Entertainment
At L.A. Times Book Prizes ceremony, winners advocate for hope in the face of uncertainty
It was a night of literary excellence at the 45th Los Angeles Times Book Prizes ceremony Friday night at USC’s Bovard Auditorium.
As winners in 12 competitive categories and three special prizes took the stage, many addressed the fraught political climate in the U.S. as well as L.A. rebuilding after January’s devastating firestorms.
Writers also addressed the dire need to use their voice to reflect the present moment — from poetry winner Remica Bingham-Risher contemplating the abuse her grandmothers endured (in another time and place, their narrative would have been hers, she said), to current interest winner Jesse Katz urging the audience to recognize the individuality of often-stigmatized MacArthur Park residents.
Pico Iyer — who has written 15 books translated into 23 languages — accepted the Robert Kirsch Award for lifetime achievement, which honors a writer with a substantial connection to the American West. The author’s latest novel, “Aflame: Learning From Silence,” recounts his mother’s home in Santa Monica burning during a wildfire in 1990. The book was published on Jan. 14, in the immediate aftermath of the Palisades and Eaton fires.
“I know that many people in this room have been through tremendous losses in the last few months,” he said sharing that he lost handwritten drafts for three books in progress in the 1990 fire. “What initially presented itself mostly as loss began to open doors … and make possible many things that might have never happened otherwise. I really hope that might be the case for some of you.”
“Writing still seems the deepest way of inhabiting another soul and the very best way, therefore, of rescuing us from black and white,” he added.
Investigative journalist Emily Witt accepted the Christopher Isherwood Prize for Autobiographical Prose for her memoir “Health and Safety: A Breakdown,” about her exploration of New York’s nightlife scene.
In her acceptance speech, Witt cited Isherwood’s writing about pre-WWII Berlin as a major influence. Like his milieu, she said the characters of her memoir, which takes place in Brooklyn from 2016 to 2020, lived in acute awareness of the “ideological bankruptcy” of their time.
Celebrated L.A.-born poet Amanda Gorman accepted the Innovator’s Award for bringing “books, publishing and storytelling into the future.”
Amanda Gorman received the Innovator’s Award at the L.A. Time Book Prizes.
(Varon Panganiban)
“Love is no silent harbor, no haven,” Gorman recited. “Still, it is the roaring thing that tugs away from the very shores we clutch. There is no better compass than this compassion.”
Iyer and Gorman will speak Saturday at the Festival of Books about their respective books.
The biography prize went to Laura Beers for “Orwell’s Ghosts: Wisdom and Warnings for the Twenty-First Century.” The book, written on the 75th anniversary of “1984,” explores George Orwell’s prescient and radical teachings. Beers, who was surprised by the win, said the world “seems to become slightly more Orwellian with each passing day.”
Journalist Rebecca Boyle won the science and technology award for “Our Moon: How Earth’s Celestial Companion Transformed the Planet, Guided Evolution, and Made Us Who We Are,” which traces the moon’s role in our biological and cultural evolution.
“The moon, my subject, does remind us that there are cycles,” she said while accepting the prize. “Inherent in the meaning of a cycle or a phase is a return. Things go away and they come back. Fascism went away and now is back. Authoritarianism went away, we thought, and now it is back. But there’s a flip side to that. Every phase that leaves brings something new. There’s also hope and renewal. And I think part of our job — the most important job we have as writers — is to remind us of the positive phases, the return of good, the return of new cycles and hope.”
In her closing remarks, she quoted Pope Francis, whose funeral is tomorrow: “Hope is a gift and a task.”
Kim Johnson, whose “The Color of a Lie” won the award for young-adult literature, said she set her book, about a white-passing Black teen, in 1955 Levittown, Penn., after her first novel was banned in Bucks County, where Levittown is located.
“Writers write in a lot of spaces where we’re doing resistance,” she said. “I’m thinking about reckoning, trying to untangle the roots of racism and systemic factors in this country that are so embedded and baked in our society.”
Achievement in audiobook production went to Dominic Hoffman (narrator) and Linda Korn (producer) for “James: A Novel.” Presented in collaboration with Audible, the award — the ceremony’s newest — honors performance, production and innovation in storytelling.
Jiaming Tang took home the Art Seidenbaum Award for First Fiction for “Cinema Love.” The decades-spanning epic follows gay Chinese immigrants. The novel also has won the Edmund White Award for Debut Fiction and the Ferro-Grumley Award for LGBTQ+ Fiction.
Jesse Katz’s “The Rent Collectors: Exploitation, Murder, and Redemption in Immigrant L.A.” won the award for current interest. The book explores the exploitation of undocumented Angelenos by both gang overlords and local law enforcement.
The fiction award went to Jennine Capó Crucet for “Say Hello to My Little Friend.” Brimming with dark humor, the novel follows a failed Pitbull impersonator’s encounter with a captive orca at the Miami Seaquarium.
Danielle Trussoni’s “The Puzzle Box” received the award for mystery/thriller. The second of Trussoni’s Mike Brink series, the book follows a puzzle master invited to Tokyo to try his hand opening the legendary Dragon Box, which contains a priceless Imperial secret.
The ceremony, which opened with remarks by Times Executive Editor Terry Tang and was emceed by Times columnist LZ Granderson (who also provided updates from the Lakers playoff game), serves as a kickoff to this weekend’s Festival of Books.
“In a world that is now feeling so confusing and distressed, this weekend gives all of us a chance to find a sense of unity, purpose and support,” Tang said.
The 30th annual celebration brings more than 550 storytellers to the USC campus across seven outdoor stages and 15 indoor venues. While some panels are ticketed, general admission to the festival is free.
Saturday’s events include conversations and panels with Amor Towles, Jay Ellis, Claire Hoffman, Stacey Abrams, Joanna “JoJo” Levesque, Griffin Dunne, E.A. Hanks, Rebecca Yarros, Amanda Knox, Rachel Kushner, Krysten Ritter, Max Greenfield and “Giggly Squad” podcast hosts Hannah Berner and Paige DeSorbo, as well as a cooking demo from Roy Choi, a reading by Alison C. Rollins and a performance by singer Aspen Jacobsen.
Sunday’s authors and entertainers include Percival Everett, Jenny Slate, Steve Wasserman, Maureen Dowd, Wilmer Valderrama, Jon M. Chu, Rachel Lindsay, Chelsea Handler, Jennifer Haigh, Gretchen Whitmer, Attica Locke, Janelle Brown, Kristen Ciccarelli and Mike Campbell. A special screening of PBS series “Miss Austen” and an appearance by children’s entertainer Blippi are also among the highlights.
Here’s the full list of finalists and winners for the Book Prizes.
Robert Kirsch Award
Pico Iyer, “Aflame: Learning From Silence”
The Christopher Isherwood Prize for Autobiographical Prose
Emily Witt, “Health and Safety: A Breakdown”
Innovator’s Award
Amanda Gorman
The Art Seidenbaum Award for First Fiction
Jiaming Tang, “Cinema Love: A Novel”
Pemi Aguda, “Ghostroots: Stories”
Joseph Earl Thomas, “God Bless You, Otis Spunkmeyer: A Novel”
Jessica Elisheva Emerson, “Olive Days: A Novel”
Julian Zabalbeascoa, “What We Tried to Bury Grows Here”
Achievement in Audiobook Production, presented by Audible
Matt Bomer (narrator), Kelly Gildea (director, co-producer), Lauren Klein (producer); “Giovanni’s Room: A Novel”
Narrators: Clare Brown, Ayanna Dookie, Korey Jackson, Andrea Jones-Sojola, Brittany Pressley, Emana Rachelle, Malika Samuel, Heather Alicia Simms, Diana Bustelo, Tyla Collier, Alejandra Reynoso, David Sadzin, André Santana, Shaun Taylor-Corbett; Producer: Allison Light; “New Nigeria County”
Narrators: Andrew Garfield, Cynthia Erivo, Andrew Scott, Tom Hardy, Chukwudi Iwuji, Romesh Ranganathan, Natasia Demetriou, Francesca Mills, Alex Lawther, Katie Leung; Producers: Chris Jones, Mariele Runacre-Temple, Robin Morgan-Bentley, Nathan Freeman; “George Orwell’s 1984: An Audible Original adaptation”
Dominic Hoffman (narrator), Linda Korn (producer); “James: A Novel”
Michele Norris With a Full Cast (narrator), Mike Noble (producer); “Our Hidden Conversations: What Americans Really Think About Race and Identity”
Biography
Laura Beers, “Orwell’s Ghosts: Wisdom and Warnings for the Twenty-First Century”
Cynthia Carr, “Candy Darling: Dreamer, Icon, Superstar”
Alexis Pauline Gumbs, “Survival Is a Promise: The Eternal Life of Audre Lorde”
Pamela D. Toler, “The Dragon From Chicago: The Untold Story of an American Reporter in Nazi Germany”
Jessica Goudeau, “We Were Illegal: Uncovering a Texas Family’s Mythmaking and Migration”
Current Interest
Jonathan Blitzer, “Everyone Who Is Gone Is Here: The United States, Central America, and the Making of a Crisis”
Ta-Nehisi Coates, “The Message”
Jesse Katz, “The Rent Collectors: Exploitation, Murder, and Redemption in Immigrant L.A.”
Robin Wall Kimmerer, “The Serviceberry: Abundance and Reciprocity in the Natural World”
Wright Thompson, “The Barn: The Secret History of a Murder in Mississippi”
Fiction
Rita Bullwinkel, “Headshot: A Novel”
Jennine Capó Crucet, “Say Hello to My Little Friend: A Novel”
Percival Everett, “James: A Novel”
Yuri Herrera translated by Lisa Dillman, “Season of the Swamp: A Novel”
Miranda July, “All Fours: A Novel”
Graphic Novel/Comics
Kris Bertin and Alexander Forbes, “Hobtown Mystery Stories Vol. 2: The Cursed Hermit”
Taiyo Matsumoto, “Tokyo These Days, Vol. 1”
Bhanu Pratap, “Cutting Season”
Miroslav Sekulic-Struja, translated by Jenna Allen, “Petar & Liza”
Ram V and Filipe Andrade, “Rare Flavours”
History
Andrea Freeman, “Ruin Their Crops on the Ground: The Politics of Food in the United States, From the Trail of Tears to School Lunch”
Andrew W. Kahrl, “The Black Tax: 150 Years of Theft, Exploitation, and Dispossession in America”
Aaron Robertson, “The Black Utopians: Searching for Paradise and the Promised Land in America”
Joseph M. Thompson, “Cold War Country: How Nashville’s Music Row and the Pentagon Created the Sound of American Patriotism”
Michael Waters, “The Other Olympians: Fascism, Queerness, and the Making of Modern Sports”
Mystery/Thriller
Christopher Bollen, “Havoc: A Novel”
Michael Connelly, “The Waiting: A Ballard and Bosch Novel”
Attica Locke, “Guide Me Home: A Highway 59 Novel”
Liz Moore, “The God of the Woods: A Novel”
Danielle Trussoni, “The Puzzle Box: A Novel”
Poetry
Remica Bingham-Risher, “Room Swept Home”
Andrea Cohen, “The Sorrow Apartments”
Cindy Juyoung Ok, “Ward Toward”
Pam Rehm, “Inner Verses”
Alison C. Rollins, “Black Bell”
Science Fiction, Fantasy & Speculative Fiction
Jedediah Berry, “The Naming Song”
Lev Grossman, “The Bright Sword: A Novel of King Arthur”
Kelly Link, “The Book of Love”
Jeff VanderMeer, “Absolution: A Southern Reach Novel”
Nghi Vo, “The City in Glass”
Science & Technology
Rebecca Boyle, “Our Moon: How Earth’s Celestial Companion Transformed the Planet, Guided Evolution, and Made Us Who We Are”
Ferris Jabr, “Becoming Earth: How Our Planet Came to Life”
Daniel Lewis, “Twelve Trees: The Deep Roots of Our Future”
Kyne Santos, “Math in Drag”
Zoë Schlanger, “The Light Eaters: How the Unseen World of Plant Intelligence Offers a New Understanding of Life on Earth”
Young-Adult Literature
Traci Chee, “Kindling”
K.A. Cobell, “Looking for Smoke”
Safia Elhillo, “Bright Red Fruit”
Carolina Ixta, “Shut Up, This Is Serious”
Kim Johnson, “The Color of a Lie”
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Entertainment
‘Clayface’ trailer teases DC Studios’ first proper horror movie
The DC universe is going full on body horror.
DC Studios released its first trailer for “Clayface” on Wednesday, giving audiences a glimpse of the gruesome origins of the shape-shifting Batman villain.
Set to an eerie rendition of the Flaming Lips’ “Do You Realize??,” the teaser flashes among various images of up-and-coming Hollywood actor Matt Hagen (portrayed by Tom Rhys Harries) before and after a violent encounter as the camera slowly zooms toward his haunted eyes and bloody, bandaged face as he is recovering on a hospital bed.
The clip also includes footage of Hagen’s clay-like, malleable face, which he appears to gain after some sort of scientific procedure.
According to the DC description, “Clayface” will see Hagen transformed into a “revenge-filled monster” and explore “the loss of one’s identity and humanity, corrosive love, and the dark underbelly of scientific ambition.”
“Clayface,” set for an Oct. 23 release, will be the third DCU film to hit theaters since James Gunn and Peter Safran took over DC Studios and reset (most of) its comic book superhero franchise. The studio’s upcoming slate also includes “Supergirl,” which will hit theaters June 26, as well as “Man of Tomorrow,” the sequel to Gunn’s 2025 blockbuster “Superman,” announced for 2027.
Who is Clayface?
Clayface is a DC Comics villain usually affiliated with Batman. The alias has been used by a number of different characters over the years, but they all usually possess shape-shifting abilities due to their clay-like bodies. Created by Bill Finger and Bob Kane, the original Clayface was a washed-up actor turned criminal who first appeared in a 1940 issue of “Detective Comics.”
Matt Hagen was the name of the second Clayface, who first appeared in an issue of “Detective Comics” in the 1960s. He was the first to have shape-shifting powers, which he gained after encountering a mysterious radioactive pool of protoplasm.
Other versions of Clayface have been introduced in various media since.
Who is in ‘Clayface’?
The upcoming film stars Tom Rhys Harries as rising Hollywood actor Hagen. The cast also includes Naomi Ackie, who is seen in the trailer, reportedly as the scientist Hagen turns to for help following his disfigurement. Also set to appear are David Dencik, Max Minghella and Eddie Marsan, as well as Nancy Carroll and Joshua James.
Who are the ‘Clayface’ filmmakers?
Director James Watkins, known for horror films including “Speak No Evil” (2024), is helming “Clayface.” The script was written by prolific horror scribe Mike Flanagan (“The Haunting of Hill House,” “Doctor Sleep”) and Hossein Amini (“The Snowman”).
The producers are Matt Reeves, Lynn Harris, James Gunn and Peter Safran. Exective producers include Michael E. Uslan, Rafi Crohn, Paul Ritchie, Chantal Nong Vo and Lars P. Winther.
Movie Reviews
Miyamoto says he was surprised Mario Galaxy Movie reviews were even harsher than the first | VGC
Nintendo’s Shigeru Miyamoto says he’s surprised at the negative critical reception to the Super Mario Galaxy Movie.
As reported by Famitsu, Miyamoto conducted a group interview with Japanese media to mark the local release of The Super Mario Galaxy Movie.
During the interview, Miyamoto was asked for his views on the critical reception to the film in the West, where critics’ reviews have been mostly negative.
Miyamoto replied that while he understood some of the negative points aimed at The Super Mario Bros Movie, he thought the reception would be better for the sequel.
“It’s true: the situation is indeed very similar,” he said. “Actually, regarding the previous film, I felt that the critics’ opinions did hold some validity. “However, I thought things would be different this time around—only to find that the criticism is even harsher than it was before.
“It really is quite baffling: here we are—having crossed over from a different field—working hard with the specific aim of helping to revitalize the film industry, yet the very people who ought to be championing that cause seem to be the ones taking a passive stance.”
As was the case with the first film, opinion is divided between critics and the public on The Super Mario Galaxy Movie. On review aggregate site Rotten Tomatoes, the film currently has a critics’ score of 43% , while its audience score is 89%.
While this is down from the first film’s scores (which were 59% critics and 95% public) it does still appear to imply that the film’s target audience is generally enjoying it despite critical negativity.
The negative reception is unlikely to bother Universal and Illumination too much, considering the film currently has a global box office of $752 million before even releasing in Japan, meaning a $1 billion global gross is becoming increasingly likely.
Elsewhere in the interview, Miyamoto said he hoped the film would perform well in Japan, especially because it has a unique script rather than a simple localization as in other regions.
“The Japanese version is a bit unique,” he said. “Normally, we create an English version and then localize it for each country, but for the first film, we developed the English and Japanese scripts simultaneously. For this film, we didn’t simply localize the completed English version – instead, we rewrote it entirely in Japanese to create a special Japanese version.
“So, if this doesn’t become a hit in Japan, I feel a sense of pressure – as the person in charge of the Japanese version – to not let [Illumination CEO and film co-producer] Chris [Meledandri] down.
“However, judging by the reactions of the audience members who’ve seen it, I feel that Mario fans are really embracing it. I also believe we’ve created a film that people can enjoy even if they haven’t seen the previous one, so I’m hopeful about that as well.”
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