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U.S. women's water polo — with an unlikely hype man — eyes an Olympic record

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U.S. women's water polo — with an unlikely hype man — eyes an Olympic record

Flavor Flav realizes it’s an unexpected crossover.

The rap icon once had only a vague awareness of water polo, as he’d seen Olympic matches on television. But Flav has a new appreciation for the sport, marveling at the immense stamina required to play it, after recently signing a five-year sponsorship deal to serve as the official hype man for the U.S. women’s and men’s national water polo teams.

“What type of relationship does rap have with water polo? None,” said Flav.

Until now.

How the collaboration came together is well-documented: Maggie Steffens, the U.S. women’s team’s longtime captain, posted a photo of the players on her Instagram in May with a caption outlining challenges the athletes often face, including that players typically work multiple jobs while pursuing their Olympic dreams. She called on her followers to watch and support women’s sports.

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Flav, who said his manager initially flagged the post, responded to the call, pledging his support. Thus, an unprecedented partnership was born. He and Steffens appeared together last Monday on “CBS Mornings,” where Flav announced he would give $1,000 to each team member and a Virgin Voyage cruise to the squad.

The 65-year-old Rock and Roll Hall of Famer told The Athletic he plans to attend the Paris Games, cheering on the team as they aim for a fourth straight Olympic gold medal, a feat that has not yet been accomplished by any men’s or women’s water polo team.

“I’m there to hype them up. I’m there to try to get them into that spirit of winning that fourth gold medal,” Flav said with a confidence befitting his role. “… And I know we can do it. We’re gonna get it.”

Flav also said he plans to attend the women’s team’s final pre-Olympic home match against Hungary. He wrote in a post on X he’ll be at Tuesday’s match in Berkeley, Calif., and will take photos and sign autographs “before and after the game but not during the game” so he can stay locked in.

“I’m trying to get as many people as I can involved,” he said. “Hopefully what I’m doing will open up the doors for other celebrities like myself to help sponsor these Olympic teams, because these (athletes) are out there busting their butts to make the United States look good.”

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The U.S. women’s water polo team has welcomed the additional eyeballs as they go for an Olympic record. Coach Adam Krikorian, who has guided the United States to more Olympic golds than any coach on any team in women’s water polo, called it “a sport that’s been starving for attention and looking for notoriety.”

“We are a team that feels like, at times, we go unnoticed,” he said. “And so, when you have someone who’s in the spotlight share their love and their passion for our team, it’s touching. We love it. We embrace it. We hope it inspires others to hop on.”

Krikorian said he doesn’t mind if Flav’s interest encourages a bandwagon group to follow their journey this summer: “We’ll take ’em all. You didn’t need to be with us in the beginning.”

What any new fans will be rallying around is a squad synonymous with success. Since he was hired in 2009, Krikorian and the U.S. women have gone on a staggering run, claiming gold at the last three Olympics and six of the last nine world championships.

But Krikorian — a former UCLA water polo standout who calls the late basketball legend John Wooden his coaching idol — is less concerned with the results. The scores don’t even come up when his staff reevaluates a practice or a game. He preaches presence over perfection, a philosophy he highlighted when discussing Emily Ausmus, an attacker who Krikorian said has taken on a larger role as a defender “headfirst.”

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At 18 years old, Ausmus is the team’s youngest player and represents a corps with no Olympic experience on a roster nearly split between first-time Olympians (seven) and returners (six). That experience level is a shift from the last Olympic cycle in Tokyo in 2021 when most players were part of the group that also won gold in Rio in 2016.

On the opposite end of the experience spectrum is Steffens, who helped lead the U.S. to gold at the last three Games. At the Tokyo Olympics, she became the all-time leading scorer in women’s Olympic water polo. And if the U.S. women get gold in Paris, Steffens will become the first water polo player to win four Olympic gold medals in a row.

Steffens, 31, can rattle off a list of younger players on this year’s roster with whom she connected in earlier phases of life, highlighting the full-circle experience for her this Games:

— Ryann Neushul, 24, is the third Neushul sister Steffens will play with at the Olympics. “I remember when she was just a kid,” Steffens said;

— Jenna Flynn and Steffens posed together for a photo at the Rio Games when Flynn was a young fan. “Now she’s at Stanford and here on Team USA and one of my closest friends on the team, and we’re 11 years apart.”

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— Jewel Roemer is a Northern California native like Steffens, and Steffens grew up attending men’s scrimmages at Diablo Valley College coached by Roemer’s father. “I remember getting cute videos from (Jewel) saying, ‘Good luck.’”

— Ausmus attended camps and clinics organized by Steffens’ company, 6-8 Sports. “(She was) somebody we talked about five, six, eight years ago, like, ‘Oh my gosh, this girl’s so good and we’re really excited to see her potential.’”

“We’ve really created this special bond,” Steffens said of the younger group. “And I think as much as they look up to me as a leader and have looked up to me since they were kids and followed that path, I think what’s really amazing is I look up to them just as much.”


The U.S. women’s water polo team huddles during the Tokyo gold-medal match. The Americans are vying for a historic fourth straight Olympic gold. (Marcel ter Bals / BSR Agency / Getty Images)

Steffens is sincere in her praise, as she is in her belief in her teammates. Ashleigh Johnson, who is making her third Olympic appearance with Team USA, called Steffens “a dreamer in all senses.”

“When you’re around Maggie, anything is legitimately possible,” said Johnson, 29, the team’s goalkeeper who is widely considered the best in the world at her position. “She’s our captain, but as her friend, she will build a way for any dream to come true. And if you believe something, she believes it and you guys are going to accomplish it together.”

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For example, Johnson said, Steffens typically encourages others while grinding through the hardest parts of training or pushing through a final swim set. Outside of the pool, Steffens is the one to land in a new city after 24 hours of traveling and either have a full itinerary ready or explore without a plan. She has an “Energizer Bunny attitude,” according to Johnson.

That boundless energy has carried over into other facets as Steffens and Johnson have become de facto ambassadors of their sport, a role that wasn’t always natural to them. In 2016, Johnson became the first Black woman to make the U.S. Olympic water polo team. She said, over time, she’s felt more empowered to speak about her experiences, share her story and champion diversity to inspire others.

Steffens, who joined the team when she was 15 years old, said it’s taken her 15 or 16 years to find her voice in terms of advocating for women’s athletes and more openly discussing the financial challenges of pursuing the sport.

Olympic water polo training takes place in Southern California, an area of the country with a notoriously high cost of living. In an Olympic year, training is six days a week and is essentially a full-time job for the athletes, Steffens said.

Payouts at the Games depend on the sport, country and finish, but the International Olympic Committee and each sport’s governing body have not traditionally paid winners. In a first for an international federation, World Athletics, which oversees track and field, announced in April it would award $50,000 in prize money to gold medalists at the Paris Games.

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The U.S. Olympic and Paralympic Committee gave athletes $37,500 for winning gold, $22,500 for silver and $15,000 for bronze at the Tokyo Olympics.

Steffens said she would play water polo — which doesn’t have a professional women’s league in the U.S. — if she made no money and had to couch surf, but her hope is for future water polo athletes to not have to work other jobs to support themselves while performing at the highest level.

“I would love to see in the future people retire much later in their career because they can afford to keep playing water polo and don’t feel like they have to retire at 22 to get a ‘real job,’” she said.

Any support helps, Steffens said, and Flav’s sponsorship is an example of the payoff she’s seen after posting about the topic.

“One thing that I love about water polo and about our team is it’s a very head-down, humble, hard-work mentality,” Steffens said. “And one of my dreams is to leave the sport and the women in this sport better than when I came in, and hopefully provide more opportunity, provide more exposure, let their stories be told, let their names be heard.”

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Steffens knows there’s more work to do and more fans to rally. But each one counts, and so far, she’s hitting her goals.

go-deeper

GO DEEPER

From Stanford to Team USA, a water polo dynasty eyes an Olympic four-peat

(Top illustration of Maggie Steffens and Flavor Flav: Dan Goldfarb / The Athletic; photos: Ronald Martinez / Getty Images, Jerod Harris / Getty Images for The Recording Academy)

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Culture

Why Is Everyone Obsessed With Bogs?

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Why Is Everyone Obsessed With Bogs?

In prehistoric northern Europe, peatlands — areas of waterlogged soil rich with decaying plant matter — were considered spiritual sites. Since then, swords, jewelry and even human bodies have been found fossilized in their sludgy depths. More recently, however, many of these bogs have been depleted by overharvesting, neglect and development. But as awareness of their important role in removing carbon dioxide from the atmosphere grows, more wetlands are being restored, while also serving as unlikely creative inspiration. Here’s how bogs are showing up in the culture.

At fall 2026 Paris Fashion Week, several houses — including Louis Vuitton (above left) and Hermès — staged shows amid mossy sets featuring spongy green structures and mounds of vegetation. And the Danish fashion brand Solitude Studios is distressing its eerie, grungy looks (above right) by submerging them in a local peat bog.

For her exhibition at California’s San José Museum of Art, on view through October, the Chalon Nation artist Christine Howard Sandoval is presenting sculptures, drawings and plant-dyed works (above) exploring how the state’s wetlands were once sites of Indigenous resistance and community. This month, at Storm King Art Center in New York’s Hudson Valley, the conceptual artist Anicka Yi will unveil an outdoor installation featuring six-foot-tall transparent columns holding algae-rich ecosystems cultivated from nearby pond water and soil.

The Bog Bothy (above), a mobile design project by the Dublin-based architecture practice 12th Field in collaboration with the Irish Architecture Foundation, was inspired by the makeshift huts once used by peat cutters who harvested the material for fuel. After debuting in the Irish Midlands last year, it’ll tour the region again this summer. In Edinburgh, the designer Oisín Gallagher is making doorstops from subfossilized bog-oak scraps carbon-dated to 3300 B.C.

At La Grenouillère on France’s north coast, the chef Alexandre Gauthier reflects the restaurant’s reedy, frog-filled river valley landscape with dishes like a “marsh bubble” of herbs encased in hardened sugar. This spring, Aponiente — the chef Ángel León’s restaurant inside a 19th-century tidal mill on Spain’s Bay of Cádiz — added an outdoor dining area on a pier above the neighboring marshland, serving local sea grasses and salt marsh flowers alongside seafood (above) from the estuary.

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Credit…Penguin Random House

The Irish British writer Maggie O’Farrell’s forthcoming novel, “Land,” about an Irish cartographer and his son surveying the island in 1865 after the Great Famine, depicts haunting encounters with the verdant landscape, including its plentiful oozing bogs.

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Book Review: ‘Selling Opportunity,’ by Mary Lisa Gavenas

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Book Review: ‘Selling Opportunity,’ by Mary Lisa Gavenas

SELLING OPPORTUNITY: The Story of Mary Kay, by Mary Lisa Gavenas


Mary Kay, the cosmetics company whose multilevel marketing included sales parties and whose biggest earners were awarded pink Cadillacs, was really in the business of selling second chances. Or, at least, that’s what Mary Lisa Gavenas argues in “Selling Opportunity,” a dual biography of the brand and the woman behind it.

Mary Kathlyn Wagner, who would become Mary Kay Ash, “the most famous saleswoman in the world” and “maybe the most famous ever,” in Gavenas’s extravagant words, was born in 1918 to a poor family and raised mostly in Houston. Although a good student, she eloped at 16 with a slightly older boy. The young couple had two babies in quick succession.

Mary Kay’s creation was a combination of timing and good luck. Door-to-door sales was a thriving industry — but, traditionally, a man’s world: Lugging heavy samples was not considered feminine, and entering the homes of strangers, unsafe. But things began to change during the Great Depression, Gavenas suggests, thanks to a convergence of factors — financial pressures and the rise of the aspirational prosperity gospel espoused by Dale Carnegie’s self-help manuals.

At the same time, female-run beauty lines like Annie Turnbo Malone’s Poro and Madam C.J. Walker’s were finding great success in Black communities. And, coincidentally or otherwise, the California Perfume Company changed its name to Avon Products in 1939.

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Ash began by selling books door to door, moving on to Stanley Home Products in the 1940s. She was talented, but direct sales was a rough gig. Every party to show off wares was supposed to beget two more bookings; these led to sales that resulted in new recruits. But there was no real security or stability: no salary, no medical benefits, no vacations. “Stop selling and you would end up right back where you started. Or worse,” the author writes.

Gavenas, a onetime beauty editor who wrote “Color Stories,” takes her time unspooling Mary Kay’s tale, with a great deal of evident research. We learn about direct sales, women’s rights and Texas history.

But, be warned: Readers must really enjoy both this woman and this world to take pleasure in “Selling Opportunity.” Mary Kay the person keeps marrying, getting divorced or widowed and working her way through various sales jobs (it’s hard to keep track of the myriad companies and last names). Gavenas seems to leave no detail out. Thus, the 1963 founding of the eponymous beauty company doesn’t come until almost 200 pages in.

Beauty by Mary Kay included a Cleansing Cream, a Magic Masque and a Nite Cream (which containined ammoniated mercury, later banned by the F.D.A.). The full line of products — which was how Mary Kay strongly encouraged customers to buy them — ran to a steep $175 in today’s money. (To fail to acquire the whole set, Ash said, was “like giving you my recipe for chocolate cake but leaving out an important ingredient.”)

Potential clients attended gatherings at acquaintances’ homes — no undignified doorbell-ringing here — where they received a mini facial, then an application of cosmetics like foundation, lip color and cream rouge — and a wig. The company made $198,514 in sales its first year.

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Although Ash may have seemed a pioneer, in many ways Mary Kay was a traditionalist company, whose philosophy was “God first, family second, career third.” Saleswomen, official literature dictated, were working to provide themselves with treats rather than necessities so as not to threaten their breadwinner husbands.

And yet, they were also encouraged to sell sell sell. Golden Goblet pendants were awarded for major orders. After the company started using custom pink Peterbilt trucks for shipping, it began commissioning those Cadillacs for top consultants. (Mary Kay preferred gifts to cash bonuses, lest women save the money to spend on practical things rather than the licensed frivolities.) The Cadillacs, always driven on company leases, would become industry legend and part of American pop culture lore. “Never to be run-down, repainted or resold, the cars would double as shining pink advertisements for her selling opportunity,” Gavenas writes.

The woman herself was iconic, too. While Ash was a product of the Depression, she was also undeniably over-the-top. She wore white suits with leopard trim, lived in a custom Frank L. Meier house and brought her poodle to the office.

Mary Kay went public in 1968, making her the first woman to chair a company on the New York Stock Exchange. By the 1990s, the Mary Kay headquarters near Dallas was almost 600,000 square feet. They commissioned a hagiographic company biopic; there was a Mary Kay consultant Barbie; they were making $1 billion in wholesale. When she died, in 2001, Ash was worth $98 million.

And yet, Gavenas cites that at the company’s height, in 1992, sales reps made on average just $2,400 per year.

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Instead of so much time in the pink fantasia of Mary Kay, it would have been nice for a few detours showing how infrequently the opportunities the company sold were truly realized.

SELLING OPPORTUNITY: The Story of Mary Kay | By Mary Lisa Gavenas | Viking | 435 pp. | $35

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Historical Fiction Books That Illustrate the Bonds Between Mother and Child

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Historical Fiction Books That Illustrate the Bonds Between Mother and Child

We often think of the past as if it were another world — and in some ways, it is. The politics, religion and social customs of other eras can be vastly different from our own. But one thing historians and historical fiction writers alike often notice is the constancy of human emotion. The righteous anger of a customer complaining about a Mesopotamian copper merchant in 1750 B.C. feels familiar. Tributes to beloved household pets from ancient Romans and Egyptians make us smile. And we are captivated by stories of love, betrayal and sacrifice from Homer to Shakespeare and beyond.

In literature, letters, tablets and even on coins, we find overwhelming evidence that people in the past felt the same emotions we do. Love, hate, fear, grief, joy: These feelings were as much a part of their lives as they are of our own. And they resonate especially acutely in the bond between mother and child. Here are eight historical novels that explore the meaning of motherhood across the centuries.

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