flipping the MCU on its head and turning multiversal crises into comedy gold. Marvel dug deep into the Fox universe, like scraping the last bits of chicken from a biryani pot.

The movie might do well at the box office, but they really need to sort out their timelines (pun intended) before they kick off the Mutant Saga.

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Published 26 July 2024, 20:20 IST

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