Connect with us

Culture

'It was inhuman': Why the Copa America final was delayed and dangerously close to disaster

Published

on

'It was inhuman': Why the Copa America final was delayed and dangerously close to disaster

The black gates at the southwest entrance of Hard Rock Stadium had been closed for one hour and 45 minutes when a young child was hoisted on a guardian’s shoulders amid the crush of people waiting to get in for the Copa América final.

The boy waved his hands toward the police officers and security guards standing next to the lone door that was opening to let people into the stadium. He put his hands together as if in prayer, pleading with them to let him in.

“Please,” he said. “Please.”

As a security guard reached out and pulled the boy and his guardian toward the open gate, the boy started to cry in relief, then got spun around, the Messi No. 10 visible on the back of his sky blue and white Argentina jersey.

Similar scenes played out for more than two hours as fans pressed against the closed gates at the stadium in Miami Gardens, a near-disaster that overshadowed the spectacle of the game that was eventually played between Argentina and Colombia, two South American powers fighting for a major international trophy.

Advertisement

Supporters rush into Hard Rock Stadium ahead of Sunday’s Copa America final (Maddie Meyer/Getty Images)

Fans had been asked to arrive early, with watch parties banned outside the stadium or in the parking lots. Hard Rock also said “fans MUST have a game ticket” to enter the stadium campus on Sunday.

It was busy outside from 3 p.m., the gates opened at 5 p.m. and the crowd outside started to build around 6 p.m., about two hours from the scheduled kick-off. Several fans were arrested for hopping fences and trying to get into the game without tickets. The decision to shut the gates around the stadium — a response to what Miami-Dade Police called “unruly behavior” — would prove key to what followed.

With the sun beating down, fans pushed toward the closed gates, causing a crush. There were few visible barriers to disperse the people trying to get in; to try to ease the flow. When the gates opened slightly, the fans swelled forward and security closed the gates again, with several people stuck outside saying they had no idea what was going on.

This pattern continued again and again, with fans being let in at a trickle, almost one by one. At times, kids would come through with their guardians, their faces beet red, soaked in sweat and many in tears. Other fans clearly suffering from heat-related issues were held upright by their friends. Miami-Dade Fire Rescue set up a medical station just inside the gates, where they treated a steady stream of people suffering from heat-related issues. Video showed fans holding their tickets up to cameras saying they paid $2,000 for seats, only to be denied entry.

Advertisement

A Hard Rock Stadium spokesperson said: “Throughout the afternoon and evening, there were numerous attempts by unruly fans without tickets to overpower security and law enforcement personnel at entry points to the stadium, putting themselves, other fans and security and stadium staff at extreme risk.

“Various stadium gates were closed and re-opened strategically in an attempt to allow ticketed guests to enter safely and in a controlled manner. Fans continued to engage in illegal conduct — fighting police officers, breaking down walls and barricades and vandalizing the stadium, causing significant damage to the property.”


Fans amassed outside Hard Rock Stadium’s south-eastern gate (Laura Williamson/The Athletic)

One woman, who identified herself later to The Athletic as Diana, was carried unconscious into the stadium by a police officer. She was laid down on the concrete in the area set up with medics and eventually woke up and was given water. Steven, a 34-year-old Colombian who lives in Miami and was with Diana, described the situation.

“Everyone started to push and you could feel yourself losing air,” he said. “And once we got closer to the gates, you can only imagine. I noticed that Diana was struggling. Fortunately, I was standing behind her.”

Diana, 28, said she remembered the moment she fainted.

Advertisement

“I tried to breathe,” she said. “A man kept telling me, ‘Try to breathe. Try to breathe’ and I responded that I wanted them to open another gate. They were using one gate for all of these people but people pushed back. I held on to a man that was standing near me. Everyone was pushing. Colombians, Argentines. Everyone was pushing.”

Even friends and family members of players were caught in the melee, as the southwest gate was an entry point for media and VIP ticket holders. The family of Colombia fullback Daniel Muñoz sat together just inside the entrance shortly after the gates were closed, having been pushed toward the entrance and eventually pulled inside.

“We were standing in line as a family waiting to get in and then the reckless people behind me started to push me,” said Manuela Ángel, Muñoz’s wife, who was bleeding from a cut on her wrist. “They thought I was causing chaos, so I was pushed towards the police officers, away from the line. They started yelling at my children. My oldest is six years old and my youngest isn’t even two yet. I’m here with Daniel’s grandmother, his mother, his aunt and other family members. I suffered the most because I was in front of all of them. I had the tickets.

“One police officer helped me because she saw me crying. I told her I was Daniel’s wife and that I was concerned for my children’s well-being. Entering other stadiums (during the tournament) has been fine but tonight was terrible. Just terrible.”

Argentina midfielder Alexis Mac Allister’s family was also caught up. “Alexis had to come out to get us in,” his mother, Silvina, said on Argentinian television. “He was worried about us. It was inhuman. He gave us a hug. We told him to stay calm and get ready to play.”

Advertisement

A fan is detained by police at Hard Rock Stadium (Juan Mabromata/AFP via Getty Images)

One media member, who works for a rights-holder for the tournament, was slammed to the ground and arrested after getting through a gate where media members had been held.

Argentina and Colombia players went out to warm up in front of a sparse crowd at just after 7 p.m., only to abort their routines by 7.30 p.m. when it became obvious the match could not start on time.

“When we were warming up and in the locker rooms, they told us there was a half-hour delay,” said Colombia head coach Nestor Lorenzo. “It was more, right? We were trying to talk to our family members and friends and finding out if they were OK. It was a bit weird and chaotic. We tried to keep calm but there was a level of anxiousness.”

Two fans, both wearing Honduras gear, got in around 8 p.m., after two hours of waiting in the mass of people. Both were soaked in sweat and visibly frustrated. They said police threatened them with tear gas and tasers.

“What’s happening is they want to control the people in the front and it’s not the people in the front. They’re pushing from the back,” Alejandro Flores told The Athletic. “You have to move the people in front out and control the people in the back. Pull them back so that the people can be orderly.

Advertisement

“Their job is to protect and serve. The people are fainting in front of their faces and it doesn’t matter to them at all. They don’t even want to give us water. Not even water, man. Not even water.”

Flores’ frustration boiled over again as he looked back at the people still pressed against the fences behind him.

“CONMEBOL is a disaster,” he said of the tournament’s organizers, the South American Football Confederation. “In North Carolina (the Uruguay-Colombia semifinal) was a test. They should have prepared themselves and the same thing is happening. North Carolina was a disaster. Right now, it’s going down the same path, or worse.

“CONMEBOL should not have brought this tournament to the United States… Look around, because they’re not ready for a World Cup.”


Fans wait to be granted entry into the stadium (Megan Briggs/Getty Images)

This stadium will host seven matches at the 2026 men’s World Cup — four in the group stage, a round-of-32 game, a quarterfinal and the third-place playoff. The tournament is organized by soccer’s world governing body FIFA as opposed to CONMEBOL.

Advertisement

Another fan who declined to give a name stood with his hands on his hips near an escalator at the entrance, watching the scene from which he had just emerged continue to play out.

“People piled on. There was more and more pressure and people were fainting,” he said. “There are children vomiting, a lot of people there, and you can’t move. In other words, you don’t have control of your body; you go where they push you. And on top of that, there is no one to organize or help with anything.”

As he was talking, police officers backed away from the gates and stood off to the side. Suddenly, at around 8:15 p.m., a quarter-hour after the game was initially supposed to kick off, the southwest gates were opened and fans flooded in without tickets being checked or anyone being patted down or passing through metal detectors.

A Hard Rock Stadium spokesperson said: “Shortly after 8 p.m., stadium officials, CONMEBOL, CONCACAF and law enforcement officers communicated and decided to open stadium gates for a short period of time to all fans to prevent stampedes and serious injury at the perimeter. The gates were then closed once the threat of fans being crushed was alleviated. At that time, the venue was at capacity and gates were not re-opened.”

Video taken from the stadium appeared to show fans still sneaking into the stadium after that initial rush of supporters were let in. One video showed fans crawling through an opening up near a ceiling adjacent to ventilation. Another video showed fans climbing a makeshift ladder to get over a fence.

Advertisement

Thousands were still outside when the game eventually kicked off at 9.22 p.m., 82 minutes after it should have started. Some watched from the stadium’s aisles until police combed through the crowd checking for tickets and asking those without them to leave. Others retreated to the stadium concourses for food and water — alcohol sales were suspended shortly after kick off.

Those refused entry remained until well into the second half of the game, past 11pm, and Argentina did not seal its win until gone midnight after extra time.


Supporters eventually got to watch Argentina’s 1-0 win over Colombia — but those who gained entry without tickets were removed (Megan Briggs/Getty Images)

Miami-Dade mayor Daniella Levine Cava issued a statement along with chief public safety officer James Reyes saying Miami-Dade Police provided more than 550 officers for the game and that they were “outraged by the unprecedented events at tonight’s Copa America finals”.

“The Copa America final is organized by CONMEBOL and Miami-Dade Police Department provides security support, along with other law enforcement agencies,” the statement read.

“Let’s be clear: This situation should never have taken place and cannot happen again. We will work with stadium leadership to ensure that a full review of tonight’s events takes place immediately to evaluate the full chain of events, in order to put in place needed protocols and policies for all future games.”

Advertisement

Hard Rock Stadium promised to work with CONMEBOL to address the “individual concerns of ticket holders who could not get in”.

“We are grateful to the law enforcement officers who managed a difficult situation and prioritized the safety of the venue, the players, their families and the fans,” a spokesperson added. “We will continue to work with law enforcement to identify and hold criminals accountable who engaged in illegal conduct tonight.

“It is disappointing that a night of celebration was impacted by unlawful and unsafe behavior and we will fully review the processes and protocols in place tonight and work with law enforcement to ensure such an event never happens again.”

Members of the press were caught out, too: Veronica Brunati, one of Argentina’s most respected football reporters, tweeted at 10.37pm to say she had been unable to enter the stadium.

“This is a nightmare,” she wrote. “It’s madness. There are thousands of us here outside our entrance gate.

Advertisement

“But I’m alive, thank God.”

(Top photos: Maddie Meyer, Megan Briggs/Getty Images; design: Dan Goldfarb)

Culture

Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

Published

on

Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.

Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”

Advertisement

With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”

How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.

Advertisement

By ‘A Lady’

Jane Austen’s House, Chawton, England

Advertisement

Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)

Where the Magic Happened

Advertisement

Janice Chung for The New York Times

Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.

Advertisement

An Iconic Accessory

Advertisement

Jane Austen’s House, Chawton, England

Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.

Austen Onscreen

Advertisement

Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.

Jane Goes X-Rated

Advertisement

Tony Cenicola/The New York Times

The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.

Advertisement

A Lady Unmasked

Advertisement

Jane Austen’s House, Chawton, England

Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”

Wearable Tributes

Advertisement

Tony Cenicola/The New York Times

Advertisement

It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.

The Austen Literary Universe

Advertisement

Elizabeth Renstrom for The New York Times

On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)

Advertisement

A Botanical Homage

Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.

Advertisement

Aunt Jane

Advertisement

Jane Austen’s House, Chawton, England

Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.

Cultural Currency

Advertisement

Steve Parsons/Associated Press

Advertisement

In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.

In the Trenches

Advertisement

During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”

Baby Janes

Advertisement

Tony Cenicola/The New York Times

You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.

Advertisement

The Austen Industrial Complex

Advertisement

Elizabeth Renstrom for The New York Times

Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.

Around the Globe

Advertisement

Goucher College Special Collections & Archives, Alberta H. and Henry G. Burke Collection; via The Morgan Library & Museum

Advertisement

Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.

Playable Persuasions

Advertisement

Tony Cenicola/The New York Times

In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.

Advertisement

#SoJaneAusten

The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.

Bonnets Fit for a Bennett

Advertisement

Peter Flude for The New York Times

Advertisement

For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.

Most Ardently, Jane

Advertisement

The Morgan Library & Museum

Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”

Advertisement

Stage and Sensibility

Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.

Advertisement

Austen 101

Tony Cenicola/The New York Times

Advertisement

Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”

W.W.J.D.

Advertisement

Tony Cenicola/The New York Times

When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?

Advertisement

Continue Reading

Culture

I Think This Poem Is Kind of Into You

Published

on

I Think This Poem Is Kind of Into You

Advertisement

A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.

The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.

And then it bursts into flame.

Advertisement

“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.

Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.

Advertisement

We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.

To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.

Advertisement

Louise Glück in 1975.

Gerard Malanga

Advertisement

But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”

That’s the kind of poem she wrote.

Advertisement

“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.

Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.

What happens next? That’s up to you.

Advertisement

Continue Reading

Culture

Can You Identify Where the Winter Scenes in These Novels Took Place?

Published

on

Can You Identify Where the Winter Scenes in These Novels Took Place?

Cold weather can serve as a plot point or emphasize the mood of a scene, and this week’s literary geography quiz highlights the locations of recent novels that work winter conditions right into the story. Even if you aren’t familiar with the book, the questions offer an additional hint about the setting. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the books if you’d like to do further reading.

Continue Reading

Trending