Culture
Minnesota coach Cheryl Reeve says series ‘stolen’ after poor officiating in WNBA Finals loss to Liberty
NEW YORK — The 2024 WNBA Finals was one of the most memorable series in league history. Even as they were competing against each other, Minnesota Lynx and New York Liberty players recognized the beauty of their competition and what a great advertisement it was in a season that brought record viewership and enthusiasm to the league.
But the finals also brought a spotlight to the WNBA’s officiating. The performance of the referees didn’t rise to the standard of the players, and they compromised the league’s product as a result.
“It’s a shame that officiating had such a hand in a series like this,” Lynx coach Cheryl Reeve said after losing 67-62 in overtime to the Liberty. “Obviously there’s always going to be a team that’s going to be a little more disappointed than the other. I thought today was incredibly disappointing.”
“This (expletive) ain’t that hard,” she added. “Officiating, it’s not that hard.”
The conversation around a do-or-die game featuring two of the best players in the world in Breanna Stewart and Napheesa Collier should have centered on basketball. Instead, it was dominated by aggrieved reactions to the refereeing and suggestions of conspiracies benefitting the team in the bigger media market with the more popular star.
The Lynx’s ire was primarily focused on one call near the end of regulation, when Alanna Smith was whistled for a foul on Stewart with 5.2 seconds remaining on what appeared to be marginal contact. The decision held up after a challenge, though Stewart clearly traveled before the foul, and Reeve guaranteed that it would not have stood had a replay center outside of the building been tasked with reviewing the call.
Breanna Stewart just traveled worldwide in this play 😭😭😭#WNBAFinals pic.twitter.com/pK2YlNWRNV
— 𝑫𝒂𝒗𝒊𝒅🖤💫 (@DaviddLovesSosa) October 21, 2024
There were also multiple instances of Collier getting hit around the rim or wrapped up before receiving an entry pass that went uncalled. Halfway through overtime, Leonie Fiebich had her arm locked around Collier, leaving Collier unable to catch an entry pass from Natisha Hiedeman and resulting in a Lynx turnover instead of a foul on Fiebich. Collier attempted 18 field goals in the paint and didn’t attempt a single free throw. She had never before taken more than 11 field goals without getting to the foul line. She ultimately fouled out in overtime.
During regulation, before Minnesota had to foul to extend the game in the extra session, the foul disparity was 19-12 against the road team. Reeve went so far as to say the game was “stolen” from the Lynx.
Right before this video starts, Coach Cheryl Reeve says “This s— was stolen from us.” pic.twitter.com/8VanrfiXup
— Zena Keita (@itszenakeita) October 21, 2024
This isn’t the first time Reeve has cried foul in the postseason, She maintains eight years later that Minnesota lost another title in 2016 when the Sparks weren’t whistled for a shot-clock violation at the end of Game 5, and Nneka Ogwumike managed to get off a game-winning basket in a one-point game. But Reeve’s repeated complaints don’t mean she’s wrong; rather, she’s right that the WNBA has a long-standing problem with quality officiating.
Three games in this series ended with coaches complaining about the one-sided nature of the refereeing during their postgame comments. After Game 3, when Stewart took 10 free throws compared to 12 total for the Lynx, Reeve said: “The game is called differently for Phee than it is for Stewie for sure. You look at the same level of activity, and around-the-rim contact. For whatever reason, we have a hard time getting to the foul line in this series.”
New York coach Sandy Brondello responded in Game 4, when the Liberty lost the free-throw battle 20-9, saying, “I know Cheryl talked about it last time, but we got no calls today. So do I need to talk up in a press conference?”
“All we want is fair, OK. So if we are getting hit, that’s a foul,” Brondello added.
Before the finals, league commissioner Cathy Engelbert said the WNBA would undergo its usual audit of referees while still suggesting that the public focus on calls was a sign of passion rather than an indication that immediate improvement was necessary.
Nevertheless, the fact that the league’s longest-tenured coach would publicly rip the officials not once, but multiple times, on its biggest stage is a red flag.
Combine that with NBA stars like LeBron James and Damian Lillard chiming in on the issue on social media, with Lillard suggesting that the referees intentionally let New York back in the game in the second half, and the WNBA should have some introspection.
Refs called this game like they knew the assignment in the 2nd half boy. Great game .
— Damian Lillard (@Dame_Lillard) October 21, 2024
I’m sorry but that wasn’t a foul! Let the damn players dictate the outcome of a close battled tested game. 🤦🏾♂️
— LeBron James (@KingJames) October 21, 2024
There have never been more eyes on the league than at this moment, and the perception of fairness is imperative to keep fans engaged. They have to believe their team has a chance and not enter games against a media darling as an underdog.
Complaining about officials is a rite of passage for sports fans, so the fact that officiating took a heightened role isn’t out of the ordinary. However, there is a difference between fans feeling their team was cheated and the overall quality of referees not being up to par.
When three officials can’t see the ball went off of a player’s foot – which is what happened in Game 1 with Stewart – and are forced to call a jump ball as a result, that is a failure. When a player is wrapped up and can’t get to a pass because she is being held, and that play is whistled a turnover, that is on the officials.
There will always be judgment calls in basketball, and different referees will allow varied amounts of contact. That isn’t what happened in Game 5, and at other points in the finals, and it will leave a stain on what was otherwise an incredible series.
Brondello wouldn’t take the bait when asked about Reeve’s assertion that the series had been taken from Minnesota, choosing rather to highlight her team’s ability to power through adversity. And New York’s grit should be celebrated. To battle back from 12 points down on a night when their two stars couldn’t hit the ocean from the beach is a remarkable feat of endurance and persistence.
It doesn’t overshadow that the Lynx were battling against more than just the Liberty. That isn’t fair to either team. As it becomes a bigger player in the national sports media landscape, it’s incumbent that the league invests more in its officials so that they are ready for this spotlight and this responsibility. The players deserve better than what they got in Game 5.
(Photo of Cheryl Reeve: Elsa / Getty Images)
Culture
I Think This Poem Is Kind of Into You
A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.
The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.
And then it bursts into flame.
“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.
Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.
We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.
To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.
But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”
That’s the kind of poem she wrote.
“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.
Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.
What happens next? That’s up to you.
Culture
Can You Identify Where the Winter Scenes in These Novels Took Place?
Cold weather can serve as a plot point or emphasize the mood of a scene, and this week’s literary geography quiz highlights the locations of recent novels that work winter conditions right into the story. Even if you aren’t familiar with the book, the questions offer an additional hint about the setting. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the books if you’d like to do further reading.
Culture
From NYT’s 10 Best Books of 2025: A.O. Scott on Kiran Desai’s New Novel
When a writer is praised for having a sense of place, it usually means one specific place — a postage stamp of familiar ground rendered in loving, knowing detail. But Kiran Desai, in her latest novel, “The Loneliness of Sonia and Sunny,” has a sense of places.
This 670-page book, about the star-crossed lovers of the title and several dozen of their friends, relatives, exes and servants (there’s a chart in the front to help you keep track), does anything but stay put. If “The Loneliness of Sonia and Sunny” were an old-fashioned steamer trunk, it would be papered with shipping labels: from Allahabad (now known as Prayagraj), Goa and Delhi; from Queens, Kansas and Vermont; from Mexico City and, perhaps most delightfully, from Venice.
There, in Marco Polo’s hometown, the titular travelers alight for two chapters, enduring one of several crises in their passionate, complicated, on-again, off-again relationship. One of Venice’s nicknames is La Serenissima — “the most serene” — but in Desai’s hands it’s the opposite: a gloriously hectic backdrop for Sonia and Sunny’s romantic confusion.
Their first impressions fill a nearly page-long paragraph. Here’s how it begins.
Sonia is a (struggling) fiction writer. Sunny is a (struggling) journalist. It’s notable that, of the two of them, it is she who is better able to perceive the immediate reality of things, while he tends to read facts through screens of theory and ideology, finding sociological meaning in everyday occurrences. He isn’t exactly wrong, and Desai is hardly oblivious to the larger narratives that shape the fates of Sunny, Sonia and their families — including the economic and political changes affecting young Indians of their generation.
But “The Loneliness of Sonia and Sunny” is about more than that. It’s a defense of the very idea of more, and thus a rebuke to the austerity that defines so much recent literary fiction. Many of Desai’s peers favor careful, restricted third-person narration, or else a measured, low-affect “I.” The bookstores are full of skinny novels about the emotional and psychological thinness of contemporary life. This book is an antidote: thick, sloppy, fleshy, all over the place.
It also takes exception to the postmodern dogma that we only know reality through representations of it, through pre-existing concepts of the kind to which intellectuals like Sunny are attached. The point of fiction is to assert that the world is true, and to remind us that it is vast, strange and astonishing.
See the full list of the 10 Best Books of 2025 here.
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