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Pochettino's tactics: How he can energise the USMNT ahead of the 2026 World Cup

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Pochettino's tactics: How he can energise the USMNT ahead of the 2026 World Cup

Following an underwhelming Copa America as the host nation this summer and with a men’s World Cup to be played mostly on home soil two years away, the USMNT needed to go big in replacing Gregg Berhalter as head coach.

Consider their statement made.

There is a strong argument to say Mauricio Pochettino will become the most distinguished coach in the history of the United States men’s soccer team when he puts pen to paper. Across 649 games in the biggest competitions in the European club game since 2009 — including 45 in the UEFA Champions League, one of which was in its final — the 52-year-old Argentinian has built a wealth of experience, his bio weighty enough to become the face of the USA’s all-important 2026 World Cup campaign.

But reputation aside, what can USMNT fans expect from a Pochettino team? And is his appointment a good tactical fit for the current generation of American players?


Ever since Gregg Berhalter first took over almost six years ago, the shadow of the men’s World Cup being co-hosted by the United States, Canada and Mexico in 2026 loomed large. An objective at the heart of his tenure was to integrate young talent into the senior national team, with prospects such as Christian Pulisic (above, right), Tyler Adams and Sergino Dest establishing themselves in the side under his leadership.

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There was a feeling that group was approaching its collective peak ahead of this summer’s Copa America, also played on U.S. soil, but while the debate rages on around the relative quality of the ‘golden generation’ of American players at Berhalter’s disposal, there is no doubt they underperformed. Defeat to Panama in their second of three group-stage matches may have hinged on an early red card for Tim Weah, but there was a worrying lack of creativity and forward drive from midfield, in a team seemingly still too reliant on Pulisic for moments of attacking inspiration.

The good news is that Pochettino is renowned for his work with younger players, and he should relish the opportunity to develop the squad he’ll inherit, with plenty of enthusiasm and exciting, versatile options in different areas of the pitch. Players including Folarin Balogun, 23, Gio Reyna and Yunus Musah, both 21, will appeal to Pochettino — players with star power, but also with something to prove.

Pochettino’s preference for working with young players is a deep-rooted belief that stems from his own formative years when Marcelo Bielsa — later his manager at Spain’s Espanyol and with the Argentine national team — handed him an early chance at Newell’s Old Boys club in their homeland, along with several other promising players who went on to make a major impact in the first team.

He also believes that it’s difficult to change the mentality or habits of more seasoned veterans who are sometimes unable to adjust to his methods. Pochettino seems wary of allowing a couple of big names to dominate a dressing room — remember, this is a man who lined up alongside both Argentina icon Diego Maradona and Brazilian superstar Ronaldinho in his playing days.

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Pulisic carries status and reputation, but doesn’t dominate to a detrimental extent. Pochettino disliked working with a star-studded Paris Saint-Germain side from January 2021 to summer 2022, with big-name forward trio of Lionel Messi, Neymar and Kylian Mbappe undermining his focus on the team’s cohesion without the ball.

In that respect, the profile of this USMNT squad, in terms of their ages and characters, seems likely to suit him, with plenty of time to form relationships with the players ahead of that World Cup in just under two years.


Pochettino took Tottenham to their first-ever Champions League final in 2019 (Chris Brunskill/Fantasista/Getty Images)

Tactically speaking, Pochettino is renowned for a high-pressing ideology, something that he prefers a young squad for, insisting that it’s not about physical capacity but how much players are prepared to run.

To explore his style further, we can look at The Athletic’s playstyle wheel, using his solitary season in charge of Chelsea to outline how his team looked to play compared with Europe’s top seven domestic leagues. Those defensive metrics stand out, with their rating of 89 out of 99 for Intensity speaking to the front-footed nature of their press.

A rating of 96 for Central Progression points to a desire to build attacks carefully and patiently through the middle — something that will suit the technical players at the heart of the USMNT midfield. While many failed to hit their rhythm in the three games at the Copa America, Pochettino will have plenty to work with in that part of the pitch.

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Adams, 25, brings unrivalled defensive tenacity at the base of the three-man midfield setup, and is a talented ball progressor who can pick out incisive passes to the more advanced No 8s, while 22-year-old Johnny Cardoso is a strong tackler who is a similarly natural tempo-setter from deep. The technical ability and versatility of Weston McKennie, 25, proved invaluable to Berhalter across the final years of his tenure, while Reyna provided real forward drive and fearlessness from a more advanced position as the USA won the CONCACAF Nations League in March this year.

Throw in the ball-carrying ability of Musah, the devilish late runs of Luca de la Torre, 26, even the creativity and weight of pass of Malik Tillman, 22, and there are plenty of options for Pochettino to chop and change.


Pochettino will have plenty of talent to utilise in America (Robin Alam/ISI Photos/Getty Images)

Less encouraging from the playstyle wheel above will be a rating of 32 for Chance Prevention. Chelsea’s tally of 77 league goals scored last season was their third-highest in the past 15 years, but it came at a considerable cost, as they shipped more league goals (63) than in any other season since the Premier League was founded in the early 1990s.

As unglamorous as it may sound, international football is grounded in having strong defensive foundations first and Pochettino did not showcase that in his most recent spell in the dugout.

Such shortcomings would naturally put more focus on the individual quality of the back line and goalkeeper; areas where the States’ current roster has its problems. Goalkeeper Matt Turner barely played for his Premier League club Nottingham Forest last season and his kicking and distribution were at times questionable during the Copa America. Of the other options at the position, Ethan Horvath, of Cardiff City in English football’s second-tier Championship, is a step down in quality again and conceded a poor goal when he came on after Turner was injured in that match against Panama.

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Matt Turner had a disappointing time at this summer’s Copa America (Robin Alam/ISI Photos/Getty Images)

Then there is a shortage of obvious candidates to replace centre-back Tim Ream, who turns 37 in October, plus doubts over the strength in depth that exists behind him and the other current starter at that position, Chris Richards.

Pochettino’s possession game will have to exert more control if they are to sufficiently mask that weakness on the biggest stage.


Ultimately, international soccer is a tricky arena to navigate. With plenty of time between sets of games, and a disproportionate share of straight-knockout, ‘do-or-die’ matches, ambitious projects can be reduced to individual results, years of work washed away in a few minutes of action.

It makes such managerial dismissals as Berhalter’s — and, indeed, appointments like Pochettino’s — difficult to evaluate; the “perfect” candidate nearly impossible to find. But for a squad as young as the one the U.S. currently has, with the eyes of the world set to be fixed firmly on them in two years’ time, a high-profile name like him certainly brings the experience and know-how required, even if this is his first venture into the international game as a coach.

Golden generations don’t last forever.

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At the very minimum, Pochettino will bring a welcome dose of belief and expertise to this one.

Additional reporting: Michael Cox and Mark Carey

(Top photos: Getty Images)

Culture

Try This Quiz and See How Much You Know About Jane Austen

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Try This Quiz and See How Much You Know About Jane Austen

“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.

Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”

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With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”

How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.

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By ‘A Lady’

Jane Austen’s House, Chawton, England

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Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)

Where the Magic Happened

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Janice Chung for The New York Times

Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.

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An Iconic Accessory

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Jane Austen’s House, Chawton, England

Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.

Austen Onscreen

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Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.

Jane Goes X-Rated

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Tony Cenicola/The New York Times

The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.

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A Lady Unmasked

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Jane Austen’s House, Chawton, England

Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”

Wearable Tributes

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Tony Cenicola/The New York Times

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It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.

The Austen Literary Universe

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Elizabeth Renstrom for The New York Times

On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)

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A Botanical Homage

Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.

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Aunt Jane

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Jane Austen’s House, Chawton, England

Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.

Cultural Currency

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Steve Parsons/Associated Press

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In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.

In the Trenches

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During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”

Baby Janes

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Tony Cenicola/The New York Times

You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.

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The Austen Industrial Complex

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Elizabeth Renstrom for The New York Times

Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.

Around the Globe

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Goucher College Special Collections & Archives, Alberta H. and Henry G. Burke Collection; via The Morgan Library & Museum

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Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.

Playable Persuasions

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Tony Cenicola/The New York Times

In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.

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#SoJaneAusten

The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.

Bonnets Fit for a Bennett

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Peter Flude for The New York Times

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For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.

Most Ardently, Jane

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The Morgan Library & Museum

Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”

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Stage and Sensibility

Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.

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Austen 101

Tony Cenicola/The New York Times

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Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”

W.W.J.D.

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Tony Cenicola/The New York Times

When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?

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I Think This Poem Is Kind of Into You

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I Think This Poem Is Kind of Into You

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A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.

The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.

And then it bursts into flame.

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“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.

Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.

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We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.

To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.

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Louise Glück in 1975.

Gerard Malanga

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But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”

That’s the kind of poem she wrote.

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“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.

Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.

What happens next? That’s up to you.

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