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Inside La Finca, Madrid’s ‘Beverly Hills’ and home to Mbappe, Bellingham and more…

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Inside La Finca, Madrid’s ‘Beverly Hills’ and home to Mbappe, Bellingham and more…

When Kylian Mbappe made his long-awaited move to Real Madrid this summer, the France superstar could have chosen to live wherever he wanted in the Spanish capital.

The Madrid coach Carlo Ancelotti has a luxury apartment in the vibrant city centre, which Mbappe already knew well from previous visits.

His new team-mates Luka Modric and Vinicius Junior have impressive residences in the established and comfortable La Moraleja neighbourhood, close to Madrid’s training ground at Valdebebas in the city’s northern outskirts.

Mbappe opted for La Finca, the exclusive private development in the swish Pozuelo de Alarcon suburb to the west of the city, following fellow galacticos Iker Casillas, Raul Gonzalez, Zinedine Zidane, Kaka, Cristiano Ronaldo, Eden Hazard, Toni Kroos and David Alaba.

It also helped that there was a suitably luxurious property available on the market. The minimalist, modern 1,100-square-metre mansion has eight bedrooms (all en-suite), ample kitchen and receiving areas including a large cinema screening room. There is also a home gym, sauna and heated indoor swimming pool — specially designed for the requirements of a top-level professional athlete.

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(Antonio Villalba/Real Madrid via Getty Images)

The property had a listing price of €12million (£10m; $12.9m) but Mbappe’s representatives had an advantage. It had been on the market for two years, since the previous occupant left for a new career opportunity in Los Angeles.

That gave them more leverage during tough negotiations, and industry sources with knowledge of the deal, who asked to remain anonymous as they were not authorised to speak on the matter, have confirmed to The Athletic that it was sold for €10.5m. 

Whether the deal-clincher for Mbappe was the golf putting green installed by Gareth Bale in the 3,000-square-metre garden is unknown. Mbappe is perhaps more likely to make use of the mini football pitch, basketball court and covered garage with room for six sports cars.


A view of some of the houses at La Finca (Dermot Corrigan/The Athletic)

La Finca’s extensive security meant The Athletic couldn’t get within 500 metres of Mbappe’s new house during a recent visit, but we did speak to multiple sources who live and work in the area, some of whom requested anonymity to protect their relationships with very rich and sensitive neighbours and clients…


For centuries, Pozuelo de Alarcon and its surrounds has been a refuge for Madrid’s wealthy, many of whom had summer residences close to royal hunting grounds which stretched up to the nearby Sierra de Guadarrama mountains.

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In 1989, the site, which is now La Finca (The Ranch), was parkland when it was bought by Luis Garcia Cereceda, a successful developer of apartment complexes in the surrounding suburbs. Its 100 hectares were rezoned for residential use in 2000. Three different areas were mapped out amid the rolling contours of the existing landscape, utilising its existing pine forests, while adding 17 artificial lakes. Los Lagos I (The Lakes I) had the biggest plots for the most exclusive mansions. Los Lagos II had not quite as huge but still very ample chalets and duplexes. Prado Largo had more (relatively) affordable apartments.

“La Finca is an exceptional life-concept with residences surrounded by nature and recognised for their security, privacy and quality,” La Finca’s vice-president Jorge Moran told The Athletic.

Architect Joaquin Torres, of studio A-cero, was hired to maintain a uniform modern style throughout the development. Torres designed the apartments for Los Lagos II and Prado Largo, and worked with each individual buyer of a site in Los Lagos I to maintain a harmonious aesthetic within the entire development.

“Luis and his wife wanted to build the best urbanisation in Spain, and they did it,” Torres says. “It was a tremendously attractive project, an iconic job, for the bravery and the quality of the product.”

Houses originally sold for €2m, but the prices quickly rocketed in what was quickly dubbed ‘Madrid’s Beverly Hills’. Among the first buyers were aristocrats Borja Thyssen and Blanca Cuesta, actors Lydia Bosch and Paz Vega, former bullfighter Fran Rivera and singer Alejandro Sanz. Other high-profile residents included former Pozuelo mayor Jesus Sepulveda and businessman Jesus Correa, both convicted in the ‘Caso Gurtel’ corruption case. Gurtel’s investigating judge Baltazar Garzon was another neighbour within the same development.

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(Photo courtesy of A-cero)

Privacy and security have always been key selling points for La Finca. Torres designed bunker-style guard houses and checkpoints at the entrances to each of the three zones. Private security keep a 24-hour watch, with infrared cameras all around the perimeter fence.

“(La Finca residents) can go for a run and nobody can even get close to them, the worst that can happen is to trip over a rabbit,” says a source who has sold plenty of properties in the area.

It’s impossible to gain access to any of the three areas of La Finca without an invitation from a resident. On a recent Saturday morning a black Mercedes SL 600 with black-tinted glass was waved past the security barrier, while a white Toyota delivery van had to wait while the guards checked their invitation, but The Athletic had to remain on the outside.


Security at La Finca is high (Dermot Corrigan/The Athletic)

From the very start, La Finca and football were closely associated. Madrid and Spain national team stars Raul and Casillas moved in during the 2000s — and many other galactico players and coaches have followed over the years.

Only the wealthiest like Mbappe can afford to live in Los Lagos I, where the mansions cost at least €10million to buy, or around €20,000 a month to rent.

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“(Mbappe’s house) has bright open spaces, build quality, and a lot of care with the details,” says Torres. “The (La Finca) brand makes them feel secure — they buy luxury brand watches and cars, so obviously it’s the same in real estate.”

Torres has a long family connection with football and Madrid. His father Juan Torres was a co-founder of construction giant ACS, along with Los Blancos’ president Florentino Perez. The architect worked with players, including Zidane and Cristiano Ronaldo, to fit the individual touches each client wanted for their house within the harmonious aesthetic of the development.

“Working with clients is the most difficult part of the profession, especially those who are famous, have money and are still young,” he says. “They always have their own ideas, but you have to know how to sell them your own vision. I couldn’t say that Penelope (Cruz) or Javier (Bardem) were easier than Cristiano or Zidane.”


Architect Joaquin Torres worked on houses belonging to Zidane and Ronaldo (Gonzalo Arroyo Moreno/Getty Images)

Madrid’s England international Bellingham and his mother Denise also live in Los Lagos I, in a 700-square-metre, six-bedroom house with a home theatre, sauna, gym and pool in the garden. Recently retired former team-mate Kroos lives a few doors down the street. Around the corner is the mansion Hazard bought from singer Sanz for €11m in 2019.

While Cristiano Ronaldo and his family were living in La Finca, his mother Dolores Aveiro lived in Los Lagos II, where luxury chalets with big gardens and private pools cost from €2.5m to €5m to buy, or at least €4,000 a month to rent.

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Industry sources told The Athletic that Mbappe’s mother Fayza Lamari has recently rented a property in Los Lagos II. Neighbours include his France team-mate Antoine Griezmann of Atletico Madrid, Atletico coach Diego Simeone, as well as former Real Madrid players Guti and Alvaro Arbeloa.

On our visit to the area, The Athletic also caught a glimpse of the Los Lagos II properties from the adjacent pine-tree studded public park, where middle-aged joggers wearing designer sports gear and shades were enjoying a lovely sunny morning. One local resident said that footballers were rarely seen out and about, and that they make up a very small percentage of the total residents of La Finca.


A view into Los Lagos II (Dermot Corrigan/The Athletic)

The exposure that footballers bring may keep the house prices buoyant, but can attract unwanted attention and focus. In March 2014, three people were reportedly hospitalised after a fire in the apartment where Madrid starlet Jese Rodriguez then lived.

“Athletes are good for selling sports gear, but not for selling houses,” says a real estate source. “La Finca is a paradise and we want it to remain a paradise.”


After the founder Garcia Cereceda died in 2010, there was a public succession contest among his family. Torres’ connection ended abruptly, and a high-profile and bitter legal battle between the parties continued for over a decade. “I’ll always be connected to the La Finca project, for better or worse,” the architect says.

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Meanwhile, La Finca and its surrounding area has continued to develop, with facilities and amenities expanding for its wealthy residents. Microsoft, Accenture and Uber are among the clients of its business park. The David Lloyd La Finca fitness centre offers state-of-the-art gym facilities and private tennis lessons. The steaks at upmarket Basque grill Urrechu restaurant have been popular with footballers over the years.

Ronaldo and partner Georgina Rodriguez’s daughter Alana Martina was born at the nearby El Quiron private hospital in November 2017. On school days, Kroos, Hazard, Torres, and Guti are often among the parents dropping or collecting their kids at exclusive private schools that offer education in Spanish, English, and French.

Under current executive president Susanna Garcia Cerceda, La Finca’s business has expanded recently. La Finca Grand Cafe centre opened its doors in 2023, while the first shots at La Finca Golf Club were hit last June. These have been accompanied by new exclusive residential developments — including chalets by the 15th green selling for €4.5m, and apartments nearby priced from €1.5m to €2m.

La Finca Grand Cafe’s ground floor outlets include upmarket fashion stores, interior designers, stylists, florist, perfumery and winery. The second floor has an array of restaurants offering international cuisines, often frequented by footballers who live nearby. La Finca Grand Cafe is open to the public, not just to those who live in the neighbourhood.


(Photo courtesy of La Finca)

Last March, Spain national team captain Alvaro Morata held a private birthday party for his former partner Alice Campello at Indochina. Staff say Mbappe and Bellingham have both eaten there recently. Currently injured Madrid defender Alaba is another frequent customer.

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“Players usually come during the week, when it’s not as busy as at the weekends,” said an Indochina restaurant staff member. “We can set them up in a private area, so they can eat in peace. They often bring their kids too, people respect that and keep their distance.”

Ancelotti has come out from the city centre to dine at La Finca Cafe’s Italian restaurant Leonardo, and Bellingham and the Atletico Madrid captain Koke chatted briefly when they ran into each other at its Tottori sushi restaurant the week after a ‘derbi’ between their teams was interrupted by ultras throwing missiles onto the pitch.

“(Locals) don’t see me as Jude Bellingham the footballer, just Jude who goes for a coffee and is a nice guy,” Bellingham told Real Madrid TV midway through his first year in Madrid. “They look after me a lot. I feel at home.”


(Photo courtesy of A-cero)

The connection with football is important commercially. In early October, La Finca’s Golf Club hosted an event for Real Madrid’s charitable foundation. Objects from the Bernabeu club’s museum are currently on display all around the centre in an exposition called ‘Pegada al Corazon’ (Stuck to the heart) — including a match-worn Alfredo Di Stefano jersey, Ronaldo Nazario’s old boots and gloves of long-time resident Casillas. Kroos’ shirt from the 2024 Champions League final, his last ever club game, is on display across from the Instituto Smile Design orthodontists.

During our recent visits, The Athletic did not see any footballers (or ultras) among the customers strolling the shopping centre’s bright and shiny marble floors. We did note that its BM supermarket stocks Taylors Yorkshire tea and Twinings Earl Grey, though, if Bellingham and his mother are hankering after a brew.

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It adds to the feeling that the exclusive project which began as a refuge for Spain’s richest and most private people is opening to the world. 

(Photos: La Finca/Dermot Corrigan/Design: Eamonn Dalton)

Culture

What Happens When We Die? This Wallace Stevens Poem Has Thoughts.

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What Happens When We Die? This Wallace Stevens Poem Has Thoughts.

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Whatever you do, don’t think of a bird.

Now: What kind of bird are you not thinking about? A pigeon? A bald eagle? Something more poetic, like a skylark or a nightingale? In any case, would you say that this bird you aren’t thinking about is real?

Before you answer, read this poem, which is quite literally about not thinking of a bird.

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Human consciousness is full of riddles. Neuroscientists, philosophers and dorm-room stoners argue continually about what it is and whether it even exists. For Wallace Stevens, the experience of having a mind was a perpetual source of wonder, puzzlement and delight — perfectly ordinary and utterly transcendent at the same time. He explored the mysteries and pleasures of consciousness in countless poems over the course of his long poetic career. It was arguably his great theme.

Stevens was born in 1879 and published his first book, “Harmonium,” in 1923, making him something of a late bloomer among American modernists. For much of his adult life, he worked as an executive for the Hartford Accident and Indemnity Company, rising to the rank of vice president. He viewed insurance less as a day job to support his poetry than as a parallel vocation. He pursued both activities with quiet diligence, spending his days at the office and composing poems in his head as he walked to and from work.

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Wallace Stevens in 1950.

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Walter Sanders/The LIFE Picture Collection, via Shutterstock

As a young man, Stevens dreamed of traveling to Europe, though he never crossed the Atlantic. In middle age he made regular trips to Florida, and his poems are frequently infused with ideas of Paris and Rome and memories of Key West. Others partake of the stringent beauty of New England. But the landscapes he explores, wintry or tropical, provincial or cosmopolitan, are above all mental landscapes, created by and in the imagination.

Are those worlds real?

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Let’s return to the palm tree and its avian inhabitant, in that tranquil Key West sunset of the mind.

Until then, we find consolation in fangles.

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Wil Wheaton Discusses ‘Stand By Me’ and Narrating ‘The Body’ Audiobook

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Wil Wheaton Discusses ‘Stand By Me’ and Narrating ‘The Body’ Audiobook

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When the director Rob Reiner cast his leads in the 1986 film “Stand by Me,” he looked for young actors who were as close as possible to the personalities of the four children they’d be playing. There was the wise beyond his years kid from a rough family (River Phoenix), the slightly dim worrywart (Jerry O’Connell), the cutup with a temper (Corey Feldman) and the sensitive, bookish boy.

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Wil Wheaton was perfect for that last one, Gordie Lachance, a doe-eyed child who is ignored by his family in favor of his late older brother. Now, 40 years later, he’s traveling the country to attend anniversary screenings of the film, alongside O’Connell and Feldman, which has thrown him back into the turmoil that he felt as an adolescent.

Wheaton has channeled those emotions and his on-set memories into his latest project: narrating a new audiobook version of “The Body,” the 1982 Stephen King novella on which the film was based.

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“I like there to be a freshness, a discovery and an immediacy to my narration,” Wheaton said. He recorded “The Body” in his home studio in California. Alex Welsh for The New York Times

A few years ago, Wheaton started to float the idea of returning to the story that gave him his big break — that of a quartet of boys in 1959 Oregon, in their last days before high school, setting out to find a classmate’s dead body. “I’ve been telling the story of ‘Stand By Me’ since I was 12 years old,” he said.

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But this time was different. Wheaton, who has narrated dozens of audiobooks, including Andy Weir’s “The Martian” and Ernest Cline’s “Ready Player One,” says he has come to enjoy narration more than screen acting. “I’m safe, I’m in the booth, nobody’s looking at me and I can just tell you a story.”

The fact that he, an older man looking back on his younger years, is narrating a story about an older man looking back on his younger years, is not lost on Wheaton. King’s original story is bathed in nostalgia. Coming to terms with death and loss is one of its primary themes.

Two days after appearing on stage at the Academy Awards as part of a tribute to Reiner — who was murdered in 2025 alongside his wife, Michele — Wheaton got on the phone to talk about recording the audiobook, reliving his favorite scenes from the film and reexamining a quintessential story of childhood loss through the lens of his own.

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This interview has been edited and condensed.

“I felt really close to him, and my memory of him.”

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Wheaton on channeling a co-star’s performance.

There’s this wonderful scene in “Stand By Me.” Gordie and Chris are walking down the tracks talking about junior high. Chris is telling Gordie, “I wish to hell I was your dad, because I care about you, and he obviously doesn’t.”

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It’s just so honest and direct, in a way that kids talk to each other that adults don’t. And I think that one of the reasons that really sticks with people, and that piece really lands on a lot of audiences, and has for 40 years, is, just too many people have been Gordie in that scene.

That scene is virtually word for word taken from the text of the book. And when I was narrating that, I made a deliberate choice to do my best to recreate what River did in that scene.

“The Body” Read by Wil Wheaton

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“You’re just a kid,

Gordie–”

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“I wish to fuck

I was your father!”

he said angrily.

“You wouldn’t go around

talking about takin those stupid shop courses

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if I was!

It’s like

God gave you something,

all those stories

you can make up,

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and He said:

This is what we got for you, kid.

Try not to lose it.

But kids lose everything

unless somebody looks out for them

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and if your folks

are too fucked up to do it

then maybe I ought to.”

I watched that scene a couple of times because I really wanted — I don’t know why it was so important to me to — well, I know: because I loved him, and I miss him. And I wanted to bring him into this as best as I could, right?

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So I was reading that scene, and the words are identical to the script. And I had this very powerful flashback to being on the train tracks that day in Cottage Grove, Oregon. And I could see River standing next to them. They’re shooting my side of the scene and there’s River, right next to the camera, doing his off-camera dialogue, and there’s the sound guy, and there’s the boom operator. There’s my key light.

I could hear and feel it. It was the weirdest thing. It’s like I was right back there.

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I was able to really take in the emotional memory of being Gordie in all of those scenes. So when I was narrating him and I’m me and I’m old with all of this experience, I just drew on what I remembered from being that little boy and what I remember of those friendships and what they meant to me and what they mean to me today.

“Rob gave me a gift. Rob gave me a career.”

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Wheaton recalls the “Stand By Me” director’s way with kids on set, as well as his recent Oscars tribute.

Rob really encouraged us to be kids.

Jerry tells the most amazing story about that scene, where we were all sitting around, and doing our bit, and he improvised. He was just goofing around — we were just playing — and he said something about spitting water at the fat kid.

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We get to the end of the scene, and he hears Rob. Rob comes around from behind the thing, and he goes, “Jerry!” And Jerry thinks, “Oh no, I’m in trouble. I’m in trouble because I improvised, and I’m not supposed to improvise.”

The context for Jerry is that he had been told by the adults in his life, “Sit on your hands and shut up. Stop trying to be a cutup. Stop trying to be funny. Stop disrupting people. Just be quiet.” And Jerry thinks, “Oh my God. I didn’t shut up. I’m in trouble. I’m gonna get fired.”

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Rob leans in to all of us, and Rob says, “Hey, guys, do you see that? More of that. Do that!”

Rob Reiner in 1985, directing the child actors of “Stand By Me,” including Wil Wheaton, at left. Columbia/Kobal, via Shutterstock

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The whole time when you’re a kid actor, you’re just around all these adults who are constantly telling you to grow up. They’re mad that you’re being a kid. Rob just created an environment where not only was it supported that we would be kids — and have fun, and follow those kid instincts and do what was natural — it was expected. It was encouraged. We were supposed to do it.

“The Body” Read by Wil Wheaton

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They chanted together:

“I don’t shut up,

I grow up.

And when I look at you

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I throw up.”

“Then your mother goes around the corner

and licks it up,”

I said,

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and hauled ass out of there,

giving them the finger over my shoulder as I went.

I never had any friends later on

like the ones I had when I was twelve.

Jesus,

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did you?

When we were at the Oscars, I looked at Jerry. And we looked at this remarkable assemblage of the most amazingly talented, beautiful artists and storytellers. We looked around, and Jerry leans down, and he said, “We all got our start with Rob Reiner. He trusted every single one of us.”

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Jerry O’Connell and Wheaton joined more than a dozen actors from Reiner’s films to honor the slain director at the Academy Awards on March 15, 2026. Kevin Winter/Getty Images

And to stand there for him, when I really thought that I would be standing with him to talk about this stuff — it was a lot.

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“I was really really really excited — like jumping up and down.”

The scene Wheaton was most looking forward to narrating: the tale of Lard Ass Hogan.

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I was so excited to narrate it. It’s a great story! It’s a funny story. It’s such a lovely break — it’s an emotional and tonal shift from what’s happening in the movie.

I know this as a writer: You work to increase and release tension throughout a narrative, and Stephen King uses humor really effectively to release that tension. But it also raises the stakes, because we have these moments of joy and these moments of things being very silly in the midst of a lot of intensity. ​​

That’s why the story of Lard Ass Hogan is so fun for me to tell. Because in the middle of that, we stop to do something that’s very, very fun, and very silly and very celebratory.

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“The Body” Read by Wil Wheaton

“Will you shut up

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and let him tell it?”

Teddy hollered.

Vern blinked.

“Sure.

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Yeah.

Okay.”

“Go on, Gordie,”

Chris said.

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“It’s not really much—”

“Naw,

we don’t expect much

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from a wet end like you,”

Teddy said,

“but tell it anyway.”

I cleared my throat.

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“So anyway.

It’s Pioneer Days,

and on the last night

they have these three big events.

There’s an egg-roll for the little kids

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and a sack-race for kids that are like eight or nine,

and then there’s the pie-eating contest.

And the main guy of the story

is this fat kid nobody likes

named Davie Hogan.”

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When I narrate this story — whenever there is a moment of levity or humor, whenever there are those brief little moments that are the seasoning of the meal that makes it all so real and relatable — yes, it was very important to me to capture those moments.

I’m shifting in my chair, so I can feel each of those characters. It’s something that doesn’t exist in live action. It doesn’t exist in any other media.

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“I feel the loss.”

Wheaton remembers River Phoenix.

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The novella “The Body” is very much about Gordie remembering Chris. It’s darker, and it’s more painful, than the movie is.

I’ve been watching the movie on this tour and seeing River a lot. I remember him as a 14- and 15-year-old kid who just seemed so much older, and so much more experienced and so much wiser than me, and I’m only a year younger than him.

What hurts me now, and what I really felt when I was narrating this, is knowing what River was going through then. We didn’t know. I still don’t know the extent of how he was mistreated, but I know that he was. I know that adults failed him. That he should have been protected in every way that matters. And he just wasn’t.

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And I, like Gordie, remember a boy who was loving. So loving, and generous and cared deeply about everyone around him, all the time. Who deserved to live a full life. Who had so much to offer the world. And it’s so unfair that he’s gone and taken from us. I had to go through a decades-long grieving process to come to terms with him dying.

“The Body” Read by Wil Wheaton

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Near the end

of 1971,

Chris

went into a Chicken Delight

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in Portland

to get a three-piece Snack Bucket.

Just ahead of him,

two men started arguing

about which one had been first in line.

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One of them pulled a knife.

Chris,

who had always been the best of us

at making peace,

stepped between them

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and was stabbed in the throat.

The man with the knife had spent time in four different institutions;

he had been released from Shawshank State Prison

only the week before.

Chris died almost instantly.

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It is a privilege that I was allowed to tell this story. I get to tell Gordie Lachance’s story as originally imagined by Stephen King, with all of the experience of having lived my whole adult life with the memory of spending three months in Gordie Lachance’s skin.

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Do You Know the Comics That Inspired These TV Adventures?

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Do You Know the Comics That Inspired These TV Adventures?

Welcome to Great Adaptations, the Book Review’s regular multiple-choice quiz about printed works that have gone on to find new life as movies, television shows, theatrical productions and more. This week’s challenge highlights offbeat television shows that began as comic books. Just tap or click your answers to the five questions below. And scroll down after you finish the last question for links to the comics and their screen versions.

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