Fifty years ago, a young woman named Hannah pleasured herself in a erotic magazine photo spread. This week, thanks to generative AI, she did it again – this time with a voiceover.

The first volume of “Sh(AI)ved” — a collection of AI-generated short films drawn from erotic magazine photo spreads published 50 years ago — made its debut on the sidelines of the Cannes Film Festival, and is now streaming on Cultpix.

Thomas Meier, of the Norwegian firm Multiformat, deployed the latest generative AI tools to convert still images from 1976 magazine photo spreads into fully animated video, complete with color, synchronized sound, dialogue and voiceover.

Variety took a deep dive into the films to see what the fuss is all about.

The first short in the collection, the titular “Sh(AI)ved,” begins with the usual montage of naked women pleasuring themselves that mid-70s adult films normally commenced with. It’s all set to a soundtrack known variously as “wah-wah music” or “porn funk” – the latter referring to the strutting, bass-heavy funk grooves that became synonymous with the era. The genre is also sometimes called “sexploitation music” or, more colloquially, “bow-chicka-wow-wow,” heavy on electric guitar riffs.

The film itself begins with a tight close-up of the shaved pudenda of a young woman named Hannah (as a voiceover informs us), who is engaged in self stimulation. At the same time, the VO reminisces about a “tender time” with a young female friend, but how “something was missing.” The VO continues in a philosophical manner as the self stimulation advances. Hannah then makes a phone call to a male friend and in his absence, makes do with a vibro-massager.

This is followed by what the VO describes as “a randy orgy with best friends,” where three women have arrived with clean-shaven pudenda (you can see there’s a theme emerging here). “Gone were the annoying and wearisome little hairs that used to get in their way, often completely destroying the frail, sensuous atmosphere,” we are informed. The women then proceed to enjoy acrobatic sex in a number of positions, permutations and combinations, sometimes involving dildos and strap-ons, with plenty of loud moaning and the aforementioned bow-chicka-wow-wow music. All of these result in “splendid, volcanic orgasms” for all.

The final short in the first volume is titled “After-Movie Party,” where two male-female couples (who we are told swap partners) get amorous after a late-night movie and begin having sex. One of the men isn’t enjoying himself while performing cunnilingus on his partner, as her pubic hair gets in the way. The men proceed to shave the women’s pudenda — you may have noticed this theme by now — and much energetic sex is had by all.

For aficionados of 1970s adult films, “Sh(AI)ved” — and others that will surely follow it its wake — will be of much interest. For those who are not, and might only be interested in the march of AI, the films should still be fascinating. In terms of how it looks, the decor is authentic 1970s and the humans are amazingly photo-realistic, especially in their faces and bodies. Its only when it comes to extreme close ups of genitals do the plasticky nature of AI, aspiring to be photo-realistic, become evident.

“Sh(AI)ved” is, depending on your perspective, a novelty, a provocation, or a genuine milestone in the long, complicated history of moving images. Probably all three. The technology is not yet seamless – AI, it turns out, handles faces and mid-shots with remarkable aplomb but loses its nerve in extreme close-up, where flesh turns to plastic and the illusion slips. But as a proof of concept for what generative AI can do with archival still photography, and as a time capsule that captures both the aesthetic and the philosophical innocence of 1970s erotica, it is hard to look away. Future volumes will presumably iron out the technical wrinkles. For now, the most arresting thing about “Sh(AI)ved” may be how quaint it all feels – which, one suspects, is precisely the point.

An Ebola treatment center in the epicenter of the deadly outbreak in eastern Congo was set on fire Thursday after angry residents clashed with authorities over the body of a suspected victim.

Rwampara Hospital was attacked by local youths attempting to retrieve the body of a friend who had reportedly died of Ebola, a witness told The Associated Press.

“The police intervened to try to calm the situation, but unfortunately they were unsuccessful,” Alexis Burata, a local student who said he was in the area, told the outlet. “The young people ended up setting fire to the center. That’s the situation.”

The AP reported that people broke into the center and set fire to objects inside. A reporter also witnessed what appeared to be the body of at least one suspected Ebola victim being burned inside the facility.

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The Alliance for International Medical Action (ALIMA) said two tents used to treat Ebola patients were set on fire at the hospital. The organization said six people were receiving treatment for Ebola at the center.

Patrick Muyaya, a government spokesperson for the Democratic Republic of the Congo, said medical care was continuing normally, and all six patients were accounted for.

He called for calm while condemning violence against health facilities and medical staff.

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Deputy Senior Commissioner Jean Claude Mukendi, head of the public security department in Ituri Province, said the individuals who burned the tents did not understand the protocols surrounding Ebola burials.

The incident underscored growing tensions between health officials enforcing strict Ebola containment measures and local customs surrounding funerals and burial rites.

“His family, friends, and other young people wanted to take his body home for a funeral even though the instructions from the authorities during this Ebola virus outbreak are clear,” Mukendi said. “All bodies must be buried according to the regulations.”

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In its statement, ALIMA condemned the spread of “incorrect or unconfirmed information on social media and the internet,” warning that misinformation could fuel fear and mistrust toward health facilities.

The violent clash comes as Congolese health officials reported 160 suspected deaths and 671 suspected Ebola cases across two provinces in the Democratic Republic of the Congo. The United Nations said earlier this week that neighboring Uganda had reported two cases, including one death.

The World Health Organization (WHO) declared the outbreak a public health emergency Sunday, and the U.S. issued an urgent travel warning for the DRC shortly afterward.

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WHO Director-General Tedros Adhanom Ghebreyesus said earlier this week he was “deeply concerned about the scale and speed of the epidemic.”

Officials said the outbreak was caused by the Bundibugyo strain of the Ebola virus, a rarer variant for which existing vaccines may be less effective.

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Nearly $4 million in emergency funding has been approved by the WHO to support national authorities responding to the outbreak.

Fox News Digital’s Anders Hagstrom and The Associated Press contributed to this report.