Connect with us

Culture

Ex-Harvard women's hockey coach Stone sues school

Published

on

Ex-Harvard women's hockey coach Stone sues school

Former Harvard women’s ice hockey coach Katey Stone sued the university for sex discrimination on Tuesday, alleging Harvard forced her to resign after reports of misconduct she said were false and that the university undervalues and underpays female coaches.

Stone, who retired in June 2023, announced the lawsuit in a news conference Tuesday afternoon alongside her legal team and former Harvard hockey players.

Stone coached at Harvard for 27 seasons but left her post amid an investigation into allegations of mistreatment of players, including insensitivity to mental health issues, downplaying injuries, leading derogatory chants directed at players and creating a climate where players were pitted against each other to curry favor with her. Multiple articles, including a March 2023 report in The Athletic, also reported hazing within her program. The Athletic detailed hazing and initiation rituals that involved forced alcohol consumption and sexualized skits and traditions, including an annual event that dates back decades called “naked skate.”

The lawsuit alleges that Harvard forced Stone out because of these misconduct allegations, which she called false, and described the school’s actions as “part and parcel of a larger culture at the University wherein female coaches are undervalued, underpaid, heavily scrutinized, and held to a breathtakingly more stringent standard of behavior than their male counterparts.”

“These days, when coaches, more specifically female coaches, challenge athletes to bring out their best, they are taking a significant risk,” Stone said in prepared remarks on Tuesday. “The mental health crisis for young adults is real. Coaches are always searching to find the balance between pushing too hard versus affirming mediocrity, while cultural norms make it more difficult to set a high bar.”

Advertisement

Stone said that “female coaches are viewed by too many athletes, parents and administrators as being harmful, even emotionally abusive. The coaching profession is losing excellent coaches at an alarming rate as the scrutiny grows more intense and biased compared to our male counterparts.”

When reached for comment, a Harvard spokesperson said the school does not comment on active litigation.

Neither Stone nor her attorney, Andrew T. Miltenberg of Nesenoff & Miltenberg LLP, directly addressed specific allegations against Stone included in The Athletic’s story, save for a racially insensitive phrase she used in the locker room in March 2022, when she said “there are too many chiefs … not enough indians.” Miltenberg characterized it as a “common phrase” that “many of us have used.”

Miltenberg said the incident “became the catalyst, the pretext, for Harvard to start its campaign to undermine and ultimately force the resignation of Katey Stone.” He said it was a campaign “that started when Coach Stone raised the fact that she was undervalued and underpaid.”

The lawsuit states that in or around 2017, Stone and other female coaches at Harvard “began to fiercely advocate for pay transparency and parity between male and female coaches at Harvard.”

Advertisement

Harvard hired a law firm to conduct an external review of Stone’s program following The Athletic’s March 2023 report, which detailed allegations of hazing, initiation rituals, body shaming and an environment described by one person connected to the program as “a mental health hunger games.”

The Athletic reported that in some years of the “naked skate,” freshmen were told to do a “Superman” slide on the ice that left some with ice burns and bleeding nipples. The “naked skate” occurred as recently as January 2023, the day following the publication of a story in The Boston Globe, which first reported allegations of Stone’s misconduct toward players. After one player became upset about the event, Stone and her staff met with the team and told them it was an unsanctioned activity.

GO DEEPER

Hazing, Naked Skates and a ‘mental-health Hunger Games’: The dark side of Harvard women’s ice hockey

According to an internal email from athletic director Erin McDermott obtained by The Athletic, the findings of the external review by law firm Jenner & Block made clear “that some traditions in recent years were experienced differently by different people and not all were comfortable with those activities or with expressing concerns relating to the program.”

Advertisement

At the time of her resignation, Stone said that “a coach knows in their heart when it is time for change” and said she looked forward to “supporting the next chapter in Harvard women’s hockey.” The news release announcing her departure did not mention the allegations against Stone or the external review. Following the review, the school announced that Harvard athletics would end team traditions “that are harmful to team culture” and undertake initiatives to address player safety and well-being.

Stone, in her lawsuit, said that she was not aware about inappropriate behavior such as the “naked skates” and that she stressed to players that any sort of hazing activity was prohibited. She also said that she “fostered an environment of respect and dignity” and that while Harvard “permits, if not openly encourages, male coaches to use their discretion in how to best coach and motivate the players on their respective teams, Coach Stone was harshly punished and excoriated for engaging in the same coaching strategies and behaviors.”

On Tuesday, Stone said that her priority has always been the well-being of her players and that she was instructed by Harvard to remain silent as she was embroiled in investigations and facing allegations from former players.

“As a result, incredible damage was done to my career, to my team, to my personal and professional reputation and to my life. Today with the filing of this lawsuit, my voice will at last be heard,” she said.

She did not take questions from reporters in attendance, citing the ongoing litigation.

Advertisement

Three former Harvard players — Kalley Armstrong, Nicole Corriero and Jamie Hagerman Phinney — spoke in defense of Stone, saying that she played a pivotal role in their personal and professional development and created a culture of high achievement and excellence within her program.

In the lawsuit, Stone also named 50 Jane Doe defendants, who she is suing for defamation. Stone alleged those parties made false statements to The Boston Globe and Harvard that resulted in reputational damage. She is also suing those unnamed defendants for conspiracy, saying that they falsely stated that she “engaged in hazing or fostered a culture of hazing.”

Stone characterized those who have spoken out against her as a “small number” of people who “have not felt supported.”

Miltenberg suggested that her rigorous coaching standard was the basis of players’ discontent:

“Some people who have been coddled all their life don’t like that.”

Advertisement

(Photo: Barry Chin / The Boston Globe via Getty Images)

Culture

Video: 250 Years of Jane Austen, in Objects

Published

on

Video: 250 Years of Jane Austen, in Objects

new video loaded: 250 Years of Jane Austen, in Objects

To capture Jane Austen’s brief life and enormous impact, editors at The New York Times Book Review assembled a sampling of the wealth, wonder and weirdness she has brought to our lives.

By Jennifer Harlan, Sadie Stein, Claire Hogan, Laura Salaberry and Edward Vega

December 18, 2025

Continue Reading

Culture

Try This Quiz and See How Much You Know About Jane Austen

Published

on

Try This Quiz and See How Much You Know About Jane Austen

“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.

Continue Reading

Culture

Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

Published

on

Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.

Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”

Advertisement

With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”

How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.

Advertisement

By ‘A Lady’

Jane Austen’s House, Chawton, England

Advertisement

Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)

Where the Magic Happened

Advertisement

Janice Chung for The New York Times

Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.

Advertisement

An Iconic Accessory

Advertisement

Jane Austen’s House, Chawton, England

Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.

Austen Onscreen

Advertisement

Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.

Jane Goes X-Rated

Advertisement

Tony Cenicola/The New York Times

The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.

Advertisement

A Lady Unmasked

Advertisement

Jane Austen’s House, Chawton, England

Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”

Wearable Tributes

Advertisement

Tony Cenicola/The New York Times

Advertisement

It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.

The Austen Literary Universe

Advertisement

Elizabeth Renstrom for The New York Times

On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)

Advertisement

A Botanical Homage

Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.

Advertisement

Aunt Jane

Advertisement

Jane Austen’s House, Chawton, England

Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.

Cultural Currency

Advertisement

Steve Parsons/Associated Press

Advertisement

In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.

In the Trenches

Advertisement

During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”

Baby Janes

Advertisement

Tony Cenicola/The New York Times

You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.

Advertisement

The Austen Industrial Complex

Advertisement

Elizabeth Renstrom for The New York Times

Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.

Around the Globe

Advertisement

Goucher College Special Collections & Archives, Alberta H. and Henry G. Burke Collection; via The Morgan Library & Museum

Advertisement

Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.

Playable Persuasions

Advertisement

Tony Cenicola/The New York Times

In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.

Advertisement

#SoJaneAusten

The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.

Bonnets Fit for a Bennett

Advertisement

Peter Flude for The New York Times

Advertisement

For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.

Most Ardently, Jane

Advertisement

The Morgan Library & Museum

Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”

Advertisement

Stage and Sensibility

Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.

Advertisement

Austen 101

Tony Cenicola/The New York Times

Advertisement

Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”

W.W.J.D.

Advertisement

Tony Cenicola/The New York Times

When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?

Advertisement

Continue Reading
Advertisement

Trending