Culture
Ray Davis grew up homeless, now he seeks to be a 'name you'll remember forever'
Picture him, just 9 years old, walking the streets of San Francisco each morning, dropping off his younger sister at school, then hustling back home to take care of his baby brother. His chair in Mr. Klaus’ third-grade class sits empty, sometimes for days, sometimes for weeks.
Picture him, summoning the courage to write a letter to the man he kept hearing about — “You run just like your pops!” they’d tell him on the football field — but rarely saw. Then stamping that letter. Then mailing it to his father in prison. “I don’t know you,” part of it read.
Picture him, running out of places to stay and people to ask. For a while, Ray Davis lived with his mom, but then she went away, too. So he stayed with his grandma, sleeping on her living room floor. When the social worker would swing by to check on him, they’d lie, vowing that he had a bedroom to call his own. Anything to keep him out of foster care a little longer.
But that didn’t last. Nothing seemed to last.
By 8 he was a ward of the state; by 12 he was living in a homeless shelter with two of his 14 siblings. When he learned a foster family had enough room to take two of them — but not all three — Ray volunteered to stay back so his brother and sister wouldn’t get lost in the system like he was. “If they can get out and be together,” he told the case worker at the time, “that’s the best thing for them.”
They went. He stayed.
Picture him, sitting in the front seat of a social worker’s car a few years later, texting and calling everyone he can think of, begging for a couch or a chair or a spot on the floor to sleep on, only to be told “sorry” too many times to count, his heart breaking a little more with each rejection.
Finally, he reaches out to his favorite teacher. “Can I stay with you?” Ray asks. “Just for a night or two?”
“Of course you can stay with us,” Ben Klaus tells him, and even though it’s a tiny one-bedroom apartment in the heart of downtown San Francisco, and even though Ben and his fiancée, Alexa, are busy planning their wedding for that summer, “just a night or two” turns into three years.
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NFL Mock Draft: Our college football writers project Round 1
Now look at him. He’s 24. He’s two months from hearing his name called in the NFL Draft. He piled up more than 1,000 rushing yards for three different college football programs. And he owns a degree from Vanderbilt.
That’s what it took for Re’Mahn “Ray” Davis to answer the question he’s been asking since he sat in that homeless shelter 12 years ago, feeling alone and abandoned, wiping tears from his cheeks, whispering the same thing to himself every night before he went to bed.
“Why God? Why me?”
His mom was 14 when she got pregnant, 15 when she gave birth. “She wasn’t ready,” is all Ray Davis will say about it now, tucked into a booth at a Yard House in Phoenix, where he has been training for the draft. “I love my mom, but she just couldn’t figure it out.”
For most of his childhood, his father, Raymond Davis, couldn’t either. Both parents were in and out of prison for long stretches, leaving Ray largely on his own. He remembers one afternoon, when he was 8 or 9, being told by a teacher that his father was there to pick him up.
“Wait,” Ray said, “I have a dad?”
From there, the relationship was starts and stops, weekends together followed by months, even years, without contact. Ray would hear stories about his father’s football exploits — how Raymond had broken O.J. Simpson’s Galileo High record for touchdowns in a season, how he had been named the San Francisco Examiner’s 1998 player of the year — but, for a while, he felt like a ghost.
When Ray lived with his mom, she’d drop him off at a daycare run by a family friend, then leave him there all weekend. Or for an entire week. Or for an entire month. When he had nowhere else to go, he’d stay with his grandma, but that was never going to be a permanent solution, Ray says. Not enough clean clothes. Not enough food.
“I was the kid who was kinda left around a bunch of different places,” Ray says now.
When he was in school, he’d linger at the aftercare program until 7 or 8 in the evening, his way of pushing away the reality that waited for him wherever he was staying that night. He’d carry around a duffel bag of clothes from Goodwill. Most of the time, it was all he had.
A fringe NFL Draft prospect last spring, Davis decided to transfer to Kentucky to bolster his credentials. He rushed for 1,129 yards and 14 touchdowns and briefly was in the Heisman conversation. (Todd Kirkland / Getty Images)
After seeing a flyer for the local Big Brothers Big Sisters chapter when he was 8, he found a phone, called the number and added himself to the waitlist. That led him to Patrick Dowley, his new Big Brother. The bond was instant, the relationship — like so few in Ray’s life at the time — stabilizing.
When they went to grab food, Patrick taught Ray proper restaurant etiquette. When they caught a Giants or Warriors game, Patrick told him about the players. When Ray struggled with his homework, Patrick pushed him and pushed him and pushed him.
He never had the money to sign up for football, so his coaches would cover the cost. They’d give him rides to and from games, then take him out to eat afterward to make sure he had a square meal. Ray remembers how much it stung, after all his touchdown runs in Pop Warner games, when he’d look over at the sideline and see nobody there.
At 12, without anywhere else to go, he spent two months in a homeless shelter on the bottom floor of Zuckerberg General Hospital and Trauma Center. Ray can still see the food pantry that kept him from going hungry, the baby crates the toddlers would sleep in, the game room where he spent hours watching movies on the VCR or playing “NCAA Football” on PlayStation.
As a homeless minor, he was prohibited from leaving the facility. He’d get one hour a day outside. He’d spend it shooting baskets with a staff member.
“Being in that shelter, it just taught me: you’re a man now,” he says. “No more being spoon-fed. No more having your hand held. You’re gonna have to figure this out yourself.”
So he did. After the shelter, he couch-surfed with extended family or anyone willing to take him in. He stayed with friends of friends of friends — sometimes without even knowing their last names.
Ben Klaus had Ray in his third-grade class at Bret Harte Elementary, then again in fifth grade. The more days Ray missed — sometimes he was gone for weeks at a time — the more Ben started to piece it together. Ray would walk his sister to school, then walk back to wherever they were staying. There was no one else to watch his brother. Ray would change his diapers. He’d make sure he was fed.
He was 9.
Ben would take Ray out for burritos. He’d catch him up in school. “That was part of our non-negotiable. He had to get his homework done,” Ben says. He invited Ray to spend Thanksgiving with him and his family.
After that last-ditch phone call, when Ray was in sixth grade, out of options and needing somewhere to stay, Ben and Alexa Klaus became family. Ray made it to their wedding that summer; he gave a speech, too. “He became a shining light for us,” Ben says. “People still talk about that speech.”
That was home for the better part of three years, until a five-hour car ride in the back of a Chevy Suburban changed his life.
None of it added up to Lora Banks. The more she kept peppering this young man with questions — “probably 1,000 over the course of the entire drive home,” she admits — the more he kept dodging them, then slipping on his headphones so he could tune out the country music she was blaring up front.
They’d wrapped an AAU basketball tournament in Santa Barbara one weekend when Banks’ youngest son, Bradley, asked her if one of his teammates could catch a ride with them back to San Francisco.
Beyond him being the best player on the team, Lora knew nothing about Ray. No one really did. He’d hitched a ride to the tournament with one of the coaches, someone said. He didn’t have a spot in any of the hotel rooms, someone mentioned. And when it came time to leave, he didn’t have a ride home.
Lora wanted to know more. Ray wanted the password to her internet hotspot. So she proposed a deal: if he’d answer some questions, she’d share it. He agreed. She kept asking, for five long hours, learning very little.
“You just don’t think to ask, ‘Who takes care of you?’ Or, ‘Where’s your mom and dad?’”, she says now. “But the one thing that stuck out to me was when we got back, I asked him where I should drop him off, and he just mumbled, ‘Oh, I’ll just take the bus from your house.’
“Now that was weird.”
Slowly, she started to see more of him. Ray would swing by the house on his way to practice. She knew he wasn’t eating enough, so she’d invite him over for family dinners. She knew he needed somewhere to work out, so she added him to their YMCA membership. When she’d ask if his parents knew where he was, he’d shrug.
A few months later, one of the AAU coaches asked if Lora could give Ray a ride to another tournament, this one in Nevada. Sure, she said. But to leave the state, Ray told her, he’d need permission. She needed to call his social worker.
“Now I’m starting to figure this out,” she says. “He’s lost in the system.”
Lora Banks helped him find his way out. She filed the mountains of paperwork to become his temporary guardian so he could play in the Nevada tournament. Pretty soon, she was doing the same thing to become his educational guardian, giving her a say in where he went to school.
With these wheels spinning, something else was happening in Ray Davis’ life: Raymond Davis was out of prison and beginning to rebuild his life. He’d landed a job. And he wanted to reconnect with his son. So Lora and her husband, Greg, had him over for dinner.
“When we sat down, we could tell his heart was in the right place,” Lora said.
Together, the three of them weighed Ray’s next steps. He was 15, a bit behind in school, in desperate need of structure. A friend of Lora’s who’d heard about Ray’s talents on the basketball court suggested they look into boarding schools. Another well-connected friend lined up an interview with a prestigious one in New York.
What sounded crazy at first — attending a prep school 2,000 miles away — became more realistic. The school, Trinity-Pawling, was interested in offering Ray a basketball scholarship.
Raymond Davis resisted the idea initially; he wanted his son in San Francisco. But his stance changed a few weeks later after hearing about a shooting in their neighborhood. “If he stays around here,” Raymond finally admitted, “he could end up like a lot of old friends of mine.”
So they flew to New York to visit Trinity-Pawling, an all-boys college preparatory school an hour north of the city. The campus was stunning, like nothing Ray had ever seen. They met with the basketball coach. Ray aced the interview. The scholarship offer came. Then, before they left, Ray mentioned one more thing.
“You know,” he told the coaches, “I can play football, too.”
Before Ray could move across the country, he needed California’s permission.
Still a ward of the state, Ray had to stand before a judge and argue in support of his father’s petition to resume custody, without which Ray couldn’t leave. But when Ray, Raymond, Lora and Greg arrived in court, they learned an attorney for San Francisco county was there to oppose the move.
“We were flabbergasted,” Lora remembers.
“His support is here, in San Francisco,” the attorney argued in front of judge Catherine Lyons. “If he gets out to New York, how will he get back? What if his scholarship falls through?”
The options at home, he continued, were far more realistic: a spot in a group home, possibly vocational school.
Then the judge allowed Ray to state his case. He was 16 years old, pleading for his future.
“You say I won’t be supported out there,” he began. “But going back to when I was young, when have I been supported here?”
Ray wanted to go to New York. He wanted an education. He wanted a chance at college. For years, he told the judge, he wasn’t even sure if he’d even make it to high school. Now the opportunity was right in front of him.
After Ray was finished, the county attorney sat in silence. The judge asked for a rebuttal.
“We withdraw our opposition,” the attorney finally said. “We support him.”
Lyons agreed. She had followed Ray’s story since he was 6 years old. She knew what this moment meant to him.
“I’ve been a judge 10 years, and this is something I never get to do,” she said, tears welling up in her eyes. “Re’Mahn Davis, you’re no longer a ward of the court.
“You’re going to Trinity-Pawling,” Lyons continued. “I believe you’re going to graduate high school. And I believe one day you’re going to graduate from college.”
Ray Davis had earned his chance, and that was all he needed.
At Trinity-Pawling, he lettered in basketball, baseball and track and field, but stood out most on the football field. School wasn’t easy. Neither was the rigidity of the prep school schedule, which turned out to be a blessing in disguise for an unrefined teenager. Ray would get in trouble for not shaving, for sneaking his headphones into chapel, for not always following his coach’s orders.
But eventually, it stuck.
“I’m not much of a religious person,” Lora, a retired executive coach, says now. “But him getting into this school and what it did for him, it was an act of God.”
Ray graduated. Needing one credit to become NCAA eligible, he spent a postgrad year at Blair Academy in New Jersey, piling up 35 touchdowns on the football field. Pretty soon, college coaches were calling. The first scholarship offer came from Purdue.
When it did, Ray sat with his father and cried.
A few of them saw it early, all this untapped talent waiting to be unleashed. “We’re talking 80-yard touchdown after 80-yard touchdown every time I came to one of his Pop Warner games,” Patrick remembers. “I always sort of knew there was a chance.”
“Sports weren’t just his outlet,” Ben adds, “they were his therapy.”
Ray first landed at Temple, piling up 1,244 rushing yards in two seasons, then sought out the bigger stage of the SEC. After 1,253 more yards in two seasons at Vanderbilt — plus a degree in communications — he weighed going pro. But he knew he was a fringe NFL prospect at best, so he chose to bolster his credentials with one final season.
He transferred to Kentucky and, in coach Mark Stoops’ system, established himself as one of the best running backs in the country. A four-touchdown, 289-yard day against Florida in late September briefly elevated him into the Heisman conversation.
Davis finished his college career with 3,626 rushing yards, putting up over 1,000 yards at three different schools over parts of five seasons. (Patrick McDermott / Getty Images)
Lora was never too far away — to this day Ray calls her mom. She bought a condo in Nashville so she could watch him play at Vanderbilt, then one in Lexington to watch him at Kentucky. She kept a journal through it all, scribbling down the life lessons this young man taught her. She remains in awe.
“This isn’t a story of, ‘Oh, I stepped in a pile of crap and found the pony.’ Not at all,” she said. “He stepped in a pile of crap, then asked himself, ‘Do I wanna stay in it? Or do I wanna climb out of it?’”
Patrick would fly out to games. Same with Ben and Alexa. And Raymond Davis rarely missed a chance to watch his son play. “He’s my No. 1 fan,” Ray says of his dad.
The two have grown tight in recent years. Raymond, who did not comment for this story, has become a daily presence in his son’s life. Ray, slowly, has learned to move past the hurt.
“He’s a way better person,” he says of his dad.
Most stunning isn’t the story but its subject. It’s the way Ray Davis speaks about his life. He could be resentful, even bitter, and no one could blame him.
But he’s not. He’s grateful. The heartache that dotted his journey, the scars of his youth that he still wears — that’s the reason he’s here.
“After what I been through,” he says, “what’s gonna get in my way now?”
And he finally has the answer to the question he started asking himself all those years ago.
“Why me? Why me? It took me until I was 23, 24 to figure that out,” Ray says. “Well, this is why. Because of my story, and because of all the kids in a foster home or a homeless shelter that might hear about it one day.
“Everybody congratulates me for the football part of it, and that’s great, getting to the NFL and all that. But I’m an inner-city kid, a foster-care product who graduated from a top-15 school in the country. I feel like that’s what we should be celebrating. I never once thought I’d ever get into a school like Vanderbilt.”
He pauses for a moment, looking back on the improbability of it all. Then his bright, piercing green eyes lock in, and Ray Davis mentions one last thing.
“I’m just getting started. I’m not trying to be the best running back in this draft. I’m trying to be a name you’ll remember forever.”
(Illustration: Dan Goldfarb / The Athletic; photos courtesy of Lora Banks, Patrick Dowley and Ben Klaus, Joe Robbins / Getty Images)
Culture
6 Poems You Should Know by Heart
Literature
‘Prayer’ (1985) by Galway Kinnell
Whatever happens. Whatever
what is is is what
I want. Only that. But that.
“I typically say Kinnell’s words at the start of my day, as I’m pedaling a traffic-laden path to my office,” says Major Jackson, 57, the author of six books of poetry, including “Razzle Dazzle” (2023). “The poem encourages a calm acceptance of the day’s events but also wants us to embrace the misapprehension and oblivion of life, to avoid probing too deeply for answers to inscrutable questions. I admire what Kinnell does with only 14 words; the repetition of ‘what,’ ‘that’ and ‘is’ would seem to limit the poem’s sentiment but, paradoxically, the poem opens widely to contain all manner of human experience. The three ‘is’es in the middle line give it a symmetry that makes its message feel part of a natural order, and even more convincing. Thanks to the skillful punctuation, pauses and staccato rhythm, a tonal quality of interior reflection emerges. Much like a haiku, it continues after its last words, lingering like the last note played on a piano that slowly fades.”
“Just as I was entering young adulthood, probably slow to claim romantic feelings, a girlfriend copied out a poem by Pablo Neruda and slipped it into an envelope with red lipstick kisses all over it. In turn, I recited this poem. It took me the remainder of that winter to memorize its lines,” says Jackson. “The poem captures the pitch of longing that defines love at its most intense. The speaker in Shakespeare’s most famous sonnet believes the poem creates the beloved, ‘So long as men can breathe or eyes can see, / So long lives this, and this gives life to thee.’ (Sonnet 18). In Rilke’s expressive declarations of yearning, the beloved remains elusive. Wherever the speaker looks or travels, she marks his world by her absence. I find this deeply moving.”
“Clifton faced many obstacles, including cancer, a kidney transplant and the loss of her husband and two of her children. Through it all, she crafted a long career as a pre-eminent American poet,” says Jackson. “Her poem ‘won’t you celebrate with me’ is a war cry, an invitation to share in her victories against life’s persistent challenges. The poem is meaningful to all who have had to stare down death in a hospital or had to bereave the passing of close relations. But, even for those who have yet to mourn life’s vicissitudes, the poem is instructive in cultivating resilience and a persevering attitude. I keep coming back to the image of the speaker’s hands and the spirit of steadying oneself in the face of unspeakable storms. She asks in a perfectly attuned gorgeously metrical line, ‘what did i see to be except myself?’”
‘Sonnet 94’ (1609) by William Shakespeare
They that have power to hurt and will do none,
That do not do the thing they most do show,
Who, moving others, are themselves as stone,
Unmovèd, cold, and to temptation slow,
They rightly do inherit heaven’s graces
And husband nature’s riches from expense;
They are the lords and owners of their faces,
Others but stewards of their excellence.
The summer’s flower is to the summer sweet,
Though to itself it only live and die;
But if that flower with base infection meet,
The basest weed outbraves his dignity.
For sweetest things turn sourest by their deeds;
Lilies that fester smell far worse than weeds.
“It’s one of the moments of Western consciousness,” says Frederick Seidel, 90, the author of more than a dozen collections of poetry, including “So What” (2024). “Shakespeare knows and says what he knows.”
“It trombones magnificent, unbearable sorrow,” says Seidel.
“It’s smartass and bitter and bright,” says Seidel.
These interviews have been edited and condensed.
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Culture
Classic and Contemporary Literature From France, Japan, India, the U.K. and Brazil
Literature
FRANCE
According to the writer Leïla Slimani, 44, the author of ‘The Country of Others’ (2020).
Classic
‘Essais de Montaigne’ (‘Essays of Montaigne,’ 1580)
“France is a country of nuance with a love of conversation and freedom and an aversion to fanaticism. It’s also a country built on reflexive subjectivity. Montaigne reveals all that, writing, ‘I am myself the matter of my book.’”
Contemporary
‘La Carte et le Territoire’ (‘The Map and the Territory,’ 2010) by Michel Houellebecq
“Houellebecq describes France as a museum, where landscape turns into décor and where rural areas are emptying out. He shows the gap between the Parisian elite and the rest of the population, which he paints as aging and disoriented by modernity. It’s a melancholic and yet ironic novel about a disenchanted nation.”
JAPAN
According to the writer Yoko Ogawa, 64, the author of ‘The Memory Police’ (1994).
Classic
‘Man’yoshu’ (late eighth century)
“‘Man’yoshu,’ the oldest extant collection of Japanese poetry, reflects a diversity of voices — from emperors to commoners. They bow their heads to the majesty of nature, weep at the loss of loved ones and find pathos in death. The pages pulse with the vitality of successive generations.”
Contemporary
‘Tenohira no Shosetsu’ (‘Palm-of-the-Hand Stories,’ 1923-72) by Yasunari Kawabata
“The essence of Japanese literature might lie in brevity: waka [a classical 31-syllable poetry form], haiku and short stories. There’s a tradition of cherishing words that seem to well up from the depths of the heart, imbued with warmth. Kawabata, too, exudes more charm in his short stories — especially these very short ‘palm-of-the-hand’ stories — than in his full-length novels. Good and evil, beauty and ugliness, love and hate — everything is contained in these modest worlds.”
INDIA
According to Aatish Taseer, 45, a T contributing writer and the author of ‘Stranger to History: A Son’s Journey Through Islamic Lands’ (2009).
Classic
‘The Kumarasambhava’ (‘The Birth of Kumara,’ circa fifth century) by Kalidasa
“This is an epic poem by the greatest of the classical Sanskrit poets and dramatists. The gods are in a pickle. They’re being tormented by a monster, but Shiva, their natural protector, is deep in meditation and cannot be disturbed. Kama, the god of love, armed with his flower bow, is sent down from the heavens to waken Shiva. Never a wise idea! The great god, in his fury, opens his third eye and incinerates Kama. But then, paradoxically, the death of the god of love engenders one of the greatest love stories ever told. In the final canto, Shiva and his wife, the goddess Parvati, have the most electrifying sex for days on end — and, 15 centuries on, in our now censorious time, it still leaves one agog at the sensual wonder that was India.”
Contemporary
‘The Complex’ (2026) by Karan Mahajan
“This state-of-the-nation novel, which was published just last month, captures the squalor and malice of Indian family life. Delhi is both my and Mahajan’s hometown and, in this sprawling homage to India’s capital, we see it on the eve of the economic liberalization of the 1990s, as the old socialist city gives way to a megalopolis of ambition, greed and political cynicism.”
THE UNITED KINGDOM
According to the writer Tessa Hadley, 70, the author of ‘The London Train’ (2011).
Classic
‘Jane Eyre’ (1847) by Charlotte Brontë
“Written almost 200 years ago, it remains an insight into our collective soul — or at least its female part. Somewhere at the heart of us there’s a small girl in a wintry room, curled up in the window seat with a book, watching the lashing rain on the window glass: ‘There was no possibility of taking a walk that day. …’ Jane’s solemnity, her outraged sense of justice, her trials to come, the wild weather outside, her longing for something better, for love in her future: All this speaks, perhaps problematically, to something buried in the foundations of our idea of ourselves.”
Contemporary
‘All That Man Is’ (2016) by David Szalay
“Though he isn’t quite completely British (he’s part Canadian, part Hungarian), Szalay is brilliant at catching certain aspects of British men — aspects that haven’t been written about for a while, now updated for a new era. Funny, exquisitely observed and terrifying, this novel reminds us, too, how absolutely our fate and our identity as a nation belong with the rest of Europe.”
BRAZIL
According to the writer and critic Noemi Jaffe, 64, the author of ‘What Are the Blind Men Dreaming?’ (2016).
Classic
‘Memórias Póstumas de Brás Cubas’ (‘The Posthumous Memoirs of Brás Cubas,’ 1881) by Machado de Assis
“Not only is it experimental in style — very short chapters mixed with long ones; different points of view; narrated by a corpse; metalinguistic — but it also introduces an extremely ironic view of the rising bourgeoisie in Rio de Janeiro at the time, revealing the hypocrisy of slave owners, the falsehood of love affairs and the only true reason for all social relationships: convenience and personal interest. After almost 150 years, it’s still modern, both formally and, unfortunately, also in content.”
Contemporary
‘Onde Pastam os Minotauros’ (‘Where Minotaurs Graze,’ 2023) by Joca Reiners Terron
“The two main characters — Cão and Crente — along with some of their colleagues, plan to escape and set fire to the slaughterhouse where they work under exploitative conditions. The men develop sympathy for the animals they kill, and one of them becomes a sort of philosopher, revealing the sheer nonsense of existence and the injustices of society in the deepest parts of Brazil.”
These interviews have been edited and condensed.
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Culture
6 Myths That Endure
Literature
The Myth of Meeting Oneself
“This is evident in Virgil’s ‘Aeneid’ (circa 30-19 B.C.) when Aeneas witnesses his own heroic actions depicted in murals of the Trojan War in Juno’s temple, and again in Miguel de Cervantes’s ‘Don Quixote’ (1605-15) when Quixote enters a printer’s shop and finds a book that has been published with fake details about his quest even as he’s living it,” says Ben Okri, 67, the author of “The Famished Road” (1991) and “Madame Sosostris and the Festival for the Brokenhearted” (2025). “In both stories, individuals throw themselves into the world and think they encounter objects, personae, obstacles and antagonists, but what they actually encounter is themselves. In our time, where our actions meet us in the echo chamber of social media, the process is magnified and swifter. Now a deed doesn’t even have to take place for it to enter the realm of reality.”
The Myth of Utopia
“I’ve always had trouble with the idea of utopia, feeling it derives its energy more from what it wishes to dismantle than what it wishes to enact,” says the T writer at large Aatish Taseer, 45, the author of “Stranger to History: A Son’s Journey Through Islamic Lands” (2009). “Ram Rajya, or the mythical rule of the hero Ram in the Hindu epic ‘Ramayana’ (seventh century B.C.-third century A.D.), like all visions of perfection, contains a built-in violence.”
The Myth of Invisibility
“Invisibility bears power and powerlessness at the same time,” says Okri. “In ancient cultures, it was a gift of the gods. Jesus, for example, walks unrecognized among his disciples, and in Greek myths, Scandinavian legends and ancient African tales, heroes are gifted invisibility in the form of cloaks, sandals or spells. Modern works like the two ‘Invisible Man’ novels, by H.G. Wells (1897) and Ralph Ellison (1952), and the ‘Harry Potter’ novels (1997-2007) by J.K. Rowling reach back to those ideas. But today, people talk about visibility as the highest form of social agency, while invisibility can render a whole class, race, caste or gender unseen.”
The Myth of Steadiness vs. Speed
“‘The Tortoise and the Hare,’ one of Aesop’s fables (sixth century B.C.), doesn’t necessarily strike a younger person as promising — possibly it has a whiff of morality in it,” says Yiyun Li, 53, the author of “A Thousand Years of Good Prayers” (2005) and “Dear Friend, From My Life I Write to You in Your Life” (2017). “But the longer I live and work, the more I understand that it’s the tortoiseness in a person that carries one along, not the swiftness of the mind and body of the hare.”
The Myth of Magic
“Ancient magical tales like Homer’s ‘Odyssey’ (late eighth to early seventh century B.C.) were allegories of transformation, of secret teachings,” says Okri, “whereas modern forms of magic are narrative devices and tropes of storytelling that continue the child’s wonder of life. I think of F. Scott Fitzgerald’s ‘The Great Gatsby’ (1925), Gabriel García Márquez’s ‘One Hundred Years of Solitude’ (1967) and, again, the ‘Harry Potter’ books. The intuition of magic persists even in these atheistic and science-infested times, where nothing is to be believed if it can’t be subjected to analysis. This is perhaps because the ultimate magic confronts us every day in the mystery of consciousness. That we can see anything is magical; that we experience love is magical; and perhaps the most magical thing of all is the imagination’s unending power to alter the contents and coordinates of reality. It hides tenaciously in the act of reading, which is the most generative act of magic.”
The Myth of the Immortal Soul
“ ‘The soul is birthless and eternal, imperishable and timeless and is not destroyed when the body is destroyed,’ says Krishna in the ‘Bhagavad Gita’ (second century-first century B.C.). This belief in the immortality of the soul — what used to be called Pythagoreanism in ancient Greece — is still the most pervasive myth in India,” says Taseer, “and has more influence over behavior and how one lives one’s life than any other.”
These interviews have been edited and condensed.
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