Culture
Who is Pochettino? Is this a coup for the USMNT? Will it help them at World Cup?
The U.S. men’s national soccer team received a huge boost on Thursday morning when Mauricio Pochettino agreed to become their next head coach.
The Athletic revealed that Pochettino, who had been a top target for the opening, had come to a deal with U.S. Soccer, the sport’s governing body. Pochettino has never managed at international level, but he is a very well-respected name in the club game.
This is a big-name arrival ahead of a men’s World Cup that the U.S. will co-host with neighbours Canada and Mexico in 2026, staging the bulk of the games including all matches from the quarter-finals onwards. But just who is Pochettino? How much of a coup is this? What is his style of play?
Here, The Athletic’s Jack Pitt-Brooke answers everything you need to know about the 52-year-old Argentinian.
So, who exactly is Mauricio Pochettino?
Mauricio Pochettino is considered one of the best managers in European football.
As a player, he was a very competitive centre-back, leaving his native Argentina at age 22 to play for Barcelona-based Espanyol in Spain, before brief spells in France with Paris Saint-Germain (PSG) and Bordeaux, then returning to Espanyol to finish his playing career. He played for Argentina at the 2002 World Cup, and won 20 caps overall.
Pochettino also started his coaching career at Espanyol, in 2009, earning a reputation for playing brave high-pressing football with young players, turning the fortunes of the team around and saving them from relegation to Spain’s second division. His next job was at Southampton in England’s Premier League in 2013, where he took the team to new heights with his energetic style of play. Then he stepped up to Tottenham Hotspur the following year, where he oversaw their greatest sustained run of the modern era, finishing third, second and third in the Premier League in successive seasons, as well as getting to the final of the 2018-19 Champions League.
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Since then, Pochettino has managed PSG, winning a French Cup and a Ligue 1 title, and then spent last season as Chelsea head coach, where he guided them to sixth place in the Premier League, enough to qualify for European football in the coming campaign, and into the Carabao Cup final.
How much of a coup is this for the USMNT?
It is huge to land one of the best coaches from the club game to manage the men’s national team.
The closest comparison might be Jurgen Klinsmann, the former Germany striker who coached the USMNT from 2011 to 2016, but Pochettino comes to the job with far more of a track record in European club football management than he did. Klinsmann had only had one disappointing season at Bayern Munich (2008-09) before he got the United States job, as well as taking hosts Germany to the semi-finals of the 2006 World Cup.
Pochettino, by contrast, has been one of the most impressive coaches in the European club game for the past 15 years.
What he did at Tottenham remains one of the best-sustained spells of management in recent years, even if it did not end up with them winning any trophies.
Why would Pochettino take an international job?
Pochettino has always been a romantic with a love for the game’s history.
He knows the World Cup is the pinnacle of the game. He remembers as a boy watching Argentina win the 1978 (as hosts) and 1986 World Cups, the latter of which made Diego Maradona his hero for life. He is hugely proud of playing in the 2002 World Cup, even if he is remembered by some for giving away the deciding penalty in a 1-0 group-stage loss against England — he still has a photo of that dubious ‘foul’ he committed on Michael Owen, signed by the England striker, up on a wall at home.
He told me in an interview in 2022 how much the World Cup means to him. “You don’t think about anything, you don’t think about money, you think only to deliver your best, and to make the people happy,” Pochettino said. “Because you know very well your country is behind you. The feeling is completely different from other competitions. That is why the players feel so different.”
Pochettino told me he would “of course” want to manage in a World Cup one day, and not necessarily with Argentina, saying: “You never know what happens. I am open to everything.”
What about club football?
Since being sacked by Tottenham in November 2019 after they began that season poorly, Pochettino has worked for two of the highest profile and wealthiest clubs in Europe, PSG and Chelsea.
In Paris, he got to manage Neymar, Lionel Messi and Kylian Mbappe, one of the highest-quality front lines ever assembled at club level. Ultimately, he performed in line with most PSG coaches, both before and after him, and was released at the end of the 2021-22 season.
He was brought in at Chelsea last summer to impose a new style of football onto their oversized squad and after a tough start, he got there in the end, setting them up for a great finish to the season (they won their final five matches, scoring 14 goals) and winning over fans who had doubted him at the beginning because of his connections to London rivals Tottenham. In the end, he left Chelsea in June with his reputation improved.
But both of these were difficult experiences at points, with plenty of internal politics to manage. European club football is in a strange place right now, with not many clubs offering their managers/head coaches the chance to build something.
That would be part of the attraction of taking a very different challenge with the USMNT.
What kind of football does he play?
Throughout his managerial career, Pochettino has tried to get his teams playing a brave, aggressive, high-pressing style.
It is a positional game, focused on maintaining a good structure in and out of possession, so the players are in the right places to win the ball back quickly — ideally within three seconds — whenever his team lose it. He wants his sides to dominate the ball and defend high up the pitch.
Pochettino’s Tottenham mastered this style of football, taking the north London club to new heights.
At their best, a Pochettino team are physically relentless, powerful and dominant, not giving the opposition any room to breathe. With PSG, it was not always possible to play exactly like this because of the big-name personnel up front who did not always want to press from the front. But in the second half of last season, Chelsea started to look like a Pochettino team, and the wins followed.
Are those methods suited to international football?
Fitness work is hugely important to Pochettino and his coaching staff but the nature of the international game is that coaches do not get to work with their players for that long. It is harder for them to improve their players as individuals, something that Pochettino has always been big on, during those short periods together before they return to their clubs.
One thing that has always been important to him has been bringing through young players, right from the time he was starting at Espanyol and then Southampton.
When he was discussed not so long ago as a potential England manager, the point was made how many of their current squad owe their career to their development under Pochettino: Luke Shaw (Southampton), Harry Kane, Kyle Walker, Kieran Trippier (Tottenham), Conor Gallagher and Cole Palmer (Chelsea). He will hope to develop a similar generation of youngsters now he has the USMNT job.
How will he deal with the scrutiny that comes with this role?
Pochettino is used to the media spotlight, especially after those spells at PSG and Chelsea. But international football is different. There will be less day-to-day attention than his days at those clubs, certainly, but there will be times when Pochettino has the eyes of hundreds of millions of Americans on him. The U.S. public are unlikely to be forgiving if they feel the team are not heading in the right direction as that 2026 World Cup looms larger.
But that is also part of the attraction, given what a huge event it will be in two years’ time. Coaching that team in their home World Cup, in front of 70,000 people for their opening group-stage match at SoFi Stadium in Los Angeles on June 12, 2026 will be the equivalent of standing in front of the eyes of the whole world.
Does it matter he’s not an American?
The team had non-American coaches before, and not just Klinsmann. There was Bora Milutinovic, from Serbia, in the early 1990s, the last time the U.S. staged the World Cup. Men from Poland, Greece, the UK and more have also had the job. There is no reason that nationality should be a barrier to Pochettino in the role. He has worked for three different Premier League clubs and while he initially had an interpreter at Southampton, his English is now certainly good enough to work in the States.
The most important thing will be to demonstrate a commitment to U.S. soccer, and a deep knowledge of all the players at his disposal, whether they play in MLS, Europe or elsewhere. This will mean lots of hard work, and air miles, getting to know them all.
How much does this improve USMNT’s chances at the 2026 World Cup?
It is hard to know how proven club managers will fare in the international game. They are effectively two different formats of the same sport.
Antonio Conte, a serial title winner at club level, improved Italy but could only get them to the quarter-finals of Euro 2016. Luis Enrique had a great European Championship with Spain in 2021, reaching the semis, but they were knocked out of the following year’s World Cup in the round of 16 by Morocco. Hansi Flick won the treble with Bayern in 2020 but could not even get Germany out of the group in Qatar.
Making predictions about international tournaments is almost impossible, given how fine the margins are between success and failure at that level. But we can say Pochettino will bring fresh ideas, energy and proven methods to the U.S. job, as well as a sense of confidence and optimism the whole country can feed on.
(Top photo: Getty Images; design: Eamonn Dalton)
Culture
The Books We’re Excited About in Early 2025
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A new year means new books to look forward to, and 2025 already promises a bounty — from the first volume of Bill Gates’s memoirs to a new novel by the reigning Nobel laureate, Han Kang, to a biography of Rosemary Woodruff Leary, the wife and psychedelic collaborator of the counterculture pioneer Timothy Leary.
On this week’s episode, Gilbert Cruz and Joumana Khatib talk about some of the upcoming books they’re most anticipating over the next several months.
Books discussed:
“Stone Yard Devotional,” by Charlotte Wood
“Silence,” by Pico Iyer
“Onyx Storm,” by Rebecca Yarros
“Gliff,” by Ali Smith
“The Dream Hotel,” by Laila Lalami
“The Colony,” by Annika Norlin
“We Do Not Part,” by Han Kang
“Playworld,” by Adam Ross
“Death of the Author,” by Nnedi Okorafor
“The Acid Queen: The Psychedelic Life and Counterculture Rebellion of Rosemary Woodruff Leary,” by Susannah Cahalan
“Tilt,” by Emma Pattee
“Dream Count,” by Chimamanda Ngozi Adichie
“Hope: The Autobiography,” by Pope Francis
“Jesus Wept: Seven Popes and the Battle for the Soul of the Catholic Church,” by Philip Shenon
“The Antidote,” by Karen Russell
“Source Code,” by Bill Gates
“Great Big Beautiful Life,” by Emily Henry
“Sunrise on the Reaping,” by Suzanne Collins
We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to books@nytimes.com.
Culture
Grand Slam prize money is enormous. The economics of tennis tournaments is complicated
Four times a year, one of the biggest and most important tennis tournaments in the world sends out an announcement full of dollar signs and zeroes with the words “record prize money” scattered liberally.
The four Grand Slams, the first of which begins Sunday in Melbourne, are the high points of the tennis calendar. Players at the 2025 Australian Open will compete for $59million (£47m) this year — over $6.2m more than last year. In 2024, the four tournaments paid out over $250m between them, while their leaders spent the year aligning themselves with the players who make their events unmissable, whose gravity pulls in the broadcast deals and sponsorships, with their own dollar signs and zeroes.
Led by Australian Open chief Craig Tiley, the Grand Slams led the movement for a so-called premium tour which would pare down the overloaded tennis calendar and guarantee top players always being in the same events, let alone time zones. It would also lock swaths of the globe out of the worldwide spectacle that tennis represents.
The great irony is that despite the largesse and the cozy relationship, the players get a smaller cut of the money at the Grand Slams than they do in most of the rest of the rest of that hectic, endless season — and a fraction of what the best athletes in other sports collect from their events. The Australian Open’s prize pool amounts to about a 15-20 percent cut of the overall revenues of Tennis Australia, the organization that owns and stages the tournament, which accounts for nearly all of its annual revenue. The exact numbers at the French Open, Wimbledon and U.S. Open vary, but that essential split is roughly a constant. The 2023 U.S. Open had a prize pool of $65m against earned revenue from the tournament that came out at just over $514m, putting the cut at about 12 percent. The U.S. Open accounted for just under 90 percent of USTA revenues that year.
The explanations from the Grand Slams, which collectively generate over $1.5bn (£1.2bn) a year, run the gamut. They need to dedicate hundreds of millions of dollars each year to fund junior tennis development and other, less profitable tournaments in their respective nations — an obligation pro sports leagues don’t have. There is a constant need to upgrade their facilities, in the silent race for prestige and primacy of which the constant prize money one-upmanship is just one element.
That dynamic is not lost on players — least of all Novak Djokovic, the top men’s player of the modern era and a co-founder of the five-year-old Professional Tennis Players Association (PTPA).
“I’m just going to state a fact,” Djokovic said during a post-match news conference in Brisbane last week. “The pie split between the governing bodies in major sports, all major American sports, like NFL, NBA, baseball, NHL, is 50 percent. Maybe more, maybe less, but around 50 percent.
“Ours is way lower than that.”
Since 1968, the first year in which the four majors offered prize money as part of the Open Era’s embrace of professional tennis players, the purses have only grown. The 1968 French Open was the first to offer prize money, with Ken Rosewall earning just over $3,000 for beating Rod Laver in the final. The women’s singles champion, Nancy Richey, was still an amateur player, so could not claim her $1,000 prize. By 1973, lobbying from Billie Jean King helped convince the U.S. Open to make prize money equal for men and women through the draws; it took another 28 years for the Australian Open to do so year in, year out. Venus Williams’ intervention helped force the French Open and Wimbledon to follow suit in 2007.
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Fifty years after Rosewall’s triumph in Paris, the 2018 men’s champion Rafael Nadal took home $2.35million, an increase of over 73,000 percent. The year-on-year increases at each major are more modest, usually between 10 and 12 percent, but that percentage of tournament revenue remains steadfast, if not entirely immovable.
The Grand Slams argue that there are plenty of hungry mouths at their table, many more than just the 128 players that enter each singles draw each year.
“Tennis Australia is a not-for-profit and a business model built on significant investment into delivering the event and promoting the sport to drive momentum on revenue and deliver consistently increasing prize money,” Darren Pearce, the organization’s chief spokesperson, said in a statement this week.
Money from the Australian Open also helps fund tournaments in Brisbane, Adelaide and Hobart, as well as the United Cup, the combined men’s and women’s event in Perth and Sydney. Pearce said the prize money increases outpace the revenue growth.
The Grand Slams also point to the millions of dollars they spend on player travel, housing, transportation and meals during tournaments, though team sport athletes receive those as well. Eloise Tyson, a spokesperson for the All England Lawn Tennis Club, which stages Wimbledon, noted that overall Grand Slam prize money had risen from $209million in 2022 to $254m last year, a 22 percent increase.
“Alongside increasing our player compensation year-on-year, we continue to make significant investment into the facilities and services available for players and their teams at The Championships,” Tyson wrote in an email.
Officials with France’s tennis federation, the FFT, which owns the French Open, did not respond to a request for comment.
Brendan McIntyre, a spokesman for the United States Tennis Association, which owns the U.S. Open, released a statement this week touting the USTA’s pride in its leadership on player compensation, including offering equal prize money and the largest combined purse in tennis history at the 2024 US Open. A first-round exit earned $100,000, up 72 percent from 2019. Just making the qualifying draw was good for $25,000.
“As the national governing body for tennis in the U.S, we have a broader financial obligation to the sport as a whole,” the organization said.
“The USTA’s mission is to grow tennis at all levels, both in the U.S. and globally, and to make the sport accessible to all individuals in order to inspire healthier people and communities.”
None of the organizations outlined a specific formula for determining the amount of prize money they offered each year, which is roughly the same as a percentage of their parent organizations overall revenues. That may be a coincidence, though the Grand Slams also have the benefit of not facing any threat to their primacy.
The USTA’s statement gestures at how the structure of tennis contributes to this financial irony. In soccer, countries and cities bid to host the Champions League and World Cup finals; the Olympics changes every four years and even the Super Bowl in the NFL moves around the United States, with cities and franchises trying to one-up one another.
The four Grand Slams, though, are the four Grand Slams. There are good reasons for this beyond prestige: the infrastructure, both physical and learned, required to host a two- or three-week event at the scale of a major year in, year out is available to a vanishingly small number of tennis facilities around the world. There is no opportunity for another organization or event to bid to replace one of the Grand Slams by offering a richer purse or other amenities.
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This dynamic has been in place for years and has become more important in recent months. The PTPA has hired a group of antitrust lawyers to evaluate the structure of tennis. The lawyers are compiling a report on whether the the sport includes elements that are anti-competitive, preparing for a possible litigation with the potential to remake the sport.
The ATP and WTA Tours, which sanction 250-, 500- and 1000-level events as well as the end-of-season Tour Finals, give players a larger share of revenue. There is some disagreement between players and officials over how much it is and the methods of accounting; some player estimates hover around 25 percent, while tour estimates can be in the range of 40 percent. Both remain short of the team equivalents in the United States.
On the ATP Tour, the nine 1000-level tournaments have a profit-sharing agreement that, in addition to prize money, gives players 50 percent of the profits under an agreed-upon accounting formula that sets aside certain revenues and subtracts certain costs, including investments the tournaments make in their facilities. The WTA does not have such an agreement. It outlines a complex prize money formula in its rule book with pages of exceptions, not based on a guaranteed share of overall tour revenues.
The tours have argued that because media rights payments constitute a lower percentage of revenues than at the Grand Slams, and because the costs of putting on tournaments are so high, a 50-50 revenue share would simply turn some tournaments into loss-making entities and make tennis unsustainable as a sport.
James Quinn, one of the antitrust lawyers hired by the PTPA, said he saw serious problems with the model, describing a structure that prevents competition from rival tournaments.
Some events outside the 52-week program of tournaments — which see players earn ranking points as well as money — have official status (the Laver Cup is sanctioned by the ATP). But the remainder, such as the Six Kings Slam in Riyadh, which debuted this year and offered record prize money of over $6million to the winner, are not sanctioned, for now providing only a peripheral form of competition to ruling bodies’ control of the sport.
The Grand Slams, ATP and WTA insist this is for the best. They see themselves as caretakers of global sport trying to bring some order where chaos might otherwise reign.
Djokovic doesn’t totally disagree. He understands tennis is different from the NBA. He’s led the Player Council at the ATP, which represents male professionals, and he has seen how the sausage gets made and how complicated it is with so many tournaments of all shapes and sizes in so many countries. At the end of the day, he still thinks players deserve more than a 20-percent cut, especially since the Grand Slams don’t make the kinds of contributions to player pension plans or end-of-the-year bonus pools that the ATP does, nor do they provide the year-round support of the WTA.
“It’s not easy to get everybody in the same room and say, ‘OK, let’s agree on a certain percentage,’” he said of the leaders of tournaments.
“We want more money, (but) they maybe don’t want to give us as much money when we talk about the prize money. There are so many different layers of the prize money that you have to look into. It’s not that simple.”
(Photos: Kelly Delfina / Getty Images, Steven / PA via Getty Images; design: Dan Goldfarb)
Culture
6 New Books We Recommend This Week
Our recommended books this week tilt heavily toward European culture and history, with a new history of the Vikings, a group biography of the Tudor queens’ ladies-in-waiting, a collection of letters from the Romanian-born French poet Paul Celan and a biography of the great German writer Johann Wolfgang von Goethe. We also recommend a fascinating true-crime memoir (written by the criminal in question) and, in fiction, Rebecca Kauffman’s warmhearted new novel about a complicated family. Happy reading. — Gregory Cowles
One of Europe’s most important postwar poets, Celan remains as intriguing as he is perplexing more than 50 years after his death. The autobiographical underpinnings of his work were beyond the reach of general readers until the 1990s, when the thousands of pages of Celan’s letters began to appear. The scholar Bertrand Badiou compiled the poet’s correspondence with his wife, the French graphic artist Gisèle Lestrange-Celan, and that collection is now available for the first time in English, translated by Jason Kavett.
NYRB Poets | Paperback, $28
Wilson’s biography of the German polymath Johann Wolfgang von Goethe (1749-1832) approaches its subject through his masterpiece and life’s work, the verse drama “Faust” — widely considered perhaps the single greatest work of German literature, stuffed to its limits with philosophical and earthy meditations on human existence.
Bloomsbury Continuum | $35
Through a series of vignettes, Kauffman’s fifth novel centers on a woman determined to spend Christmas with her extended family, including her future grandchild and ex-husband, and swivels to take in the perspectives of each family member in turn.
People love the blood-soaked sagas that chronicle the deeds of Viking raiders. But Barraclough, a British historian and broadcaster, looks beyond those soap-opera stories to uncover lesser-known details of Old Norse civilization beginning in A.D. 750 or so.
Norton | $29
Fifteen years ago, Ferrell gained a dubious fame after The New York Observer identified her as the “hipster grifter” who had prowled the Brooklyn bar scene scamming unsuspecting men even as she was wanted in Utah on felony fraud charges. Now older, wiser and released from jail, Ferrell emerges in this captivating, sharp and very funny memoir to detail her path from internet notoriety to self-knowledge.
St. Martin’s | $29
In her lively and vivid group biography of the women who served Henry VIII’s queens, Clarke, a British author and historian, finds a compelling side entrance into the Tudor industrial complex, showing that behind all the grandeur the royal court was human-size and small.
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