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Court Vision: Why is NCAA Tournament expansion talk a thing? Is Gonzaga really in trouble?

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Court Vision: Why is NCAA Tournament expansion talk a thing? Is Gonzaga really in trouble?

Did March sneak up on anyone else?

We have been enjoying the regular season so much that we kind of forgot it’s almost over. But the reality is, the first conference tournament bracket — thanks, Atlantic Sun — is already out. League titles are being clinched. The bubble is bubbling. All of the things!

But that means it’s time for one of our least favorite annual storylines: greedy, grubby fingers trying to wreck something that doesn’t need fixing.

1. NCAA Tournament expansion

On “College GameDay” two weekends ago, ESPN’s Pete Thamel reported (almost unprompted) that while NCAA Tournament expansion talks are still ongoing, decision-makers “seem to be down the road” with a concept that would alter the best postseason in sports by growing the field from 68 teams to potentially 76.

“We should know fairly soon,” Thamel said. “Two, three months. Something like that.”

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Hubert Davis’ North Carolina Tar Heels are 1-10 in Quad 1 games this season. (John Byrum / Icon Sportswire via Getty Images)

At the risk of calling expansion “imminent,” Thamel isn’t reporting this live on GameDay if it weren’t a serious possibility. And given that timeline, the NCAA and its television partners may settle on an agreement in time to adjust the 2026 tournament. All of which is a long way of saying, this very well may be the last Big Dance as we know it and as we’ve known it since 1985.

Mechanically speaking, what might going to 76 teams look like? An expanded First Four, per Thamel, with eight teams competing in Dayton — where the First Four is held annually — and eight more at another site to be determined (likely outside of the Eastern time zone, for logistical reasons).

Using The Athletic’s latest bracket prediction, let’s consider what this year’s field would look like with 76 teams. All of the following would be included, rather than sweating out their spots:

  • Indiana (17-11), which already has announced coach Mike Woodson will be stepping down
  • Wake Forest (19-9), which has one Top-25 win all season and has lost consecutive games to 11-17 NC State and 14-14 Virginia
  • North Carolina (18-11), which is 1-10 in Quad 1 games with a single victory all season over a team currently thought to be in the field
  • SMU (21-7), which has zero top-50 wins all season
  • Plus Cincinnati, Xavier, Boise State and TCU, which have combined to go 37-31 in their respective conferences with just two Top-25 wins

Other than SEC commissioner Greg Sankey, who wants that?

Regarding Sankey, whose tenure has included going scorched earth on everything college sports hold dear in pursuit of cartoonish stacks of cash, it should surprise no one that Thamel said expansion conversations have been “driven by the power conferences.” Sankey even told The Athletic last spring that automatic bids for smaller conferences should be “part of the review” of the NCAA Tournament. Suffice it to say, it’s obvious how this is going to go: More mediocre high-major teams (like the ones above) will be included while deserving mid-majors get left out in the cold.

Which of these resumes is more deserving of making the Big Dance?

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STAT TEAM A TEAM B

RECORD

19-7

17-11

NET RANKING

49

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36

KENPOM RANKING

43

38

QUAD 1 RECORD

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4-5

3-11

Reasonable arguments can be made for both sides. It’s a coin flip. Do you prefer the total wins and better Q1 record or the metric rankings? Time’s up. Team A is … San Diego State, and Team B is … Georgia. In The Athletic’s latest bracket, those two face off in this season’s First Four.

The point is that both have defensible arguments for inclusion. But does anyone think that many — if any — of those additional bids are going to teams like SDSU? From the Mountain West, Missouri Valley or Big West, instead of the SEC?

If you do, I have a bridge to sell you.

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The simple logic is that more games equal more revenue. NCAA Tournament revenue accounts for, at most, five percent of the budget at most high-major schools (although it’s more at mid- and low-majors). That’s not nothing, but in the grand scheme of modern college sports, it’s not the end-all, be-all. The motivation for expansion, then, is as much about “inclusion” as anything else. With Division I men’s basketball having ballooned to 364 teams — which is a story for another day — only 18.7 percent of Division I is represented in a 68-team field. And while 76 teams are only marginally better, at 20.9 percent of teams, that does move the needle at least a little closer to the 25 percent threshold recommended by the NCAA Division I Transformation Committee in January 2023.

But who cares what that committee recommended?

The NCAA Tournament has existed in its current iteration for four decades and has proven time and time again that it needs no alterations. Need anyone be reminded of Saint Peters’ Elite 8 run in 2022? Fairleigh-Dickinson in 2023? Florida Atlantic vs. San Diego State in the Final Four? People like Sankey aren’t advocating for more of those opportunities; they’re advocating for more dollars in their pockets and more of their toys in the sandbox — at Cinderella’s expense.

2. It’s time to talk Gonzaga

Gonzaga isn’t going to miss the NCAA Tournament, right?

It’s closer than you’d think and closer than the Zags truly have been to the cutline since maybe 2011. Mark Few’s team went 25-10 that season with just three top-50 wins in the regular season, compared to two sub-100 losses. It ultimately earned a No. 11 seed — one of just three times in the past two decades (the others being 2007 and 2016) that Gonzaga has been a double-digit seed.

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Now compare that to this season. Gonzaga’s on the same pace: 22-8 with only two top-50 wins, both of which came in November. And while these Zags don’t have any sub-100 losses weighing down their resume, they don’t have any wins over sure-fire tournament teams. (Baylor and San Diego State — Gonzaga’s two top-50 wins — are solidly on the bubble.) Frankly, the computer rankings are carrying a lot of weight for Few’s team as Gonzaga is in the top 10 in both the NET and by KenPom. After Gonzaga, the next highest-ranked NET team with two or fewer Quad-1 wins is VCU, at 29.

go-deeper

GO DEEPER

NCAA Tournament 2025 Bracket Watch: Auburn and Duke avoidance is a smart Final Four play

While Few’s team isn’t below the cutline, it would serve the Zags well not to fall flat in their regular-season finale vs. San Francisco on Saturday or in the WCC tournament. Bracket Matrix has Gonzaga as a No. 9 seed, but that’s before Tuesday’s, Wednesday’s and Thursday’s results factor in. (The SEC earned several massive bubble wins this week, like Arkansas over Texas and Georgia over Florida.)

With Saint Mary’s sweeping the regular-season series and clinching the WCC outright for the second straight season, it’s the first time since 1990-92 — when Few was still a fresh-faced assistant — that Gonzaga hasn’t earned at least a share of the WCC regular-season title in consecutive campaigns. That speaks to the team’s relative mediocrity as well as anything.

Gonzaga’s at the point where it’s going to get the benefit of the doubt from the committee. And it’s not like it has any bad losses, with an overtime road defeat at 20-win Oregon State as the worst of the bunch.

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But it’s a situation worth monitoring during the next few weeks. I wouldn’t bet on the Zags missing the field if the bracket dropped today, but if nothing else, Gonzaga making a 10th consecutive Sweet 16 — which would break its tie with Duke for the longest such streak of the modern era — feels, unlikely.

3. A bubblicious spotlight

Three teams that, for better or worse, won’t go away:

Arkansas: This feels impossible given the Razorbacks’ early season “defense,” but it’s true: Arkansas has the fifth-best adjusted defensive efficiency in the country since Feb. 1, per Bart Torvik, ahead of juggernauts such as Duke, Tennessee and Houston. And it’s not like John Calipari’s team has been playing bad teams this month. Arkansas is 5-3 during that stretch with wins over Kentucky and Missouri, which are both tracking as top-four seeds. So, what gives?

go-deeper

GO DEEPER

Men’s college basketball bubble watch: SEC hopefuls surging just before March

For starters, credit to Calipari, who most of the college basketball universe was doubting weeks ago. And why wouldn’t we? Arkansas defended ball screens about as well as you and I do, dear readers. The proof, from the Hogs’ first SEC game vs. Tennessee:

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Does the primary defender stop his man? Nope. How about the screener’s defender stopping the roll man? Also no. It’s not quite a red carpet to the basket, but it’s as close as you’ll find in a high-major conference game.

Now compare that to Wednesday night and Arkansas’ ball-screen defense vs. Texas:

That’s the same primary defender, D.J. Wagner (No. 21), only he looks like a different player. He chased over the screen and prevented the easy drive or pull-up jumper. Meanwhile, Jonas Aidoo (No. 9) stayed level with the screener as soon as he rolled, cutting off any potential passing window. The roll subsequently got blown up on the backside by Johnell Davis. Julian Larry still attempted the post entry, and Aidoo came away with the easy steal. Overall, it was much stickier, stouter coverage.

Opponents have shot only 30 percent from 3-point range against Arkansas this month, per Bart Torvik, and that is a top-50 rate nationally. That’s more like Calipari’s old Kentucky teams, which relied on lanky athletes to disrupt opposing actions. Combine that defensive surge with Zvonimir Ivisic’s offensive ascent — the 7-foot-2 Croatian has the first three 20-point games of his career in the Hogs’ past six games while shooting 40 percent from 3 — and Calipari has a team that suddenly doesn’t look so fun to play against.

go-deeper

GO DEEPER

What Georgia’s upset win over Florida means in SEC, NCAA race

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Georgia: Maybe the biggest bubble result of the week was Georgia’s shocking 88-83 win over Florida. But the final score doesn’t nearly do that game justice. UGA led by as many as 26 points in the first half before Florida mounted a comeback. The Gators eventually went on a 13-0 run in the final few minutes to take their first lead all night, 79-78, with less than 90 seconds to play. But soon after, Blue Cain delivered what turned out to be the game-winning 3-pointer on his first attempt from deep in the game:

Georgia forced a turnover and a missed deep 3 on Florida’s next two possessions to seal it. Wildly, that completed Georgia’s first AP top-five win since January 2004, and it might be the final piece to the Bulldogs’ NCAA Tournament resume. A 5-10 SEC record is not anything to write home about, but the overall resume ain’t bad.

A nonconference, neutral-court win over St. John’s has aged marvelously, as has a home win over Kentucky in Georgia’s second SEC game. Plus, every loss is to a top-40 team. And with Texas, South Carolina and Vanderbilt left on the schedule, there’s room for Mike White’s team to stack a few more wins and eliminate any doubt.

North Carolina: Since the NET was first introduced in 2018-19, only one team has made the NCAA Tournament with a single Quad 1 win: Drake in 2021.

That doesn’t bode well for UNC, which is currently 1-10 in Quad 1 games. But the good news? The Tar Heels, who have won four straight behind a revamped starting lineup (albeit against terrible competition), have seemingly rediscovered some confidence, just in time for one last crack at a second Quad 1 win.

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The bad news is that the game is against Duke, which looks like the best team in the country and led by more than 30 the first time the rivals faced off in early February.

On one hand, that matchup remains awful for the undersized Tar Heels. But at the risk of getting Tar Heels fans’ hopes up: What if Hubert Davis’ team has found something of late? Because very quietly UNC has posted the fourth-best adjusted offensive efficiency in the country during this winning streak, per Bart Torvik. (Don’t say anything about the 198th-ranked defense.) Admittedly, those wins have come against 12-16 Syracuse, 11-17 NC State, 14-14 Virginia and 16-12 Florida State. But the larger shift behind that surge might carry: Davis once again tweaking his starting lineup and finally adding some size.

He reinserted 6-9 graduate forward Jae’Lyn Withers, who started UNC’s first seven games, into the starting five, which allowed Davis to stop misplaying 6-6 freshman wing Drake Powell as a small-ball four. Those decisions in turn sent sometimes-starters Ian Jackson and Seth Trimble to the bench, although both still see significant minutes. It’s not a direct correlation, but that spacing and lineup balance have contributed to UNC, which shot a middling 34 percent from 3 all season, suddenly knocking down 44.4 percent of its 3s the past two weeks, good for the 15th-best rate in the country.

Is that sustainable? That’s both a Withers-specific and big-picture question. As for Withers, there is a massive discrepancy between his production in UNC’s first 25 games and its past four:

  • First 25 games: 4.6 points, 3.4 rebounds and 38.2 percent from 3 in 14 minutes per game
  • Past four games: 13.5 points, 6.5 rebounds and 62.5 percent from 3 in 23.5 minutes

Expecting a player who made 13 of his 34 3-point attempts during the first four months of the season to suddenly keep up a 10-for-16 rate is almost definitely setting Withers up to fail. But the spacing he provides might not be fool’s gold and might provide UNC its best chance of countering Cooper Flagg and Duke.

Beating Duke is UNC’s easiest way to push to the right side of the bubble, but even a loss in that game isn’t necessarily fatal if the Tar Heels’ newfound lineup leads them on a mini ACC Tournament run. Crazier things have happened.

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(Top photo of Mike Woodson: Joe Robbins / Icon Sportswire via Getty Images)

Culture

Do You Know Where These Famous Authors Are Buried?

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Do You Know Where These Famous Authors Are Buried?

A strong sense of place can deeply influence a story, and in some cases, the setting can even feel like a character itself — or have a lasting influence on an author. With that in mind, this week’s literary geography quiz highlights the final stops for five authors after a life of writing. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the books if you’d like to do further reading.

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What Happens When We Die? This Wallace Stevens Poem Has Thoughts.

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What Happens When We Die? This Wallace Stevens Poem Has Thoughts.

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Whatever you do, don’t think of a bird.

Now: What kind of bird are you not thinking about? A pigeon? A bald eagle? Something more poetic, like a skylark or a nightingale? In any case, would you say that this bird you aren’t thinking about is real?

Before you answer, read this poem, which is quite literally about not thinking of a bird.

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Human consciousness is full of riddles. Neuroscientists, philosophers and dorm-room stoners argue continually about what it is and whether it even exists. For Wallace Stevens, the experience of having a mind was a perpetual source of wonder, puzzlement and delight — perfectly ordinary and utterly transcendent at the same time. He explored the mysteries and pleasures of consciousness in countless poems over the course of his long poetic career. It was arguably his great theme.

Stevens was born in 1879 and published his first book, “Harmonium,” in 1923, making him something of a late bloomer among American modernists. For much of his adult life, he worked as an executive for the Hartford Accident and Indemnity Company, rising to the rank of vice president. He viewed insurance less as a day job to support his poetry than as a parallel vocation. He pursued both activities with quiet diligence, spending his days at the office and composing poems in his head as he walked to and from work.

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Wallace Stevens in 1950.

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Walter Sanders/The LIFE Picture Collection, via Shutterstock

As a young man, Stevens dreamed of traveling to Europe, though he never crossed the Atlantic. In middle age he made regular trips to Florida, and his poems are frequently infused with ideas of Paris and Rome and memories of Key West. Others partake of the stringent beauty of New England. But the landscapes he explores, wintry or tropical, provincial or cosmopolitan, are above all mental landscapes, created by and in the imagination.

Are those worlds real?

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Let’s return to the palm tree and its avian inhabitant, in that tranquil Key West sunset of the mind.

Until then, we find consolation in fangles.

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Wil Wheaton Discusses ‘Stand By Me’ and Narrating ‘The Body’ Audiobook

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Wil Wheaton Discusses ‘Stand By Me’ and Narrating ‘The Body’ Audiobook

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When the director Rob Reiner cast his leads in the 1986 film “Stand by Me,” he looked for young actors who were as close as possible to the personalities of the four children they’d be playing. There was the wise beyond his years kid from a rough family (River Phoenix), the slightly dim worrywart (Jerry O’Connell), the cutup with a temper (Corey Feldman) and the sensitive, bookish boy.

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Wil Wheaton was perfect for that last one, Gordie Lachance, a doe-eyed child who is ignored by his family in favor of his late older brother. Now, 40 years later, he’s traveling the country to attend anniversary screenings of the film, alongside O’Connell and Feldman, which has thrown him back into the turmoil that he felt as an adolescent.

Wheaton has channeled those emotions and his on-set memories into his latest project: narrating a new audiobook version of “The Body,” the 1982 Stephen King novella on which the film was based.

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“I like there to be a freshness, a discovery and an immediacy to my narration,” Wheaton said. He recorded “The Body” in his home studio in California. Alex Welsh for The New York Times

A few years ago, Wheaton started to float the idea of returning to the story that gave him his big break — that of a quartet of boys in 1959 Oregon, in their last days before high school, setting out to find a classmate’s dead body. “I’ve been telling the story of ‘Stand By Me’ since I was 12 years old,” he said.

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But this time was different. Wheaton, who has narrated dozens of audiobooks, including Andy Weir’s “The Martian” and Ernest Cline’s “Ready Player One,” says he has come to enjoy narration more than screen acting. “I’m safe, I’m in the booth, nobody’s looking at me and I can just tell you a story.”

The fact that he, an older man looking back on his younger years, is narrating a story about an older man looking back on his younger years, is not lost on Wheaton. King’s original story is bathed in nostalgia. Coming to terms with death and loss is one of its primary themes.

Two days after appearing on stage at the Academy Awards as part of a tribute to Reiner — who was murdered in 2025 alongside his wife, Michele — Wheaton got on the phone to talk about recording the audiobook, reliving his favorite scenes from the film and reexamining a quintessential story of childhood loss through the lens of his own.

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This interview has been edited and condensed.

“I felt really close to him, and my memory of him.”

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Wheaton on channeling a co-star’s performance.

There’s this wonderful scene in “Stand By Me.” Gordie and Chris are walking down the tracks talking about junior high. Chris is telling Gordie, “I wish to hell I was your dad, because I care about you, and he obviously doesn’t.”

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It’s just so honest and direct, in a way that kids talk to each other that adults don’t. And I think that one of the reasons that really sticks with people, and that piece really lands on a lot of audiences, and has for 40 years, is, just too many people have been Gordie in that scene.

That scene is virtually word for word taken from the text of the book. And when I was narrating that, I made a deliberate choice to do my best to recreate what River did in that scene.

“The Body” Read by Wil Wheaton

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“You’re just a kid,

Gordie–”

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“I wish to fuck

I was your father!”

he said angrily.

“You wouldn’t go around

talking about takin those stupid shop courses

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if I was!

It’s like

God gave you something,

all those stories

you can make up,

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and He said:

This is what we got for you, kid.

Try not to lose it.

But kids lose everything

unless somebody looks out for them

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and if your folks

are too fucked up to do it

then maybe I ought to.”

I watched that scene a couple of times because I really wanted — I don’t know why it was so important to me to — well, I know: because I loved him, and I miss him. And I wanted to bring him into this as best as I could, right?

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So I was reading that scene, and the words are identical to the script. And I had this very powerful flashback to being on the train tracks that day in Cottage Grove, Oregon. And I could see River standing next to them. They’re shooting my side of the scene and there’s River, right next to the camera, doing his off-camera dialogue, and there’s the sound guy, and there’s the boom operator. There’s my key light.

I could hear and feel it. It was the weirdest thing. It’s like I was right back there.

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I was able to really take in the emotional memory of being Gordie in all of those scenes. So when I was narrating him and I’m me and I’m old with all of this experience, I just drew on what I remembered from being that little boy and what I remember of those friendships and what they meant to me and what they mean to me today.

“Rob gave me a gift. Rob gave me a career.”

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Wheaton recalls the “Stand By Me” director’s way with kids on set, as well as his recent Oscars tribute.

Rob really encouraged us to be kids.

Jerry tells the most amazing story about that scene, where we were all sitting around, and doing our bit, and he improvised. He was just goofing around — we were just playing — and he said something about spitting water at the fat kid.

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We get to the end of the scene, and he hears Rob. Rob comes around from behind the thing, and he goes, “Jerry!” And Jerry thinks, “Oh no, I’m in trouble. I’m in trouble because I improvised, and I’m not supposed to improvise.”

The context for Jerry is that he had been told by the adults in his life, “Sit on your hands and shut up. Stop trying to be a cutup. Stop trying to be funny. Stop disrupting people. Just be quiet.” And Jerry thinks, “Oh my God. I didn’t shut up. I’m in trouble. I’m gonna get fired.”

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Rob leans in to all of us, and Rob says, “Hey, guys, do you see that? More of that. Do that!”

Rob Reiner in 1985, directing the child actors of “Stand By Me,” including Wil Wheaton, at left. Columbia/Kobal, via Shutterstock

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The whole time when you’re a kid actor, you’re just around all these adults who are constantly telling you to grow up. They’re mad that you’re being a kid. Rob just created an environment where not only was it supported that we would be kids — and have fun, and follow those kid instincts and do what was natural — it was expected. It was encouraged. We were supposed to do it.

“The Body” Read by Wil Wheaton

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They chanted together:

“I don’t shut up,

I grow up.

And when I look at you

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I throw up.”

“Then your mother goes around the corner

and licks it up,”

I said,

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and hauled ass out of there,

giving them the finger over my shoulder as I went.

I never had any friends later on

like the ones I had when I was twelve.

Jesus,

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did you?

When we were at the Oscars, I looked at Jerry. And we looked at this remarkable assemblage of the most amazingly talented, beautiful artists and storytellers. We looked around, and Jerry leans down, and he said, “We all got our start with Rob Reiner. He trusted every single one of us.”

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Jerry O’Connell and Wheaton joined more than a dozen actors from Reiner’s films to honor the slain director at the Academy Awards on March 15, 2026. Kevin Winter/Getty Images

And to stand there for him, when I really thought that I would be standing with him to talk about this stuff — it was a lot.

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“I was really really really excited — like jumping up and down.”

The scene Wheaton was most looking forward to narrating: the tale of Lard Ass Hogan.

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I was so excited to narrate it. It’s a great story! It’s a funny story. It’s such a lovely break — it’s an emotional and tonal shift from what’s happening in the movie.

I know this as a writer: You work to increase and release tension throughout a narrative, and Stephen King uses humor really effectively to release that tension. But it also raises the stakes, because we have these moments of joy and these moments of things being very silly in the midst of a lot of intensity. ​​

That’s why the story of Lard Ass Hogan is so fun for me to tell. Because in the middle of that, we stop to do something that’s very, very fun, and very silly and very celebratory.

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“The Body” Read by Wil Wheaton

“Will you shut up

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and let him tell it?”

Teddy hollered.

Vern blinked.

“Sure.

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Yeah.

Okay.”

“Go on, Gordie,”

Chris said.

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“It’s not really much—”

“Naw,

we don’t expect much

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from a wet end like you,”

Teddy said,

“but tell it anyway.”

I cleared my throat.

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“So anyway.

It’s Pioneer Days,

and on the last night

they have these three big events.

There’s an egg-roll for the little kids

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and a sack-race for kids that are like eight or nine,

and then there’s the pie-eating contest.

And the main guy of the story

is this fat kid nobody likes

named Davie Hogan.”

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When I narrate this story — whenever there is a moment of levity or humor, whenever there are those brief little moments that are the seasoning of the meal that makes it all so real and relatable — yes, it was very important to me to capture those moments.

I’m shifting in my chair, so I can feel each of those characters. It’s something that doesn’t exist in live action. It doesn’t exist in any other media.

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“I feel the loss.”

Wheaton remembers River Phoenix.

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The novella “The Body” is very much about Gordie remembering Chris. It’s darker, and it’s more painful, than the movie is.

I’ve been watching the movie on this tour and seeing River a lot. I remember him as a 14- and 15-year-old kid who just seemed so much older, and so much more experienced and so much wiser than me, and I’m only a year younger than him.

What hurts me now, and what I really felt when I was narrating this, is knowing what River was going through then. We didn’t know. I still don’t know the extent of how he was mistreated, but I know that he was. I know that adults failed him. That he should have been protected in every way that matters. And he just wasn’t.

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And I, like Gordie, remember a boy who was loving. So loving, and generous and cared deeply about everyone around him, all the time. Who deserved to live a full life. Who had so much to offer the world. And it’s so unfair that he’s gone and taken from us. I had to go through a decades-long grieving process to come to terms with him dying.

“The Body” Read by Wil Wheaton

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Near the end

of 1971,

Chris

went into a Chicken Delight

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in Portland

to get a three-piece Snack Bucket.

Just ahead of him,

two men started arguing

about which one had been first in line.

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One of them pulled a knife.

Chris,

who had always been the best of us

at making peace,

stepped between them

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and was stabbed in the throat.

The man with the knife had spent time in four different institutions;

he had been released from Shawshank State Prison

only the week before.

Chris died almost instantly.

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It is a privilege that I was allowed to tell this story. I get to tell Gordie Lachance’s story as originally imagined by Stephen King, with all of the experience of having lived my whole adult life with the memory of spending three months in Gordie Lachance’s skin.

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