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Chargers’ Justin Herbert falls short to remain winless in postseason: ‘I let the team down’

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Chargers’ Justin Herbert falls short to remain winless in postseason: ‘I let the team down’

HOUSTON — Justin Herbert sat in a chair at his locker, motionless, hands on his knees, a blank stare on his face. It did not look like it, but he was listening.

Defensive lineman Morgan Fox was sitting on the floor to Herbert’s right. Fox was talking in a hushed tone to the Los Angeles Chargers quarterback.

“I just told him I’m proud of him,” Fox said. “No one else I’d rather go to war with. That he’s probably the best quarterback I’ve ever played with. He’s great. He’s incredibly talented. Just told him to keep his head up.”

After about a minute, Fox popped up, gave Herbert a hug and walked to his locker on the other side of the room.

Then Herbert was alone. Left with his own thoughts. Left with the irrepressible stinging of another early playoff exit.

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The Chargers lost to the Houston Texans 32-12 on Saturday at NRG Stadium. A dramatic turnaround engineered by coach Jim Harbaugh ended with a whimper in the wild-card round. Herbert threw four interceptions. He had never turned the ball over more than twice in any game in his professional career.

“I let the team down,” Herbert said.

GO DEEPER

Texans pick off Herbert 4 times in 32-12 wild-card blowout: Takeaways

Herbert always takes the blame after losses. Most times, he is just being a good teammate. This time, his assessment is accurate.

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He played the worst game of his career in the biggest game of his career.

“No one feels worse than I do,” Herbert said.

What awaits is an unavoidable avalanche of questions and criticism. It is the nature of the position he plays. It is the nature of the immense contract he signed.

He will hear the noise for at least another 12 months, until his next potential chance at a playoff win.

Herbert is outrageously talented. No quarterback in NFL history has thrown for more yards through five seasons. He does things on a football field that few humans, if any, have ever been able to do. But athletes are ultimately judged on how they perform when the lights are brightest, when a championship hangs in the balance. Herbert wilted on the grand stage, and he is now 0-2 in the playoffs.

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Herbert’s last postseason appearance came in 2022. He helped build a 27-0 lead over the Jacksonville Jaguars in the wild-card round. The Chargers collapsed. Herbert missed a wide-open Keenan Allen in the end zone late in the first half of that game. But Herbert played well enough for the Chargers to win. They could not run the ball in the second half. They committed backbreaking penalty after backbreaking penalty as part of a defensive unraveling.

Saturday was different. No amount of nuance or context can explain this one away. Herbert looked tight. He made uncharacteristically bad decisions. He made uncharacteristically inaccurate throws.

Herbert had thrown three interceptions on 504 attempts in the regular season. His four interceptions against the Texans came on 32 attempts. He completed just 14 passes. His 43.8 completion percentage was the worst of his career. He averaged minus-0.59 expected points added per dropback, according to TruMedia, the lowest mark of his career in any game he started and finished.

Harbaugh said Herbert played “like he always does.”

“Complete beast,” Harbaugh added.

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But that is just not true.

Early in the second quarter, the Chargers led 6-0. Texans quarterback C.J. Stroud floated a throw down the left sideline to no one in particular. Cornerback Deane Leonard was waiting and came down with the interception, tapping both toes inbounds along the sideline.

The Chargers took over at the Texans’ 40-yard line. On the first play of the possession, the Chargers rolled Herbert out to the right on a designed bootleg. There was pressure in Herbert’s face, as there was all game long. He threw off balance to receiver Quentin Johnston on a corner route, all the way across the field. It was an unnecessarily risky throw. It was underthrown. Texans cornerback Kamari Lassiter picked it off. The Chargers needed fewer than five yards to get into Cameron Dicker’s field goal range. This throw took points off the board.

“Got to be better about that, throw the ball away, throw it further,” Herbert said. “Got to do a better job of not putting it in harm’s way.”

The Chargers were on the right hash for this snap. Harbaugh said after the game that this play should have been called only if the Chargers were on the left hash, shortening the throw.

“I take accountability for that one,” Harbaugh said, even though it is offensive coordinator Greg Roman calling the plays.

Late in the third quarter, the Chargers took over at their 28-yard line, trailing 13-6. Herbert took the shotgun snap. He looked left at receiver Ladd McConkey, who ran a comeback route out of the slot. Herbert double-pumped. He did not fully reset his feet. And Herbert’s throw sailed high and through McConkey’s hands. Texans safety Eric Murray picked it off and returned it for a touchdown.

“That’s on me to make a better throw,” Herbert said.

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Herbert was intercepted again on the next drive, though this was not his fault. Will Dissly dropped a ball that was in his hands. It squirted through, and Texans cornerback Derek Stingley Jr. intercepted it.

Herbert threw a fourth interception late in garbage time. Receiver DJ Chark was open on a go route. Herbert did not put enough on the pass. Stingley, an All-Pro, came down with his second pick of the game.

“It’s on me as a quarterback to be able to deliver the ball,” Herbert said.

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The Chargers offense was given opportunity after opportunity through the first three quarters. The unit squandered every one.

Most of these were on Herbert, but not all of them. The Chargers were overmatched on the line of scrimmage. The Texans defensive line, including edge rushers Will Anderson Jr. and Danielle Hunter, dominated the game. Right tackle Joe Alt played one of his worst games of the season. Right guard Jamaree Salyer was bullied on multiple pass-blocking snaps. Herbert was running for his life or taking shots on many of his dropbacks.

“We can’t let Justin get hit that many times,” left guard Zion Johnson said.

But Herbert has weathered this kind of pressure before. He did it as recently as Week 16 against the Denver Broncos, when he was pressured on 54.1 percent of his dropbacks.

The Chargers were desperate for playmaking from their best playmaker. And Herbert fell disastrously short. He did not have a rushing attempt. The game was begging for a scramble to keep the Houston pass rush off balance.

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“He’s got to be able to finish a throwing motion,” Harbaugh said. “We didn’t put him in the position to do that enough.”

Herbert needs more weapons. McConkey caught nine passes for 197 yards and a touchdown. No other Chargers player caught more than two passes. That must be a focus for the organization this offseason. It has to add receivers and a tight end.

Dissly had a commendable season, but he had two crucial drops. The interception was his second drop. The first came on a second-and-19 in the first quarter. Safety Alohi Gilman had just forced a fumble on the Texans’ opening offensive play, setting the Chargers up in opposing territory.

Herbert escaped pressure and found Dissly near the left sideline. Dissly would have been close to first-down yardage. A catch would have at least made the ensuing third down more manageable. The Chargers settled for a field goal.

“We got to score,” said J.K. Dobbins, who had nine carries for 26 yards, including only one carry in the second half.

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There were other missed opportunities, in all three phases. The Texans trailed 6-0 late in the first half and faced a third-and-16, backed up inside their own 20. Stroud dropped the shotgun snap. The ball was loose. But Stroud was able to pick the ball up, escape to his right and find receiver Xavier Hutchinson for a 34-yard gain. That sparked a 99-yard touchdown drive, capped off by a Nico Collins touchdown reception. Collins had seven catches for 122 yards. Cornerback Kristian Fulton struggled to match up with the big-bodied receiver.

Safety Derwin James Jr. said the coverage was “a little off” on Stroud’s scoop-and-sling because of the fumbled snap.

“It kind of turned the game,” James said.

“It went his way,” Gilman said.

Early in the second half, the Chargers faced a fourth-and-2 from the Texans’ 34-yard line. They had gotten the ball back on another turnover, this one a forced fumble and recovery from safety Tony Jefferson. Harbaugh went for it. Herbert took an under-center snap and faked a handoff to running back Hassan Haskins. Johnston was running a whip route to the right side, feinting to the inside before cutting to the flat. Herbert threw to Johnston, who was jammed at the line by Stingley. The pass fell incomplete. Johnston did not run his route to the first-down marker.

Harbaugh said the design of the play called for Johnston “to be deeper.”

“Sometimes the release, the coverage affects that,” Harbaugh added. “I would have liked to have called a different play or kicked the field goal there.”

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It was a game littered with missed opportunities. The Chargers had a punt blocked and an extra point blocked on special teams. The extra point was returned for a Texans two-point conversion, turning a McConkey 86-yard touchdown into just a four-point swing.

The end result was Herbert missing the biggest opportunity of his career so far.

“He’s the best quarterback I’ve ever played with,” Alt said.

“Our heart beats through 10,” center Bradley Bozeman said. “He’s the leader of this team. He’s a damn good football player.”

Herbert is now following the early career trajectory of Peyton Manning, the player he passed for most passing yards through his first five seasons.

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Manning made the playoffs three times in his first five seasons. He went 0-3. In his fifth season, his Indianapolis Colts lost 41-0 to the New York Jets in the wild-card round. Manning completed 14 of 31 passes for 137 yards and two interceptions.

The next season, Manning won the MVP. The Colts won two playoff games and made it to the AFC Championship Game.

There is precedent for an ubertalented quarterback struggling early in his career before getting over the hump.

But just like Manning, Herbert will face questions and criticism.

Until he shows up.

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“I put the team in jeopardy,” Herbert said. “That’s on me to get better and keep pushing forward.”

(Photo: Brandon Sloter / Getty Images)

Culture

Video: 250 Years of Jane Austen, in Objects

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Video: 250 Years of Jane Austen, in Objects

new video loaded: 250 Years of Jane Austen, in Objects

To capture Jane Austen’s brief life and enormous impact, editors at The New York Times Book Review assembled a sampling of the wealth, wonder and weirdness she has brought to our lives.

By Jennifer Harlan, Sadie Stein, Claire Hogan, Laura Salaberry and Edward Vega

December 18, 2025

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Try This Quiz and See How Much You Know About Jane Austen

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Try This Quiz and See How Much You Know About Jane Austen

“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.

Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”

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With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”

How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.

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By ‘A Lady’

Jane Austen’s House, Chawton, England

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Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)

Where the Magic Happened

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Janice Chung for The New York Times

Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.

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An Iconic Accessory

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Jane Austen’s House, Chawton, England

Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.

Austen Onscreen

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Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.

Jane Goes X-Rated

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Tony Cenicola/The New York Times

The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.

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A Lady Unmasked

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Jane Austen’s House, Chawton, England

Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”

Wearable Tributes

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Tony Cenicola/The New York Times

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It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.

The Austen Literary Universe

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Elizabeth Renstrom for The New York Times

On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)

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A Botanical Homage

Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.

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Aunt Jane

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Jane Austen’s House, Chawton, England

Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.

Cultural Currency

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Steve Parsons/Associated Press

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In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.

In the Trenches

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During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”

Baby Janes

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Tony Cenicola/The New York Times

You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.

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The Austen Industrial Complex

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Elizabeth Renstrom for The New York Times

Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.

Around the Globe

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Goucher College Special Collections & Archives, Alberta H. and Henry G. Burke Collection; via The Morgan Library & Museum

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Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.

Playable Persuasions

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Tony Cenicola/The New York Times

In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.

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#SoJaneAusten

The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.

Bonnets Fit for a Bennett

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Peter Flude for The New York Times

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For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.

Most Ardently, Jane

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The Morgan Library & Museum

Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”

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Stage and Sensibility

Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.

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Austen 101

Tony Cenicola/The New York Times

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Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”

W.W.J.D.

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Tony Cenicola/The New York Times

When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?

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