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Spain vs England: Where the Euro 2024 final could be won and lost

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Spain vs England: Where the Euro 2024 final could be won and lost

After 28 days of drama and more than 80 hours of football, 24 teams have been filtered down to two. There is only one more game to play.

Spain and England prepare for battle at the Olympiastadion in Berlin on Sunday evening, meeting for the first time since 2018 to fight for the European Championship title — and there are some thrilling narratives to sift through.

How do you stop Spain’s relentless wingers Lamine Yamal and Nico Williams? Have England become predictably unpredictable? Can you cut off Spain’s supply at source? England substitutions…. discuss.

The Athletic profiles the finalists’ strengths and weaknesses, the key battles, and the many sub-plots in your definitive tactical guide to the Euro 2024 final.

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No one can begrudge Spain making it to the final.

After their 2-1 semi-final victory over France, Luis de la Fuente’s side became the first nation to win six matches in a single edition of the European Championships. They needed extra time against Germany but have otherwise dispatched each opponent in 90 minutes with the authority of ‘un viejo’ (an old man) swatting a fly away from his tapas.

With nine different goalscorers, Spain’s attacking threat has come from all over the pitch but it is clear where they possess the most danger.

Williams and Yamal have lit up this tournament on either flank, with their purposeful running and relentless dribbling dragging their side forward with their counter-attacking threat. The dynamic duo are responsible for 46 per cent of Spain’s total attempted take-ons this tournament.

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The prodigious Yamal became the youngest scorer in European Championship history (16 years, 362 days) after his incredible semi-final goal against France.

It was a strike that could easily win goal of the tournament and you cannot say that France were not warned. Yamal’s tendency to cut inside onto his stronger left foot and curl a shot to the far post has become Arjen Robben-esque — you know what he is about to do but stopping it is another task altogether.

And here he is doing that a few times for Spain as an even younger child…

Beyond his shooting, Yamal’s creative threat has stood out the most. No Spanish player has logged more than his 11 open-play chances created and it is his wicked delivery to the back post that has consistently posed a threat.

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GO DEEPER

Perfection, by Lamine Yamal

Against France, Fabian Ruiz should have done better from Yamal’s inviting cross but those whipped balls have become a trademark of the teenager — if that is even possible at his tender age — having assisted two goals using the same technique. He consistently cuts onto his stronger foot in the left channel or half-space and delivers a perfectly weighted ball to the oncoming team-mate crashing the box.

Opponents should not be surprised, given the near-identical deliveries he has provided for his club Barcelona across the past 12 months.

While Yamal received the plaudits for his performance on the right wing on Tuesday, it is down the left flank that Spain have most commonly channelled their attack this summer.

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Against France, 59 per cent of their attacking touches came in the left third of the pitch — the second-highest share of any Euro 2024 game — with Spain seeing a notable tilt in their approach across the tournament. While 30 per cent of their overall attacking touches have come from Yamal’s right flank, 45 per cent have come down the left.

Why? Well, largely due to the attacking attributes on each side of the pitch. Where Yamal thrives off facing his opponent up in a one-v-one situation, Williams has been excellent at combining with left-back Marc Cucurella to overload their opponents on that side.

This is shown neatly in Spain’s passing network from their semi-final clash with France.

The rotations between Williams and Cucurella have been crucial to Spain’s attack. Sometimes, it will be the 21-year-old isolating his opposite number in the left channel (white) as Cucurella occupies the left half-space (red)…

…while other times, the pair will switch, as Cucurella hugs the touchline and Williams offers a penetrative run in behind between the opposition full-back and centre-back.

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How can England stop Spain’s danger in wide areas?

In short, with great difficulty. England’s flexibility to shift to a back five in their quarter-final and semi-final clashes will be crucial as they look to condense the space across the width of the field.

In particular, Bukayo Saka’s energy will be required to protect England’s right side against Spain’s left-sided rotations. Saka came in for praise from his manager for his defensive discipline against the Netherlands on Wednesday evening, shifting his role out of possession according to the tactical tweaks made by the Dutch.

“The players made so many good decisions on the field,” Southgate said after the game.

“People like Bukayo Saka; the defensive responsibility he had. He started defending as a wing-back, then he had to go into midfield to defend, then he had to defend as a winger. There was so many things like that going on all night but I was really pleased with the quality of our play.”

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Communication with Kyle Walker was crucial to such defensive discipline against the Netherlands. As shown below, Saka drops into a back five before Walker directs him to jump out to close Dutch midfielder Joey Veerman — allowing Walker to shuffle across to Cody Gakpo and retain England’s back four.

It is a simple yet vital action to ensure that the opposition does not progress further. You can easily substitute this situation out for Cucurella and Williams.

By the same token, England should be empowered to attack Spain’s left flank and target Cucurella’s defensive frailties — especially with the attacking prowess that Saka has shown in this tournament.

Cucurella has had a decent summer in a Spain shirt but has not been convincing at club level since making the move to Chelsea from Brighton in 2022. Of the chances that Spain have conceded, 42 per cent have come down their left flank compared with 24 per cent down their right — and the 25-year-old has often been the weak link, whether it is defending back-post crosses, including Spain’s concessions against Germany and France…

…or failing to block crosses himself from his own flank.

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With nearly every England player having faced Cucurella in the Premier League, they will be familiar with his shortcomings out of possession. Preying upon them would be a decision that could prove lucrative.


Spain’s wingers have grabbed the headlines but their midfield engine has allowed them to hit top gear.

The partnership of Rodri and Ruiz has been near-perfect, giving freedom to Pedri and — more recently — Dani Olmo to pick up pockets of space between the lines.

Rodri is a man operating at the peak of his powers in the past 18 months, with a consistency that is so impressive that we are in danger of taking it for granted. Spain’s No 16 has made 403 passes in this tournament with a completion rate of 94 per cent. Let that sink in.

Coupled with the box-crashing, technical quality of Ruiz, Rodri has the capacity to catalyse the attack or act as the release valve under pressure — scaling up or down however he sees fit.

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Breaking down Spain’s open-play shot-ending sequences, you can be confident that this formidable pair will have their fingerprints on their nation’s attack at some stage.

Therefore, stopping that midfield pairing will go a long way to stopping Spain’s fluid approach at source.

How might England do that? Well, Germany provided a decent blueprint in the first half of their quarter-final clash, with midfielders Ilkay Gundogan and Emre Can going man-for-man on Rodri and Fabian Ruiz during Spain’s build-up — preventing the pair from dictating the play.

There were countless examples where Germany pressed aggressively to ensure that neither received the ball in their own third. This forced the Spain goalkeeper Unai Simon to frequently launch the ball long, often conceding possession in the process.

If England can maintain similar discipline across the full game — potentially dropping Jude Bellingham and Phil Foden on the Spanish midfielders — it could prevent Spain’s engine from purring.

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The issue is that De la Fuente’s side have a double threat in their approach. Step off them and they can look after possession for long periods. Try to get tight to them and they can punish you with their directness in wide areas.


Spain might be the standout favourites but England will arrive in Berlin as the more experienced nation in recent major tournaments.

The Spanish have not reached the final of the Euros since they won it in 2012 while Southgate has made it back-to-back finals and England are looking to overcome the disappointment of their loss to Italy in 2021.

A diplomatic appraisal would be that England have been confusing this summer. There have been flashes of cohesion in possession — particularly in the first half against the Dutch — but the overriding conclusion has been that Southgate’s side have shown strengths in individual moments rather than their general performance.

The speed of England’s forward play has been a huge source of frustration among fans and the numbers support their grievances.

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Here, we can look at each nation’s “direct speed”, which outlines how fast they typically advance the ball towards goal (in metres per second). A higher number indicates a team more willing to get the ball forward quickly. Additionally, we can explore how much a team likes to keep hold of the ball when they have it, measured by “passes per sequence”. More passes per sequence suggests a more considered build-up: knocking the ball around more during a given possession rather than a quick hoof upfield.

Comparing England’s style to the remaining 23 teams, their approach in possession has been careful, risk-averse and lacking in bite for much of the tournament.

A high-possession style does not have to be a bad thing but England have not matched their on-ball dominance with attacking threat. Among all last-16 nations, only Romania and Georgia (0.7 per 90) averaged a lower non-penalty expected goals than England’s 0.72 per 90.

The highest nation on the list? That would be Spain, generating chances worthy of 1.8 goals per 90 across their six games.

Southgate’s tactical acumen has been questioned at times but his tweak to England’s system has provided a greater foundation in the past two games — particularly given the mixed efficacy of their pressing high up the field.

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A move to a 3-4-2-1 has suited Saka, Foden and Bellingham in particular, with greater balance in attacks and greater protection in defence.

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GO DEEPER

England’s change of shape against Switzerland worked – to a point – thanks to Bukayo Saka

Where things have still not quite clicked is with Harry Kane. England’s captain scored the crucial equaliser against the Netherlands, notching his sixth goal in the knockout stages of this tournament — more than any other player in European Championship history.

Notwithstanding his world-class quality in front of goal, Kane’s fitness and form has come under greater scrutiny considering the impact of Ollie Watkins on Wednesday evening.

At the risk of cherry-picking examples, it is Kane’s lack of inclination to run in behind that allows the opposition to squeeze the pitch at times. In the example below, Kane shimmies towards Bellingham on the ball (white arrow) despite a gap opening up between Virgil van Dijk and Nathan Ake (black arrow/area).

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The situation is different but Watkins’ desire to run beyond the last line is not only crucial to his goal but it gives Cole Palmer the option to make that pass — running into space to stretch the opposition defence. Kane does not make those kinds of runs.

Kane is certainly not going to be dropped for the final but England might need both options to be true against Spain — a player who can drop in and overload central areas, but also a player who can stretch the defence.


Southgate’s substitutions have drawn scrutiny this summer — in both selection and timing.

Ultimately, his decisions have been validated in recent games. Ivan Toney’s late arrival proved crucial for England’s equaliser against Slovakia while the introduction of Palmer and Watkins was an inspired choice as the two combined for England’s winner against Netherlands.

That being said, the numbers don’t lie. Southgate has not given ample opportunity for his substitutions to settle into the game, with an average substitution time of 80 minutes being the second-latest of the sides to make it beyond the group stage.

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This is particularly telling when considering that a lot of this time has been when England have been in a losing or drawing game state. Southgate’s side have spent just 22 per cent of the time in a winning game-state, compared with Spain’s 58 per cent — the highest of any nation. If things are not going to plan in Berlin, Southgate’s form suggests he is more likely to stick than twist.

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GO DEEPER

Gareth Southgate has plenty of options on the bench – why is he so slow to use them?

Sure, England have not been free-flowing or convincing for a full game across the whole tournament, but maybe that is OK. In a contest where the margins are tight and individual quality counts for a lot, pragmatism can actually go a long way.

At club level, you only need to look as far as Champions League winners Real Madrid to know that having a rigid structure in and out of possession can be overrated in knockout football.

A closing thought on Sunday’s final would be to credit both managers’ commitment to their respective national set-up from the youth team to the national side.

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De la Fuente coached Spain to the European Championship title at under-19 level (2016) and under-21 level (2019), and has the opportunity to complete a hat-trick with his senior squad. Meanwhile, Southgate’s commitment to the English FA dates back to 2013, leading England under-21s in the 2015 European Championship before his promotion to the senior set-up in 2016.

Both managers have been crucial to the promotion of youth within their national set-up and should be celebrated for the talent on show in Sunday’s final.

May the best team win.

(Photos: Getty Images/Design: Eamonn Dalton)

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‘Everybody listens’: Nick Saban caps a significant rookie season on ESPN

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‘Everybody listens’: Nick Saban caps a significant rookie season on ESPN

The Worldwide Leader in Employing Former Coaches and Players has made many prominent hires over the years, but Nick Saban slots into a class of his own.

Multiple eras of ESPN management never hid their desire to bring Saban into their orbit, and I remember reporting an item in August 2014 on Saban’s wowing ESPN staffers during a long conversation at The Langham Hotel in Pasadena, Calif., the day before the national championship game. The NFL is ESPN’s most important property, but in many ways, college sports make ESPN go.

Saban, represented forever by CAA, the talent agency that essentially has an office in ESPN’s headquarters in Bristol, Conn., clearly was intrigued by broadcasting, and ESPN finally landed its man last February. Think of Tommy Lee Jones chasing Harrison Ford in “The Fugitive,” except this story ends with Ford getting a multimillion-dollar deal to talk college football.

Saban was in the middle of the “College GameDay” set Monday night in Atlanta as part of a two-hour pregame show. He also pulled halftime duties. The iconic show now centers around Pat McAfee, who brings energy and unpredictability, and Saban, who has been charged with bringing gravitas.

Saban has delivered that in his opening year. Monday night in Atlanta, he offered a nice piece of copy early in the pregame:

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“The most important thing in games like this is who can keep the main thing the main thing,” Saban said. “There’s a lot more disruptions when you are playing in a national championship game. You travel at a different time. You practice in a different place. You have more media obligations. Everybody has won three big games. Both teams won a big game last week.

“How do they handle the whole idea of, ‘Am I relieved that we got to this point or am I going to go get the gold?’ People remember the ‘Miracle On Ice.’ We beat Russia, and that was like what everybody remembers. We had to go beat Finland the next week (Editor’s note: It was actually two days later) to win the gold medal. Somebody has to step up tonight and win the gold medal.”

What GameDay lacked for a couple of years was someone right off the field, whether a player or coach, and that’s where Saban has been significant. Broadcasters do not impact viewership outside of a rare few (maybe Howard Cosell and Charles Barkley), and I’m not sure Saban falls in this category, but the data is the data: “College GameDay” averaged 2.2 million viewers during the regular season, its most-watched season ever and a 6 percent increase from 2023.

Jim Gaiero, who has been the lead producer of “College GameDay” for the past nine years, said he was intimidated by Saban when the former Alabama coach first joined the show.

“Just because he’s Nick Saban,” Gaiero said. “I didn’t really know him that well. I thought he would be that same coach who’s yelling at Lane Kiffin and demanding perfection in everything we do. I was definitely intimidated. Now he busts my chops more than any human being. I am his punching bag, and it’s fun. He’s very funny and a ball-buster.

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“He was always good on TV, and when the camera’s on, he’s on. So it was about learning things like how do you introduce a point that leads to an XO tape, or where you direct yourself during a conversation.

“I remember early in the season I was talking to him, and I said, ‘If you are going to go to Dez (Desmond Howard) next, make sure you’re looking at Dez.’ He’s like, ‘Well, why didn’t you tell me this before?!’ I was like, ‘Well, I didn’t want to give you everything at once.’ We’ve added stuff each week, and he’s grown so much since the beginning of the season.

“The thing is, whenever he makes a comment, everybody listens. He doesn’t have throwaway comments. There are some analysts who tend to repeat what their co-analysts just said. It’s almost like an echo. But when he speaks, it’s a unique perspective that nobody else has ever had.”

It is very intentional to place Saban in the middle of the set, as opposed to an end, because Gaiero said it is easier for the other panelists to interact with him. (You don’t want newcomers on the edge of a set because it makes it tougher for them to get acclimated to the conversation.) Gaiero said GameDay benefited from Saban’s already knowing all its on-air members before becoming one.

“The best moments for our chemistry are the Friday meetings because Nick will tell a few stories, and everyone is on the edge of their seats listening,” Gaiero said. “It can be as silly as a recruiting story or the time he played at this stadium. He tells the story, and we’re all laughing, and he’s laughing and smiling. He’s like, ‘I don’t know if you guys want that on the show,’ and we’re all like, ‘My God, that’s definitely in the show!’”

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Gaiero said Saban’s best moments this year were his “nothing” speech from October and when he discussed changing his coaching style from transactional to transformative. (They submitted the latter for the Sports Emmy nomination process.)

The next evolution for Saban, according to Gaiero, is to refine his preparation process. The producer wants him to talk to as many coaches as he can during the offseason and, of course, watch tape.

The program would be wise in Year 2 to dial back on the genuflecting of Saban. His resume speaks for itself — no need for the on-air cast to go overboard in deifying him. Saban also has been at his best when fewer people are on set. That was the case in the 7-7:30 p.m. ET hour Monday, when he was prominently featured alongside McAfee, Howard and host Rece Davis.

“He now knows what he needs to do on television,” Gaiero said. “Early on in the season, we might mention 30 games on a production call, and he’d want to know which games I wanted him to focus on. I told him early on to think of everything like a funnel. We’re going to start off with a lot of games and teams, and then as the weeks go by, certain teams are going to fall by the wayside because they’re not going to matter anymore. His preparation can be simplified going into next year.

“I think he definitely sees himself as a broadcaster now, and he’s seeking the feedback to be a better broadcaster. This isn’t just a one-year or two-year thing for him.”

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(Photo: Butch Dill / Getty Images)

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The Most Anticipated Book Adaptations of 2025: Movies and TV Shows

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The Most Anticipated Book Adaptations of 2025: Movies and TV Shows

New Year, new reading goals. It’s that season again when anything feels possible: Maybe this is the year you’ll finally tackle that dust-laden copy of “Infinite Jest” sitting on your shelf, or earn your “I finished ‘The Power Broker’” mug. And for binge watchers, it’s also the perfect chance to study up by diving into the books that are being adapted into movies and TV shows in 2025. Here are some of the thrillers, romances, sci-fi page turners and detective novels coming soon to a screen near you.

This is a running list. Check back for more updates as the year goes on.

Peter Sutherland is an F.B.I. agent who works at the White House, monitoring an emergency phone line that seldom rings. One night, he receives a distressing call from a woman named Rose Larkin, who reports that two people have just been murdered. What follows is a whirlwind of action and suspense as the two become entangled in a conspiracy involving high-level corruption and espionage.

Season 2 of “The Night Agent” premieres on Netflix on Jan. 23.

There have been no shortage of screen versions of Sherlock Holmes, Doyle’s beloved British detective: According to the Guinness Book of World Records, the persnickety genius is the second-most portrayed literary character in the history of film. In “Watson,” the latest adaptation, however, the focus is on Dr. John Watson, Holmes’s loyal confidant and the frequent narrator of his escapades. Though the series is not inspired by a specific book or story, “A Study in Scarlet” is a delectable primer on the two men’s longstanding friendship.

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“Watson” premieres on CBS and Paramount+ on Jan. 26.

In this spinoff of Pilkey’s “Captain Underpants” universe, Dog Man — a part-dog, part-human police officer — and his eccentric friends battle villains and solve crimes. Blending humor, action and heart, the graphic novel series teaches young readers about friendship and bravery — all brought to life through colorful illustrations and quirky anthropomorphic characters. It has already been adapted into an Off Broadway musical. Now it heads to the big screen.

“Dog Man” premieres in theaters on Jan. 31.

In this third installment of Fielding’s series about an endearingly hapless British diarist, Bridget Jones is adjusting to widowed life after the death of her husband, Mark Darcy. Raising her two young children as a single mother now in her 50s, she juggles her career and navigates romantic mishaps with characteristic wit and self-deprecating humor. The book, our critic wrote, “is not only sharp and humorous, despite its heroine’s aged circumstances, but also snappily written, observationally astute and at times genuinely moving.”

“Bridget Jones: Mad About the Boy” premieres on Peacock on Feb. 13.

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Paddington was still in Peru when he first appeared on the big screen in 2014. Now, over a decade later, he returns to his home country with his adopted Brown family in the third installment of this fan-favorite film series, inspired by Bond’s beloved books. Dozens of titles, including novels, picture books and short story collections, have been published since the clumsy brown bear made his print debut in 1958, but “A Bear Called Paddington” remains a perfect introduction to the marmalade enthusiast.

“Paddington in Peru” premieres in theaters on Feb. 14.

In this 1958 novel, now being given the mini-series treatment, Prince Don Fabrizio Corbera grapples with the decline of his aristocratic family’s status in 1860s Sicily, as Giuseppe Garibaldi leads the Risorgimento campaign to overthrow the monarchy and unite Italy as one nation-state. Lampedusa was himself the last in a line of Sicilian princes, and he drew heavily on his own family’s story to craft this tale about the rise of a new bourgeois class and Prince Fabrizio’s struggles to find his place in a rapidly changing world.

“The Leopard” premieres on Netflix on March 5.

Mickey, an “expendable” worker on a remote ice planet, knows he will most likely die on the job. But no matter: Cloning exists in this space colony and, after one version of Mickey dies, a new one will regenerate. After Mickey7 goes missing on a space mission, Mickey8 is immediately created. The only problem? Mickey7 is still alive. (And in case eight regenerations weren’t enough, the director Bong Joon Ho takes it 10 steps further in his film adaptation, “Mickey17,” starring Robert Pattinson as Mickey.)

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“Mickey17” premieres in theaters on March 7.

Ray and his best friend, Manny, met in a juvenile detention facility. Nearly two decades later, they’ve found a way to make a living by posing as D.E.A. agents and raiding drug houses in Philadelphia. It’s a simple and lucrative grift — until a poorly chosen mark puts them in the cross hairs of a dangerous kingpin. High-speed car chases, bloody violence and many flying bullets ensue.

“Dope Thief” premieres on Apple TV+ on March 14.

“The Mirror and Light” is the final book in Mantel’s “Wolf Hall” trilogy, which chronicles Thomas Cromwell’s rise to power in Henry VIII’s capricious court. It’s a sinewy, imaginative work of historical fiction that delights in the psyche of a man whose political maneuvering and ambitions lead him to the pinnacle of power — and to his own undoing. The actor Mark Rylance, who won a BAFTA for his portrayal of Cromwell in the 2015 mini series that covered the trilogy’s first two novels, returns for this final chapter.

“Wolf Hall: The Mirror and the Light” premieres on PBS on March 23.

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Unrivaled’s an instant hit, but can the new women’s basketball 3×3 league sustain?

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Unrivaled’s an instant hit, but can the new women’s basketball 3×3 league sustain?

MEDLEY, Fla. — Outside a custom-built arena on the outskirts of Miami, a line of fans waited to sit on a throne composed largely of basketballs. They wrote personal answers on a sign asking, “What does Unrivaled mean to you?” Empowerment. Leadership. Community. Future. Not even some evening rain could extinguish the buzz that had been building since 2023, when fans learned about the creation of this new 3×3 women’s basketball league.

As fans filed into the 850-seat Wayfair Arena on Friday night for the opening night of Unrivaled, they sported a tapestry of WNBA gear. But many wanted new apparel, too, crowding into the gift shop an hour before tipoff. The least expensive single ticket cost north of $300, but fans flocked to support their favorite WNBA stars and witness a new chapter of women’s basketball history.

At tip-off before the first game of a doubleheader, co-founders Napheesa Collier and Breanna Stewart posed at center court for a photo to capture the moment before they competed against each other.

The nationally televised contests aired back to back on TNT, highlights replayed on SportsCenter, and a clip of Skylar Diggins-Smith sinking the league’s first game-ending shot amassed millions of views across various social media platforms.

In its opening weekend of games, Unrivaled has undoubtedly commanded attention. But to carve out a permanent space in women’s basketball, it needs to accomplish what many other start-up sports leagues have historically failed to do: sustain.

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Unrivaled executives say the league’s long-term success has been set up by its stable foundation — signing renowned WNBA stars, attracting big-brand sponsors, capitalizing on lucrative investments and inking a multi-year television deal.

“I think we put ourselves in a great position to be successful right away, but it’s a marathon,” said league president Alex Bazzell, a basketball skills trainer and Collier’s husband. “We’re not running out there from Day 1 trying to get millions of viewers out of the gate. It would be tremendous, but we’re gonna be here for a little while.”

Before Unrivaled filled its rosters with 22 WNBA All-Stars, it started with just two — Stewart and Collier. Like many of their WNBA peers, the star forwards share a history of spending months overseas during the offseason and competing professionally abroad to supplement their WNBA incomes and sharpen their games.

The routine sparked brainstorming between them. Bazzell first pitched Unrivaled to Stewart in late 2022. “(We were) trying to make women’s basketball continue to be relevant in the offseason from a professional standpoint,” she said.

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From the beginning, both players were on constant phone and Zoom calls. They met with investors, relaying their experiences from their years in countries such as Turkey, France, China and Russia. They explained why they believe top women’s basketball players should be marketed in the U.S. during the WNBA offseason and how Unrivaled could offer comparable domestic competition and salaries on par with high-paying overseas clubs.

They wanted to convince stakeholders that Unrivaled wouldn’t be just a novelty but that the league would have staying power. “(Stewart and Collier were) instrumental because when brands come in they act like founders,” Bazzell said.

The two players, alongside other Unrivaled executives, sold their idea to major brands and to deep-pocketed investors, including Gary Vaynerchuk, U.S. soccer star Alex Morgan and NBA legend Carmelo Anthony.

Bazzell said the league already has “far exceeded” the first-year revenue expectations it pitched to initial investors. “We’re focused on building a great business, but for the time being we don’t have to worry about money,” he said.

That is partially because of its media rights deal — a six-year $100 million agreement with Warner Bros. Discovery, according to a source with knowledge of the agreement — and a robust sponsorship roster.

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The day before tipoff last week, Stewart paused for a moment and pointed out a banner displaying some of Unrivaled’s partners: Ally, Under Armour, Samsung Galaxy, Sephora. “People are walking that walk and also talking that talk,” she said.

The question is: Will they continue?


Unrivaled’s launch comes at a time of unprecedented attention on women’s basketball. Record-breaking viewership, attendance and media deals became commonplace for women’s college basketball and the WNBA over the last two years.

“You couldn’t have landed this at a better time,” said David Levy, an Unrivaled investor who is the former head of Turner Sports and current co-CEO of Horizon Sports and Entertainment.

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Bazzell said Unrivaled operates with a “startup mentality.” Executives might create rules one day and unload boxes the next. The league, of course, is still unproven. But unlike many other short-lived start-up leagues, key to Unrivaled’s early success is that its most important members are verifiable stars.

“A lot of times leagues go away because they don’t have the best of the best playing in them,” Levy said. “Unrivaled didn’t start with names nobody knew or people that didn’t make the WNBA. This is the best of the best.”

Early on, Unrivaled executives recognized attracting top talent would be critical to creating visibility on TV, with partners and on social media. With nearly two-dozen WNBA All-Stars — Stewart, Collier, Brittney Griner, Sabrina Ionescu, Angel Reese among them — and seven No. 1 WNBA Draft picks, name recognition isn’t an issue.

To keep so many stars in the U.S., they knew the importance of paying salaries competitive with top overseas clubs. Unrivaled said it is the highest-paying American women’s sports league in history, with salaries averaging north of $200,000.

Its 36 players are more than just talent in Unrivaled, too. A substantial portion of the league’s equity — around 15 percent — is allocated to players. “We’re proud to be here also as investors,” Diggins-Smith said. “All of us being investors, (we) really care about this product and (it) really doing well… You want it to sustain.”

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GO DEEPER

How Unrivaled became a welcome alternative for WNBA players’ overseas offseasons

Three-time WNBA MVP A’ja Wilson and rookie sensation Caitlin Clark are among those not playing in Unrivaled. The league made overtures to rookie Clark, but she elected to sit out the inaugural season, as she recovers from a nonstop last 12 months. Clark’s WNBA salary — around $75,000 — is supplemented by her countless endorsement deals, and she told Time she felt training privately in her own space would be beneficial. Clark, though, didn’t rule out playing in the league in the future. If she does, Levy said, interest in the league will “catapult,” surely propelling its long-term outlook. But he stressed that Unrivaled isn’t built around one person.

Unrivaled already has a high-profile media rights partnership, which is critical to its financial foundation and will be important in its ability to grow.

Initially, Unrivaled executives wondered if the league would need to broker a revenue-sharing deal with a potential TV or streaming partner before getting a licensing deal once the season launched. But they quickly found that multiple parties were interested in a licensing agreement with at least four companies in the final bidding, Levy said.

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Bazzell relied on Levy and John Skipper, the former president of ESPN and another early Unrivaled investor, to tap into their professional networks and help find a partner.

Things crystallized this summer when Bazzell met with TNT Sports CEO Luis Silberwasser while in France for the Olympics. Having reach outside of traditional broadcast windows was important to Unrivaled, Bazzell said, as founders recognized the importance — both financially and culturally — of having broad social media reach. Warner Bros. Discovery’s portfolio including Bleacher Report, House of Highlights and HighlightHer (recently renamed B/R W) made it especially appealing.

WBD was ideal, executives said, because of everything it had under one roof: widespread TV distribution (all games will air on TNT or TruTV, and stream on Max), ancillary production, and social media strongholds, a key component of Unrivaled’s business strategy. Warner Bros. also financially invested in Unrivaled, as a sign of its deep commitment to the league’s success.

Getting WBD and Unrivaled founding partner, Ally, on board were critical in the avalanche of partnership deals that followed. (Ally has pledged a 50/50 media spend to support men’s and women’s sports equally.)

Under Armour senior lead for global sports marketing, Tamzin Barroilhet, first met with Bazzell in the summer of 2023. A former college and overseas pro player, Barroilhet said she was “hooked” on the concept and Unrivaled’s deal with WBD helped convince the apparel brand to sign on as the official outfitter. Unrivaled is Under Armour’s highest-profile women’s basketball partnership, and a number of other brands also struck deals in women’s basketball for the first time. Sephora’s agreement with the league is the beauty company’s first partnership with any sports league.

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Unrivaled’s scarcity was also intriguing to prospective investors. The league runs only 10 weeks. Its $8 million salary pool is one of its two largest categorical allocation of funds. As a single-site operation, it has a lower operational cost than many other start-up leagues, which Bazzell said minimizes its burn rate.

“(When you) keep the product at a premium level and ultra-competitive, you have some opportunities to pique interest,” he said.

The league announced in December it had raised an additional $28 million (on top of the $7 million in its seed round) from investors, including Milwaukee Bucks star Giannis Antetokounmpo, tennis star Coco Gauff, swimmer Michael Phelps, and South Carolina women’s basketball coach Dawn Staley. A number of its initial investors, including Anthony, Morgan and UConn women’s basketball coach Geno Auriemma, committed additional capital.

“We have new people trying to rush in and now we’re getting to a point where you have to be selective,” Bazzell said.


Fans flocked to buy merchandise before Unrivaled’s inaugural games in Florida. (Carmen Mandato / Getty Images)

How Unrivaled engages and grows its audience is paramount to its future.

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League officials stress TV ratings will be just one aspect of that answer. “It’s part of a puzzle,” Levy said. “How many people are following (on social media)? What are they doing? How many people are sharing? How much is the fan base interacting with it? How much is merchandise going up? There are going to be so many different metrics that I think are going to play into this.”

Part of their build involves recruiting the next generation. Aliyah Boston, the Indiana Fever center and 2023 No. 1 pick, said college players she’s talked to aim to play in the WNBA and Unrivaled. LSU star Flau’jae Johnson has an NIL deal with Unrivaled, and UConn’s Paige Bueckers, who is the presumed No. 1 pick in this April’s WNBA Draft, has an NIL deal and equity in the league. Bueckers plans to play in Unrivaled when she turns pro.

USC’s JuJu Watkins won’t enter the WNBA until 2027, but when she enters the pro ranks, Unrivaled will have a spot for her. She was among the December investors and is optimistic about the league’s future and sustainability.

When those players set foot in Unrivaled, the league will almost assuredly be different. This season, all 10 weeks of action take place at the Florida facility, but a tour model for competition is planned for next year.

go-deeper

GO DEEPER

Can Unrivaled’s 3×3 style benefit WNBA players?

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The locations are yet to be determined but Unrivaled is targeting non-WNBA cities and college towns. Bazzell said it wouldn’t visit more than four cities and the league will still have a home base. The operational cost, Bazzell said, would be similar as it’s likely only four teams would travel to a given stop. Important to maintaining a premier player experience, the league would use charter airfare to transport its players.

“We want to go to different markets to help grow the game and bring a touch point to hopefully a lot of young girls around the country that are looking up to these players and haven’t been able to see them play in person,” Bazzell said.

Taking the league on the road will bring logistic challenges, but league executives believe it will help grow Unrivaled’s business and open it to even more fan opportunities. Barroilhet, the Under Armour executive, foresees potential youth clinics and camps in conjunction with Unrivaled’s tour. Brands could produce activations at different venues, furthering engagement and reach.

Ensuring the WNBA’s top players participate will be critical to Unrivaled’s sustainability, and perhaps some are less interested in any travel necessary for touring. WNBA salaries drastically increasing in the next CBA — the league is negotiating a new agreement with the WNBPA — could also diminish part of a player’s financial lure to the new league. Plus, while TV ratings aren’t fully indicative of overall fan interest, they still remain a datapoint that will impact the league’s viability, especially when media rights conversations begin for a second time.

Yet for now, the stars seem delighted to be in the new venture. Throughout Friday and Saturday’s action, Unrivaled athletes from other teams sat around the arena and watched their peers, enjoying the moment. Fans approached players like Jackie Young, Rhyne Howard and Natasha Cloud for selfies. Onlookers cheered not only for athletes playing, but for those wandering the aisles. “It’s a very intimate setting,” Jewell Loyd said.

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Maintaining that connection will build fan loyalty. But for television audiences, the game — the appeal of watching the best players in the world perform — will have to remain at the forefront.

“At the end of the day, the product needs to be great for fans to continue to want to watch it,” Bazzell said. “You can capture people’s attention, but how do you keep people’s attention? It’s done through the most competitive product possible, which is really what we’re adamant on, day in and day out.”

(Top photo of Kahleah Copper: Carmen Mandato / Getty Images)

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