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A former Bolshoi dancer is helping young dancers flee Ukraine, one ballet school at a time

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A former Bolshoi dancer is helping young dancers flee Ukraine, one ballet school at a time

“When the conflict began and we misplaced all the things …” Oksana Zhuravlova trails off, trying to find the phrases to proceed. She takes a breath and tries once more.

“When the conflict began, it was like life ended,” she says, her voice quavering with emotion. “And once we heard that our daughter Kateryna can go to Germany to check in a extremely good faculty, it was like a lightweight on the finish of a tunnel. It was the one hope for the longer term.”

Zhuravlova’s phrases are available a rush over a WhatsApp name from Stuttgart, Germany, the place she sits on a mattress in her 14-year-old daughter’s room on the famend John Cranko College for ballet. Oksana and Kateryna are from Kyiv and not too long ago arrived in Stuttgart after fleeing Ukraine’s capital within the face of ongoing Russian bombardment.

To get there, they spent all night time and most of a day ready in an enormous queue of refugees on the Hungarian border earlier than lastly being allowed to cross.

Oksana says her head is a multitude. She will’t sleep. Her physique and thoughts ache with fear. She and Kateryna left Kateryna’s father and 7-year-old sister in western Ukraine, the place Oksana hopes they are going to be protected. Her mother and father refused to go away Kyiv and have been sheltering for weeks of their basement. Oksana calls to test in on them continually — and when she does, she will hear the heart-stopping thunder of explosions within the background.

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Now that Oksana has helped Kateryna settle in at her new faculty, she should make the relentless three-day journey again to Ukraine. Her youngest daughter, Polina, is ready for her — and taking on-line ballet courses from her dance instructor, Ksenia Istomina, who selected to stay in Kyiv and teaches every day digital classes for youths who can’t go away.

Oksana says she just isn’t able to separate her household, however she should be with Polina. Plus, she notes sadly, there isn’t a line for heading again into Ukraine.

After she safely rejoins her husband, Oksana texts {that a} good friend’s house in Kyiv was bombed and the good friend’s 3-year-old son was killed.

“Massive tragedy,” she writes. “Youngsters don’t should die.”

Kateryna is certainly one of greater than 80 younger Ukrainian dancers who’ve discovered protected haven at prestigious ballet faculties all through Europe with the assistance of a New York-based nonprofit known as Youth America Grand Prix, which has operated the world’s largest pupil ballet scholarship competitors since 1999.

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Greater than 80 younger Ukrainian dancers have discovered protected haven at prestigious ballet faculties, together with the Dutch Nationwide Ballet Academy in Amsterdam.

(Maximilian Mann / For The Occasions)

Based by husband and spouse duo Gennadi and Larissa Saveliev, former dancers for the Bolshoi Ballet in Moscow, the group has awarded greater than $4.5 million in scholarships to bop faculties, and greater than 150,000 college students have participated in its worldwide workshops and auditions. Younger rivals are extremely expert and critical in regards to the artwork type — typically with the purpose of constructing lifelong careers.

Through the years, YAGP has held competitions everywhere in the world, however by no means in Ukraine. Its first competitors in Kyiv was set to happen in early March, and greater than 200 younger dancers had signed up to participate from throughout Japanese Europe, Larissa says in a cellphone interview. After Russia started its brutal invasion of Ukraine in late February, and it shortly turned obvious the occasion couldn’t happen, Larissa emailed the Ukrainian college students to inform them in regards to the cancellation.

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She additionally wrote they need to contact YAGP in the event that they wanted assist discovering a ballet faculty. Because the conflict in Ukraine worsened and waves of refugees flooded in another country, Larissa says cellphone calls poured in. Any individual handed alongside Larissa’s cell quantity, and she or he started getting calls from youngsters in the midst of the night time. Dancers, normally between the ages of 12 and 18, had been arriving at borders in Poland, Hungary and Romania, generally with little greater than the garments on their backs, asking the place they need to go from there.

Larissa and YAGP started working feverishly, typically sleeping for just a few hours an evening, to safe the youngsters spots at ballet faculties all through Europe. As soon as they organized placement, they might e mail the acceptance letters, which dancers might pull up on their telephones to assist their case for getting throughout the border. Generally the younger college students would depart Ukraine alone. Generally they had been in a position to take their moms, sisters and grandmothers with them.

Free busses operated by border international locations helped shuttle the scholars to their numerous pre-arranged locations, together with the Princess Grace Academy in Monaco, Berlin State Opera Ballet College, Munich Worldwide Ballet College, Zurich Dance Academy, Dutch Nationwide Ballet College, Palucca College of Dance Dresden, Basel Theater Ballet College, European College of Ballet within the Netherlands, and Norwegian Nationwide Ballet College.

Four photos of young dancers

Clockwise from high left: Martin Korol now research on the Princess Grace Academy in Monaco. Dimitry Sitnitsky, 17, Sofia Chycha, 15, and Maria Bondarenko, 18, now examine on the Dutch Nationwide Ballet Academy in Amsterdam.

(Maximilian Mann / For The Occasions)

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“I do not know when it’s gonna cease,” says Larissa, “as a result of the youngsters maintain coming.”

Up to now, Russia’s conflict in Ukraine has resulted in an estimated 3 million refugees fleeing the nation, about half of whom are kids.

Seventeen-year-old dancer Martin Korol left the northeastern metropolis of Kharkiv alone, carrying solely a backpack and 50 euros. Korol’s mom couldn’t go together with him as a result of she wanted to look after her getting older mother and father.

Kharkiv, a thriving, inventive metropolis of 1.5 million, is among the many most destroyed city facilities of the conflict. An image Korol despatched The Occasions reveals him and his girlfriend in a bomb shelter — arms twined like vines, heads pressed shut collectively. An Instagram submit he shares reveals a city sq. in rubble after a Russian rocket assault. Twisted metallic, damaged bricks, toppled statues. It’s the middle of his metropolis, he writes, close to the place his mother and father dwell.

Korol arrived on the Polish border and known as YAGP. He waited for greater than 20 hours till he was in a position to cross. A video he despatched reveals a chaotic scene with makeshift tents, sausages cooking on a big grill and volunteers in orange vests circulating among the many gathered refugees. Korol says one volunteer was very variety, giving him meals, water and one thing candy to eat.

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YAGP secured Korol a spot at Princess Grace Academy in Monaco and helped him navigate a circuitous route — by way of bus, automotive and aircraft — to the seaside haven on the French Riviera. The college’s inventive director, Luca Masala, took Korol looking for garments and ballet necessities.

“The academy provides me a room, and I can eat with the boys, and I am going to the category. Everyone seems to be so variety to me.” says Korol throughout a WhatsApp name. “Now I’ve a wierd feeling, I don’t know what will likely be subsequent. I’m so scared and nervous about my household.”

Princess Grace Academy has to date welcomed a complete of 4 younger Ukrainian dancers, and says it should assist extra if it could.

Two girls ride bikes down a street with a black dog walking next to them

A number mom is completely happy to lend bicycles to college students Sofia Chycha and Maria Bondarenko.

(Maximilian Mann / For The Occasions)

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Hands rest on a concrete ledge

Maria Bondarenko, left, and Sofia Chycha sit collectively within the night on the sting of a canal after ballet class in Amsterdam.

(Maximilian Mann / For The Occasions)

Two girls sitting on a bed looking at their phones

Sofia Chycha, left, and Maria Bondarenko, at house after class, discuss with their mother and father in Ukraine each day.

(Maximilian Mann / For The Occasions)

Twelve-year-old Sophia Shalala Weatherill is taking courses at a college in central Europe, which requested to stay unnamed for causes of privateness, after evacuating on one of many final business flights leaving Kyiv’s Boryspil Worldwide Airport two days earlier than the Russian invasion started.

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Sophia fled Ukraine together with her mom, Nancy Shalala. Each Sophia and Nancy are American however have lived in Kyiv for the previous few years whereas Sophia’s father has been working as a humanitarian officer for the United Nations. When the Russian invasion turned imminent, Nancy packed their lives into two suitcases and left with Sophia. Her husband relocated to town of Lviv in western Ukraine, the place he’s presently working to manage support to the greater than 200,000 refugees who’ve flocked there in latest days.

Nancy worries because the conflict has moved westward — a missile strike not too long ago rattled the outskirts of Lviv. She requested her husband if he might work someplace safer, maybe in Poland, however she is aware of the individuals who want his assist essentially the most are inside Ukraine. Her husband has no intention of leaving, and she or he and Sophia respect his resolution.

Earlier than she was a ballet mother, Nancy says, she labored aiding households impacted by conflict. It feels unusual and humbling to now be on the receiving finish of that help, she says. With YAGP’s assist, Sophia discovered a spot at a revered faculty. This gave her household objective — and a much-needed sense of stability — amid the chaos.

“If you’re displaced, you lose your loved ones possessions, your loved ones photographs, your journals. All of the issues that join you to the previous and the individuals you’re keen on,” says Nancy, including that a few of her household’s closest Ukrainian associates, together with Sophia’s beloved ballet instructor, selected to stay in Kyiv. The instructor, Zoya Grigorievna, is working carefully with YAGP to assist younger dancers discover protected haven.

The final image Nancy acquired of Grigorievna reveals her hiding away from home windows throughout a bomb scare. She holds her pug underneath her left arm — her legs underneath blankets, her posture effortlessly elegant, her variety face drawn and drained.

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For Sophia, the flexibility to bop six days every week additionally presents a chance for her worries to be quickly assuaged.

“It’s a sense of pleasure, and it’s a sense of peace,” she says over the cellphone. “It’s like my meditation, and if you’re working in a studio your thoughts can’t wander, it needs to be targeted on what you’re doing.”

A boy leaps in a ballet studio with other boys at the bar behind him

“The academy provides me a room, and I can eat with the boys, and I am going to the category. Everyone seems to be so variety to me,” says Martin Korol, fourth from left, throughout a WhatsApp name.

(Maximilian Mann / For The Occasions)

Many cardboard signs are hung on a fence below scaffolding

A road within the middle of Amsterdam reveals help for Ukraine.

(Maximilian Mann / For The Occasions)

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On the Dutch Nationwide Ballet Academy, three teenage dancers are struggling to grasp what they’ve been by. They’re nonetheless decompressing from their frantic three-day automotive journey from Kyiv, over the Romanian border and into the Netherlands.

Sofia Chycha, 15, Maria Bondarenko, 18, and Dimitry Sitnitsky, 17, studied dance in Kyiv earlier than the bombs started raining down. They had been terrified to go outdoors in the course of the day they usually had been forbidden to exit after 8 p.m. as a result of it was doable to be mistaken for a member of the navy.

With nice trepidation, the trio escaped Kyiv, together with Chycha’s mom and uncle. They drove from Romania, by Hungary and into Slovakia, the place their automotive broke down — a tense mishap that delayed their arrival within the Netherlands by a day. Larissa Saveliev’s niece, Jana van Aalst, is internet hosting them in her house for now.

“We’re actually scared and stuffed with emotion,” says Bondarenko over a video name, explaining that their fathers can’t go away and that her and Sitnitsky’s moms are afraid to go. Their households, she says, are presently hiding in bomb shelters.

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The kids have been dancing since they had been small. Sitnitsky began when he was 4, Bondarenko at 6 and Chycha when she was 9. It’s all they’ve ever wished to do. They feared the conflict would put an finish to their goals by making additional dance training not possible.

They don’t take the lifeline thrown to them by YAGP and Dutch ballet faculty frivolously. They are going to dance for his or her households, they are saying, and for a brighter future after they can as soon as once more go house.

Kyiv, says Oksana, is especially lovely within the spring.

Martin Korol shows a video of himself dancing from his phone.

When Martin Korol arrived on the border to Monaco, he confirmed border patrol a video of himself dancing and a letter of acceptance to Princess Grace Academy.

(Maximilian Mann / For The Occasions)

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A boy, left, and two lean on a railing

Ukrainian college students Dimitry Sitnitsky, from left, Sofia Chycha and Maria Bondarenko hand around in the night after ballet class in Amsterdam.

(Maximilian Mann / For The Occasions)

YAGP has arrange a donations portal to proceed its efforts to assist Ukrainian dancers. It may be discovered right here.

Maximilian Mann is a German documentary and portrait photographer who focuses on tales about society, social and ecological modifications.

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Movie Reviews

Movie Review | Bleakness of Iceland adds to horror tale

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Movie Review | Bleakness of Iceland adds to horror tale

Despite the so-so storytelling, the work here by Palsson piques your interest as to what the native Icelander will make in the future.

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Golden Globes 2025: The best red carpet fashion

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Golden Globes 2025: The best red carpet fashion

Arrivals are underway at the 82nd Golden Globe Awards, and The Times’ photo team is out in force on the red carpet (and beyond). Whether you’re following along live in the lead-up to Sunday’s telecast, hosted by Nikki Glaser, or bookmarking our gallery to peruse over coffee Monday morning, we have the full rundown of the evening’s best fashions below. Happy browsing!

Mindy Kaling.

(Robert Gauthier / Los Angeles Times)

Glen Powell ("Hit Man").

Glen Powell (“Hit Man”).

(Robert Gauthier/Los Angeles Times)

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Lilly Singh.

Lilly Singh.

(Robert Gauthier/Los Angeles Times)

Tyler James Williams ("Abbott Elementary").

Tyler James Williams (“Abbott Elementary”).

(Robert Gauthier/Los Angeles Times)

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Matty Matheson ("The Bear").

Matty Matheson (“The Bear”).

(Robert Gauthier/Los Angeles Times)

Maren Morris ("The Wild Robot").

Maren Morris (“The Wild Robot”).

(Robert Gauthier/Los Angeles Times)

David Zayas and Liza Colon-Zayas ("The Bear").

David Zayas and Liza Colon-Zayas (“The Bear”).

(Robert Gauthier/Los Angeles Times)

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Jonathan Van Ness ("Queer Eye").

Jonathan Van Ness (“Queer Eye”).

(Robert Gauthier/Los Angeles Times)

Leonie Benesch ("September 5").

Leonie Benesch (“September 5”).

(Robert Gauthier/Los Angeles Times)

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Clarence Maclin ("Sing Sing").

Clarence Maclin (“Sing Sing”).

(Robert Gauthier/Los Angeles Times)

Abby Elliott ("The Bear").

Abby Elliott (“The Bear”).

(Robert Gauthier/Los Angeles Times)

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Movie Reviews

The Girl with the Needle (2024) – Movie Review

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The Girl with the Needle (2024) – Movie Review

The Girl with the Needle, 2024.

Directed by Magnus von Horn
Starring Vic Carmen Sonne, Trine Dyrholm, Besir Zeciri, Ari Alexander, Per Thiim Thim, Joachim Fjelstrup, Ava Knox Martin

SYNOPSIS:

Copenhagen 1919: A young worker finds herself unemployed and pregnant. She meets Dagmar, who runs an underground adoption agency. A strong connection grows but her world shatters when she stumbles on the shocking truth behind her work.

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A fairytale retelling of one of Denmark’s most shocking crime cases, The Girl with the Needle blends dreamlike expressionism with an earthly realism that conveys emotional intensity at its most raw.

The film traces the terrible experiences of Karoline (a fantastic Vic Carmen Sonne), an unemployed, single, pregnant woman in post-World War One Denmark. Her husband went missing during the war and she has had no word. With her emotional and mental fragility already stretched to the point of breaking, she finds herself without a job. An unhappy tryst with a manipulative and emotionally immature man leaves her pregnant with no support and little hope of improving her situation.

Into this bleak environment steps a beacon of hope in the shape of Dagmar (Trine Dyrholm), a charming woman who organises an underground adoption agency that helps mothers in trouble find foster homes for children who are either unwanted or unable to be taken care of.

Karoline and Dagmar form a strong bond, and the young mother takes on the role as a wet-nurse at the agency. However, all is not what it seems. Beneath her charismatic veneer, Dagmar holds a horrifying secret. When Karoline stumbles upon this secret, her entire world, and that of Copenhagen society as a whole, is completely turned upside down.

Things are complicated even further when a disfigured man claiming to be Karoline’s lost husband shows up on the streets looking for his wife.

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This element delves deep into the stylistic inspiration for the look of this gripping and grim tale. The soldier has had half of his face destroyed and has been given a mask to wear that conjures up ideas of opera phantoms and classical villains. As it is, the man is kind and considerate, in stark contrast to the handsome rich young character whom Karoline had a brief dalliance with.  The wounded soldier is forced to join a travelling circus as a living exhibit, and Karoline out of sheer desperation takes a needle to herself in a public bathhouse in attempted termination.

It is here that she meets Dagmar and from there, the story becomes even more horrible. Based on a true story and embellished with nightmarish but wholly believable touches, The Girl With the Needle is an immersive and uncomfortable viewing experience. Scenes are artistically framed, and the whole production is touched with morbid curiosity and fear-fueled adrenaline. Both leads are excellent in their respective roles with the fictionalised character of Karoline given personality and furious life by Carmen Sonne.

The backstory of the true character of Dagmar is necessarily kept out of the script, meaning that Dyrholm must subtly bring out the ambiguities and strangeness of her spirit in subtle and skilled ways. She succeeds brilliantly, and thanks to it, the film takes on a haunting and monstrous quality that lingers on long after the credits roll.

Flickering Myth Rating – Film: ★ ★ ★ ★ ★ / Movie: ★ ★ ★

Robert W Monk

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