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U.S.T.A. and the Armory Show to Bring 5 Artists to the U.S. Open

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U.S.T.A. and the Armory Show to Bring 5 Artists to the U.S. Open

Armory Off-Website, a program of the Armory Present, has partnered with america Tennis Affiliation to showcase sculptural works on the U.S. Open by 5 artists from marginalized communities.

The works might be displayed all through the positioning of the Open, the Billie Jean King Nationwide Tennis Heart, in late August and early September.

The partnership builds on the Be Open social justice marketing campaign spearheaded by the tennis affiliation’s managing director of promoting, Nicole Kankam. With range, inclusion and respect as cornerstones of the marketing campaign, in 2020 the tennis affiliation, which owns and operates the U.S. Open, displayed the work of 18 artists who determine as Black, Indigenous or folks of colour, within the entrance, empty seats of the Arthur Ashe Stadium.

“It’s all constructed round this one grounding assertion: If you maintain an open thoughts, nice issues can occur in our sport and out on the planet,” Kankam mentioned of the marketing campaign.

The artists whose works might be showcased this 12 months embrace Jose Dávila, who’s represented by the Sean Kelly gallery; Myles Nurse, who’s represented by the Half Gallery; Carolyn Salas, represented by Mrs. gallery; Luzene Hill of Ok Artwork; and Gerald Chukwuma, with Kristin Hjellegjerde Gallery. Every artist will produce one work, with some items containing a number of elements. (The work might be on the market.)

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Chukwuma, who incorporates parts of the Uli artwork custom from southeastern Nigeria in his sculptural work, makes use of his items to symbolize voluntary and compelled world migration.

“For Africa and for Africans, I believe migration has performed lots,” Chukwuma, who’s from jap Nigeria, mentioned in an interview. “It has not simply scattered us everywhere in the world, it has additionally taken away from our tradition. It has watered down what we imagine in, it has watered down who we’re.”

Chukwuma intends to current a sculpture from a collection of his that revisits the Igbo touchdown: In that early Nineteenth-century touchdown, about 75 newly enslaved West Africans took management of a coastal vessel, grounded the ship and later marched into the waters of Dunbar Creek in Georgia, committing mass suicide.

He mentioned he’s glad that the work goes to be proven in america. His collection will finally encompass 75 sculptures, for the enslaved Africans who rebelled. “So I believe that that’s an exquisite factor,” he mentioned. “There’s liberation there.”

Three of the 5 artists will create work particularly for the U.S. Open, together with a sculpture by the Indigenous artist Luzene Hill. The work, “To Rise and Start Once more,” is made up of undulating columns that symbolize the upward thrust of Cherokee sovereignty, defying efforts to crush it. Every column has a letterpress piece with a Cherokee syllabary to unfold consciousness of the written language.

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“We’re nonetheless right here, and we maintain rising up,” she mentioned.

Hill mentioned in an interview that she was honored and humbled to have her work displayed for a bigger viewers.

In partnering with the tennis affiliation, Armory Off-Website is striving to achieve individuals who could also be unfamiliar with the annual Armory Present, mentioned Nicole Berry, the Armory Present’s govt director.

Armory Off-Website started final September with a mission to introduce worldwide up to date artists to a wider viewers.

“Hopefully we’ll create some artwork lovers out of the tennis followers,” Berry mentioned, “and possibly vice versa.”

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Remembering ESPN's Chris Mortensen, who changed how the NFL is covered

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Remembering ESPN's Chris Mortensen, who changed how the NFL is covered

The phone call Adam Schefter always feared came on his first Sunday at home in five months. It was early March, and ESPN’s senior NFL reporter had recently flown back from Indianapolis after a week at the scouting combine. He was about to sit down for breakfast with his family when his cell buzzed.

It was his boss, Seth Markman.

“We lost him,” was all Markman could muster.

For years, Schefter had known the call might come — when your close friend and colleague is diagnosed with Stage 4 throat cancer at age 64, you prepare for the worst. There were a few times in 2020, and a few more in 2022, when Schefter thought to himself, This might be it. But Chris Mortensen always pulled though.

“A tough son of a bitch,” Markman said.

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“He fought for every single day he got,” adds Daniel Jeremiah of NFL Network.

When Mort first revealed his diagnosis to Schefter, over email in 2016, he begged his pal to keep it quiet for a few days — Mort’s son, Alex, was about to coach in college football’s national championship game, and he didn’t want to spoil his moment. Mort was always more worried about what this would do to his wife, Micki, than the grueling treatment ahead. “Micki is really struggling,” he closed the email. “I’m still going to be a jackass.”

He never let on how draining it was: the chemo, the radiation that left burns all over his neck, the IV regimen that sapped his strength but not his spirit. He dropped weight. He lost hair. His voice faded. When friends would ask how he was doing, he’d shrug them off. “I’m fine, I’m good,” Mort would tell them. “I’m dealing with it.”

He worked about as long as he could. At the 2023 draft, Mort’s last at ESPN, he had to use a spray bottle to wet his mouth between segments. His saliva glands had stopped working.

He retired. He spent last fall watching Alex call plays as UAB’s offensive coordinator. His friends thought he was doing fine, all things considered. Schefter called him from the combine this year after finding out one of Schefter’s five dogs, Benny, had been diagnosed with lung cancer. Mort consoled him, never mentioning how he was feeling. It was the last time the two spoke.

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“He sounded better, like things were going the right way,” Schefter says.

Adds ESPN colleague Mel Kiper, Jr., “Nobody was prepared for it to happen now.”

Mort spent the night before he died at home on his horse farm in Arkansas watching football drills and TV coverage of the combine, cracking jokes on text threads.

Jeremiah got the news during a commercial break the next day, then broke down when Rich Eisen asked him about it on the air. The man who’d jumpstarted his career — “None of it happens without him,” he says — was gone. With tears in his eyes, Jeremiah tried to settle himself.

“Mort would’ve punched me in the face if I didn’t finish that broadcast right,” he says.

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A few hours later, Schefter’s phone buzzed again. It was John Walsh, a longtime ESPN executive. “I want you to know how much Mort pushed you for this job,” Walsh told him.

“I know, John, I know,” Schefter said.

“No, I don’t think you really do,” Walsh followed. “You wouldn’t be at ESPN if not for Mort.”

Two months later, Schefter is in his office, staring at a picture of him and Mort from a Super Bowl a few years back.

“I miss him making me laugh,” Schefter says. “I don’t laugh as much without him.

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“I just …”

He pauses. He sighs.

“I just cannot believe he’s not here.”


Adam Schefter (left) was hired at ESPN in large part because of Chris Mortensen, and the two grew close over the years. (Courtesy of ESPN)

They didn’t come for the reporter. They came for the man.

Former head coaches. Current general managers. Hundreds of ESPN colleagues who overlapped with Mortensen during his 32-year run at the network — Adrian Wojnarowski even flew in during the NBA playoffs — descended on a small Arkansas town last week to remember one of the most influential reporters in NFL history.

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But they didn’t tell stories about what he did. They told stories about who he was.

Mort was a prankster, the coworker who always made the room feel lighter. In all his years at ESPN, nobody gave Chris Berman more grief. Once, when the network’s new fantasy football expert, Matthew Berry, walked into the room to watch his first Sunday slate of games with the group, Mort piped up. “Why don’t you sit here, Matthew?” he said, guiding Berry to a spot in the front row. What Berry didn’t know: The seat belonged to Berman, every Sunday, no questions asked. And Berman hated fantasy football. “Still does,” Schefter says.

A minute later, Berman entered, looked around the room and saw the fantasy football guy parked in his seat.

“You’re in the wrong chair,” he bellowed.

Mort and the rest of the room burst into laughter.

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(For years, Berry named his fantasy team “The Wrong Chair.”)

After Berman’s daughter, Meredith, was diagnosed with tongue cancer a few years back, Mort became her sounding board. A rapport developed, two patients slogging through treatment, venting for hours on the phone. One would make it. One wouldn’t. “He was a rock for her,” Berman says, “and probably on some days when he was suffering terribly.”

He was selfless. When Markman was recruiting Schefter to ESPN in 2009, his bosses were on board — as long as Mort was on board. At the time, Mort was ESPN’s chief NFL reporter, the face of the network’s coverage for two decades running.

One Sunday morning, Markman nervously made his way to the green room, worried that Mort might squash the idea entirely. “He had that kind of power,” Markman remembers.

“I’m gonna be honest,” he told Mort, “it’s gonna cut into your screen time quite a bit.”

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Mort didn’t hesitate.

“Seth, if we can get Adam Schefter, you get him,” he said. “Less of me on TV is a good thing.”

Markman laughs, reliving the story 15 years later.

“Are you kidding me?” he says. “Less of me is a good thing? Nobody in this industry says that.”

Mort and Schefter grew incredibly tight. And as Mort’s health deteriorated following his diagnosis, and as Schefter climbed into the top chair, Mort coached him behind the scenes.

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“That sort of thing never happens,” says Bryan Curtis, who writes about sports media for The Ringer. “People who get to that level are very, very competitive, and in almost every instance, it doesn’t work. This did. And it allowed ESPN to own NFL scoops for 10 years.”

Mort was the best kind of mentor. When Jeremiah was still in college, he walked into his parents’ living room one afternoon and wondered why the guy from ESPN was sitting on the couch. It was January 1998, a week before the Broncos played the Packers in the Super Bowl in San Diego, and Mort was in town to cover the game. He’d attended a church service hosted by Jeremiah’s father, David, and stopped by for lunch afterward.

Daniel was a 21-year-old quarterback at Appalachian State with dreams of getting into broadcasting.

“Well, I’ve got an interview with Reggie White tomorrow, would you wanna come with me?” Mort asked him.

“This was literally the first time I met him,” Jeremiah remembers. “I was like, ‘Reggie White! Are you kidding me?’”

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After that interview wrapped, Mort urged him to tag along at media day later in the week. A year later, he was sitting next to Mort at the NFL Draft in New York City, answering his phones and jotting down notes from GMs. A year later, Mort introduced him to Jay Rothman, who produced “Sunday Night Football.” Jeremiah had his first full-time job.

“All because of Mort,” he says.

A few years later, after Jeremiah spent time scouting for the Ravens and Browns, it was Mort who pushed him to jump on this new social media platform called Twitter and dissect draft prospects. Mort would routinely urge his followers to check out @MoveTheSticks, and each time he did Jeremiah would pick up thousands of new followers.

Jeremiah just wrapped his sixth draft as NFL Network’s lead analyst, and his first without a tradition he’d come to cherish: a meeting with Mort the morning before the first round. They’d done it every year dating to 2000, when he was just a grunt answering phones and scribbling down notes.

“It was so weird not having him there,” Jeremiah says. “That man is literally the reason I’m in the seat I am in.”

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Mortensen was a prankster, a coworker who always lightened the mood of a room. (Courtesy of ESPN)

Chris Mortensen wasn’t the first football scribe to make the jump to TV full-time — that distinction belongs to Will McDonough — but, after joining ESPN in 1991, he became the most prominent, a pioneer of what’s become ubiquitous today: the insider.

“If Will McDonough created the role of NFL insider,” Curtis says, “then Mort refined it, sped it up and brought it into the era of cable TV.”

Still, back then some saw it as a risky move. ESPN wasn’t yet a sports media juggernaut, and newspaper beat writers still carried considerable weight. So did Sports Illustrated.

“The other writers used to make fun of their brethren when they moved to TV,” says Chip Namias, a former PR director for the Dolphins, Oilers and Bucs. “They’d say, ‘Oh, you’re a pretty boy now? Being a newspaper guy isn’t good enough for you?’ When Mort made that jump, it was a gamble.”

It paid off — for him and ESPN. Mort brought with him the reporting chops he’d honed at The Atlanta Journal-Constitution, The Sporting News and The National. Suddenly, he was everywhere: on “NFL Game Day,” which became “NFL Countdown,” which became “Sunday NFL Countdown.” As the league’s popularity boomed, Mort became one of the faces of the network.

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More than that, he became the pulse of the NFL.

Peyton Manning used to carve out a few minutes on Sunday mornings before kickoff, hoping to catch “The Mort Report” in the locker room, Mortensen’s weekly segment in which he’d dish all the morsels of info he’d gathered during the week. “QBs watched, GMs watched, coaches watched,” Manning says. “You had to watch. Mort knew who was getting fired before the people who were actually getting fired knew.”

Back when he was a Broncos beat writer for The Rocky Mountain News and later The Denver Post, Schefter would make sure he was in his hotel room, or next to a TV at the stadium, whenever Mort was on the air.

Curtis says during his AJ-C days, Mort began every conversation with a source the same way: “Tell me something I don’t know.” But more than merely breaking news, he loved to uncover the why behind a firing or the release of a player or a trade. That took time. And trust.

“He never blindsided you with anything,” says a longtime NFL PR director, Dan Edwards, who worked for the Steelers and Jaguars. “Mort was like a boy scout.”

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He was also ahead of his time. Mort was working even when he wasn’t. An example: in the early 2000s, he grew close with Archie Manning, patriarch of the most famous family in football. That led to trips down to Louisiana for the Manning Passing Academy each summer, where Mort befriended Peyton and Eli and also dozens of the top quarterback prospects in the country. “Mort was always five steps ahead of everyone else,” longtime NFL writer Peter King says. “By the time those kids got to the NFL, Mort had known them for 10 years.”

One year at camp, after a few coaches flew home early, Mort volunteered to run some drills. It was the last practice of the week, the one all the parents watch before picking up their sons. “My dad pulls up in the golf cart and sees Mort teaching these kids the three-step drop,” Peyton says, trying not to laugh. “Then he sees all the parents watching. Dad goes, ‘Well, this is it. This is officially the end of the Manning Passing Academy.’”


Peyton Manning (right), like many QBs, coaches and executives around the NFL, regularly watched “The Mort Report.” (Courtesy of the Manning Passing Academy).

Of all the star players Mort covered, he grew closest with Peyton Manning. In the winter of 2012, it was Mort who first warned the quarterback, coming off a fourth neck surgery: “Be ready, the Colts might be moving on.” They were words that might’ve seemed obvious to everyone else at the time but stung Manning nonetheless.

“Oh, wow,” the QB responded.

The two traded emails during Manning’s free agency tour a few months later. “He’d give me the lay of the land with each team, an unbiased opinion I needed,” Manning says. “I could confide in Mort. Mort could confide in me.”

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Four years later, after Manning helped the Broncos win Super Bowl 50, Mort broke the news of the QB’s retirement from a hospital in Atlanta. Manning had told him the day before, asking for one last night as an NFL quarterback. Mort vowed to hold the story until morning. Markman was up all night, fearing they’d get scooped.

“We won’t get beat,” Mort kept telling him.

“He wouldn’t break his word,” Markman says now. “And of course, he was right.”

Today, Manning keeps a folder in his email of all the notes Mort sent him over the years.

One came after his first preseason game as a Bronco. Manning had sent a select few — family, friends, Mort, that’s it — a clip of him hitting a receiver on an out route, then taking a nasty hit in the pocket. It was the sequence that told him he could still play in the NFL.

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“Super proud to see this,” Mort wrote back. “Enjoy this. You deserve it.”

On the job, Mort was a disciplined reporter — “the last of the old school guys,” Schefter calls him. He’d bicker with Markman, agitated over some of the segments they’d run on ESPN. Mort loathed hot takes. He’d grumble each time one of the NFL shows ran its “Safe or Out” segment, a debate about which NFL coaches were about to get fired. “These are human beings,” Mort argued. “We’re talking about people’s lives here.”

Kiper says whenever he’d get some shaky intel from a source, Mort would reach out. “We should talk,” he’d warn. “That was code for, ‘I’m hearing different,’” Kiper says.

Andrea Kremer remembers the way Mort welcomed her when she became ESPN’s first female reporter in the early 1990s. “It was always support, courtesy and respect,” she says. “This was a different time for women in the business, and when a coach or a GM sees Chris Mortensen treat you that way — as an equal — that gives you instant credibility.”

Mort’s influence was so immense, his Rolodex so envied, that at one point an NFL team actually hired him.

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In 1994, the expansion Jacksonville Jaguars lured Mortensen away from ESPN for a role as vice president on the personnel side. They wanted him to help build their football team. Mort accepted the gig, only to emotionally back out a few days later, mainly because Micki didn’t want to move to Jacksonville.

“When you think about it on the surface, the job made no sense,” says Pete Prisco, a longtime NFL writer who was then covering the Jags for The Florida Times-Union. “They thought because Mort had access to all this information around the league, they could use that. But the reality was nobody was going to tell him anything now that he worked for a team.”

Plus, Kremer points out, “Mort was always a reporter at heart.”

The lone stain on Mort’s Hall of Fame résumé — he received the Dick McCann award in Canton in 2016 — arrived a few years later, after his initial report of the Patriots’ use of underinflated footballs during the early days of the Deflategate scandal later proved inaccurate. The ire of New England’s fan base trailed him for years, and Mort, by then undergoing treatment for cancer, said he received death threats. He later acknowledged errors in his reporting.

“Nothing really got to him, but when you hear vicious things about your family, things that got overtly personal, anybody would be bothered by that,” Markman says. “It got pretty bad.”

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The tributes poured in after Mort passed away on March 3 at 72.

On his show, Dan Patrick told a story from his “SportsCenter” days. Mort had a scoop, and before running the story, the bosses wanted confirmation from another source. “We don’t need another source,” Patrick told them. “It’s Mort.”

“A GOAT,” Eisen called him on his show. “A trailblazer.”

Like Jeremiah, it hit Schefter hardest on draft weekend. For 15 years, they’d covered the event side-by-side. Now Mort wasn’t there.

“It was my honor,” Schefter says, “to sit next to one of the legendary figures in sports journalism for as long as I did.”

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ESPN paid tribute. Booger McFarland remembered the nerves that accompanied one of his early appearances on TV and the encouraging words that came from Mort after he finished. “You don’t know how much that meant to a guy just starting in this business,” McFarland said. Louis Riddick remembered all the meetings they sat in together. “If you were talking football, and Mort was nodding his head, that was affirmation you knew what you were talking about,” he said.

On his way into Detroit for this year’s draft, Schefter was talking with his driver, Sean Malone, about how weird it would be covering the event without Mort.

“God, I loved that guy,” Malone told him.

“We all did,” Schefter replied.

Then Malone shared his own Mort story. He’d driven him to and from the airport dozens of times, mostly for the draft. And each year, after it was finished, Mort would hand him a $100 bill and tell him and the other drivers to go out and enjoy a few beers on him.

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“No, no, no, I can’t take this,” Malone told him at first.

Mort wouldn’t hear it.

“Take it,” he said. “And send me a picture in a few hours so I know you guys are having a good time.”

So they did, year after year. It became a tradition.

Schefter heard that story and took the lesson to heart, one more assist from his mentor and friend. When Malone dropped Schefter off at the airport after the draft finished, Schefter handed Malone a $100 bill.

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“This is from Mort,” Schefter told him.

(Photo illustration: Dan Goldfarb / The Athletic; top photo courtesy of ESPN) 

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Bronny James expected to stay in 2024 NBA Draft

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Bronny James expected to stay in 2024 NBA Draft

By Shams Charania, Lukas Weese and Sam Vecenie

Bronny James, the son of NBA superstar LeBron James, is expected to stay in the 2024 NBA Draft, league sources said.

James, who suffered a cardiac arrest last July before returning to the court for his freshman season at USC, has been fully cleared to play by the NBA’s Fitness to Play Panel and will participate in all pre-draft activities, beginning with the NBA Draft Combine this week.

While not considered a top prospect — James was not included in The Athletic’s post-lottery mock draft Sunday — his surname and journey back to the court following a serious health scare make him one of the most notable players in this year’s draft class.

There’s also the added intrigue of whether James and his father could become teammates. LeBron has expressed a desire to end his career playing alongside his son.

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The younger James collapsed after suffering a cardiac arrest during a USC team workout in July. A family spokesperson said a congenital heart defect caused the incident. Doctors cleared him to return to practice four months later, and he made his college debut on Dec. 10 against Long Beach State. He appeared in USC’s final 25 games, starting six and averaging 4.8 points, 2.8 rebounds and 2.1 assists in 19.3 minutes.

Questions surrounding his future accelerated when his college coach at USC, Andy Enfield, left for the head-coaching vacancy at SMU in March.

James, 19, declared for the NBA Draft on April 5. He also entered the transfer portal to maintain flexibility as he worked out for NBA teams.

Following the USC coaching change, LeBron said that Bronny had “some tough decisions to make” regarding his future.

“At the end of the day, Bronny’s his own man,” LeBron said in April.

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The younger James’ decision comes ahead of a big one for his father, who has to decide whether to opt into his $51.4 million player option for 2024-25 by June 29. Team sources said last month the Lakers are open to the prospect of helping LeBron fulfill his dream of playing with his son by potentially drafting him.

LeBron declined to answer a question about whether he played his final game as a Laker after Los Angeles was eliminated in five games by the Denver Nuggets in the first round of the NBA playoffs.

The NBA Draft takes place June 26-27.

Bronny projects as a 3-and-D guard who plays hard, makes good decisions on offense, does the little things, passes well, leads the fast break off defensive rebounds, fills transition lanes and attacks the rim when he gets a chance. He is a terrific defensive player who fights at the point of attack and has the length and foot speed to stick with most guards.

James’ offense is a work in progress. He struggled to generate any half-court paint touches this year and isn’t much of a pull-up shooter yet. He made only 27 percent of his 3s last season, though he looked more confident taking them at USC and has more shooting talent than his percentage shows. — Sam Vecenie, NBA Draft writer

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Do Bronny’s measurements at the combine matter?

We finally got confirmation on how big James is exactly. He measured at 6-foot-1 1/2 without shoes with a 6-7 1/4 wingspan and an 8-2 1/2 standing reach Monday. That’s much smaller than the 6-4 height at which he was listed while playing for USC, but it’s important to remember that colleges list players’ heights in shoes. While the Trojans added an extra inch to Bronny’s height, they didn’t drastically oversell it. On top of that, NBA teams were working under the assumption that James was in the ballpark of 6-2 anyway.

James’ standing reach puts him much more in the ballpark of point guard as opposed to that of a combo or shooting guard. Past players to post an 8-2 1/2 standing reach at the combine include Bruce Brown, Collin Sexton, Terry Rozier and Avery Bradley. James is a bit stronger and stouter than most of those players. — Vecenie

How much does shooting-drill showing help him?

James’ success during a shooting drill Monday does serve as a reminder for evaluators that James has potential to shoot the ball despite his percentages. Having said that, as I wrote about a month ago, “He showed much more shooting potential as a high-school player than he did in college. There is nothing inherently wrong with his mechanics. Perhaps he was out of rhythm after not being cleared to play during the offseason.”

NBA teams have not gone into this process believing that James is unable to shoot the basketball. That’s the part of his offensive game they actually have the most confidence in translating. Additionally, these shots are just a drop in the bucket. Any of the hundreds of scouts and executives who were at Nike Hoop Summit last year saw James shoot a sample that was a multiple many times over of the number he took at the combine. And of course, the shots he took at game speed this past season are still the ones that matter most. While this might have shifted a couple of minds, I don’t know that it moved the needle all that much. — Vecenie

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What about his vertical leap?

It’s nice to confirm what people already thought, but again, evaluators were working under the assumption that James would test exceedingly well athletically. This one probably did not move the needle much for James positively, but confirming pre-conceived notions is valuable. — Vecenie

(Photo: Brian Rothmuller / Icon Sportswire via Getty Images)

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Mbappe leaves PSG as their greatest talent – but not universally loved

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Mbappe leaves PSG as their greatest talent – but not universally loved

In the end, Kylian Mbappe’s farewell to the Parc des Princes echoed his time at Paris Saint-Germain.

There was one more goal, another trophy and one step closer to another record — the first player in French football history to win the top-flight Golden Boot in six consecutive seasons.

There was a tifo put together by the club’s ultras in the Auteuil stand before kick-off to honour his legacy — an image of his trademark celebration, arms folded. There was also a banner, stating: “Child of the Parisian banlieue, you became a PSG legend.” 

But this game was not a full celebration of his seven years in Paris. Yes, there were songs lauding him, but also a few boos and whistles before kick-off when his name was read out. The night would end with a trophy lift but also in a defeat to Toulouse, only PSG’s second loss of the campaign. Luis Enrique labelled it their worst performance of the season.

Considering the impact Mbappe has made on PSG, his send-off was underwhelming. The main focus of the evening was on the title win rather than Mbappe’s goodbye. PSG celebrated their 12th Ligue 1 triumph, an achievement that brings clear daylight at the summit of French football, now two clear of Marseille and Saint-Etienne. It was also the club’s 50th major trophy. It was greeted with a glitzy party, orchestrated by celebrated Parisian composer Thomas Roussel. 

Mbappe’s announcement — made in a four-minute video on Friday via his social media channels — was just too short notice for much else. There was no concurrent statement or post from the club. They were caught by surprise. 

GO DEEPER

Mbappe will leave PSG – what does this mean for him, the club and Real Madrid?

But Mbappe could not depart PSG without clarification before the club’s final home game of the season. The weeks of innuendos about his future could not drag on beyond that. He has not revealed his destination, which all in Paris expect to be Real Madrid, but he did confirm that, this time, it really was goodbye.

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How he would be received by the Parc des Princes, for the final time, was always going to be a point of focus. Would supporters cheer him? On the face of it, not hailing the club’s greatest goalscorer might seem outlandish, but this is PSG and this is Mbappe, and the last seven years of off-field drama were hardly likely to have no impact.

His goodbye video had hints of that; Mbappe thanked nearly everyone at the club, including all of his former coaches. There was no reference, though, to club president Nasser Al-Khelaifi, nor former sporting director Antero Henrique.


Kylian Mbappe and the PSG squad celebrate their Ligue 1 title win (Franck Fife/AFP via Getty Images)

This past season alone will have contributed to that. After informing the club that he wished to leave at the end of his contract, instead of triggering an option to extend it by a further year, he was told by PSG that he had to extend his deal or be sold. He was then unceremoniously dumped into the ‘bomb squad’, the group of transfer-listed undesirables, and omitted from the club’s pre-season tour of Japan and South Korea. 

It was just the latest episode of the Mbappe-PSG soap opera. In 2022, he seemed set to sign for Real Madrid but did a late U-turn and signed a lucrative contract. A year previously, the summer was dominated by speculation about his future. So much of his spell at the club has, to an extent, felt like one very long goodbye. That can be tiresome.


The brilliance of Kylian Mbappe

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Mbappe may well have been aware of that. On Friday, after his announcement video, Mbappe attended a barbecue with the club’s ultras at the Parc des Princes. From the outside, it looked like an act of goodwill before his departure. Last season, Mbappe was part of a team that was heckled as they received their medals for the Ligue 1 title, but he avoided the worst of it and his relationship has been rebuilt over time.

Throughout this season, he has not been heckled by the ultras, despite the off-field speculation. On Sunday, there were some loud whistles before kick-off but after full time, during the trophy lift, he was afforded a triple name call from matchday announcer Michel Montana. There was also the tifo after the warm-up. Mbappe went over to greet the ultras and watched as the tifo was raised in front of him. It was accompanied by Mbappe chants.


A giant tifo depicting Mbappe is raised before kick-off last night (Miguel Medina/AFP via Getty Images)

That was fitting because, despite everything, PSG will still remember him as their best-ever Parisian. He was born in Bondy, on the outskirts of Paris, and returned to the capital to break a whole host of records for the club, all before his 26th birthday.

His goal against Toulouse took him to 256 for the club, extending his position as the club’s all-time leading goalscorer. For PSG, he also has the most goals in Europe, the most hat-tricks, the most ‘doubles’ and the most goals in a single game (five). He has helped France win the World Cup, scored in successive World Cup finals, including one hat-trick, has won the tournament’s Golden Boot, and has gone on to become the national team captain. 

That is his sporting legacy and fans will remember him for all of that, too. His goal on Sunday was a prime example, with a burst of incomprehensible pace, combined with sublime control and an ice-cool finish — but he also played in an era at PSG that won’t be remembered as favourably.

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Mbappe celebrates his last league goal for PSG, against Toulouse (Franck Fife/AFP via Getty Images)

It has been a time of politics, player power and, fundamentally, unfulfilled ambitions for the club in the Champions League. It is a period that ended with disillusionment, a sentiment defined by fan protests last summer, which is now beginning to dissipate as the club pivot away from superstar players towards a new era and a new identity.

Over time, Mbappe will surely be remembered more fondly, as arguably their best-ever talent and a club icon. 

Right now, though, PSG and their supporters are impatient to usher in a new chapter.

Fans will look back with fondness at his greatness but, as Sunday illustrated, memories of the off-the-field noise will linger. The sentiment that greeted his farewell is not entirely affectionate despite all that has been achieved.

(Top photo: Franck Fife/AFP via Getty Images)

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