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Court Vision: Why is NCAA Tournament expansion talk a thing? Is Gonzaga really in trouble?

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Court Vision: Why is NCAA Tournament expansion talk a thing? Is Gonzaga really in trouble?

Did March sneak up on anyone else?

We have been enjoying the regular season so much that we kind of forgot it’s almost over. But the reality is, the first conference tournament bracket — thanks, Atlantic Sun — is already out. League titles are being clinched. The bubble is bubbling. All of the things!

But that means it’s time for one of our least favorite annual storylines: greedy, grubby fingers trying to wreck something that doesn’t need fixing.

1. NCAA Tournament expansion

On “College GameDay” two weekends ago, ESPN’s Pete Thamel reported (almost unprompted) that while NCAA Tournament expansion talks are still ongoing, decision-makers “seem to be down the road” with a concept that would alter the best postseason in sports by growing the field from 68 teams to potentially 76.

“We should know fairly soon,” Thamel said. “Two, three months. Something like that.”

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Hubert Davis’ North Carolina Tar Heels are 1-10 in Quad 1 games this season. (John Byrum / Icon Sportswire via Getty Images)

At the risk of calling expansion “imminent,” Thamel isn’t reporting this live on GameDay if it weren’t a serious possibility. And given that timeline, the NCAA and its television partners may settle on an agreement in time to adjust the 2026 tournament. All of which is a long way of saying, this very well may be the last Big Dance as we know it and as we’ve known it since 1985.

Mechanically speaking, what might going to 76 teams look like? An expanded First Four, per Thamel, with eight teams competing in Dayton — where the First Four is held annually — and eight more at another site to be determined (likely outside of the Eastern time zone, for logistical reasons).

Using The Athletic’s latest bracket prediction, let’s consider what this year’s field would look like with 76 teams. All of the following would be included, rather than sweating out their spots:

  • Indiana (17-11), which already has announced coach Mike Woodson will be stepping down
  • Wake Forest (19-9), which has one Top-25 win all season and has lost consecutive games to 11-17 NC State and 14-14 Virginia
  • North Carolina (18-11), which is 1-10 in Quad 1 games with a single victory all season over a team currently thought to be in the field
  • SMU (21-7), which has zero top-50 wins all season
  • Plus Cincinnati, Xavier, Boise State and TCU, which have combined to go 37-31 in their respective conferences with just two Top-25 wins

Other than SEC commissioner Greg Sankey, who wants that?

Regarding Sankey, whose tenure has included going scorched earth on everything college sports hold dear in pursuit of cartoonish stacks of cash, it should surprise no one that Thamel said expansion conversations have been “driven by the power conferences.” Sankey even told The Athletic last spring that automatic bids for smaller conferences should be “part of the review” of the NCAA Tournament. Suffice it to say, it’s obvious how this is going to go: More mediocre high-major teams (like the ones above) will be included while deserving mid-majors get left out in the cold.

Which of these resumes is more deserving of making the Big Dance?

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STAT TEAM A TEAM B

RECORD

19-7

17-11

NET RANKING

49

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36

KENPOM RANKING

43

38

QUAD 1 RECORD

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4-5

3-11

Reasonable arguments can be made for both sides. It’s a coin flip. Do you prefer the total wins and better Q1 record or the metric rankings? Time’s up. Team A is … San Diego State, and Team B is … Georgia. In The Athletic’s latest bracket, those two face off in this season’s First Four.

The point is that both have defensible arguments for inclusion. But does anyone think that many — if any — of those additional bids are going to teams like SDSU? From the Mountain West, Missouri Valley or Big West, instead of the SEC?

If you do, I have a bridge to sell you.

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The simple logic is that more games equal more revenue. NCAA Tournament revenue accounts for, at most, five percent of the budget at most high-major schools (although it’s more at mid- and low-majors). That’s not nothing, but in the grand scheme of modern college sports, it’s not the end-all, be-all. The motivation for expansion, then, is as much about “inclusion” as anything else. With Division I men’s basketball having ballooned to 364 teams — which is a story for another day — only 18.7 percent of Division I is represented in a 68-team field. And while 76 teams are only marginally better, at 20.9 percent of teams, that does move the needle at least a little closer to the 25 percent threshold recommended by the NCAA Division I Transformation Committee in January 2023.

But who cares what that committee recommended?

The NCAA Tournament has existed in its current iteration for four decades and has proven time and time again that it needs no alterations. Need anyone be reminded of Saint Peters’ Elite 8 run in 2022? Fairleigh-Dickinson in 2023? Florida Atlantic vs. San Diego State in the Final Four? People like Sankey aren’t advocating for more of those opportunities; they’re advocating for more dollars in their pockets and more of their toys in the sandbox — at Cinderella’s expense.

2. It’s time to talk Gonzaga

Gonzaga isn’t going to miss the NCAA Tournament, right?

It’s closer than you’d think and closer than the Zags truly have been to the cutline since maybe 2011. Mark Few’s team went 25-10 that season with just three top-50 wins in the regular season, compared to two sub-100 losses. It ultimately earned a No. 11 seed — one of just three times in the past two decades (the others being 2007 and 2016) that Gonzaga has been a double-digit seed.

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Now compare that to this season. Gonzaga’s on the same pace: 22-8 with only two top-50 wins, both of which came in November. And while these Zags don’t have any sub-100 losses weighing down their resume, they don’t have any wins over sure-fire tournament teams. (Baylor and San Diego State — Gonzaga’s two top-50 wins — are solidly on the bubble.) Frankly, the computer rankings are carrying a lot of weight for Few’s team as Gonzaga is in the top 10 in both the NET and by KenPom. After Gonzaga, the next highest-ranked NET team with two or fewer Quad-1 wins is VCU, at 29.

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GO DEEPER

NCAA Tournament 2025 Bracket Watch: Auburn and Duke avoidance is a smart Final Four play

While Few’s team isn’t below the cutline, it would serve the Zags well not to fall flat in their regular-season finale vs. San Francisco on Saturday or in the WCC tournament. Bracket Matrix has Gonzaga as a No. 9 seed, but that’s before Tuesday’s, Wednesday’s and Thursday’s results factor in. (The SEC earned several massive bubble wins this week, like Arkansas over Texas and Georgia over Florida.)

With Saint Mary’s sweeping the regular-season series and clinching the WCC outright for the second straight season, it’s the first time since 1990-92 — when Few was still a fresh-faced assistant — that Gonzaga hasn’t earned at least a share of the WCC regular-season title in consecutive campaigns. That speaks to the team’s relative mediocrity as well as anything.

Gonzaga’s at the point where it’s going to get the benefit of the doubt from the committee. And it’s not like it has any bad losses, with an overtime road defeat at 20-win Oregon State as the worst of the bunch.

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But it’s a situation worth monitoring during the next few weeks. I wouldn’t bet on the Zags missing the field if the bracket dropped today, but if nothing else, Gonzaga making a 10th consecutive Sweet 16 — which would break its tie with Duke for the longest such streak of the modern era — feels, unlikely.

3. A bubblicious spotlight

Three teams that, for better or worse, won’t go away:

Arkansas: This feels impossible given the Razorbacks’ early season “defense,” but it’s true: Arkansas has the fifth-best adjusted defensive efficiency in the country since Feb. 1, per Bart Torvik, ahead of juggernauts such as Duke, Tennessee and Houston. And it’s not like John Calipari’s team has been playing bad teams this month. Arkansas is 5-3 during that stretch with wins over Kentucky and Missouri, which are both tracking as top-four seeds. So, what gives?

go-deeper

GO DEEPER

Men’s college basketball bubble watch: SEC hopefuls surging just before March

For starters, credit to Calipari, who most of the college basketball universe was doubting weeks ago. And why wouldn’t we? Arkansas defended ball screens about as well as you and I do, dear readers. The proof, from the Hogs’ first SEC game vs. Tennessee:

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Does the primary defender stop his man? Nope. How about the screener’s defender stopping the roll man? Also no. It’s not quite a red carpet to the basket, but it’s as close as you’ll find in a high-major conference game.

Now compare that to Wednesday night and Arkansas’ ball-screen defense vs. Texas:

That’s the same primary defender, D.J. Wagner (No. 21), only he looks like a different player. He chased over the screen and prevented the easy drive or pull-up jumper. Meanwhile, Jonas Aidoo (No. 9) stayed level with the screener as soon as he rolled, cutting off any potential passing window. The roll subsequently got blown up on the backside by Johnell Davis. Julian Larry still attempted the post entry, and Aidoo came away with the easy steal. Overall, it was much stickier, stouter coverage.

Opponents have shot only 30 percent from 3-point range against Arkansas this month, per Bart Torvik, and that is a top-50 rate nationally. That’s more like Calipari’s old Kentucky teams, which relied on lanky athletes to disrupt opposing actions. Combine that defensive surge with Zvonimir Ivisic’s offensive ascent — the 7-foot-2 Croatian has the first three 20-point games of his career in the Hogs’ past six games while shooting 40 percent from 3 — and Calipari has a team that suddenly doesn’t look so fun to play against.

go-deeper

GO DEEPER

What Georgia’s upset win over Florida means in SEC, NCAA race

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Georgia: Maybe the biggest bubble result of the week was Georgia’s shocking 88-83 win over Florida. But the final score doesn’t nearly do that game justice. UGA led by as many as 26 points in the first half before Florida mounted a comeback. The Gators eventually went on a 13-0 run in the final few minutes to take their first lead all night, 79-78, with less than 90 seconds to play. But soon after, Blue Cain delivered what turned out to be the game-winning 3-pointer on his first attempt from deep in the game:

Georgia forced a turnover and a missed deep 3 on Florida’s next two possessions to seal it. Wildly, that completed Georgia’s first AP top-five win since January 2004, and it might be the final piece to the Bulldogs’ NCAA Tournament resume. A 5-10 SEC record is not anything to write home about, but the overall resume ain’t bad.

A nonconference, neutral-court win over St. John’s has aged marvelously, as has a home win over Kentucky in Georgia’s second SEC game. Plus, every loss is to a top-40 team. And with Texas, South Carolina and Vanderbilt left on the schedule, there’s room for Mike White’s team to stack a few more wins and eliminate any doubt.

North Carolina: Since the NET was first introduced in 2018-19, only one team has made the NCAA Tournament with a single Quad 1 win: Drake in 2021.

That doesn’t bode well for UNC, which is currently 1-10 in Quad 1 games. But the good news? The Tar Heels, who have won four straight behind a revamped starting lineup (albeit against terrible competition), have seemingly rediscovered some confidence, just in time for one last crack at a second Quad 1 win.

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The bad news is that the game is against Duke, which looks like the best team in the country and led by more than 30 the first time the rivals faced off in early February.

On one hand, that matchup remains awful for the undersized Tar Heels. But at the risk of getting Tar Heels fans’ hopes up: What if Hubert Davis’ team has found something of late? Because very quietly UNC has posted the fourth-best adjusted offensive efficiency in the country during this winning streak, per Bart Torvik. (Don’t say anything about the 198th-ranked defense.) Admittedly, those wins have come against 12-16 Syracuse, 11-17 NC State, 14-14 Virginia and 16-12 Florida State. But the larger shift behind that surge might carry: Davis once again tweaking his starting lineup and finally adding some size.

He reinserted 6-9 graduate forward Jae’Lyn Withers, who started UNC’s first seven games, into the starting five, which allowed Davis to stop misplaying 6-6 freshman wing Drake Powell as a small-ball four. Those decisions in turn sent sometimes-starters Ian Jackson and Seth Trimble to the bench, although both still see significant minutes. It’s not a direct correlation, but that spacing and lineup balance have contributed to UNC, which shot a middling 34 percent from 3 all season, suddenly knocking down 44.4 percent of its 3s the past two weeks, good for the 15th-best rate in the country.

Is that sustainable? That’s both a Withers-specific and big-picture question. As for Withers, there is a massive discrepancy between his production in UNC’s first 25 games and its past four:

  • First 25 games: 4.6 points, 3.4 rebounds and 38.2 percent from 3 in 14 minutes per game
  • Past four games: 13.5 points, 6.5 rebounds and 62.5 percent from 3 in 23.5 minutes

Expecting a player who made 13 of his 34 3-point attempts during the first four months of the season to suddenly keep up a 10-for-16 rate is almost definitely setting Withers up to fail. But the spacing he provides might not be fool’s gold and might provide UNC its best chance of countering Cooper Flagg and Duke.

Beating Duke is UNC’s easiest way to push to the right side of the bubble, but even a loss in that game isn’t necessarily fatal if the Tar Heels’ newfound lineup leads them on a mini ACC Tournament run. Crazier things have happened.

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(Top photo of Mike Woodson: Joe Robbins / Icon Sportswire via Getty Images)

Culture

Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.

Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”

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With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”

How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.

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By ‘A Lady’

Jane Austen’s House, Chawton, England

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Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)

Where the Magic Happened

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Janice Chung for The New York Times

Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.

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An Iconic Accessory

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Jane Austen’s House, Chawton, England

Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.

Austen Onscreen

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Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.

Jane Goes X-Rated

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Tony Cenicola/The New York Times

The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.

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A Lady Unmasked

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Jane Austen’s House, Chawton, England

Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”

Wearable Tributes

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Tony Cenicola/The New York Times

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It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.

The Austen Literary Universe

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Elizabeth Renstrom for The New York Times

On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)

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A Botanical Homage

Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.

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Aunt Jane

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Jane Austen’s House, Chawton, England

Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.

Cultural Currency

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Steve Parsons/Associated Press

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In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.

In the Trenches

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During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”

Baby Janes

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Tony Cenicola/The New York Times

You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.

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The Austen Industrial Complex

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Elizabeth Renstrom for The New York Times

Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.

Around the Globe

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Goucher College Special Collections & Archives, Alberta H. and Henry G. Burke Collection; via The Morgan Library & Museum

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Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.

Playable Persuasions

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Tony Cenicola/The New York Times

In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.

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#SoJaneAusten

The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.

Bonnets Fit for a Bennett

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Peter Flude for The New York Times

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For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.

Most Ardently, Jane

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The Morgan Library & Museum

Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”

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Stage and Sensibility

Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.

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Austen 101

Tony Cenicola/The New York Times

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Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”

W.W.J.D.

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Tony Cenicola/The New York Times

When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?

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Culture

I Think This Poem Is Kind of Into You

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I Think This Poem Is Kind of Into You

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A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.

The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.

And then it bursts into flame.

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“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.

Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.

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We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.

To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.

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Louise Glück in 1975.

Gerard Malanga

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But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”

That’s the kind of poem she wrote.

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“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.

Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.

What happens next? That’s up to you.

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Culture

Can You Identify Where the Winter Scenes in These Novels Took Place?

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Can You Identify Where the Winter Scenes in These Novels Took Place?

Cold weather can serve as a plot point or emphasize the mood of a scene, and this week’s literary geography quiz highlights the locations of recent novels that work winter conditions right into the story. Even if you aren’t familiar with the book, the questions offer an additional hint about the setting. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the books if you’d like to do further reading.

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