Culture
Why USC’s win over UConn is so significant: ‘This is what basketball excellence was’
HARTFORD, Conn. — As USC’s bench emptied onto the XL Center floor, with the No. 7 Trojans having defeated the No. 4 UConn Huskies 72-70, JuJu Watkins’ hands shot to the sky. Basking in her 25-point performance that lifted USC past UConn for the first time in school history, Watkins turned to the small section of supporters decked out in red and yellow inside the sold-out arena and acknowledged their support.
“It hit a little different knowing the history from last year and how they sent us home,” Watkins said.
The stakes were different this time. In April, in the Elite Eight, the Huskies knocked the top-seeded Trojans out of the NCAA Tournament. But Saturday night’s 2-point victory was meaningful nevertheless. Not only for Watkins and USC senior transfer Kiki Iriafen, but for their coach, Lindsay Gottlieb, who has long admired the program UConn coach Geno Auriemma has built.
“This is a really significant win, and it’s a really significant win because of the stature of UConn’s program and what Geno Auriemma has done for our sport,” Gottlieb said. “For my entire high school (career) on, this is what basketball excellence was. This is what we saw, and it’s challenged all of us to want to be better, to find players who want to be better and be that elite. And I don’t think that’s gone away.”
Gottlieb is in her fourth season with the Trojans, and she aspires to build a sustained program similar to the Huskies. A season ago, USC won its second Pac-12 tournament title in program history and made consecutive NCAA Tournament appearances for the first time in nearly two decades. Over her brief tenure, she has reminded onlookers not only of USC’s history of success — two national titles and three Final Four appearances in the 1980s, Hall of Fame players such as Lisa Leslie, Cynthia Cooper, Cheryl Miller and Tina Thompson — but of what it can be in the present. Watkins, last year’s national freshman of the year and a first-team All-American, is at the center of the latest chapter. Victories like Saturday’s help make lofty aspirations feel more attainable.
USC coach Lindsay Gottlieb wants to emulate what Geno Auriemma has built in Connecticut. (David Butler II / Imagn Images)
Gottlieb grew up just outside New York City, but she wasn’t recruited by Auriemma in high school. Nevertheless, when she was 15 or 16, she accompanied one of her friends to one of his camps. UConn was always the local draw, and following Saturday’s win, she recalled a trip she made during her senior year at Brown University, in nearby Providence, Rhode Island, when she and her father drove to Storrs to see UConn take on Tennessee.
“It was sold out,” Gottlieb said, “and I was in that building and saw this atmosphere.”
Saturday was raucous, too. And Watkins, USC’s star guard, said it might have been the largest crowd she has played in front of. Nearly 16,000 people packed inside XL Center, almost all of whom wore navy and white.
Still, Watkins added, “just to see my family here, all the SC fans, it meant the world.”
If anyone needed reminding, the Trojans’ victory reinforced their status as one of this season’s national title contenders. At 11-1, their lone defeat came at home to Notre Dame by 13 points. It would have been easy, Gottlieb said, for those inside the program to blame each other after that November loss — for the Trojans to fracture.
“As long as we stick together, this can make us better,” she said she told them afterward. “And (the loss) has in every way.”
Entering Saturday’s victory, the Trojans sported the country’s third-best defense and No. 15 offense. They convert in transition (nearly 20 percent of their points come in transition) and off turnovers (averaging 28.7 points per game), important measurables that could serve them well in the future. Their victory over the Huskies reinforced that they could come on the road, in one of the most-anticipated games of the season, and punch first. It proved they could surrender a 13-point halftime lead, trail by a point with just under five minutes to play and still recover.
“No one got off the treadmill,” Gottlieb said.
Of course, having a transcendent star like Watkins helps calm any nerves. Not only did she lead the game in scoring, she added six rebounds, five assists and three blocks, including one just before halftime on UConn star Paige Bueckers. Bueckers was prolific in the second half and finished with 22 points, but she also guarded Watkins as the USC star got off to a fast start in the first quarter.
“Every scouting report that you put together or every film that you watch, it’s very evident that one player can’t guard (Watkins),” Auriemma said. “When she gets into a little bit of a rhythm, you have to hope she misses.”
With the score within one possession with only 4:30 to play, Watkins recorded 6 of USC’s 8 points and assisted forward Rayah Marshall on the lone basket she didn’t score.
“A lot of the things she does is super hard, but she makes it look so easy,” Iriafen said. “We all know she is a superstar, so playing with her definitely relieves pressure on everybody else.”
Any remnants of pressure dissipated even further in the postgame locker room. Players doused Gottlieb with water as she entered. They leaped together in celebration.
“For me now to bring a team here, to know we could do it, and then to actually do it is incredibly meaningful,” Gottlieb said. “Really proud of the big win.”
(Top photo of JuJu Watkins driving between Paige Bueckers, left, and Kaitlyn Chen: Joe Buglewicz / Getty Images)
Culture
Video: 250 Years of Jane Austen, in Objects
new video loaded: 250 Years of Jane Austen, in Objects
By Jennifer Harlan, Sadie Stein, Claire Hogan, Laura Salaberry and Edward Vega
December 18, 2025
Culture
Try This Quiz and See How Much You Know About Jane Austen
“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.
Culture
Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday
On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.
Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”
With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”
How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.
By ‘A Lady’
Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)
Where the Magic Happened
Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.
An Iconic Accessory
Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.
Austen Onscreen
Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.
Jane Goes X-Rated
The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.
A Lady Unmasked
Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”
Wearable Tributes
It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.
The Austen Literary Universe
On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)
A Botanical Homage
Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.
Aunt Jane
Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.
Cultural Currency
In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.
In the Trenches
During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”
Baby Janes
You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.
The Austen Industrial Complex
Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.
Around the Globe
Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.
Playable Persuasions
In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.
#SoJaneAusten
The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.
Bonnets Fit for a Bennett
For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.
Most Ardently, Jane
Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”
Stage and Sensibility
Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.
Austen 101
Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”
W.W.J.D.
When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?
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