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Dani Alves – from 43 trophies to four years in prison

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Dani Alves – from 43 trophies to four years in prison

Dani Alves, who was this morning sentenced to four and a half years in prison in Spain after being found guilty of sexual assault, was, until very recently, one of global football’s golden boys.

An exuberant, technical right-back, he was a major part of the Barcelona team that set new standards in the European game between 2008 and 2016. He played 126 times for Brazil and won 43 titles across his 22-year playing career — an astonishing number that makes him the second-most decorated footballer in history. Only Lionel Messi, his former team-mate at the Camp Nou, has more trophies to his name.

That success, coupled with a relentlessly upbeat public persona, made Alves a hugely — almost universally — popular figure. It goes some way to explaining why his hearing, which took place over three days in a Barcelona courtroom earlier this month, was labelled “the trial of the year” in certain sections of the Spanish press. Despite its voyeuristic undertones, that epithet did capture just how spectacular Alves’ fall from grace has been.

On December 9, 2022, Alves — 39 at the time — was on the bench as Brazil played Croatia at the World Cup in Qatar. Exactly six weeks later, he was arrested by Catalan police, accused of raping a 23-year-old woman in a private bathroom at a Barcelona nightclub on December 30, 2022.

Those accusations have now been upheld by Catalonia’s High Court of Justice. “The court has no doubt that the vaginal penetration of the complainant took place using violence,” read a statement released by the court after this morning’s hearing.

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Alves has spent the last 13 months in a detention facility some 25km northwest of Barcelona; requests for provisional release were denied because he was considered a flight risk and there is no extradition arrangement between Brazil and Spain. After his prison sentence he will be on supervised probation for five additional years. He was also ordered to pay the victim €150,000 (£128,500; $162,700) in compensation, plus legal costs.


Alves began his senior career at Bahia, one of the biggest clubs in Brazil’s north east. He moved to Spain at 19, joining Sevilla — initially on loan and then on a permanent deal after winning the 2003 FIFA World Youth Championship with Brazil’s under-20 side.

At the start, some questioned whether Alves had the physical strength to compete in La Liga. His interpretation of his position, though, made the doubters reconsider. Alves was technically a defender but defending was not his speciality. He was a free spirit, a de facto winger in the mould of his boyhood idol, Cafu.

Sevilla quickly worked out that they had to harness that energy rather than curb it. Alves was encouraged to get forward, to make use of his speed and skill in the final third. He helped the Andalusians to their first European trophy in 2006, setting up the opening goal in the UEFA Cup final against Middlesborough, and was similarly influential as they retained that title in 2007. A year later, he became a Barcelona player.

His initial eight-season spell at the Camp Nou — he later made a short, largely forgettable return during the 2021-22 season — turned Alves into a superstar. He won six Spanish league titles, three Champions Leagues and 14 other trophies during that time, rarely missing a match. You would struggle to name another full-back who came anywhere near matching his influence and consistency over the same period.

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It helped that his arrival at Barcelona coincided with that of Pep Guardiola. The Catalan’s possession-centric approach suited Alves perfectly and revealed fresh nuances in his game. His combination play with Messi in particular was one of the trademark features of what many consider the best club side of the modern era.


Alves, right, won 23 trophies with Barcelona (Shaun Botterill – FIFA/FIFA via Getty Images)

Even after leaving Barcelona in 2016, Alves remained a prominent figure. He reached another Champions League final with Juventus at the age of 34 — “an extra-terrestrial,” Juve defender Leonardo Bonucci called him — and won two French titles with Paris Saint-Germain. When he returned to Brazilian club football in 2019, signing for Sao Paulo FC, 45,000 fans turned up at the Morumbi stadium to welcome him.

That he never quite replicated his success at club level with his national team was probably to be expected. Alves played for Brazil during an extended period of flux and, bizarrely, only became a regular starter during the latter stages of his career. He would have captained the Selecao at the 2018 World Cup, only to be ruled out of the tournament due to injury. He did wear the armband the following summer, however, leading Brazil to a Copa America win on home soil.


Alves’ attitude — chirpy, cheeky, apparently carefree — arguably won him even more admirers than his ability. A little personality can go a long way in a sport as overwhelmingly self-serious as football, and the Brazilian always seemed determined to take his onto the pitch with him rather than leave it in the changing room.

Over time, Alves leaned into this persona, becoming a full-time cultivator of his own image. He dabbled in modelling, released a single and embraced social media. He seemed to a have tambourine or drum in his hand whenever he stepped off the Brazil team bus. He turned his description of his own character (“good crazy”) into a catchphrase. Whenever he signed an autograph, he drew a smiley face inside the capital D.

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Alves played for PSG between 2017 and 2019 (Aurelien Meunier/Getty Images)

It has become a rite of passage for footballers to publish long first-person pieces on the Players’ Tribune website. Alves has contributed two of them: one about his modest upbringing and another reflecting upon the pain of missing out on the 2018 World Cup. “Dani Alves is not going to the World Cup,” read one emblematic line, “but he is still one happy motherf*cker.”

Later, when he moved to Sao Paulo, the same website produced a seven-part documentary about Alves’ life. In one episode he talks at length about his iconoclastic fashion sense, mugging at the camera in a series of designer jackets. In another, he discusses his relationship with music. Episode three is about Alves reconnecting with his two children from his first marriage. Its title is The Family Man.

That strand of Alves’ reputation now lies in tatters along with all the others.

Earlier in February, the High Court of Justice of Catalonia heard testimony relating to Alves’ “slimy attitude” from the victim’s friend, who had been present at the Sutton nightclub on the evening of the incident. While the victim’s statement was delivered in private, her testimony — previously reported by The Athletic based on evidence from earlier hearings — gave a detailed account of Alves holding her against her will in a toilet cubicle and penetrating her without her consent.


Alves was sentenced to four and a half years in prison (ALBERTO ESTEVEZ/POOL/AFP via Getty Images)

This morning, the court upheld that version of events, concluding that Alves had “abruptly grabbed the the complainant, threw her to the floor and, preventing her from moving, penetrated her vaginally, despite the fact that the complainant said no, that she wanted to leave”.

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In a statement, the court said that “injuries to the victim (made) it more than evident that there was violence to force the victim to have sexual relations”, and that “the accused subdued the will of the victim with the use of violence”.

The defence lawyers plan to appeal the decision.

The emphatic nature of the verdict, however, means that it will be hard to look at Alves in the same way ever again.

(Photos: Getty Images; design: Eamonn Dalton)

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From NYT’s 10 Best Books of 2025: A.O. Scott on Kiran Desai’s New Novel

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From NYT’s 10 Best Books of 2025: A.O. Scott on Kiran Desai’s New Novel

Inge Morath/Magnum Photos

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When a writer is praised for having a sense of place, it usually means one specific place — a postage stamp of familiar ground rendered in loving, knowing detail. But Kiran Desai, in her latest novel, “The Loneliness of Sonia and Sunny,” has a sense of places.

This 670-page book, about the star-crossed lovers of the title and several dozen of their friends, relatives, exes and servants (there’s a chart in the front to help you keep track), does anything but stay put. If “The Loneliness of Sonia and Sunny” were an old-fashioned steamer trunk, it would be papered with shipping labels: from Allahabad (now known as Prayagraj), Goa and Delhi; from Queens, Kansas and Vermont; from Mexico City and, perhaps most delightfully, from Venice.

There, in Marco Polo’s hometown, the titular travelers alight for two chapters, enduring one of several crises in their passionate, complicated, on-again, off-again relationship. One of Venice’s nicknames is La Serenissima — “the most serene” — but in Desai’s hands it’s the opposite: a gloriously hectic backdrop for Sonia and Sunny’s romantic confusion.

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Their first impressions fill a nearly page-long paragraph. Here’s how it begins.

Sonia is a (struggling) fiction writer. Sunny is a (struggling) journalist. It’s notable that, of the two of them, it is she who is better able to perceive the immediate reality of things, while he tends to read facts through screens of theory and ideology, finding sociological meaning in everyday occurrences. He isn’t exactly wrong, and Desai is hardly oblivious to the larger narratives that shape the fates of Sunny, Sonia and their families — including the economic and political changes affecting young Indians of their generation.

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But “The Loneliness of Sonia and Sunny” is about more than that. It’s a defense of the very idea of more, and thus a rebuke to the austerity that defines so much recent literary fiction. Many of Desai’s peers favor careful, restricted third-person narration, or else a measured, low-affect “I.” The bookstores are full of skinny novels about the emotional and psychological thinness of contemporary life. This book is an antidote: thick, sloppy, fleshy, all over the place.

It also takes exception to the postmodern dogma that we only know reality through representations of it, through pre-existing concepts of the kind to which intellectuals like Sunny are attached. The point of fiction is to assert that the world is true, and to remind us that it is vast, strange and astonishing.

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See the full list of the 10 Best Books of 2025 here.

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Video: The 10 Best Books of 2025

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Video: The 10 Best Books of 2025
After a year of deliberation, the editors at The New York Times Book Review have picked their 10 best books of 2025. Three editors share their favorites.

By MJ Franklin, Joumana Khatib, Elisabeth Egan, Claire Hogan, Laura Salaberry, Gabriel Blanco and Karen Hanley

December 2, 2025

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Video: 3 Cozy Books We Love

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Video: 3 Cozy Books We Love

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Pick up a mug of tea, grab a blanket and settle down to read. Jennifer Harlan, an editor at The New York Times Book Review, recommends three books that are perfect for cozy fall reading.

By Jennifer Harlan, Karen Hanley, Claire Hogan and Laura Salaberry

November 27, 2025

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