Connect with us

Culture

Neil Gaiman Responds to Explosive Report of Sexual Assault

Published

on

Neil Gaiman Responds to Explosive Report of Sexual Assault

On Tuesday, the best-selling author Neil Gaiman denied allegations of sexual abuse and assault made against him by multiple women and reported in an explosive New York magazine article this week.

In a statement on his website, Gaiman emphatically denied engaging in “nonconsensual sexual activity with anyone.” He wrote that he has stayed quiet about the allegations to avoid drawing attention to “a lot of misinformation,” and characterized his relationships with the women who have alleged that he assaulted them and pressured them to engage in acts against their will as “entirely consensual.”

Accounts about Gaiman began to surface last summer, when multiple women came forward on a podcast produced by Tortoise Media and accused the author of sexually assaulting them. But a much more detailed and disturbing series of accounts by multiple women who allege that Gaiman raped, pressured, abused and assaulted them was published by New York magazine on Monday. The article describes alleged abusive behavior by Gaiman toward women who claim he forced them to perform degrading acts, including licking vomit off his lap, and in some cases pressured them into sexual situations while his young son was present in the room.

Some prominent writers — among them J.K. Rowling, Jeff VanderMeer, Maureen Johnson and Naomi Alderman — denounced Gaiman’s behavior and criticized the literary world’s tepid response to the allegations. Others suggested that prize committees should rescind some of Gaiman’s literary awards. Some booksellers wondered whether they should stop carrying his books, which have sold tens of millions of copies globally and include children’s books, comics and beloved fantasy novels like “American Gods” and “The Graveyard Book.” Appalled fans vowed they would no longer buy or read Gaiman’s work.

While some of Gaiman’s television and film projects were dropped following the initial allegations, the responses from his publishers, agents and professional collaborators have been far more subdued.

Advertisement

On Wednesday afternoon, however, Julia Reidhead, the chairman and president of Norton, which published Gaiman’s “Norse Mythology” in 2018, issued a memo to staff saying that the company “will not have projects with the author going forward.”

In the memo, which was viewed by the Times, Reidhead said she was “deeply disturbed” by the allegations, while noting that they did not involve the publisher’s employees. Norton released an illustrated edition of the mythology book in November.

HarperCollins, which has published many of Gaiman’s most notable works, and Marvel, the comic book publisher, have no new books forthcoming from him, according to representatives from the companies.

Gaiman’s lawyers did not respond to a request for further comment.

His literary agent at Writers House, which represents blockbuster authors like Dav Pilkey, Nora Roberts and Ally Condie, did not respond to requests for comment about whether the agency would continue to represent him. DC Comics, which published his blockbuster comic book “The Sandman,” along with other works, declined to comment when asked whether DC would continue to publish him.

Advertisement

For some of the women who have accused Gaiman of misconduct, the muted responses from some of his publishers and collaborators are a bitter disappointment.

Katherine Kendall, 35, was one of the women interviewed by Lila Shapiro for the New York magazine story. She met Gaiman when she was 22, while volunteering at one of his book events in Asheville, N.C. She described how, at another reading, 10 months later, Gaiman — whom she’d grown up reading and admiring — pulled her to the back of his tour bus and “lay on top of her.” According to Kendall, he said, “Kiss me like you mean it” and “I’m used to getting what I want.”

According to the article, Gaiman later gave Kendall $60,000 to pay for therapy in an attempt, as he put it in a recorded phone call, to “make up some of the damage.”

In the comment posted on Tuesday, Gaiman did not address specific allegations, but said that he reviewed the messages he exchanged with some of the women “following the occasions that have subsequently been reported as being abusive,” and that the messages reflect “entirely consensual sexual relationships” that “seemed positive and happy on both sides.”

In an interview with The Times, Kendall described the “culture of secrecy” around Gaiman. “Neil’s works were his bait, and promotional events were his hunting ground,” she said. “As long as his publishers and professional collaborators remain silent, Neil will continue to have unrestricted access to vulnerable women.”

Advertisement

Kendra Stout, another one of the women, told the magazine that in 2007, Gaiman forced her to have sex with him while she “had developed a UTI that had gotten so bad she couldn’t sit down.” The article states that, this past October, Stout filed a police report in which she accused Gaiman of raping her.

“The silence of the community around him — his fandom, his publishers — is loud and disturbing,” Stout said in an interview with The Times. “I’ve heard that it was an open secret that he was a predator, but that whisper network did not reach me.”

Some booksellers were torn over whether they should continue to stock Gaiman’s books. Lauren Nopenz, the manager and buyer at Curious Iguana, a bookstore in Frederick, Md., said the store would no longer carry Gaiman’s books on its shelves, but would order copies for customers who request them. “We don’t want anyone to come into the store and see books that make them feel uncomfortable,” Nopenz said. Sarah Bagby, the owner of Watermark Books in Wichita, Kan., said her store would keep selling Gaiman’s work as long as there was customer demand, but might not promote his books heavily. “It’s a predicament, but we’ll carry him,” she said.

On social media, a number of authors expressed their shock and horror over the allegations. But some authors who were friends of Gaiman’s held back. The married writers Ayelet Waldman and Michael Chabon, who hosted Gaiman’s 2011 wedding to the musician and writer Amanda Palmer at their home, said they were still processing the reports.

“I’m just trying to absorb all this and don’t know what to say,” Waldman wrote in an email.

Advertisement

Chabon responded similarly: “I just don’t have it in me to talk about it.”

Palmer, who separated from Gaiman several years ago, declined to comment through a spokesperson, who said that “while Ms. Palmer is profoundly disturbed by the allegations that Mr. Gaiman has abused several women, at this time her primary concern is, and must remain, the well-being of her son and therefore, to guard his privacy, she has no comment on these allegations.”

After Gaiman published his statement, in which he noted that “I could have and should have done so much better” in his relationships with women, some of the women who have come forward said they were let down but not surprised.

Stout shared a statement from several of them — a few couldn’t be reached — responding to Gaiman’s post. It read, “We are disappointed to see the same non-apology that women in this situation have seen so many times before.”

Advertisement

Culture

Video: 250 Years of Jane Austen, in Objects

Published

on

Video: 250 Years of Jane Austen, in Objects

new video loaded: 250 Years of Jane Austen, in Objects

To capture Jane Austen’s brief life and enormous impact, editors at The New York Times Book Review assembled a sampling of the wealth, wonder and weirdness she has brought to our lives.

By Jennifer Harlan, Sadie Stein, Claire Hogan, Laura Salaberry and Edward Vega

December 18, 2025

Continue Reading

Culture

Try This Quiz and See How Much You Know About Jane Austen

Published

on

Try This Quiz and See How Much You Know About Jane Austen

“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.

Continue Reading

Culture

Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

Published

on

Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.

Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”

Advertisement

With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”

How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.

Advertisement

By ‘A Lady’

Jane Austen’s House, Chawton, England

Advertisement

Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)

Where the Magic Happened

Advertisement

Janice Chung for The New York Times

Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.

Advertisement

An Iconic Accessory

Advertisement

Jane Austen’s House, Chawton, England

Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.

Austen Onscreen

Advertisement

Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.

Jane Goes X-Rated

Advertisement

Tony Cenicola/The New York Times

The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.

Advertisement

A Lady Unmasked

Advertisement

Jane Austen’s House, Chawton, England

Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”

Wearable Tributes

Advertisement

Tony Cenicola/The New York Times

Advertisement

It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.

The Austen Literary Universe

Advertisement

Elizabeth Renstrom for The New York Times

On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)

Advertisement

A Botanical Homage

Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.

Advertisement

Aunt Jane

Advertisement

Jane Austen’s House, Chawton, England

Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.

Cultural Currency

Advertisement

Steve Parsons/Associated Press

Advertisement

In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.

In the Trenches

Advertisement

During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”

Baby Janes

Advertisement

Tony Cenicola/The New York Times

You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.

Advertisement

The Austen Industrial Complex

Advertisement

Elizabeth Renstrom for The New York Times

Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.

Around the Globe

Advertisement

Goucher College Special Collections & Archives, Alberta H. and Henry G. Burke Collection; via The Morgan Library & Museum

Advertisement

Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.

Playable Persuasions

Advertisement

Tony Cenicola/The New York Times

In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.

Advertisement

#SoJaneAusten

The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.

Bonnets Fit for a Bennett

Advertisement

Peter Flude for The New York Times

Advertisement

For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.

Most Ardently, Jane

Advertisement

The Morgan Library & Museum

Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”

Advertisement

Stage and Sensibility

Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.

Advertisement

Austen 101

Tony Cenicola/The New York Times

Advertisement

Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”

W.W.J.D.

Advertisement

Tony Cenicola/The New York Times

When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?

Advertisement

Continue Reading
Advertisement

Trending