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Think Dan Lanning will leave Oregon? Check the ink

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Think Dan Lanning will leave Oregon? Check the ink

EUGENE, Ore. — Somewhere in those 6.5 hours of perpetual pain, Dan Lanning’s phone lit up. But he didn’t see it. He was wincing. He was breathing deeply. Alec Turner, the artist tasked with completing the massive tattoo on the left side of Lanning’s chest, saw the name on the screen, and his eyes bulged.

The incoming call? Phil Knight.

So Turner removed the needle piercing the ribs of Oregon’s gregarious football coach and deadpanned: “Hey, man, you should probably answer this.”

When Phil Knight calls, you stop what you’re doing. Lanning sat on the table, swiped his phone screen and took a respite to talk to the founder of Nike and Oregon’s most famed alumnus and donor. Lanning told Knight where he was and what he was cramming into one session.

The permanent portrait of Lanning’s wife, Sauphia, is sprinkled with various homages to their journey through life —and football — together.

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Before Turner dipped the needle in ink on Jan. 4, 2023, he offered Lanning numbing cream. Lanning declined but now admits that, as the hours dragged on, he regretted that decision. He thought to himself: I’m a football coach, right? I should be able to handle this.

“I just didn’t have a big window of time,” Lanning says. “Pain is weakness leaving the body. Let’s go. Knock it out.”

He had just finished his first year as head football coach at Oregon, where the Ducks won 10 games, were in the College Football Playoff conversation most of the season and had a top-10 recruiting ranking for the 2023 class. He was already hooked on life in Eugene.

These were the first steps in Lanning’s project to not only build Oregon into a winner his way, but to sustain it for years to come. His second season with the Ducks in 2023 was another step forward, showcased by a record-setting offense that wowed even a fan base accustomed to them.

But nearly a year to the date he had his map charted in ink, the ultimate test of allegiance arose.

On Jan. 10, 2024, Alabama’s Nick Saban announced his retirement, rocking the college football universe. Lists of candidates to replace the seven-time national championship-winning head coach were formulated by the sport’s insiders almost immediately. Most put Lanning at the epicenter of the speculation cycle.

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The Lanning-to-Alabama conjecture lasted not even 24 hours, despite false reports that he was in Tuscaloosa interviewing to replace the legend for whom he’d once worked. It ended with a close-up of Lanning, puffing smoke from a cigar, announcing that he was — as he says again and again — “10 toes down” in Eugene.

Ask Lanning if he turned down Alabama, and he flashes a grin. “When you’re in a situation where your answer is already going to be no, people don’t ask you those questions.”

At Oregon, Lanning enjoys a fully guaranteed deal that pays more than $7 million a year through the 2029 season and requires a $20 million buyout to leave early, in addition to the perks of running a program with the support of Nike’s deep pockets. But conventional wisdom posits that most coaches linked to the highest profile and most illustrious job in the sport would at least open up a lane for communication.

Lanning, turns out, isn’t all that conventional.


The digital clock inside Lanning’s office runs vertically on the wall to the right of his vast desk. The Ducks-green seconds tick away alongside the minutes and hours to tell Lanning how much time he has. On this visit, he would turn 38 the next day, but Lanning would rather talk about anything else.

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“Twenty-one is the last time I celebrated a birthday,” he says.

So what about how, at 19, on a waiter’s salary at Outback Steakhouse, he purchased a house on Elizabeth Street in Liberty, Mo., while balancing life as a Division II linebacker at William Jewell College? He had four teammates move in who helped pay the mortgage. It’s been nearly 20 years since they huddled together for Nintendo 64 tournaments. If a roommate was short one month, Lanning would cover for them. But he wouldn’t forget about it.

Leaning forward in a chair, Lanning says, “Realizing early you can create your own success with hard work is something that stuck out with me.”

Trent Figg, head coach at Division III Calvin University in Grand Rapids, Mich., is one of Lanning’s former teammates and roommates. Figg says Lanning hasn’t changed since he’s ascended college football’s coaching ladder. Figg’s scouting report of his friend Dan Lanning (not head football coach Dan Lanning) is succinct:

  • He’s a social butterfly and the life of the party at all times.
  • He loves action movies.
  • He likes to smoke a cigar.
  • He likes to cook steak on his own stovetop.
  • He still wears white Nike dress socks to work every day.

“That,” Lanning says, “is mostly true.”

Lanning’s former roommates and former employers offer up a common theme: He carries with him a unique devotion to people who believe in him.

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“He’s the most loyal person I’ve ever been around,” says Figg. “Like, if you talk about why he stayed in Eugene instead of going to Alabama, he sees the value in how people have invested in him, and he fully believes in himself. He’s a very confident person. And he totally believes in what he has at Oregon.”

It’s been over a decade since Lanning left his post as recruiting coordinator at Sam Houston State in Huntsville, Texas. Longtime head coach K.C. Keeler remembers when Lanning approached him and said he got a call from Saban to join Alabama’s staff as a graduate assistant for the 2015 season. Lanning’s body language was telling, Keeler says; he wasn’t grinning. He felt like he was going to let Keeler down.

Keeler told Lanning he had to go, because that’s where he’d meet someone who would eventually notice him as a future head coach.

“It doesn’t take you long to figure out Dan Lanning’s style,” Keeler says. “I remember telling my wife back then, ‘I’m going to have this guy for a year.’ This guy was always on a different path.”

That path is forever detailed on his ribs, shown through Sauphia’s portrait.

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The Oregon symbol on her neck features a yellow ribbon in the center, commemorating her battle with an aggressive type of bone cancer in 2016. Their three sons, Caden, Kniles and Titan, are there. There’s the state of Texas outline for Sam Houston State, the Sun Devils pitchfork from Lanning’s time as a graduate assistant at Arizona State, the Pitt emblem for his year with the Panthers and Alabama’s signature “A.” There’s a boomerang honoring Outback Steakhouse, where Dan and Sauphia met as co-workers. The “816” is the area code of Lanning’s hometown in Missouri, and 33-18 is the score of Georgia’s win over Alabama in the national championship after the 2021 season when he was the Bulldogs defensive coordinator.

“It definitely hurt,” Lanning says.

The tribute to his life’s work isn’t meant as an ode to himself. It’s to his wife, his kids, his faith, his journey, the night shifts at Outback when he was courting Sauphia by paying for her 18th birthday dinner. It’s also a reminder to Lanning that the work is just starting.

“The seat I sit in now, I remember what it was like when I wasn’t sitting in it,” Lanning says. “Loyalty to me is giving the best you got every day, 10 toes down on the job that you’re responsible for and owning that and realizing success will come from that. I get to live my dream. I get to do exactly what I signed up for and what I’d hoped.”

Existing in one’s dream doesn’t mean it’s without its constant demands. The home office where he does video calls lately doesn’t have an impressive array of trophies and photos in the background; the office is his closet. It’s where he can tap in when needed to talk to players, parents or recruits. And when that’s done, it’s done, and he’s out on the couch informing his three boys the night’s movie is “Field of Dreams” or “Back to the Future.”

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“In a lot of ways in our jobs now, you’re a doctor on-call,” he says. “Something can happen at any moment and it requires your attention. What I think I’m getting better at is making sure I take advantage of those moments when it does arise. I’ve been poor at that. I’ve gone through basketball seasons where I got to see my son play once. That’s not something I’m proud of. I want to get better at it.”

He may sound like how a football coach is supposed to sound when he’s dissecting depth charts in media scrums, but Lanning is not a caricature of a football coach. It’s helped, he says, that the stops that brought him to Oregon have meant working for Saban, Georgia’s Kirby Smart, Florida State’s Mike Norvell and others.

“Great head coaches have to be themselves,” Lanning says. “If they try and be something else, or if you do what you think everybody else is doing, then you catch yourself in a trap.”

One avoids such traps by staying a step ahead. And Lanning, his friends and colleagues say, always has been. Since he was a 26-year-old on-campus recruiting coordinator at Arizona State, he possessed a preternatural ability to recruit.

And apparently he doesn’t miss when a window into his world swings open. Before Oregon’s 42-6 trouncing of Colorado last September, Lanning allowed ABC cameras into the Ducks’ locker room to capture a speech that went viral. Speaking of Deion Sanders’ Buffaloes becoming the topic du jour of the sports world, Lanning told his team, “They’re fighting for clicks, we’re fighting for wins.”

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It was a flashpoint in the 24-hour news cycle. The payoff was a glimpse for recruits to see that what you see with Lanning is what you get.


Oregon coach Dan Lanning catches raindrops on his tongue before the Ducks’ game against Cal on Nov. 4, 2023. (Ali Gradischer / Getty Images)

For much of the past decade, Oregon fans felt slighted, because they invested in two head coaches who vowed that Eugene was the place for them, that they’d guide the Ducks to title contention, only to leave for other jobs. Willie Taggart spent one year as head coach in 2017 before leaving for Florida State. His replacement, Mario Cristobal, coached four years at Oregon and ultimately left to coach his alma mater, Miami.

So imagine the level of paranoia when college football pundits listed Lanning as their guy to replace Saban. Lanning quashed it with the minute-long video. “When good things happen, speculation occurs — and there’s been a lot of good things that happened to us at Oregon,” Lanning says.

Before it saw the light of day on social media, on the night of Jan. 10, Lanning was on the phone with the mother of a recruit who was afraid that their decision to choose Oregon would be fleeting. She’d read the headlines connecting him with the Alabama job.

“I said, ‘If I made an announcement for you, would that make it clear exactly what we’re going to do?’” Lanning recalls. “The mom said that, ‘Yeah, that makes it really clear.’ And then I told her, ‘Hopefully at some point they’ll stop asking the question.’”

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New Oregon quarterback Dillon Gabriel says even though he’s been on campus for only four months, Lanning’s confidence in his program is infectious.

“How cool is that? That’s who I committed to,” Gabriel says. “That coach is the guy everyone wants for the right reasons. He’s great at connecting with people, he listens, he understands, he can translate that into action from a guy who’s been in it for a long time. Everything he’s said has come to fruition. He just keeps it real, and I think you can appreciate that. He just does the easy things at an elite level. He’s mastered it. That’s exactly why people want him.”

The Ducks are 22-5 in two years under Lanning and have cultivated one of the sport’s most explosive offenses with offensive coordinator Willie Stein calling the plays. With Heisman Trophy finalist Bo Nix at the helm last year, the Ducks ranked No. 2 in the country in total offense. Oregon’s defense finished top 25 in overall team defense, too. But the undoing of the team’s College Football Playoff aspirations were two agonizingly close losses to rival Washington.

The Ducks now prepare for a new era as they enter the Big Ten alongside the Huskies, USC and UCLA. Asked why he thinks this year’s Ducks have a shot at contending in the expanded 12-team playoff, Lanning says they’ve always been aggressive in looking to increase the talent on their roster, through recruiting high school players (the Ducks ranked No. 3 in the 247Sports recruiting team composite rankings in 2024) and in the NCAA transfer portal.

During the winter portal window, they added Gabriel (Oklahoma), cornerbacks Jabbar Muhammad (Washington) and Kam Alexander (UTSA), wide receiver Evan Stewart (Texas A&M) and former five-star recruit and UCLA QB Dante Moore. In the last week, the Ducks have further bolstered their defense with safety Peyton Woodyard (Alabama) and defensive lineman Derrick Harmon (Michigan State). Lanning staying put and believing he’s in Eugene for the long term has set up Oregon for both the present and the future.

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“Dan likes to prove people wrong,” Figg says. “Dan knows he can win a national championship at Oregon, and he wants to show the world he can do it.”

Oregon is no longer an upstart. The Ducks made a national championship appearance, though it was nearly a decade ago in 2015. Lanning believes the program can win it all in this quaint remote town thousands of miles away from where the Southeastern Conference has reigned supreme the past two decades.

“I love being part of a program that’s proactive,” Lanning says. “They’ve always wanted a great product. This is a place where you can create that.”

Lanning talks about making the jump from good to great. The Ducks being agonizingly close in big games has to change in the Big Ten era. Ohio State visits Oct. 12, and three weeks later, the Ducks go to The Big House to face reigning national champion Michigan on Nov. 2.

With his ribs aflame with pain after being tattooed, Lanning posed for Turner so he could share the work done in one sitting on Instagram. Turner was born and raised in Eugene. For years, he has tattooed Oregon players and the “O” symbol on fans. Never could he have imagined Chip Kelly or Mike Bellotti walking into his shop. But in talking to Lanning, Turner says he felt like the head coach is sold on the life and pace of his hometown.

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Before Lanning walked out the doors, he told Turner something the artist now fully believes.

“He told me he wanted to retire here,” Turner says.

(Illustration: Eamonn Dalton / The Athletic; photos: Tom Hauck / Getty Images)

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Try This Quiz and See How Much You Know About Jane Austen

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Try This Quiz and See How Much You Know About Jane Austen

“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.

Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”

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With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”

How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.

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By ‘A Lady’

Jane Austen’s House, Chawton, England

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Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)

Where the Magic Happened

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Janice Chung for The New York Times

Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.

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An Iconic Accessory

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Jane Austen’s House, Chawton, England

Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.

Austen Onscreen

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Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.

Jane Goes X-Rated

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Tony Cenicola/The New York Times

The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.

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A Lady Unmasked

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Jane Austen’s House, Chawton, England

Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”

Wearable Tributes

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Tony Cenicola/The New York Times

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It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.

The Austen Literary Universe

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Elizabeth Renstrom for The New York Times

On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)

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A Botanical Homage

Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.

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Aunt Jane

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Jane Austen’s House, Chawton, England

Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.

Cultural Currency

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Steve Parsons/Associated Press

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In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.

In the Trenches

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During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”

Baby Janes

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Tony Cenicola/The New York Times

You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.

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The Austen Industrial Complex

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Elizabeth Renstrom for The New York Times

Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.

Around the Globe

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Goucher College Special Collections & Archives, Alberta H. and Henry G. Burke Collection; via The Morgan Library & Museum

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Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.

Playable Persuasions

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In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.

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#SoJaneAusten

The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.

Bonnets Fit for a Bennett

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Peter Flude for The New York Times

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For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.

Most Ardently, Jane

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The Morgan Library & Museum

Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”

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Stage and Sensibility

Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.

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Austen 101

Tony Cenicola/The New York Times

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Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”

W.W.J.D.

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Tony Cenicola/The New York Times

When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?

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I Think This Poem Is Kind of Into You

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I Think This Poem Is Kind of Into You

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A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.

The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.

And then it bursts into flame.

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“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.

Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.

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We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.

To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.

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Louise Glück in 1975.

Gerard Malanga

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But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”

That’s the kind of poem she wrote.

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“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.

Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.

What happens next? That’s up to you.

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