Culture
What has gotten into Kirby Smart? ‘I just want to fight for my team and fight for our program’
ATHENS, Ga. — In the nine years Paul Finebaum had been interviewing Kirby Smart, this was as animated as Finebaum had seen Smart. They were on set together last month on Georgia’s campus, a day before the Dawgs’ game against Tennessee. It was three days after the College Football Playoff committee had dropped Smart’s team out of the projected field, and Smart was not hiding his disgust.
“He was great on the air. Off the air, he was out of this world. I mean he was genuinely angry,” Finebaum recalled last week. “I appreciated his candor. But it was a remarkable shift, especially to the last two years.”
And Smart wasn’t done. A night later, he went off on the selection committee again during his ABC postgame interview. And Smart still wasn’t done: A few weeks later, Smart took an unprompted shot — maybe playful, maybe not — at SEC commissioner Greg Sankey, who was standing a few feet away.
It has been refreshing for those who want good content. For those who have watched Smart and his sideline antics from afar, it may seem natural. But for those who have watched Smart closely through the years, it’s a stark change, and it says a lot about where Smart and No. 2 Georgia are as they get ready for their CFP quarterfinal.
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Smart usually has tried to avoid making headlines, a trait he took from Nick Saban: Do your job, worry about your team, ignore the critics and outside noise. The tone was set the summer of Smart’s first year when then-Michigan coach Jim Harbaugh took a shot at Smart on Twitter about satellite camps. When he asked about it, Smart replied, “What tweet?” with a wry, knowing smile. He was ready to diffuse the story.
This season, Smart has been willing to light the fuse.
Georgia coach Kirby Smart’s Bulldogs will play Notre Dame in the Sugar Bowl. (Joshua L. Jones / USA Today Network via Imagn Images)
After Georgia’s win at Texas, Smart didn’t hold back in his ESPN postgame interview after officials reversed a call in Texas’ favor when fans threw debris on the field: “You know, these players get the best out of me. And I’m so proud of these guys. Because nobody believed. Nobody gave us a chance. Your whole network doubted us. Nobody believed us. And then they try to rob us, with calls, in this place.”
The shot at the “College GameDay” analysts who picked against Georgia wasn’t new. Smart did that after his team’s second national championship win. But “they try to rob us” was uncharacteristic. Smart, a member of the NCAA rules committee, rarely criticized officiating and didn’t join in with Georgia fans belaboring calls after the 2018 national championship game. Now he was jumping in, despite actually winning the game.
After his team’s win over Tennessee, Smart vented his frustration at the CFP committee, once again in his ESPN postgame interview: “I don’t know what they look for. I really don’t know what they look for anymore. I would welcome anybody in that committee to come down to this league and play in this environment.”
And finally, in the interview after the SEC Championship Game win, Smart was asked what getting a first-round bye meant: “It means rest for a team that Greg Sankey and his staff sent on the road … all … year … long!”
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Sankey stood stone-faced a few feet away but only because he couldn’t hear what Smart was saying amid audio issues on stage, according to people who were there. Not that Sankey and his staff could have been particularly thrilled with it; Georgia had just navigated that schedule to a conference championship, so Finebaum on his SEC Network show called Smart “out of line.” (The SEC championship in Atlanta came after three straight home games, so Georgia had been in its home state for almost a month.)
“I probably reacted a little quickly on that, not knowing how convoluted the story (on the stage) was,” Finebaum said. “But it was still a pretty dramatic moment for him.”
Smart was asked last month, after the Tennessee game, why he had been more outspoken this year. He shrugged and said it just has more to do with having more things to be outspoken about.
“The two years previous, I mean, there wasn’t a lot there,” he said. “The year that, we were 14-1 and 15-0, there’s not a lot of complaints. There’s not a lot to fight for. You take care of business on the field and handle your business. You don’t have to say a lot of things.
“That was a pretty unique situation if you’re referring to Texas. I don’t know that I’ve ever been a part of anything like that, and I’m not … I wasn’t upset with them. I just didn’t understand, like, never seen that happen, but I would have said that any year.”
But the next thing Smart said got to the heart of the matter: “I just want to fight for my team and fight for our program because I think we’ve got a deserving group of young men who work really hard, and I’m sure every coach would fight for their guys.”
But this has come amid two years of bad publicity about his program. Ten Georgia players and one staff member have been arrested for driving-related offenses since a January 2023 car crash that killed a player and staff member. There have been arrests for non-driving issues. Given all that, you almost would expect Smart to take the opposite approach and be Mr. Nice Guy as the face of the program.
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Finebaum, however, pointed out that Smart has chosen his words much more carefully when it comes to off-field issues.
“The one thing I’ll give him credit for is despite all the bad news in the offseason I think he navigated it very well,” Finebaum said. “And it didn’t seem to become a constant theme, like situations like that at other schools.”
Finebaum has another theory for Smart’s newfound candor: The pressure is gone. There’s no push for a three-peat or before that a repeat or before that trying to get the first national championship.
“Everything felt more tense (before). You could sense the gravity of the moment,” Finebaum said. “That was all gone a couple weeks ago in Athens. It was me against the world, and he seemed to like it very much.”
Smart has used that Georgia-against-the-world narrative before, especially en route to the second championship. It became such a punch line that Smart backed off it a bit. It was harder to play the disrespect card when Georgia was the consensus No. 1 team, even after not three-peating last year.
Then came this season’s run of on-field adversity. Smart took to calling his team the “never say die Dawgs.” They made things hard for themselves and played down to their competition, but there they still hoisted the SEC championship trophy.
Now it’s on to the Playoff where Georgia may be in the perfect position, at least to Smart’s liking: It’s not the favorite, especially having to go to its backup quarterback, so there are plenty of picks out there for the Bulldogs to be one-and-done in the tournament.
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Somehow, it could be argued that Georgia is playing with house money.
“Ultimately how the season ends is going to help frame the narrative,” Finebaum said. “If somehow Georgia wins the title with everything they’ve overcome, with the schedule, with the Carson Beck injury, I think it will elevate Georgia to an even higher status. And right now, I think they are at the very top shelf of college football. … But I think if (Georgia) can pull this thing off, it won’t make up for not winning a three-peat, but it’s going to put Georgia into a completely different stratosphere.”
(Top photo: Butch Dill / Getty Images)
Culture
Video: 250 Years of Jane Austen, in Objects
new video loaded: 250 Years of Jane Austen, in Objects
By Jennifer Harlan, Sadie Stein, Claire Hogan, Laura Salaberry and Edward Vega
December 18, 2025
Culture
Try This Quiz and See How Much You Know About Jane Austen
“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.
Culture
Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday
On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.
Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”
With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”
How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.
By ‘A Lady’
Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)
Where the Magic Happened
Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.
An Iconic Accessory
Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.
Austen Onscreen
Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.
Jane Goes X-Rated
The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.
A Lady Unmasked
Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”
Wearable Tributes
It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.
The Austen Literary Universe
On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)
A Botanical Homage
Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.
Aunt Jane
Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.
Cultural Currency
In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.
In the Trenches
During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”
Baby Janes
You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.
The Austen Industrial Complex
Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.
Around the Globe
Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.
Playable Persuasions
In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.
#SoJaneAusten
The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.
Bonnets Fit for a Bennett
For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.
Most Ardently, Jane
Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”
Stage and Sensibility
Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.
Austen 101
Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”
W.W.J.D.
When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?
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