Culture
The kid from ‘nowhere’ setting records at Ole Miss
LOUISVILLE, Ky. — They called him “Nowhere.”
He was 11 years old when he showed up with little to no warning on the football field behind Doss High School. It was one of the few times that Tim Richardson, who ran the local youth football league, didn’t have the skinny on one of the players.
“No one knew who he was,” said Richardson. “We didn’t know what to do with him.”
The coaches were so caught off guard they played the kid on offensive and defensive lines as a seventh grader. Once Richardson got him as an eighth grader, he realized the quiet, mysterious outsider was outrunning everyone else on the team, much too fast and athletic to linger in the trenches. Richardson moved him to receiver, quarterback, running back — any position where he could put the ball in his hands — unlocking the best player on one of the top youth teams in the country.
“I had him touch it about every other play,” Richardson said. “He might have had 35 touchdowns that season.”
But even as a star player, with area high school coaches scouting his games, he remained the unknown kid who showed up out of the mist, a trace of something unsaid always trailing close behind him.
On the back of his jersey, instead of his name, they even put “NO-WHERE.”
Today, Jordan Watkins is a senior wide receiver for the Ole Miss Rebels, No. 16 in the College Football Playoff rankings. Last Saturday, Watkins set two Ole Miss single-game receiving marks with 254 yards and five touchdowns in a win at Arkansas. This Saturday, the Rebels and Lane Kiffin’s high-powered offense will take the field in Oxford, Miss., against the No. 3 Georgia Bulldogs in search of a victory to bolster their chances of making the 12-team Playoff.
But before he became a record-setting starter on a top-rated SEC offense, Watkins was that kid from nowhere.
When Watkins was 8 years old, he sobbed as he watched his mom was driven away in the back of a cop car. He can still hear the officer telling him, “Don’t worry, your mom will be back soon.”
He didn’t see her again for almost two years.
Paula Baker was a child of addiction. She started drinking at age 12, smoked weed as a teenager, used cocaine at 18 and got hooked on OxyContin at 21. She was a mother of two by then, having Jordan at 17 and his younger brother, Elijah, a few years later.
She did her best to keep the substance abuse out of the house and away from the kids, but eventually started trafficking drugs to feed her habit. At age 25, she got kicked out of her apartment in central Ohio, so she packed up her two boys and called a friend back home in Ashland, Ky., asking if they could crash at her place. They arrived in the middle of the night, Watkins and his little brother asleep in the back seat. Paula got arrested the next day, busted for making a deal to scrounge up money for a new place to stay, violating parole in the process.
“That was the bottom for me,” Paula said.
She wound up at the Western Kentucky Correctional Facility, where she spent more than 18 months. The boys stayed with their aunt in Ashland, five hours away on the opposite side of the state. They didn’t see their mom for her entire incarceration. Watkins would tell his friends that she was on a business trip.
Paula was eventually paroled and granted a conditional release to The Healing Place, a recovery center in Louisville, where she was required to spend another 18 months. It was a couple of hours closer to Ashland, and her sister brought the boys to see her the week she arrived. They all sat together in the common room around a Christmas tree.
She had been sober for more than a year and a half by that point, but quickly realized she had no true understanding of addiction or recovery.
“I didn’t know addiction was a disease, or that I wasn’t a horrible person. But I heard these stories of recovery, and that’s what I wanted,” she said. “I didn’t want to live a chaotic life anymore.”
By May 2013, she had completed her recovery program and was working part-time at The Healing Place, saving up enough money to get a place with Austin Baker, her future husband, who had just gone through his own recovery program. She regained full custody of her boys and moved them from Ashland to Louisville.
Eleven-year-old Watkins struggled with the transition. Watkins’ father had never been a consistent figure in his life, and now he had to leave his friends in Ashland for a new city, to move in with his mom after more than three years apart, and with Austin suddenly in the picture.
“He was mad, and I understood why,” said Paula. “He didn’t know what was going to happen, if I was going to end up back in prison. It was all new for him too.”
The football field was Watkins’ haven.
“You could tell when he showed up, it was an outlet for him,” said Richardson.
For the next few years, Watkins lashed out at home and picked fights at school, following a timeworn recipe of rebellious behavior.
“It took me a very long time to forgive my mom for going away,” said Watkins. “I hate that in retrospect, because I love my mom to death, but I was clearly acting out to show how much resentment I had toward her.”
Richardson heard stories about Watkins causing trouble, but he never saw it on the field. Watkins would ask questions about route-running and schemes, but he mostly kept to himself, burying that anger.
Things started to turn during Watkins’ freshman year of high school. He was ineligible for the football team at his public school because of all the suspensions he racked up, so Paula and Austin enrolled him in a private school, barely able to afford his tuition.
“They had to sacrifice everything just so I could play football,” said Watkins. “I messed things up by being spiteful, but I saw what they were trying to do for me.”
He didn’t come to this realization immediately, or all on his own. There was a lot of therapy, as a family and individually. Watkins bucked against it at first, then was drawn to it, working with a therapist named David for a few years. The two of them would grab a bite to eat. Take walks. Visit the library to do homework.
“There are still a lot of people in today’s society that think therapy is for sissies, that as a man you have to be tough. I try to be open about the fact that therapy changed my life,” said Watkins. “David didn’t expect anything in return from me, didn’t need me to be someone I wasn’t. He was just trying to help me.”
Once Watkins accepted that his mom and Austin were trying to help, too, the scars began to heal.
By his senior year at Butler Traditional High School, he emerged as a three-star wide receiver and committed to play for Louisville in the 2020 class. He liked the idea of his family being a 10-minute drive from the stadium, but after two years with the hometown Cardinals, he entered the transfer portal. Watkins received plenty of interest, but Kiffin — who has been open about his own journey to sobriety — sold him on Ole Miss.
“Coach Kiffin told Jordan if he wanted to go to the NFL, he needed to come play for him,” said Austin.
Watkins has 118 catches for 1,739 yards and 12 touchdowns midway through his third season with the Rebels. Paula didn’t love her son moving more than six hours away, but she recognized what it could mean for his future, that he was ready for a new challenge. And she was ready, too.
Paula has been sober for more than 14 years. These days, Watkins is a self-described “mama’s boy” who talks to her every day. He’s grown close with Austin, too, the first person Watkins called when he got the new College Football 25 video game featuring his own likeness, and whom he immediately FaceTimed when he hit a hole-in-one this summer, out of breath from sprinting to the green. Watkins will regularly send pictures to the family group chat of what he cooked for dinner on his flat-top grill.
“I’ve always held onto that little bit of hope: If you wake up and keep doing it day by day, things get better,” said Paula. “And it’s true.”
Ole Miss wide receiver Jordan Watkins, pictured with his mother, Paula Baker, says therapy changed his life. (Courtesy of Paula Baker)
Ken Trogdon was giddy watching the highlights of Ole Miss’ win last week. The South Carolina alum and resident is a loyal Gamecocks supporter, but he’s become a fan of the Rebels through his connection to Watkins, whom he met earlier this year.
“Five touchdowns? I was so excited for Jordan,” said Trogdon. “He’s such a special young man.”
About 12 years ago, Trogdon, a healthcare administrator, founded HarborPath as a nonprofit organization that supplies medications to vulnerable populations nationwide. That mission soon intersected with the opioid and fentanyl crises, including efforts to distribute and inform people about naloxone — commonly known as Narcan — a drug that can reverse opioid and fentanyl overdoses. For the past few years, HarborPath has worked to get naloxone within arms reach of as many people as possible.
That’s what brought Trogdon to Ole Miss this past winter. HarborPath supplied Narcan to the William Magee Center, founded in 2019 in honor of a former Ole Miss track athlete who died of an accidental overdose. Anyone can stop by and pick up Narcan for free, no questions asked.
Trogdon approached The Grove Collective, an Ole Miss-affiliated name, image and likeness organization, about partnering with Ole Miss athletes in social media videos to spread awareness. Watkins, a prominent football player who was comfortable in front of the camera, was one of the athletes The Grove suggested.
Chatting with Trogdon and Mississippi Attorney General Lynn Fitch between filming sessions, Watkins shared details about his life before coming to Ole Miss in 2022. About his childhood and his mom’s struggles with addiction. About her time in prison and recovery centers, and how his stepfather, also in recovery, was twice revived with Narcan. About how his mom now works as a consultant in the recovery field with organizations just like HarborPath.
Trogdon was hoping for a charismatic football player to help message his cause. Instead, he got a player with “a personal connection to it like nobody else.”
Fake pills are not worth the risk.
Ole Miss wide receiver @jordantwatkins is partnering with HarborPath to help save lives from drug overdose and deadly fentanyl on college campuses.
🔗 https://t.co/vZE9w9Jy8j pic.twitter.com/zwN47gWSFk
— HarborPath (@HarborpathRx) March 8, 2024
When the Ole Miss videos were released in February, they generated 100,000 views on X on the first day. Trogdon said HarborPath is considering expanding the campaign to additional campuses, and that he could see Watkins being a national spokesperson for the organization.
More importantly, the Magee Center experienced an uptake of Narcan after the videos circulated, and Trogdon said the available medication was responsible for reversing an overdose on the Ole Miss campus.
It’s also become another outlet for Watkins, who has also worked with recovery groups back home in Louisville. And his mom will put him on the phone with kids who might be suffering those familiar pains of family addiction to offer perspective.
“It affects so many people, not just through personal use but because of those around them,” said Watkins. “I love being able to use my platform or experience to help.”
Recovery is not a beginning-and-end process. It’s a daily undertaking, a plant that needs watering. But after 14 years, the roots have taken hold. This weekend, Paula and the family will make their regular 400-plus-mile trek to watch Watkins and the Rebels take on Georgia. Cheering on the quiet kid from nowhere.
“We’re not perfect,” said Paula, “but we’ve come a long way.”
(Illustration: Meech Robinson / The Athletic; photos: David Jensen / Getty Images; Courtesy of Paula Baker)
Culture
Video: 250 Years of Jane Austen, in Objects
new video loaded: 250 Years of Jane Austen, in Objects
By Jennifer Harlan, Sadie Stein, Claire Hogan, Laura Salaberry and Edward Vega
December 18, 2025
Culture
Try This Quiz and See How Much You Know About Jane Austen
“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.
Culture
Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday
On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.
Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”
With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”
How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.
By ‘A Lady’
Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)
Where the Magic Happened
Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.
An Iconic Accessory
Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.
Austen Onscreen
Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.
Jane Goes X-Rated
The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.
A Lady Unmasked
Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”
Wearable Tributes
It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.
The Austen Literary Universe
On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)
A Botanical Homage
Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.
Aunt Jane
Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.
Cultural Currency
In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.
In the Trenches
During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”
Baby Janes
You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.
The Austen Industrial Complex
Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.
Around the Globe
Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.
Playable Persuasions
In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.
#SoJaneAusten
The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.
Bonnets Fit for a Bennett
For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.
Most Ardently, Jane
Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”
Stage and Sensibility
Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.
Austen 101
Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”
W.W.J.D.
When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?
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