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The story of the Chiefs’ roller-coaster offseason as the ride for a Super Bowl three-peat begins

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The story of the Chiefs’ roller-coaster offseason as the ride for a Super Bowl three-peat begins

KANSAS CITY, Mo. — Minutes after celebrating their place in NFL history, they were scrambling in terror.

Every prominent member of the Kansas City Chiefs — Andy Reid and his coaching staff, general manager Brett Veach, quarterback Patrick Mahomes, tight end Travis Kelce and their teammates — left the stage in front of Union Station and headed back into the grand hall. It was the city’s parade to honor their Super Bowl LVIII victory, the first NFL team to successfully defend a championship in almost two decades.

Minutes later gunshots sounded; the team and the thousands of fans celebrating on an unseasonably warm Valentine’s Day were plunged into chaos.

The 66-year-old Reid and a trio of players — running back Clyde Edwards-Helaire, right guard Trey Smith and long snapper James Winchester — were among those who ran toward children during the gunfire and tried to comfort those around them. According to a law enforcement source, granted anonymity for this story because he doesn’t have permission to speak publicly on the shooting, at one point police thought there was a shooter inside Union Station, where Chiefs personnel, coaches, players and their families had run for cover.

“I went to my grandkids and my family, like, Where are they?!” Reid said two weeks after the shooting. “Your instincts take over.”

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Edwards-Helaire, who has a reputation as one of the Chiefs’ most jovial players, had his usual offseason training halted several times while he dealt with post-traumatic stress disorder, a condition he has grappled with since fatally shooting a man attempting to rob him in 2018; the parade shooting worsened his severe anxiety.

When the shots finally stopped, 22 victims — half of them under the age of 16 — were wounded and one person, Lisa Lopez-Galvan, a disc jockey at Kansas City radio station KKFI and mother of two, was dead. The shooting stemmed from a dispute between several people, two of whom were under the age of 18 when they were detained by the Kansas City Police Department.

That horrific scene was how the Chiefs’ offseason began. It barely calmed down over the next six months: a rising star became embroiled in legal issues stemming from a high-speed crash, a future Hall of Famer battled time and the scrutiny that comes with dating the world’s most famous woman, their kicker thrust himself into the culture wars and a 25-year-old teammate almost died at the team’s training facility.

Starting Thursday night against the Baltimore Ravens, Chiefs players, coaches and front office members will spend the next five months trying to accomplish an unprecedented feat: Win a third consecutive Super Bowl. But first, they had to endure an offseason unlike any other.

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Rashee Rice’s rented Lamborghini SUV was approaching 120 miles per hour on a Dallas highway. He was part of a late-afternoon drag race on a busy stretch of the Central Expressway and, as he tried to weave through traffic, he slammed into a hatchback traveling in the left lane, setting off a chain reaction. The hatchback careened into the black Corvette that Rice was racing, sending the Corvette into a minivan before crashing into a retaining wall on the other side of the road. The minivan and a white SUV were sent spinning in the center lane. In the end, six vehicles were involved. In the immediate aftermath, Rice and four of his friends exited the two vehicles, made their way to the breakdown lane and walked away before police arrived, leaving behind the crash’s victims, baffled onlookers and two mangled luxury vehicles.

The March 30 crash involved Teddy Knox, a former SMU teammate of Rice who was the driver of the black Corvette. Two drivers of other vehicles were treated at the scene for minor injuries, and two occupants of another vehicle were taken to the hospital with minor injuries.

On April 11, Rice turned himself in at the Glenn Heights (Texas) Police Department after the Dallas PD issued an arrest warrant. Records showed Rice, who was booked and released on a $40,000 bond, is facing one count of aggravated assault, one count of collision involving serious bodily injury and six counts of collision involving injury, although a trial date has yet to be set. Two crash victims, Irina Gromova and Edvard Petrovskiy, are suing Rice and Knox for more than $10 million; a trial is set to begin next June.

Rice made his first public comments about the crash through an Instagram story post: “I take full responsibility for my part in this matter and will continue to cooperate with the necessary authorities. I sincerely apologize to everyone impacted in Saturday’s accident.”

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Less than a week after turning himself in to the police, Rice returned to work, participating in every aspect of the Chiefs’ offseason program. During training camp, he declined to share if he had been interviewed by commissioner Roger Goodell or anyone else from the league.

“The main thing for me is being able to be the best person I can be for my team so we can all come together and dominate,” Rice said in early August. “I’m just continuing to surround myself with the people I want to be like and continuing to surround myself with people who are going to allow me to grow to become a better person on and off the field. I’m going to continue to grow.”

Brian McCarthy, a league spokesman, said in a news video conference last week that Rice wouldn’t be placed on the league’s commissioner’s exempt list — which allows the league to remove a player facing felony charges from the playing field and take that disciplinary decision away from the team — “unless there is a material change in the case.”

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Since Reid became their head coach in 2013, the Chiefs have been willing to bring in players with a history of off-the-field transgressions. That was true of Rice, who was taken off at least three teams’ draft boards due to character concerns, according to league sources, before Kansas City moved up nine spots to select him in the second round of the 2023 draft.

A common misconception is that Reid’s Chiefs employ a loose, fun-all-the-time culture. In reality, Reid runs one of the most physical training camps in the NFL and they maintain those grueling practice habits throughout the season. Reid has learned to micromanage less, but swap out sleeveless hoodies for Tommy Bahama shirts — and Tom Brady for Mahomes — and you have an organization that has much more in common with the Patriot Way than most outsiders think. And similar to New England, the winning encourages players to buy in.

“They trust their infrastructure,” a rival GM said. “(Reid) can handle just about anything and make sure the leadership is strong to absorb those players. … Talent is a premium, for sure, and figuring out where to draw the line can definitely be taxing on the assistants. Bill (Belichick) was the same way. It’s all about risk tolerance and at what cost.”

Kansas City Chiefs wide receiver Rashee Rice (4) attends the second day of mandatory mini-camp practice at the Chiefs training complex on Wednesday, June 12, 2024, in Kansas City.

Despite a troubling offseason, the Chiefs still have extremely high expectations for Rashee Rice. (Emily Curiel / Kansas City Star / Tribune News Service / Getty Images)

Just a few weeks before the crash, Rice was in Fort Worth, Texas, training alongside Mahomes and Marquise Brown, the Chiefs’ newest veteran receiver. Mahomes, who spent a portion of his childhood in a Major League Baseball clubhouse, understands the need to use his voice to criticize Rice in a manner that is not solely punitive.

“There’s going to be punishments and stuff that they’re going to have to deal with,” Mahomes said of Rice last month. “But when you’re a guy on the team, you’re kind of like an older brother to the guy. You want to bring him up as best you can.

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“Obviously, they know they’ve made mistakes. They own up to them. But at the same time, how are we going to be better now? How can you learn from that mistake and not make that same mistake again? That’s what you’re doing in every aspect of life, not just football.”

The Chiefs have a potential superstar in Rice. As a rookie last season he was the Chiefs’ best receiver, recording 79 receptions for 938 yards and a team-high seven touchdowns. Based on his on-field performance this summer, the 24-year-old is expected to not merely build on that success in 2024 but potentially establish himself as one of the NFL’s elite receivers. The Chiefs have proved, in the short term, they can win without great receiver play. For the long term, Rice could be the answer to one of the questions looming over the franchise: Who will become Mahomes’ next go-to target? After all, Kelce cannot play forever.


Kelce was emotional, almost choking up at one point during the short social-media video directed toward Chiefs fans. He thanked them for their support and reminisced about when he arrived in Kansas City. It was April 29, the Monday after the NFL Draft, and the tight end had just signed a two-year contract extension.

The news was significant for two reasons: It made him the NFL’s highest-paid tight end for the first time in his career; and it was the first public indication of what Kelce, who will be 35 in October, told Reid and Veach before signing the deal: He thinks he has at least two more good years left.

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Kelce plans to help the franchise continue its success for at least a couple more seasons even as his fame in the world outside football grows exponentially after, last fall, his relationship with pop superstar Taylor Swift became public.

“I love playing in the NFL,” Kelce said in June. “This will always be my main focus. But outside of that, football ends for everybody, so (I’m) kind of dipping my toes in the water and seeing what (I) like in different areas and different career fields. I think the offseason is the best chance you can get to try and explore that and set yourself up for after football.”

Kelce spent much of the offseason in Los Angeles, his first step toward the acting career he plans to pursue after football. His first opportunity was in the spring; actress/comedian Niecy Nash-Betts revealed in early May that Kelce would be guest-starring alongside her, in an unspecified role, in “Grotesquerie,” an FX horror and drama show. Comedian and actor Adam Sandler shared last month that Kelce will play a supporting role in the much-anticipated “Happy Gilmore 2.” Kelce also flew to Europe several times — London, Dublin and many other cities — to attend as many of Swift’s concerts as possible, consistently shocked at the growing number of Chiefs jerseys he saw in each city.

Kelce’s life changed last season when he began dating Swift. His weekly podcast with his brother, Jason, “New Heights,” became one of the medium’s fastest-growing shows. Travis’s social media followers grew by more than 400,000. In less than a week, his No. 87 jersey rose to the top five in NFL sales, according to Fanatics.

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Kelce’s life also changed in less desirable ways. For instance, as paparazzi descended on his suburban home, he learned the hard way that dating the world’s most famous woman requires a gated community; he moved in November.

In 2023, the Chiefs became the third team in NFL history to play 21 regular- and postseason games in a single season. In the first six years of the Mahomes era, the Chiefs played an unmatched 18 postseason games, for a total of 117 games during that span; Kelce played in all but four of them. And yet, the Chiefs are not worried about Kelce potentially slowing down. As he followed Swift’s Eras Tour around the world this summer, Kelce brought a small team of trainers along with him. The world saw his surprise on-stage appearance as a performer during Swift’s late-June show at London’s Wembley Stadium, but few saw the full-time football work he continued to put in while overseas. And, European tours and acting gigs aside, he didn’t miss a single Chiefs workout this summer, mandatory or voluntary.

It might not be TB12, but those in the Chiefs building say Kelce is obsessed with body maintenance. It’s cliché to insist that your best players are your hardest workers, but even Veach was surprised when, on his way out the door on Monday — after the team’s hardest practice of the week — he saw his All-Pro tight end doing band work in an otherwise empty weight room at 9 p.m.

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There’s no doubt that Kelce still has both feet in the football world, just like there’s no doubt that Swift is fully embracing her Chiefs fandom. It did, however, take everyone involved a little bit of time to find the rhythm to this dance.

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For instance, Swift made her first appearance at Arrowhead Stadium last September. The lasting image of an otherwise forgettable blowout victory over the Chicago Bears: When Kelce caught a 3-yard touchdown to stretch the lead to 41-0, cameras caught Swift jumping, cheering and shouting three words: Let’s f—ing go!

Before the Chiefs’ locker room was opened after the game, players were asked to not discuss Swift with reporters, a request from Kelce that led to awkward interactions between players and reporters surrounding one of the game’s biggest storylines.

“It’s crazy that someone was at a football game, right?” defensive end George Karlaftis said, smiling, in response to a question about Swift. “I don’t know what you guys want. I’m happy for him.”

That day brought a new kind of stress for the Chiefs’ security operation, which had to coordinate with Swift’s team for her safe entry into and exit from the stadium. With the game winding down in the fourth quarter, security put its original plan into motion, ushering Swift out to a meeting point with Kelce. Only, Swift had a different idea: She wanted to watch the end of her boyfriend’s game. That meant plans had to change on the fly. Ultimately, the security detail had Swift wait in the suite after the game until Kelce was ready to meet her there. The couple later exited Arrowhead as if they were the homecoming king and queen, driving downtown in his burgundy convertible. Their first public date occurred at Prime Social in the city’s Country Club Plaza area, a night when more than a third of Kelce’s teammates joined the gathering with Swift’s friends.

At a practice the next week, Kunal Tanna, Veach’s assistant, made the usual rounds, asking those in each position room if they had any song requests for that day’s workout. That’s how one of Swift’s songs made it onto the playlist, making for a light moment during practice. Mahomes approached Tanna. “That was really funny,” he said, before adding, “don’t ever do it again” — a message for Tanna, and for the team, that outside noise stays outside the practice field.

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Swift was learning a new world as well. She attended her first road game a week later, a Sunday nighter against the New York Jets in East Rutherford, N.J. When Swift arrived at MetLife Stadium, rather than being greeted by a raucous crowd of paparazzi, it was a collection of sports journalists, as polite as they were unsure of what to do. “It’s so quiet in here,” Swift said after exiting her car; she then had a chance to enjoy the likely unfamiliar sound of her own footsteps echoing as she made her way through the tunnel.

Swift continued attending games, and as the season progressed, the rhythm became more familiar for everyone involved. The organization embraced her presence. She was on the field next to Kelce just minutes after the Chiefs won the AFC Championship Game in Baltimore. Much to the surprise of just about everyone, she was on the field in the chaotic moments after Super Bowl LVIII. (For those wondering, she will be in attendance for Thursday night’s season opener against the Ravens.)

A Kansas City Chiefs fan holds a campaign sign for Taylor Swift and Travis Kelce in the stands prior to an NFL preseason football game against the Jacksonville Jaguars at EverBank Stadium on August 10, 2024 in Jacksonville, Florida.

This was the only sign of Taylor Swift this preseason, but things should be different on Thursday night. (Kevin Sabitus / Getty Images)

Even with Mahomes, on a trajectory to become the greatest player in NFL history, as their leader, no one has generated more positive buzz for the Chiefs than Kelce. When 32 players took the stage in front of the Rose Garden with President Joe Biden in late May, it was Kelce who was given the opportunity to step into the spotlight.

After an invitation from the president, Kelce joined Biden at the lectern: “My fellow Americans, it’s nice to see you all again… I’m not gonna lie, President Biden, they told me if I came up here I’d get tased, so I’m gonna go back to my spot.”

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The ceremony ended with owner Clark Hunt and Reid presenting Biden with the gift of a Chiefs helmet that featured three autographs in black marker, from Reid, Veach and team president Mark Donovan. When there was a pause during a photo opp, Kelce led a group of players encouraging Biden to put the helmet on.

Biden obliged. There were cheers and laughter. Even kicker Harrison Butker, stoic in the top row for most of the ceremony, couldn’t help but crack a smile.


Speaking to a packed gymnasium in Atchison, Kan., on May 11, Butker’s address to Benedictine College’s Class of 2024 started the way most commencement speeches do: He congratulated the graduates. Nothing else he said over the next 20 minutes was ordinary.

The 28-year-old kicker referred to Pride Month, the events in June demonstrating inclusivity and support for the LGBTQ+ community, as an example of the “deadly sins,” as he advocated for a more conservative brand of Catholicism. He criticized Biden on several issues, including abortion and the handling of the COVID-19 pandemic, even questioning Biden’s personal devotion to Catholicism. Addressing a class that included hundreds of women, Butker said a woman’s most important title is “homemaker.”

“It is you, the women, who have had the most diabolic lies told to you,” Butker told them. “Some of you may go on to lead successful careers in the world, but I would venture to guess that the majority of you are most excited about your marriage and the children you will bring into this world.”

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Hours after the speech was posted to YouTube, the backlash began. GLAAD, a non-profit LGBTQ advocacy organization, denounced the speech. So did the order of nuns affiliated with Benedictine College. Jokes started rolling in. At the 2024 ESPY Awards, which Butker attended, tennis legends Serena and Venus Williams discussed the year in women’s sports onstage with “Abbott Elementary” star Quinta Brunson. Venus told the audience to “go ahead and enjoy women’s sports, like you would any other sports, because they are sports.”

Serena added the punchline: “Except you, Harrison Butker. We don’t need you.”

“At all. Like, ever,” Brunson added.

There were also those who rallied in support of Butker. Within a week of the speech, the women’s version of Butker’s jersey was out of stock in the official Chiefs Pro Shop, and his men’s jersey was listed among the top sellers on NFLshop.com. A fan made a large sign in support of Butker, placing it alongside the highway near Missouri Western State’s campus, where the Chiefs held training camp: “Thank you Harrison Butker for having the courage to speak the truth.”

The NFL released a statement distancing itself from Butker’s comments, saying his views are not those of the league. Mahomes and Kelce expressed their disagreement with Butker’s comments, too, but voiced their respect for him as a teammate.

In the days after Butker’s speech, those in Chiefs leadership felt all they could do was wait to see what happened when Butker returned for OTAs. They were surprised, not only by the amount of attention the speech drew but that Butker had agreed to make a speech at all. While the Chiefs know Butker is devoutly religious, he has never been especially aggressive in sharing his beliefs. For Butker’s part, when Benedictine College asked him to be its commencement speaker just days after Super Bowl LVIII, he initially declined before reconsidering.

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“I try to protect my privacy as much as possible, but I’ve been in the league seven years and I do have a platform,” Butker said. “With that comes people who want me to state what I believe to be very important.”

All eyes were on Butker, and his interactions with his teammates, on that first day back in the locker room. He did crossword puzzles in the training room with some of the defensive linemen. He chatted with other teammates. And for the Chiefs, it seemed clear that, while this was an understandably big issue outside their facility, it wasn’t going to be a problem inside it.

“Ever since that speech, there’s been tons of conversations in the locker room, guys connecting and trying to understand each other,” Butker said. “It’s been a beautiful thing to see. That’s what’s so special about sports. There’s not many sports where you have 50 to 100 guys with a bunch of different beliefs and we’re all fighting together to win.”


Sitting in a special teams meeting on June 6, Butker heard a commotion behind him. Then he felt the jolt of someone kicking his chair. “I turned around,” Butker said, “and B.J. wasn’t doing well.”

The kicker sprinted out of the meeting room and to the Chiefs’ training room, alerting assistant trainers Julie Frymyer and David Glover. By that point, B.J. Thompson, a 25-year-old defensive end, was in the throes of a seizure.

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Within minutes, vice president of sports medicine and performance Rick Burkholder and his staff — Frymyer, Glover, Tiffany Morton and Evan Craft — and Dr. Jean-Philippe E Darche, a former center who played nine seasons in the NFL, worked together to resuscitate Thompson, who fell to the floor after going into cardiac arrest. He was taken by ambulance to the University of Kansas Medical Center and was placed on a ventilator under heavy sedation.

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The NFL requires every team to practice its emergency action plan before every game and during the workweek at its training facility.

“We practiced on (that) Monday with a group called Walters Incorporated, who comes in and educates us and goes through scenarios like we went through,” Burkholder said.

Thompson woke up in a stable condition and was responsive within 24 hours. A week after being released from the hospital, he rejoined his teammates, making his first public appearance for the Chiefs’ Super Bowl ring ceremony at the Nelson-Atkins Museum of Art in Kansas City.

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Thompson, a second-year player who was selected in the fifth round of the 2023 draft, was working to contribute as a role player on defense and special teams after appearing in only the regular-season finale as a rookie. After his release from the hospital, he spent several days watching practice. He’ll start this season on the non-football injury list, which will give him more time to go through several medical evaluations before he can be cleared to participate in football activities again. Reid said Thompson could return to the practice field as early as November.


The Chiefs’ offseason drama extended beyond their football operations. Two weeks after the parade shooting, Hunt spoke publicly at a news conference inside Arrowhead about the future of the 52-year-old venue. The Chiefs unveiled renderings of what they hoped would be the next major renovations — changes included enhanced suites, video boards and club lounges. The renovations were projected to cost $800 million; Hunt said he and his family would contribute $300 million.

During the news conference, the NFL Players Association released the findings of its second annual survey, team-by-team report cards that assess players’ working conditions and environments. The Chiefs ranked 31st among the NFL’s 32 teams. The bad news kept coming when, a month later, voters in Jackson County, Mo., rejected an extension of the three-eighths-cent sales tax on a ballot initiative that would have funded stadium renovations for the Chiefs and Kansas City Royals. The margin of defeat was overwhelming: 58 percent voted no.

None of that stopped Hunt from investing in the on-field product. He signed Reid, Veach and Donovan to contract extensions through the 2029 season, with Reid earning $25 million per year, becoming the league’s highest-paid coach. Having already signed Mahomes to the longest contract in the league (which runs through the 2031 season), Hunt authorized Veach and Reid to sign Kelce, Butker, pass rusher Chris Jones and center Creed Humphrey to new deals, each one becoming the highest-paid player at their position. If the Chiefs fall short of a three-peat, it won’t be because the organization didn’t invest in its upcoming mission.

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Travis Kelce of the Kansas City Chiefs reacts after defeating the San Francisco 49ers 25-22 during Super Bowl LVIII at Allegiant Stadium on February 11, 2024 in Las Vegas, Nevada.

As he left the field after Super Bowl LVIII, there was one thing on Travis Kelce’s mind. (Jamie Squire/Getty Images)

The Chiefs endured an offseason that required unique resilience. Perhaps the most meaningful sign of that resilience came not in the days or months, but the minutes after Super Bowl LVIII in February. Kelce, exhausted after the overtime victory that ended the longest season of his career, took a moment to celebrate on the field.

Then, during a long, slow walk back to the locker room, he delivered a simple message: “We’re doing this again next year.”

(Top photos, left to right: Chip Somodevilla / Getty Images; Courtney Culbreath / Getty Images; Michael Owens / AP)

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Culture

Famous Authors’ Less Famous Books

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Famous Authors’ Less Famous Books

Literature

‘Romola’ (1863) by George Eliot

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Karl Leitz for Anthony Cotsifas Studio

Who knew that there’s a major George Eliot novel that neither I nor any of my friends had ever heard of?

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“Romola” was Eliot’s fourth novel, published between “The Mill on the Floss” (1860) and “Middlemarch” (1870-71). If my friends and I didn’t get this particular memo, and “Romola” is familiar to every Eliot fan but us, please skip the following.

“Romola” isn’t some fluky misfire better left unmentioned in light of Eliot’s greater work. It’s her only historical novel, set in Florence during the Italian Renaissance. It embraces big subjects like power, religion, art and social upheaval, but it’s not dry or overly intellectual. Its central character is a gifted, freethinking young woman named Romola, who enters a marriage so disastrous as to make Anna Karenina’s look relatively good.

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It probably matters that many of Eliot’s other books have been adapted into movies or TV series, with actors like Hugh Dancy, Ben Kingsley, Emily Watson and Rufus Sewell. The BBC may be doing even more than we thought to keep classic literature alive. (In 1924, “Romola” was made into a silent movie starring Lillian Gish. It doesn’t seem to have made much difference.)

Anthony Trollope, among others, loved “Romola.” He did, however, warn Eliot against aiming over her readers’ heads, which may help explain its obscurity.

All I can say, really, is that it’s a mystery why some great books stay with us and others don’t.

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‘Quiet Dell’ (2013) by Jayne Anne Phillips

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Karl Leitz for Anthony Cotsifas Studio

This was an Oprah Book of the Week, which probably disqualifies it from B-side status, but it’s not nearly as well known as Phillips’s debut story collection, “Black Tickets” (1979), or her most recent novel, “Night Watch” (2023), which won her a long-overdue Pulitzer Prize.

Phillips has no parallel in her use of potent, stylized language to shine a light into the darkest of corners. In “Quiet Dell,” her only true-crime novel, she’s at the height of her powers, which are particularly apparent when she aims her language laser at horrific events that actually occurred. Her gift for transforming skeevy little lives into what I can only call “Blade Runner” mythology is consistently stunning.

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Consider this passage from the opening chapter of “Quiet Dell”:

“Up high the bells are ringing for everyone alive. There are silver and gold and glass bells you can see through, and sleigh bells a hundred years old. My grandmother said there was a whisper for each one dead that year, and a feather drifting for each one waiting to be born.”

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The book is full of language like that — and of complex, often chillingly perverse characters. It’s a dark, underrecognized beauty.

‘Solaris’ (1961) by Stanislaw Lem

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Karl Leitz for Anthony Cotsifas Studio

You could argue that, in America, at least, the Polish writer Stanislaw Lem didn’t produce any A-side novels. You could just as easily argue that that makes all his novels both A-side and B-side.

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It’s science fiction. All right?

I love science and speculative fiction, but I know a lot of literary types who take pride in their utter lack of interest in it. I always urge those people to read “Solaris,” which might change their opinions about a vast number of popular books they dismiss as trivial. As far as I know, no one has yet taken me up on that.

“Solaris” involves the crew of a space station continuing the study of an aquatic planet that has long defied analysis by the astrophysicists of Earth. Part of what sets the book apart from a lot of other science-fiction novels is Lem’s respect for enigma. He doesn’t offer contrived explanations in an attempt to seduce readers into suspending disbelief. The crew members start to experience … manifestations? … drawn from their lives and memories. If the planet has any intentions, however, they remain mysterious. All anyone can tell is that their desires and their fears, some of which are summoned from their subconsciousness, are being received and reflected back to them so vividly that it becomes difficult to tell the real from the projected. “Solaris” has the peculiar distinction of having been made into not one but two bad movies. Read the book instead.

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‘Fox 8’ (2013) by George Saunders

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Karl Leitz for Anthony Cotsifas Studio

If one of the most significant living American writers had become hypervisible with his 2017 novel, “Lincoln in the Bardo,” we’d go back and read his earlier work, wouldn’t we? Yes, and we may very well have already done so with the story collections “Tenth of December” (2013) and “Pastoralia” (2000). But what if we hadn’t yet read Saunders’s 2013 novella, “Fox 8,” about an unusually intelligent fox who, by listening to a family from outside their windows at night, has learned to understand, and write, in fox-English?: “One day, walking neer one of your Yuman houses, smelling all the interest with snout, I herd, from inside, the most amazing sound. Turns out, what that sound is, was: the Yuman voice, making werds. They sounded grate! They sounded like prety music! I listened to those music werds until the sun went down.”

Once Saunders became more visible to more of us, we’d want to read a book that ventures into the consciousness of a different species (novels tend to be about human beings), that maps the differences and the overlaps in human and animal consciousness, explores the effects of language on consciousness and is great fun.

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We’d all have read it by now — right?

‘Between the Acts’ (1941) by Virginia Woolf

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Karl Leitz for Anthony Cotsifas Studio

You could argue that Woolf didn’t have any B-sides, and yet it’s hard to deny that more people have read “Mrs. Dalloway” (1925) and “To the Lighthouse” (1927) than have read “The Voyage Out” (1915) or “Monday or Tuesday” (1921). Those, along with “Orlando” (1928) and “The Waves” (1931), are Woolf’s most prominent novels.

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Four momentous novels is a considerable number for any writer, even a great one. That said, “Between the Acts,” her last novel, really should be considered the fifth of her significant books. The phrase “embarrassment of riches” comes to mind.

Five great novels by the same author is a lot for any reader to take on. Our reading time is finite. We won’t live long enough to read all the important books, no matter how old we get to be. I don’t expect many readers to be as devoted to Woolf as are the cohort of us who consider her to have been some sort of dark saint of literature and will snatch up any relic we can find. Fanatics like me will have read “Between the Acts” as well as “The Voyage Out,” “Monday or Tuesday” and “Flush” (1933), the story of Elizabeth Barrett Browning’s cocker spaniel. Speaking for myself, I don’t blame anyone who hasn’t gotten to those.

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I merely want to add “Between the Acts” to the A-side, lest anyone who’s either new to Woolf or a tourist in Woolf-landia fail to rank it along with the other four contenders.

As briefly as possible: It focuses on an annual village pageant that attempts to convey all of English history in a single evening. The pageant itself interweaves subtly, brilliantly, with the lives of the villagers playing the parts.

It’s one of Woolf’s most lusciously lyrical novels. And it’s a crash course, of sorts, in her genius for conjuring worlds in which the molehill matters as much as the mountain, never mind their differences in size.

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It’s also the most accessible of her greatest books. It could work for some as an entry point, in more or less the way William Faulkner’s “As I Lay Dying” (1930) can be the starter book before you go on to “The Sound and the Fury” (1929) or “Absalom, Absalom!” (1936).

As noted, there’s too much for us to read. We do the best we can.

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Culture

6 Poems You Should Know by Heart

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6 Poems You Should Know by Heart

Literature

‘Prayer’ (1985) by Galway Kinnell

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Whatever happens. Whatever
what is is is what
I want. Only that. But that.

Galway Kinnell in 1970. Photo by LaVerne Harrell Clark, © 1970 Arizona Board of Regents. Courtesy of the University of Arizona Poetry Center

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“I typically say Kinnell’s words at the start of my day, as I’m pedaling a traffic-laden path to my office,” says Major Jackson, 57, the author of six books of poetry, including “Razzle Dazzle” (2023). “The poem encourages a calm acceptance of the day’s events but also wants us to embrace the misapprehension and oblivion of life, to avoid probing too deeply for answers to inscrutable questions. I admire what Kinnell does with only 14 words; the repetition of ‘what,’ ‘that’ and ‘is’ would seem to limit the poem’s sentiment but, paradoxically, the poem opens widely to contain all manner of human experience. The three ‘is’es in the middle line give it a symmetry that makes its message feel part of a natural order, and even more convincing. Thanks to the skillful punctuation, pauses and staccato rhythm, a tonal quality of interior reflection emerges. Much like a haiku, it continues after its last words, lingering like the last note played on a piano that slowly fades.”

“Just as I was entering young adulthood, probably slow to claim romantic feelings, a girlfriend copied out a poem by Pablo Neruda and slipped it into an envelope with red lipstick kisses all over it. In turn, I recited this poem. It took me the remainder of that winter to memorize its lines,” says Jackson. “The poem captures the pitch of longing that defines love at its most intense. The speaker in Shakespeare’s most famous sonnet believes the poem creates the beloved, ‘So long as men can breathe or eyes can see, / So long lives this, and this gives life to thee.’ (Sonnet 18). In Rilke’s expressive declarations of yearning, the beloved remains elusive. Wherever the speaker looks or travels, she marks his world by her absence. I find this deeply moving.”

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Lucille Clifton in 1995. Afro American Newspapers/Gado/Getty Images

“Clifton faced many obstacles, including cancer, a kidney transplant and the loss of her husband and two of her children. Through it all, she crafted a long career as a pre-eminent American poet,” says Jackson. “Her poem ‘won’t you celebrate with me’ is a war cry, an invitation to share in her victories against life’s persistent challenges. The poem is meaningful to all who have had to stare down death in a hospital or had to bereave the passing of close relations. But, even for those who have yet to mourn life’s vicissitudes, the poem is instructive in cultivating resilience and a persevering attitude. I keep coming back to the image of the speaker’s hands and the spirit of steadying oneself in the face of unspeakable storms. She asks in a perfectly attuned gorgeously metrical line, ‘what did i see to be except myself?’”

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‘Sonnet 94’ (1609) by William Shakespeare

They that have power to hurt and will do none,
That do not do the thing they most do show,
Who, moving others, are themselves as stone,
Unmovèd, cold, and to temptation slow,
They rightly do inherit heaven’s graces
And husband nature’s riches from expense;
They are the lords and owners of their faces,
Others but stewards of their excellence.
The summer’s flower is to the summer sweet,
Though to itself it only live and die;
But if that flower with base infection meet,
The basest weed outbraves his dignity.
For sweetest things turn sourest by their deeds;
Lilies that fester smell far worse than weeds.

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“It’s one of the moments of Western consciousness,” says Frederick Seidel, 90, the author of more than a dozen collections of poetry, including “So What” (2024). “Shakespeare knows and says what he knows.”

“It trombones magnificent, unbearable sorrow,” says Seidel.

“It’s smartass and bitter and bright,” says Seidel.

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These interviews have been edited and condensed.

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Classic and Contemporary Literature From France, Japan, India, the U.K. and Brazil

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Classic and Contemporary Literature From France, Japan, India, the U.K. and Brazil

Literature

FRANCE

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According to the writer Leïla Slimani, 44, the author of ‘The Country of Others’ (2020).

Classic

‘Essais de Montaigne’ (‘Essays of Montaigne,’ 1580)

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“France is a country of nuance with a love of conversation and freedom and an aversion to fanaticism. It’s also a country built on reflexive subjectivity. Montaigne reveals all that, writing, ‘I am myself the matter of my book.’”

Contemporary

‘La Carte et le Territoire’ (‘The Map and the Territory,’ 2010) by Michel Houellebecq

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“Houellebecq describes France as a museum, where landscape turns into décor and where rural areas are emptying out. He shows the gap between the Parisian elite and the rest of the population, which he paints as aging and disoriented by modernity. It’s a melancholic and yet ironic novel about a disenchanted nation.”

JAPAN

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According to the writer Yoko Ogawa, 64, the author of ‘The Memory Police’ (1994).

Classic

‘Man’yoshu’ (late eighth century)

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“‘Man’yoshu,’ the oldest extant collection of Japanese poetry, reflects a diversity of voices — from emperors to commoners. They bow their heads to the majesty of nature, weep at the loss of loved ones and find pathos in death. The pages pulse with the vitality of successive generations.”

Contemporary

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‘Tenohira no Shosetsu’ (‘Palm-of-the-Hand Stories,’ 1923-72) by Yasunari Kawabata

“The essence of Japanese literature might lie in brevity: waka [a classical 31-syllable poetry form], haiku and short stories. There’s a tradition of cherishing words that seem to well up from the depths of the heart, imbued with warmth. Kawabata, too, exudes more charm in his short stories — especially these very short ‘palm-of-the-hand’ stories — than in his full-length novels. Good and evil, beauty and ugliness, love and hate — everything is contained in these modest worlds.”

INDIA

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According to Aatish Taseer, 45, a T contributing writer and the author of ‘Stranger to History: A Son’s Journey Through Islamic Lands’ (2009).

Classic

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‘The Kumarasambhava’ (‘The Birth of Kumara,’ circa fifth century) by Kalidasa

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“This is an epic poem by the greatest of the classical Sanskrit poets and dramatists. The gods are in a pickle. They’re being tormented by a monster, but Shiva, their natural protector, is deep in meditation and cannot be disturbed. Kama, the god of love, armed with his flower bow, is sent down from the heavens to waken Shiva. Never a wise idea! The great god, in his fury, opens his third eye and incinerates Kama. But then, paradoxically, the death of the god of love engenders one of the greatest love stories ever told. In the final canto, Shiva and his wife, the goddess Parvati, have the most electrifying sex for days on end — and, 15 centuries on, in our now censorious time, it still leaves one agog at the sensual wonder that was India.”

Contemporary

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‘The Complex’ (2026) by Karan Mahajan

“This state-of-the-nation novel, which was published just last month, captures the squalor and malice of Indian family life. Delhi is both my and Mahajan’s hometown and, in this sprawling homage to India’s capital, we see it on the eve of the economic liberalization of the 1990s, as the old socialist city gives way to a megalopolis of ambition, greed and political cynicism.”

THE UNITED KINGDOM

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According to the writer Tessa Hadley, 70, the author of ‘The London Train’ (2011).

Classic

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‘Jane Eyre’ (1847) by Charlotte Brontë

“Written almost 200 years ago, it remains an insight into our collective soul — or at least its female part. Somewhere at the heart of us there’s a small girl in a wintry room, curled up in the window seat with a book, watching the lashing rain on the window glass: ‘There was no possibility of taking a walk that day. …’ Jane’s solemnity, her outraged sense of justice, her trials to come, the wild weather outside, her longing for something better, for love in her future: All this speaks, perhaps problematically, to something buried in the foundations of our idea of ourselves.”

Contemporary

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‘All That Man Is’ (2016) by David Szalay

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“Though he isn’t quite completely British (he’s part Canadian, part Hungarian), Szalay is brilliant at catching certain aspects of British men — aspects that haven’t been written about for a while, now updated for a new era. Funny, exquisitely observed and terrifying, this novel reminds us, too, how absolutely our fate and our identity as a nation belong with the rest of Europe.”

BRAZIL

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According to the writer and critic Noemi Jaffe, 64, the author of ‘What Are the Blind Men Dreaming?’ (2016).

Classic

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‘Memórias Póstumas de Brás Cubas’ (‘The Posthumous Memoirs of Brás Cubas,’ 1881) by Machado de Assis

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“Not only is it experimental in style — very short chapters mixed with long ones; different points of view; narrated by a corpse; metalinguistic — but it also introduces an extremely ironic view of the rising bourgeoisie in Rio de Janeiro at the time, revealing the hypocrisy of slave owners, the falsehood of love affairs and the only true reason for all social relationships: convenience and personal interest. After almost 150 years, it’s still modern, both formally and, unfortunately, also in content.”

Contemporary

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‘Onde Pastam os Minotauros’ (‘Where Minotaurs Graze,’ 2023) by Joca Reiners Terron

“The two main characters — Cão and Crente — along with some of their colleagues, plan to escape and set fire to the slaughterhouse where they work under exploitative conditions. The men develop sympathy for the animals they kill, and one of them becomes a sort of philosopher, revealing the sheer nonsense of existence and the injustices of society in the deepest parts of Brazil.”

These interviews have been edited and condensed.

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