Culture
Sha'Carri Richardson, chasing an Olympic legacy, has already made one back home
DALLAS — It’s the middle of June and just shy of 11 a.m. on a Wednesday. The track and infield at David W. Carter High School is bustling. The sky is mostly clear and bluer than a teenager’s tongue after a Jolly Rancher. The Texas heat is already sweltering, as if the sun rose from the East and loitered just south of I-20. It was hot enough to laminate skin with sweat. To dehydrate the dandelions on the barren grassy field across the street. To wonder if Willis Carrier deserved a Nobel Prize for his 1902 invention of the modern air conditioner.
But it’s not even remotely too hot for Kennedy Jackson-Miles, a 14-year-old whose fingers are spread on the rubbery surface of the track, her feet pressed against metal blocks. She’s a sprinter heading to high school and a prodigy for the Cedar Hill Blaze summer track club. It’s apparent as she explodes out of the blocks, throttles down after about 10 meters, then returns to do it again. Her T-shirt is soaked. Her forehead glistens. Her braces sparkle, because she’s smiling.
“I’m going to be in the Olympics in 2028,” she said during a break after her umpteenth rep from the blocks. “Because I have the mindset for it and I see it in my future.”
Sounds fantastical, predicting an Olympic debut at 18 years old. And then you see the look in coach Marcus Stokes’ eyes when he says she’ll be in Los Angeles in 2028. And then she spouts her birthday as if she’s bragging about its recency — “March Fourth, two-thousand ten” — and reminding you 14-year-olds aren’t choosing hours of work in this Texas oven, during their summer break, unless they’re built differently. And then you remember who preceded her on this journey.
On this same track, at this same school, in this same heat, Sha’Carri Richardson put in the same work. She is about to make her Olympic debut, qualified for the 100-meter in Paris, with a chance to secure her spot as a national legend and one of the marquee faces of American track and field.
“There’s no doubt about who’s the greatest to ever come out of Dallas,” said Robert DeHorney, a long-time coach in the area who is taking over as head coach of cross country and track at Hillcrest High School in North Dallas.
“And it’s Sha’Carri Richardson. … She was lights-out from the beginning. This baby was fast when she came out the damn womb.”
But Richardson was first, and still is, the face of a region and culture. The pride of Dallas. The might of North Texas. The ambassador for a local community teeming with talent.
For the longest time, it was undercover, hidden behind the monstrosity of Texas football. But Michael Johnson, Oak Cliff’s own, shined a spotlight on the track culture with his heroics in 1996. He had people all over North Texas claiming to be his cousin.
“Still,” Johnson said during an interview at Hayward Field in Eugene, Ore. “I got cousins I don’t even know.”
Sha’Carri Richardson runs at the U.S. Olympic trials in June. She’ll compete in her first Olympics later this week in the women’s 100-meter. (Patrick Smith / Getty Images)
Johnson became a legend with his all-time performance in the 1996 Olympics, winning gold in the 200- and 400-meter races. But according to locals, he wasn’t a prodigy during his Skyline High School days. He was a late bloomer who blossomed at Baylor, where he won five NCAA championships and helped establish the Bears’ reputation as “Quarter Mile U.”
Johnson’s heroics, though, shined a light on a gem of a culture. Nothing tops the Friday Night Lights, but the Dallas sprint scene is one of fervor, immense talent and strong community — especially following Johnson, the first from the area to make it big in the sport.
“Great athletes are made across the country,” Johnson said. “There are special places everywhere. But Dallas is special to me. It’s home.”
Now, 28 years after Johnson put North Texas track and field on the international map, Richardson, also from the Oak Cliff area of Dallas, carries with her the spirit of her region. She’s taken it to new heights, especially for women sprinters.
Having already secured an epic world championship, she embarks on her debut Olympics in Paris with her home, her culture, on her back.
In Richardson is the sheer talent reminiscent of Roy Martin. They called him “Robot” because of his mechanical running style, but he’s one of the greatest high school sprinters ever. Straight out of Roosevelt High. His 200-meter dash of 20.13 seconds in 1985 is still the national high school record.
In Richardson is the competitive spirit of Marlon Cannon and Derrick Cunningham. Famous rivals in the 400 meters whose battles against one another lit up the city. Both local superstars, Cannon from South Oak Cliff and Cunningham from Carter High, would have Sprague Stadium teeming with excitement.
In Richardson is the strength of Henry Neal, the 5-foot-7, 177-pound sprinter from Greenville High, who, as a senior in 1990, ran the 100 meters in 10.15 at the state championships, a national high school record that lasted until 2019.
In Richardson is the showmanship of Michael Johnson. The ability to not only meet moments, but look good while doing so. He went into the Atlanta Games as the prohibitive favorite and illustrated his expectations with a gold earring, a gold Cuban link chain and his now-iconic gold Nike spikes.
In Richardson is the inspiration of the Texas Relays, the seminal event in the state. Held at the University of Texas, the high school portion is where kids put their big dreams on the line. Before packed stadiums, with their neighborhoods behind them, they test themselves against the best in the state. And Dallas always shows up.
“That’s how you make your mark,” said Vance Johnson, host of the Texas Track Dads podcast, and, most importantly, father of Indiana University-bound sprinter Aliyah Johnson.
“I tell everybody the same thing when their kids go down to Texas Relays their freshman year — they will never be the same. You have to qualify for the Texas relays. UT will post the names of who made it. And once they go, they’re gonna see the best in the state. And when they come back, they’re really gonna want to go hard. Because they’ve got to get back to Texas Relays.”
Richardson made her name living up to those occasions. Before she shocked the world with the race of her life in the 2023 world championships, before she became a national star at LSU by winning the national championship in the 100 meters and the coveted Bowerman Award, she was a must-watch in North Texas. Where summer meets are packed and high school meets carry the intensity of decades-long rivalries.
Students practice at Carter High’s John E. Kincaide Stadium in Dallas, Texas, where Sha’Carri Richardson once plied her trade. (Aric Becker / AFP via Getty Images)
In middle school, she won the 200-meter at the Dallas Independent Schools Invitational by three seconds. She was a freshman at the Leon Hayes Relay when she clocked 12.00 seconds in the 100 meters at John Kincaide Stadium in Dallas in 2015. Second place was 12.80 seconds.
As a sophomore, she won the 4A state title in the 100 for Carter and was runner-up in the 200. She defended her 100 title as a junior and won the state championship in the 200.
Richardson finished her high school career with another state championship in both. Her time of 11.12 seconds in the 100 bested the national record (11.14) set by Marion Jones 26 years earlier, though Richardson’s time was wind-aided. Her 200-meter time in 2018 was second-best in the nation and set a Texas state meet record. Richardson had fans, classmates and meet officials asking for photos and autographs.
Richardson has long been a show to behold.
“One time,” said DeHorney, who coached against Richardson all four years, “I can’t remember if it was a state meet or Texas relays, but she pulled up at least 10 meters from the line. And still ran 11.4. Blew my mind. She was on her heels for the last seven to 10 meters. Still 11.4. Never seen anything like that.”
Her swag didn’t come from nowhere. She absorbed it. From her people. From her neighborhood. From the track soil from which she sprouted.
Her particular section, Oak Cliff, has endured some of the same issues prevalent in the inner city around the nation. Raised by her grandmother, Betty Harp, Richardson’s life has been touched by many of the issues common in poverty.
“It’s a pretty tough area. You’ve got to come correct,” Michael Johnson said. “When I was growing up, it was a pretty good neighborhood. It became a lot more difficult after I left. By the time Sha’Carri came along, it was a rougher area. But it was always tough as far as competition. You had to have personality. You had to have confidence. Otherwise, you’d get eaten alive.”
Character is the fruit of struggle’s labor. The ones who survive, who thrive, do so because they’ve managed to harvest intangibles from the adversity.
And in North Texas track, when the work ethic merges with talent to produce greatness, it gets your name in the mouth of the neighborhood.
“Have you ever heard of Indya Mayberry?” DeHorney said. “She’s going to TCU. You ever heard of Nasya Williams? She’s going to LSU. Royaltee Brown is going to Baylor. Christine Mallard is at USC now. I’m trying to tell you it’s ridiculous down here, the amount of talent.”
That includes DeHorney’s daughter, Kennedy, a sprinter headed to Memphis on a full-ride scholarship.
They all know the name Sha’Carri Richardson. The next generation has developed an affinity for the superstar. Not only is she from their soil and has reached the pinnacle. But they’ve watched her fall from grace in the public eye and bounce back.
That matters in a community of overcomers.
“There’s no doubt about who’s the greatest to ever come out of Dallas,” says Robert DeHorney, a long-time coach in the area. “It’s Sha’Carri Richardson.” (Christian Petersen / Getty Images)
“They really look up to her,” said Vance Johnson, the host of Texas Track Dads, who interviews area runners on his show. “She made an adjustment but she never changed who the person is. She’s a professional, but she’s still Sha’Carri. And out here we like the spice. But she knows how to be professional, too. I think that’s important. It goes a long way. These young athletes, they see her.”
Krystan Bright, 18, is one of those youngsters who sees Richardson. That’s why, though she’s graduated from Cedar Hill High and no longer runs with the Blaze, she’s still on this Carter High track on this hot summer day. Right next to Kennedy Jackson-Miles, Bright working on hurdles in the thick warmth of June.
Bright’s AAU Junior Olympic T-shirt is soaked and tucked beneath her sports bra. Her face glistens with sweat. She pants as she talks after a rep on the first two hurdles. She is preparing to run track in college this fall. In her first-ever meet as a freshman, she ran the 300-meter hurdles in a minute. She was so slow, the team cut her. The magnitude of track in Dallas was instilled. She couldn’t go out like that. So she joined the Cedar Hill Blaze and committed to hurdles.
She just finished her senior season. She made state in the 300, finishing sixth in Texas at 42.67 seconds. She also holds her school records in the 100 and 300 hurdles.
In her is the resilience of Richardson.
“She’s such an inspiration,” Bright said. “To see her story and everything she’s been through, it gives a lot of motivation. She’s always been a superstar. It was a little different for me. I was an underdog. But once you get on that track, it’s the same for everybody. You gotta produce. And it’s all fun. It’s all good. It’s all love. It’s community.”
GO DEEPER
Sha’Carri Richardson, with emphatic win at trials, closing in on Olympic glory
(Top illustration: Dan Goldfarb / The Athletic; photo: Hannah Peters / Getty Images)
Culture
Video: 250 Years of Jane Austen, in Objects
new video loaded: 250 Years of Jane Austen, in Objects
By Jennifer Harlan, Sadie Stein, Claire Hogan, Laura Salaberry and Edward Vega
December 18, 2025
Culture
Try This Quiz and See How Much You Know About Jane Austen
“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.
Culture
Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday
On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.
Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”
With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”
How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.
By ‘A Lady’
Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)
Where the Magic Happened
Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.
An Iconic Accessory
Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.
Austen Onscreen
Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.
Jane Goes X-Rated
The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.
A Lady Unmasked
Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”
Wearable Tributes
It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.
The Austen Literary Universe
On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)
A Botanical Homage
Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.
Aunt Jane
Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.
Cultural Currency
In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.
In the Trenches
During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”
Baby Janes
You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.
The Austen Industrial Complex
Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.
Around the Globe
Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.
Playable Persuasions
In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.
#SoJaneAusten
The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.
Bonnets Fit for a Bennett
For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.
Most Ardently, Jane
Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”
Stage and Sensibility
Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.
Austen 101
Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”
W.W.J.D.
When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?
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