Culture
Kylian Mbappe’s curious Clasico debut: Eight offsides, some big misses and clipped confidence
The date was November 24, 2018.
As referee Juan Martinez Munuera blew the whistle for full time, a disappointed Real Madrid team headed for the tunnel following a 3-0 La Liga defeat at Eibar, a game where Karim Benzema was flagged offside seven times, equalling a league record set by Elche’s Jonathas de Jesus in May 2015.
Nearly six years later, Kylian Mbappe, Benzema’s long-term replacement, went one better to make the unwanted record his own against another team in red and blue. Only this was in El Clasico in front of nearly 80,000 at the Bernabeu and millions worldwide as Real Madrid slumped to a 4-0 defeat.
Mbappe’s first Clasico was the subject of hype given he had six goals in four matches against Barcelona, including a hat-trick at Camp Nou. He also usually delivers in big games, with three goals in five matches against his current employers in the Champions League, four goals in two World Cup finals for France and 38 in 52 combined Ligue 1 games against Marseille, Lyon, Monaco and Lille.
On Saturday, Barca’s high line was expected to present him with opportunities if he and partner Vinicius Junior timed their runs, given their superior pace compared with Barcelona’s defenders.
A simple strategy on paper, but Mbappe struggled due to a combination of the occasion, an under-developed chemistry with his team-mates, and downright profligacy.
From kick-off on Saturday, Madrid’s approach was clear.
Their defenders would kick the ball up the pitch leaving Mbappe, Vinicius Jr and Jude Bellingham to win their duels.
If they lost the ball in the first phase, the physicality of Federico Valverde, Aurelien Tchouameni and Eduardo Camavinga gave them the upper hand against Barcelona’s front six. All three Madrid midfielders can also play through the press with quick passes, and this combination of qualities troubled Barca through the first half.
The final pieces of the jigsaw were well-timed runs and assured finishing, but two offsides within the opening 90 seconds of the game suggested that was easier said than done.
The second of those saw Camavinga slip Mbappe in behind in the wide gap between Jules Kounde, wary of Vinicius Jr, and Inigo Martinez after Pau Cubarsi stepped up to close Camavinga down. Mbappe raced through, but his finish was poor as he dragged it wide.
In the next 12 minutes, Mbappe twice contributed without the ball, pressing higher than he has ever done this season to force Martinez to go long and help his team regain possession. He also brought down a long pass from Eder Militao before spraying it out wide to Vinicius Jr to kickstart an attack.
Mbappe’s keenness to contribute was evident and his off-the-ball work laid the foundations for his side’s approach to the game.
Then came the third offside, which indicated that he had not learned from the previous instances.
Vinicius Jr once again pinned Kounde on the right and, while Cubarsi did not push up, Mbappe found space between the two Barcelona centre-backs. Mbappe looked over his shoulder, but still began his run a tad too early from Camavinga’s pass.
He was flagged offside after squaring the ball for Bellingham, who forced a fantastic save from Inaki Pena…
More off-the-ball pressure on Martinez forced another Barcelona turnover before the most glaring of Mbappe’s eight offsides arrived in the 19th minute. In this instance, too, he looked over his shoulder but made a premature run to meet Bellingham’s hooked pass forward from the right wing.
Six minutes later, Barca trapped him offside yet again. On this occasion, Mbappe got himself back onside but kept watching the ball, meaning he did not notice Cubarsi taking an extra step forward. When Ferland Mendy played him in from the left, he was a few inches ahead of the back line.
Mbappe was getting closer to figuring it out, though, and seemed to have done just that on the half-hour mark.
A searching ball from Antonio Rudiger found Lucas Vazquez on the right flank. Mbappe was notably offside when Vazquez received the ball but tracked back as Alejandro Balde closed down the Madrid captain. A couple of touches later, Vazquez released Mbappe in between and behind the centre-backs, and he raced forward before finishing with a deft chip…
… only for Madrid’s joy to be cut short after a VAR check.
This was the closest of the lot as the semi-automated replay below suggests. Interestingly, Vinicius Jr seemed to have his doubts when the goal went in as suggested by his initial hesitance (watch above) to join the celebrations.

The marginal nature of the call suggests that Vazquez, who had time and space thanks to Bellingham’s positioning, could have played the pass earlier.
Three minutes later, another long ball from the home defence caused Barcelona problems. Mbappe won the one-v-one against Cubarsi and raced forward, only for Martinez to track back and flick the ball behind for a corner.
That was the striker’s final telling contribution of the half as the teams went into the break level.
Madrid had created openings but, as the expected-goals (xG) chart below shows, offsides had rendered them largely meaningless with their xG not too far away from Barcelona’s, despite the visitors creating little of note.
The second half offered Madrid a chance to build on their dominance and, four minutes in, Mbappe made a well-timed run from behind Cubarsi to latch onto a Vazquez pass on the counter. His first touch was slightly heavy, allowing Cubarsi to put the ball behind for a corner. But this was encouraging for the Frenchman and his side.
That optimism, however, evaporated quickly.
In the 54th minute, the first signs of issues with Mbappe’s pressing could be seen. A half-hearted attempt to stop Marc Casado allowed the Barca midfielder to saunter into space and thread the needle to find Robert Lewandowski in Barcelona’s first successful attempt to play through Madrid.
Lewandowski, onside due to Mendy’s poor positioning, was clinical with his finish. The visitors led 1-0.
Two minutes later, more tepid pressing high up the pitch and a neat Barcelona passing move — made possible by the composure of half-time substitute Frenkie de Jong — saw Lewandowski score again from a Balde cross.
Now 2-0 down, Madrid’s backs were against the wall, but they created nothing of note until the 61st minute when Mbappe conjured his first legitimate shot of the game. Receiving a pass from Camavinga on the left, he cut inside on to his favoured right foot before firing a low shot straight at Pena.
A second shot followed three minutes later, coming after another well-timed run by Mbappe between Cubarsi and Martinez. He latched onto Vinicius Jr’s outside-of-the-boot pass from the left wing to bear down on goal, but Pena came well off his line to narrow the angle.
Rather than taking it around or lifting it over him, Mbappe shot first time, and straight at Pena.
Mbappe’s involvement was growing, but his struggles with the offside trap returned in the 66th minute.
Following a miscontrol by Raphinha in Madrid’s defensive third, Vazquez found Valverde, who was immediately closed down by Dani Olmo. Mbappe remained offside during both these actions.
Valverde initially looks up to find Mbappe (as well as Vinicius Jr and Bellingham) still in an offside position, allowing Olmo to apply more pressure. With no other options, he played the only available pass: to the Frenchman. Mbappe went on to finish the move with a shot into Pena’s far corner but was glaringly offside once again.
Mbappe’s third and final shot of the match came in the 71st minute.
After Olmo lost possession in his own half, Luka Modric lifted the ball over the back line to find Mbappe, who timed his run on Martinez’s blindside to perfection to create another one-vs-one opportunity. This time around, Pena stayed closer to the edge of the six-yard box, daring Mbappe to beat him at either post.
Mbappe chose the far post, but his execution was poor as Pena saved once again without breaking a sweat.
Mbappe’s final involvement in the game came in the opening seconds of stoppage time in a near-perfect example of how Madrid envisioned their original game plan would play out.
Bellingham drew Cubarsi forward for a long ball, which travelled over both and into the path of Vinicius Jr. He comfortably turned Kounde on the halfway line before finding Mbappe on the left flank. Mbappe raced through and forced a near-post save from Pena but, thanks to a clever dart backwards by Martinez, Cubarsi could recover to re-lay the offside trap again.
The result? The assistant referee’s flag went up yet again, marking 12 infractions for the hosts and eight for Mbappe alone…
In between Mbappe’s final shot and final offside, Barcelona had scored twice. The first was a thunderous near-post effort from Lamine Yamal, partially reminiscent of Mbappe’s first goal from his Camp Nou hat-trick in 2021. The second was a deft chip by Raphinha, who easily broke Madrid’s final line of defence from a long ball after they committed men forward.
Those goals epitomised what Madrid needed from Mbappe on the night, but he could never put both together.
At times, the occasion and perhaps an eagerness to make an impact seemed to overcome him; at others, he simply did not display the confidence that many associate with his game, particularly in front of goal. Being on the wrong side of those margins does not go unpunished in fixtures as big as this.
There is also the question of synergy with his new team-mates, which will improve with time. The Barcelona match stands out due to the volume of offsides, but it is worth noting that Mbappe had been caught offside at least once in seven of his nine La Liga games before Saturday.
Mbappe’s frustration shows (Pierre-Philippe Marcou/AFP via Getty Images)
Madrid as a team have been caught offside only 24 times this season, and Mbappe has contributed 17 of those. Vinicius Jr was offside twice against Barcelona but only once previously all season. The Brazilian has been smart with his runs in the knowledge of when his team-mates will release the ball and the awareness that he can beat most defenders with his pace.
For this partnership to work on the biggest stages — particularly given the duo’s limitations in leading the press — Mbappe will need to develop a similar in-game intelligence on top of improved chemistry with his team-mates. He will also need to reduce his profligacy when the chances arrive, with his six league goals this season coming from an xG of 7.7.
Playing for Madrid was Mbappe’s ultimate dream. With that realised, the hardest part of the job begins now.
(Top photo: David Ramos/Getty Images)
Culture
Video: The A.I. threat to audiobooks
new video loaded: The A.I. threat to audiobooks
By Alexandra Alter, Léo Hamelin and Laura Salaberry
May 20, 2026
Culture
Kennedy Ryan on ‘Score,’ Her TV Deal, and Finding Purpose
At 53, and after more than a decade in the industry, things are happening for the romance writer Kennedy Ryan that were not on her bingo card.
The most recent: a first look deal with Universal Studio Group that will allow her to develop various projects, including a Peacock adaptation of her breakout 2022 novel “Before I Let Go,” the first book in her Skyland trilogy, which considers love and friendship among three Black women in a community inspired by contemporary Atlanta.
With a TV series in development, Ryan — who published her debut novel in 2014 and subsequently self-published — joins Tia Williams and Alanna Bennett at a table with few other Black romance writers.
“What I am most excited about is the opportunity to identify other authors’ work, especially marginalized authors, and to shepherd those projects from book to screen,” said Ryan, a former journalist. (Kennedy Ryan is a pen name.) “We are seeing an explosion in romance adaptations right now, and I want to see more Black, brown and queer authors.”
Her latest novel, “Score,” is set to publish on Tuesday. It’s the second volume in her Hollywood Renaissance series, after “Reel,” about an actress with a chronic illness who falls for her director on the set of a biopic set during the Harlem Renaissance. The new book follows a screenwriter and a musician, once romantically involved, working on the same movie.
In a recent interview (edited and condensed for clarity), Ryan shared the highs and lows of commercial success; her commitment to happy endings; and her north star. Spoiler: It isn’t what readers think of her books on TikTok.
Your work has been categorized as Black romance, but how do you see yourself as a writer?
I see myself as a romance writer. I think the season that I’m in right now, I’m most interested in Black romance, and that’s what I’ve been writing for the last few years. It doesn’t mean that I won’t write anything else, because I don’t close those doors. But the timeline we’re in is one where I really want to promote Black love, Black art and Black history.
What intrigued you about the period of history you capture in the Hollywood Renaissance series?
I’ve always been fascinated by the Harlem Renaissance and the years immediately following. It felt like a natural era to explore when I was examining overlooked accomplishments by Black creatives. I loved the art as agitation and resistance seen in the lives of people like James Baldwin or Zora Neale Hurston, but also figures like Josephine Baker, Lena Horne and Dorothy Dandridge, who people may not think of as “revolutionary.” The fact that they were even in those spaces was its own act of rebellion.
What about that period feels resonant now?
The series celebrates Black art and Black history and love at a time when I see all three under attack. Our art is being diminished and our history is being erased before our very eyes. I don’t hold back on the relationship between what I see going on in the world and the books I write.
How does this moment in your career feel?
I didn’t get my first book deal until I was in my 40s, so I think this is the best job I’ve ever had. I’m wanting to make the most of it, not just for myself, but for other people, and I think the temptation is to believe that it will all go away because that’s my default.
Why would it all go away?
Part of it is because we — my family, my husband and I — have had some really hard times, especially early in our marriage when my son was diagnosed with autism, my husband lost his job, and we experienced hard times financially. I’ll never forget that.
When I say it could all go away, I mean things change, the industry changes, what people respond to changes, what people buy and want to consume changes. So I don’t assume that what I am doing is always going to be something that people want.
Why are you so firmly committed to defending the “happy ending” in romance novels?
It is integral to the definition of the genre that it ends happily. Some people will say it’s just predictable every one ends happily. I am fine with that, living in a world that is constantly bombarding us with difficulty, with hurt, with challenge.
I write books that are deeply curious about the human condition. In “Score,” the heroine has bipolar disorder, she’s bisexual, there’s all of this intersectionality. For me, there is no safer genre landscape to unpack these issues and these conditions because I know there is guaranteed joy at the end.
You have a pretty active TikTok account. How do you engage with reviews and commentary on the platform about you or the genre?
First of all, I believe that reader spaces are sacred. Sometimes I see authors get embroiled with readers who have criticized them. I never ever comment on critical reviews. I definitely do see the negative. It’s impossible for me not to, but I just kind of ignore it. I let it roll off.
How does this apply to being a very visible Black author in romance?
I am very cognizant of this space that I’m in right now, which is a blessing, and I don’t take it for granted. I see a lot of discourse online where people are like, “Kennedy’s not the only one,” “Why Kennedy?,” “There should be more Black authors.” And I’m like, Oh my God, I know that. I am constantly looking for ways to amplify other Black authors. I want to hold the door open and pull them along.
How do you define success for yourself at this point?
I have a little bit of a mission statement: I want to write stories that will crater in people’s hearts and create transformational moments. Whether it’s television or publishing, am I sticking true to what I feel like is one of the things I was put on this earth to do? I’m a P.K., or preacher’s kid. We’re always thinking about purpose. And for me, how do I fit into this genre? What is my lane? What is my legacy? Which sounds so obnoxious, you know, but legacy is very important to me.
Culture
How Many of These Books and Their Screen Versions Do You Know?
Welcome to Great Adaptations, the Book Review’s regular multiple-choice quiz about printed works that have gone on to find new life as movies, television shows, theatrical productions and more. This week’s challenge highlights the screen adaptations of popular books for middle-grade and young adult readers. Just tap or click your answers to the five questions below. Scroll down after you finish the last question for links to the books and their screen versions.
-
South-Carolina2 minutes agoThree from South Carolina softball announce transfers
-
South Dakota8 minutes agoMay proclaimed Archaeology & Historic Preservation Month
-
Tennessee14 minutes ago
What Tee Martin said about joining Lane Kiffin’s staff, son’s transfer to LSU
-
Texas20 minutes ago2026 NCAA softball tournament: Bracket, schedule for the Women’s College World Series, scores
-
Utah26 minutes agoUtah father now accused of abusing 2 teen girls
-
Vermont32 minutes agoPolice search for missing Pownal, Vt., teen
-
Washington44 minutes agoWashington State Ferries makes room for pets, paws with new policy launching this summer
-
Wisconsin50 minutes ago12 Offbeat Wisconsin Towns To Visit In 2026