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10 books to read in April

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10 books to read in April

Critic Bethanne Patrick recommends 10 promising titles, fiction and nonfiction, to consider for your April reading list.

Spring is here, and with it come books that offer groundbreaking ideas to expand our outlook. The nonfiction crop includes an acclaimed novelist’s perspective on writing as a person of color, a searing yet carefully documented call for changes in law enforcement and a Latin America-centered history of our hemisphere, not to mention one of the smartest recent collections of cultural criticism.

However, those who prefer fiction also have fresh choices. A debut novel examines how a gay Black man copes with family trauma on his wedding eve. A woman and a much younger man meet for lunch in Manhattan, the tensions high but their relationship unknown, while in another book, a fractured family meets in Shanghai around a hospital bed. Happy reading!

FICTION

Gifted & Talented: A Novel
By Olive Blake
Tor Books: 512 pages, $30
(April 1)

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Blake, known for “The Atlas” series, started out writing fan fiction, so it shouldn’t surprise anyone that this standalone fantasy borrows elements from other stories, including dark academia, family dynasty sagas and coming-of-age journeys. The three Wren siblings — Meredith, Arthur and Eilidh — have great supernatural gifts, but when their father dies and leaves his company, Wrenfare Magitech, in need of a new chief executive, their all-too-human rivalries and frailties come to light.

"Rabbit Moon: A Novel" by Jennifer Haigh

Rabbit Moon: A Novel
By Jennifer Haigh
Little, Brown: 288 pages, $29
(April 1)

Haigh was on a fellowship in Shanghai where she witnessed so many traffic accidents that she began conjuring a story about an American student named Lindsey, struck down by a hit-and-run driver. Lindsey’s parents fly to the Chinese city and fearfully track their eldest’s recovery, leaving their younger daughter, Grace, who was adopted from China, marooned at summer camp with no information. Will the family heal or remain estranged?

"Audition: A Novel" by Katie Kitamura

Audition: A Novel
By Katie Kitamura
Riverhead Books: 208 pages, $28
(April 8)

Cleanly sliced into two parts, this spare novel of complicated ambitions — personal, professional and familial — pits three people against their perceived places in the world as well as their rarely acknowledged shadow selves. The narrator is an actor worried about her faltering play; a lunch with a much younger man upends her world. In the book’s second section, the two lunch again, this time with her husband. In which roles will they be cast?

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"My Documents: A Novel" by Kevin Nguyen

My Documents: A Novel
By Kevin Nguyen
One World: 352 pages, $28
(April 8)

The four youngest Nguyen family members didn’t anticipate two of them getting interred at a camp set up for Vietnamese Americans in the wake of violent attacks. Siblings Jen and Duncan and their mother are sent to Camp Tacoma, while Ursula and Alvin receive exemptions. Nguyen takes historical realities and weaves them into an affecting, and affectionate, story showing one family’s ability to resist fascism in all its forms.

"When the Harvest Comes: A Novel" by Denne Michele Norris

When the Harvest Comes: A Novel
By Denne Michele Norris
Random House: 304 pages, $28
(April 15)

Davis, a gay Black man, is about to celebrate his marriage with white bisexual Everett, when his sister brings the news that their father, the Reverend, has died in a car accident. This strict minister paterfamilias disapproved of his violist son, and in the wake of loss, Davis finds solace in music and womanly identity, slowly healing from estrangement.

NONFICTION

"Authority: Essays" by Andrea Long Chu

(Farrar, Straus and Giroux)

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Authority: Essays
By Andrea Long Chu
Farrar, Straus and Giroux: 288 pages, $30
(April 1)

Chu writes about culture, all of it, from Octavia Butler’s sci-fi to the essays of Maggie Nelson to musicals such as “The Phantom of the Opera” and on to television, video games, film and, oh yes, notions of gender. Chu employs her considerable expertise to argue that criticism can and should leave behind theoretical nitpicking and address the big, dangerous global issues at hand.

"Defund: Black Lives, Policing, and Safety for All" by Sandy Hudson

Defund: Black Lives, Policing, and Safety for All
By Sandy Hudson
Pantheon: 288 pages, $29
(April 1)

The Canadian lawyer, activist, author and producer is now based in Los Angeles, where she is well placed to launch her book about changing the very nature of contemporary law enforcement. Hudson’s arguments about how police-related social policies have little basis in outcomes and data are persuasive, and so are her calls for starting small and establishing more human, peaceful methods of keeping the peace.

"To Save and to Destroy: Writing as an Other" by Viet Thanh Nguyen

To Save and to Destroy: Writing as an Other
By Viet Than Nguyen
Belknap Press: 144 pages, $27
(April 8)

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The Pulitzer-winning author of “The Sympathizer” and USC professor here publishes his 2023 Norton Lectures at Harvard that focus on what an outsider brings to American literature. The novelist, who arrived in the U.S. as a child refugee with his family in 1975, elucidates his writerly influences and interrogates the idea that any minority voice might serve as a “model” for one race or ethnicity.

"Fugitive Tilts: Essays" by Ishion Hutchinson

(Farrar, Straus and Giroux)

Fugitive Tilts: Essays
By Ishion Hutchinson
Farrar, Straus and Giroux: 384 pages, $33
(April 15)

Poet Hutchinson’s essays swoosh and roll like the sea that has surrounded and molded his life and art, from his beginnings in Jamaica to his coastal journeys on to his belief that ocean waters ultimately connect us all through suffering and joy. Whether his eye turns to childhood literature like “Treasure Island,” reggae music, or an Impressionist painting, the author connects his influences to the wider world of art, community and our shared humanity.

"America, America: A New History of the New World" by Greg Grandin

America, América: A New History of the New World
By Greg Grandin
Penguin Press: 768 pages, $35
(April 22)

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“American” history classes often focus on North America and its European origins, but in this long-overdue volume by prizewinning scholar and Yale professor Grandin shows that Latin America’s formation and founders are not only important but crucial to the understanding of America overall. Covering 500 years and events from conquests to wars to racism, “America, América” should be required reading in those history classes.

Movie Reviews

‘Madhuvidhu’ movie review: A light-hearted film that squanders a promising conflict

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‘Madhuvidhu’ movie review: A light-hearted film that squanders a promising conflict

At the centre of Madhuvidhu directed by Vishnu Aravind is a house where only men reside, three generations of them living in harmony. Unlike the Anjooran household in Godfather, this is not a house where entry is banned to women, but just that women don’t choose to come here. For Amrithraj alias Ammu (Sharafudheen), the protagonist, 28 marriage proposals have already fallen through although he was not lacking in interest.

When a not-so-cordial first meeting with Sneha (Kalyani Panicker) inevitably turns into mutual attraction, things appear about to change. But some unexpected hiccups are waiting for them, their different religions being one of them. Writers Jai Vishnu and Bipin Mohan do not seem to have any major ambitions with Madhuvidhu, but they seem rather content to aim for the middle space of a feel-good entertainer. Only that they end up hitting further lower.

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Dataland, the world’s first museum of AI arts, sets opening date and first exhibition

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Dataland, the world’s first museum of AI arts, sets opening date and first exhibition

After more than two and a half years of research, planning and construction, Dataland, the world’s first museum of AI arts, will open June 20.

Co-founded by new media artists Refik Anadol and Efsun Erkılıç, the museum anchors the $1-billion Frank Gehry-designed Grand LA complex across the street from Walt Disney Concert Hall in downtown Los Angeles. Its first exhibition, “Machine Dreams: Rainforest,” created by Refik Anadol Studio, was inspired by a trip to the Amazon and uses vast data sets to immerse visitors in a machine-generated sensory experience of the natural world.

The architecture of the space, which Anadol calls “a living museum,” is used to reflect distant rainforest ecosystems, including changing temperature, light, smell and visuals. Anadol refers to these large-scale, shimmering tableaus as “digital sculptures.”

“This is such an important technology, and represents such an important transformation of humanity,” Anadol said in an interview. “And we found it so meaningful and purposeful to be sure that there is a place to talk about it, to create with it.”

The 35,000-square-foot privately funded museum devotes 25,000 square feet to public space, with the remaining 10,000 square feet holding the in-house technology that makes the space run. Dataland contains five immersive galleries and a 30-foot ceiling. An escalator by the entrance will transport guests to the experiences below. The museum declined to say how much Dataland, designed by architecture firm Gensler, cost to build.

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An isometric architectural rendering of Dataland. The 25,000-square-foot AI arts museum also contains an additional 10,000 square feet of non-public space that holds its operational technology.

(Refik Anadol Studio for Dataland)

Dataland will collect and preserve artificial intelligence art and is powered by an open-access AI model created by Anadol’s studio called the Large Nature Model. The model, which does not source without permission, culls mountains of data about the natural world from partners including the Smithsonian, London’s Natural History Museum and the Cornell Lab of Ornithology. This data, including up to half a billion images of nature, will form the basis for the creation of a variety of AI artworks, including “Machine Dreams.”

“AI art is a part of digital art, meaning a lineage that uses software, data and computers to create a form of art,” Anadol explained. “I know that many artists don’t want to disclose their technologies, but for me, AI means possibilities. And possibilities come with responsibilities. We have to disclose exactly where our data comes from.”

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Sustainability is another responsibility that Anadol takes seriously. For more than a decade, Anadol has devoted much thought to the massive carbon footprint associated with AI models. The Large Nature Model is hosted on Google Cloud servers in Oregon that use 87% carbon-free, renewable energy. Anadol says the energy used to support an individual visit to the museum is equivalent to what it takes to charge a single smartphone.

Anadol believes AI can form a powerful bridge to nature — serving as a means to access and preserve it — and that the swiftly evolving technology can be harnessed to illuminate essential truths about humanity’s relationship to an interconnected planet. During a time of great anxiety about the power of AI to disrupt lives and livelihoods, Anadol maintains it can be a revolutionary tool in service of a never-before-seen form of art.

“The works generate an emergent, living reality, a machine’s dream shaped by continuous streams of environmental and biological data. Within this evolving system, moments of recognition and interpretation emerge across different forms of knowledge,” a news release about the museum explains. “At the same time, the exhibition registers loss as part of this expanded field of perception, most notably in the Infinity Room, where visitors encounter the 1987 recording of the last known Kauaʻi ʻŌʻō, a now-extinct bird whose unanswered call becomes part of the work.”

“It’s very exciting to say that AI art is not image only,” Anadol said. “It’s a very multisensory, multimedium experience — meaning sound, image, video, text, smell, taste and touch. They are all together in conversation.”

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Movie Reviews

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