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Joaquin Niemann had to fight to get to this Masters. Now he wants to stay

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Joaquin Niemann had to fight to get to this Masters. Now he wants to stay

MIAMI — It was exactly what he wanted. To be nervous. To back himself into a corner and force himself out. It was why Joaquin Niemann was there in the first place, flying across the world for two weeks in Australia. The Chilean golfer has always been one of the most talented players on any course he walks onto. But he was young. He was relaxed. And then he went to LIV.

He kept backing himself into that corner at the Australian Open. He gave up a two-shot lead in the final holes to allow a playoff. Then he missed a makeable birdie on the first playoff hole that would have won it. Nerves. Pressure. Good. From the fairway on the next playoff hole, Niemann stuck it, the ball five feet from the pin. Made the putt. Won the Australian Open.

That shot probably played Niemann into the 2024 Masters.

Joaquin Niemann is the hottest player in men’s golf not named Scottie Scheffler. He is 25. He just won three tournaments in six starts. He was top-five in three more. He’s got a win at Riviera and five professional wins in total. He shot a 59 at a former PGA Tour course. So you might assume he’s a star, right? But despite being No. 9 in the world on DataGolf (which ranks all players from all tours), he’s No. 91 in the Official World Golf Ranking (which does not rank LIV pros).

Niemann chose two years ago to leave the PGA Tour and captain an all-Latin American team with LIV Golf called Torque GC. He reportedly got paid $100 million to do it. And he struggled. “I didn’t play the best,” he said. He finished just 21st in the 2023 LIV standings and was out of exemptions for future majors.

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So Niemann made plans during his “offseason” to go to Australia. And Dubai. And then Oman. It was a long shot, but the plan was to jump from 87th in the world to the top 50 and earn a spot in Augusta. And somewhere in these five months, Niemann might have become the golfer he was supposed to be.

“I feel like you could see a change in him,” Torque teammate Mito Pereira said.

Niemann has dug deep and found a version of himself who thrives under pressure. The question is if he can do it on the biggest stage.


Amid the celebration on the 18th green, the mics picked it up. Niemann had just won LIV’s season-opening event in February in Mexico via a playoff, two days after shooting a 59, and before the interview could even start, Niemann muttered: “But I’m not in the majors.”

Some saw it as crass. Some thought it was awesome. But it started the conversation. Niemann’s offseason trips were noticed, but it was still an under-the-radar storyline. He finished fourth at the Australian PGA Championship. He won the Australian Open. Then in January, he finished T4 at the Dubai Desert Classic on the DP World Tour. It was an incredible three weeks in competitive fields, but he was still only 59th to end the year. Niemann understood that. He figured he had to win both Australian tournaments to move into the top 50.

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The greater point was that he was more focused. Pereira, a childhood friend from Chile, said Niemann has always been great but has also always been a relaxed person. The type to never think two hours ahead. But last fall Niemann started to realize he wouldn’t be in the majors in 2024, and suddenly a player who had goals of being world No. 1 had to change something. It wouldn’t matter how good Niemann was if he couldn’t play on the biggest stages. Pereira noticed him working harder, going to the gym more, pushing himself and putting himself in situations where he had to succeed.

“I think I liked that kind of pressure,” Niemann told The Athletic last week before LIV’s pre-Masters tournament. “I feel like it pushed me to be better, in a certain way to be more focused, to prepare better, to have my game in better shape.”

Two weeks after Mayakoba, Augusta National gave Niemann one of three special invitations to the Masters without mentioning his play on the breakaway tour. That same week, he played at an Asian Tour event in Oman and placed third. Niemann won again one week after that at LIV’s event in Jeddah, Saudi Arabia. This time, an LIV course reporter interviewed Niemann and suggested he would be one of the favorites to win a major championship.

A sarcastic Niemann dryly said: “How is that possible if I’m like 100 in the world?”


Joaquin Niemann leads the season-long LIV standings after winning two of the first three events. (Lintao Zhang / Getty Images)

If Jon Rahm is the best player at LIV, and maybe Brooks Koepka is the most important, and Dustin Johnson and Phil Mickelson really got the project rolling, and even Cameron Smith won an Open Championship just before coming, then Niemann is the most interesting LIV player entering this Masters. Because Niemann represents something new. He is the first young player to become a top player while playing in the little-watched LIV Golf league. And golf hasn’t figured out what to do with that.

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No matter how you feel about LIV or Official World Golf Ranking or Niemann’s candid comments on it all, it’s clear that Niemann cares about the majors. He cares about his place in golf. He said multiple times that he doesn’t mean to be antagonistic, and he’s not somebody who gains motivation from beating other players or making enemies. His motivation is internal, and his frustration is with his ambition and concern he won’t have opportunities to reach it. The reality is the majors carry more weight than ever in a divided tour.

“I want to win the majors,” Niemann said. “That’s the message that I want to give to myself, and that’s the approach I want to have going into these tournaments.”

And Niemann at least gains street cred for going out and earning it, while fellow LIV golfers like Talor Gooch — who won the LIV individual title last year — have criticized the Masters for not giving spots to top LIV players. That has not gone unnoticed among Niemann’s old PGA Tour peers.

“(Joaquin) has been chasing his tail around the world to get this, play his way into Augusta or show enough form to warrant an invite.  I don’t know if the same can be said for Talor,” Rory McIlroy said in February.

This is the challenge for Niemann and LIV going forward. Niemann, Gooch and the 50 others on LIV made choices, and they knew there would be consequences. It’s why Niemann changed his mind nearly every day in August 2022 before leaving the PGA Tour. On the other hand, Torque teammate Carlos Ortiz told Golf Magazine’s “Subpar” podcast that players were given assurances they would receive OWGR points.

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It leaves the career of players like Niemann in a fascinating spot. Most of the other stars and team captains already won their majors, earned their fame and became household names before joining LIV. Their success and acclaim were why LIV wanted them. Rahm could feel more comfortable making his move after winning a Masters and a U.S. Open, giving him exemptions for several years. Niemann’s potential and international reach are why LIV wanted him. Yes, he was once the No. 1 amateur in the world, convincingly won the Genesis Invitational and finished 11th in the Tour Championship after four years on tour, but he was just on the way to becoming a force in golf. Still very far from being one.

While Niemann was able to earn his way into most majors this season (he’s not in the U.S. Open yet but can play his way in, either via his Masters and PGA Championship performance or through open qualifying), there’s no guarantee he’ll be back next year unless he thrives in this year’s majors or takes the same route he did this winter. For reference, Koepka finished second at the 2023 Masters and won the PGA Championship but only ranks No. 31 in OWGR. Cameron Smith is No. 62. Major success doesn’t keep one ranked high forever.


Joaquin Niemann’s first LIV win came earlier this year beating Sergio Garcia in a playoff. (Manuel Velasquez / Getty Images)

LIV CEO Greg Norman withdrew the application for world ranking points in March, ending the hope to change that discussion anytime soon. The expected path for LIV to pursue now is in conversations with the four bodies that govern the majors to provide a certain amount of spots to the top-ranked players in the LIV standings, but there are no indications yet that’s realistic. And while the PGA Tour and the Public Investment Fund of Saudi Arabia (which funds LIV) remain in negotiations to mend the sport, there’s still no actual timeline to do so. And there’s little knowledge of what a deal would mean for unification.

“It’s weird because we’re playing to get better and not for people to say, ‘Hey, you’re really good, you’re gonna get this,’” Pereira said, “but obviously if you’re that good of a player and you’re not getting anything, it’s a little bit unfair.”

The more interesting element with Niemann is simply attention. Eyeballs. Understanding. If a golfer becomes one of the 10 best players in the world and nobody sees it, is he a top-10 player in the world? When LIV had the golf world’s attention to itself in February thanks to a rainout of the PGA Tour’s Pebble Beach Pro-Am, the rerun of the PGA Tour’s third round on CBS still garnered 11 times more viewers than LIV on the CW Network. Niemann is legitimately good, but he’s not earning OWGR points, he doesn’t have a clear path to majors, and his play is hardly being seen.

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Golf fans already knew who Rahm, Mickelson, Koepka and Johnson were. How will the casual fans learn about Niemann?

Which brings us to this week’s Masters.

Most of these discussions are broader issues that will be determined over years and years. Right now, Niemann will play the Masters for the fifth time. He ranks No. 9 on DataGolf and has the eighth-highest odds to win at BetMGM. The respect for Niemann is there. And the best way for him to announce himself is with a great week at Augusta.

But even before the qualification dilemma, Niemann hasn’t always thrived at the majors. He has just three top-25 finishes in 19 majors, and his T16 at last year’s Masters remains his best-ever major finish. Then again, he’s made three straight Masters cuts. This is a place where guys improve over time.

The hope is that this is a different Niemann. This is the guy who went to his friends last fall and said, “I need to get into the majors.” The one who spent more time in the gym, who practiced with more focus, who understood he needed pressure on himself, and once he had it he rose to a new level.

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This version of Niemann understands that OWGR No. 1 is no longer the goal it used to be.

“There’s no world rankings,” Niemann said, thinking about how to put it. “If you want to be the best, you have to win more majors than anybody else.”

This week, he’ll approach the first tee at Augusta, and his heart rate will get a little higher. His hands will get a little shakier. He’ll be nervous. And we’ll find out if Niemann is ready.

(Top photo illustration: Eamonn Dalton / The Athletic; photo: Mark Metcalfe / Getty Images)

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Video: 250 Years of Jane Austen, in Objects

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Video: 250 Years of Jane Austen, in Objects

new video loaded: 250 Years of Jane Austen, in Objects

To capture Jane Austen’s brief life and enormous impact, editors at The New York Times Book Review assembled a sampling of the wealth, wonder and weirdness she has brought to our lives.

By Jennifer Harlan, Sadie Stein, Claire Hogan, Laura Salaberry and Edward Vega

December 18, 2025

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Try This Quiz and See How Much You Know About Jane Austen

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Try This Quiz and See How Much You Know About Jane Austen

“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.

Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”

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With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”

How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.

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By ‘A Lady’

Jane Austen’s House, Chawton, England

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Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)

Where the Magic Happened

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Janice Chung for The New York Times

Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.

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An Iconic Accessory

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Jane Austen’s House, Chawton, England

Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.

Austen Onscreen

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Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.

Jane Goes X-Rated

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Tony Cenicola/The New York Times

The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.

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A Lady Unmasked

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Jane Austen’s House, Chawton, England

Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”

Wearable Tributes

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Tony Cenicola/The New York Times

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It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.

The Austen Literary Universe

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Elizabeth Renstrom for The New York Times

On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)

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A Botanical Homage

Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.

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Aunt Jane

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Jane Austen’s House, Chawton, England

Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.

Cultural Currency

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Steve Parsons/Associated Press

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In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.

In the Trenches

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During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”

Baby Janes

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Tony Cenicola/The New York Times

You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.

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The Austen Industrial Complex

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Elizabeth Renstrom for The New York Times

Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.

Around the Globe

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Goucher College Special Collections & Archives, Alberta H. and Henry G. Burke Collection; via The Morgan Library & Museum

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Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.

Playable Persuasions

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In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.

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#SoJaneAusten

The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.

Bonnets Fit for a Bennett

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Peter Flude for The New York Times

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For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.

Most Ardently, Jane

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The Morgan Library & Museum

Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”

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Stage and Sensibility

Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.

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Austen 101

Tony Cenicola/The New York Times

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Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”

W.W.J.D.

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Tony Cenicola/The New York Times

When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?

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