Culture
Best Legal Thriller Books

Since I’ve written four legal thrillers, you won’t be surprised to learn that I also love to read them. I use the term “legal thriller” in the broadest possible sense: courtroom dramas, stories focused on corruption in the legal profession, good old-fashioned legal whodunits. What really draws me in is a novel with a broader social context that lets me see the world from a perspective that’s different from my own. In my own novels, the main protagonist is Erin McCabe — a criminal defense attorney who, like me, also happens to be a transgender woman. I use Erin to introduce readers who may not know anyone who is trans to a character that humanizes the transgender experience and the issues we face.
With that in mind, here are some legal thrillers that I think will not only keep you turning pages late into the night, but also broaden your worldview.
By Harper Lee
Depending on one’s point of view, “To Kill a Mockingbird” is a revered or reviled novel. Although there are valid arguments that some elements of the story have not aged well, Lee’s Pulitzer-winning courtroom drama — about an attorney defending a Black man accused of sexually assaulting a white woman in 1930s Alabama — paints a vivid picture of the impact of racial discrimination, not only on the justice system but also on the everyday lives of people of color.
By Scott Turow
There are some aspects of this 1987 classic that even the author concedes are outdated, especially its treatment of the few female characters. That said, there is a reason it is often held up as the gold standard of modern legal thrillers, so I would encourage you to put your reservations aside — even if you’ve already watched the streaming series based on the novel — go back and read this book.
It’s not always easy turning mundane courtroom proceedings into high drama, but Turow, like others on this list, is a master. Rusty Sabich, the second-in-command at the Kindle County district attorney’s office, is charged with murdering a colleague with whom he had an affair. But Rusty is not the only one with secrets, and the resulting courtroom drama, backroom politics and examination of corruption in the justice system make for a compelling thriller. I remember reading it when it was first published and being absolutely gobsmacked by the reveal at the end. Age spots and all, it’s still one of the best.
By John Grisham
Originally published in 1989 to little fanfare, Grisham’s debut novel is a compelling story about a Black man who kills the white men who sexually assaulted his 10-year-old daughter, and the lawyer who defends him. Although it was Grisham’s later novels that made him a household name, this book is special — a true-to-life courtroom drama that deals with racism but also captures the moral and ethical ambiguities that many criminal defense lawyers wrestle with. Grisham pulls off a unique feat: You find yourself rooting for the murderer, and for the lawyer who knew what was going to happen.
By Allen Eskens
Eskens worked for years as a criminal defense attorney, so it’s not surprising that his novels reflect an insider’s knowledge of how the justice system works; for me, he’s every bit as good a legal thriller writer as Turow and Grisham. “The Stolen Hours” revolves around a recent law school graduate, Lila Nash, working her dream job in a prosecutor’s office while trying to deal with a vengeful, misogynistic boss. When she’s assigned to work on a sexual assault case, the investigation morphs from a single victim into an examination of a series of murders — suggesting a serial killer who, years earlier, may have targeted Lila herself. Eskens skillfully puts us inside the heads of Lila, the lead detective and the killer in a dangerous game of cat and mouse, leading to a conclusion I never saw coming.
By Angie Kim
Kim does a masterful job of using a classic courtroom drama to tell the story of an immigrant family and what parents will do to make a better life for their child. At the center of the story is a mother who has been charged with murder in the death of her young son, who was killed in a fire in a hyperbaric oxygen chamber. The novel is told from the points of view of different characters, all of whom view the fire and the boy’s tragic death through their own lens — which makes trying to piece together what actually happened like looking through a kaleidoscope. The truth finally comes out, but there are no heroes in this story, only victims. This is a great thriller elevated by lessons about the immigrant experience, and the many shapes love takes.
By Kia Abdullah
Abdullah’s protagonist is Zara Kaleel, a Muslim woman and former barrister working as an adviser at a clinic for sexual assault victims in London. As Zara wrestles with personal issues, she takes on a case involving allegations of sexual assault made by a young white woman suffering from neurofibromatosis — a disfiguring disease — against four young, handsome Muslim men. The reader is confronted with the misogyny and disdain directed at the victim, who is considered “ugly,” as well as the Islamophobia and racism that the young men accused of the crime are forced to endure. Abdullah’s heartbreaking story, which alternates points of view, allows you to see the humanity of all the characters and the ways these events will impact them for the rest of their lives. A remarkable work of fiction that allows you to experience what it’s like to be the other.
By Wanda M. Morris
Not all legal thrillers take place in the courtroom: Morris’s layered novel focuses on corruption in the C-suite. Ellice Littlejohn, who grew up poor and Black in the South, is now a successful corporate lawyer trying to deal with her secret past — and with the murder of her boss, who happened to be white, married and her lover. There were times when I wanted to scream at Ellice, “What are you doing?!” But the reasons for how she acts (or doesn’t act) are slowly revealed and, when they are, it all makes painful, perfect sense. There are some books that will stay with you long after you’re done: This is one of them.

Culture
What’s So Great About ‘Slow Horses’? This Scene Says It All.

A couple dozen pages into “Clown Town,” Mick Herron’s latest novel, two veteran spies share a bench in London. They’re Jackson Lamb and Diana Taverner, notorious fictional fixtures of MI5, the British intelligence service. Fans of “Slow Horses,” the Apple TV series adapted from Herron’s earlier Slough House books, will recognize the pair as the characters played with brisk professionalism and callused gravitas by Kristin Scott Thomas and Gary Oldman.
Those incomparable actors are a big part of the show’s appeal, but the Britain they inhabit — weary, cynical, clinging to the tattered scraps of ancient imperial glory — is built out of Herron’s witty, corkscrew sentences.
And this bench, like others where Lamb and Taverner meet with some regularity on both screen and page, is hardly an incidental bit of urban furniture. It holds not only their aging bureaucratic bums, but also a heavy load of literary and sociological significance.
An ambient sarcasm hangs in the foul air around his characters. Nearly every word is freighted with a mockery that is indistinguishable from judgment. Herron’s prose bristles with the kind of active, restless grudge against the world that is the sure sign of a moralist.
While spies, bureaucrats and especially politicians come in for comic scolding, the real target of his satire is an administrative regime that will be familiar to many readers and viewers who have never cracked a code or aimed a gun. In interviews, Herron has often noted that unlike John le Carré, to whom he is often compared, he has had no first-hand experience of espionage. But he has spent enough time toiling in offices to understand the absurdity — the banality, the cruelty, the cringeiness — of modern organizational life.
“Slow Horses” is a workplace comedy, and Diana and Jackson — nightmare colleagues and bosses from hell — are its flawed, indispensable heroes. Their nastiness to each other and everyone else is a reflection of their circumstances, but also a form of protest against the ethical rottenness of the system they serve.
The gimlet-eyed Diana, managing up from a precarious perch high in the organization, must contend with the cretinous crème de la crème of the British establishment. The epically flatulent Jackson, a career reprobate exiled to a marginal post far from the center of power, manages down, wrangling MI5’s designated misfits, the Slow Horses who give the series its name. Those poor spies need to be protected from external savagery, internal treachery and their own dubious instincts.
Jackson and Diana seem to share a cynical, self-serving outlook, but what really unites them is that they care enough about the job to do it right. More than that: They may be the last people in London who believe in decency, honor and fair play, embodiments of the humanist sentiment that lurks just below the busy, satirical surface of Herron’s novels. Not that they would ever admit as much — especially not to each other, planted on a public bench, where anyone could be spying on them.
Culture
Can You Identify the European Locations in These Thrillers and Crime Novels?

A strong sense of place can deeply influence a story, and in some cases, the setting can even feel like a character itself. This week’s literary geography quiz highlights the locations of thrillers and crime novels set around Europe. (Even if you aren’t familiar with the book, most questions offer an additional hint about the location.) To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the books if you’d like to do further reading.
Culture
Test Your Memory of These Classic Books for Young Readers

Welcome to Lit Trivia, the Book Review’s regular quiz about books, authors and literary culture. This week’s tests your memory of books you may have read during your school days — specifically, the plots of much-loved novels for young readers. In the five multiple-choice questions below, tap or click on the answer you think is correct. After the last question, you’ll find links to the books.
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