Culture
Best Legal Thriller Books
Since I’ve written four legal thrillers, you won’t be surprised to learn that I also love to read them. I use the term “legal thriller” in the broadest possible sense: courtroom dramas, stories focused on corruption in the legal profession, good old-fashioned legal whodunits. What really draws me in is a novel with a broader social context that lets me see the world from a perspective that’s different from my own. In my own novels, the main protagonist is Erin McCabe — a criminal defense attorney who, like me, also happens to be a transgender woman. I use Erin to introduce readers who may not know anyone who is trans to a character that humanizes the transgender experience and the issues we face.
With that in mind, here are some legal thrillers that I think will not only keep you turning pages late into the night, but also broaden your worldview.
By Harper Lee
Depending on one’s point of view, “To Kill a Mockingbird” is a revered or reviled novel. Although there are valid arguments that some elements of the story have not aged well, Lee’s Pulitzer-winning courtroom drama — about an attorney defending a Black man accused of sexually assaulting a white woman in 1930s Alabama — paints a vivid picture of the impact of racial discrimination, not only on the justice system but also on the everyday lives of people of color.
By Scott Turow
There are some aspects of this 1987 classic that even the author concedes are outdated, especially its treatment of the few female characters. That said, there is a reason it is often held up as the gold standard of modern legal thrillers, so I would encourage you to put your reservations aside — even if you’ve already watched the streaming series based on the novel — go back and read this book.
It’s not always easy turning mundane courtroom proceedings into high drama, but Turow, like others on this list, is a master. Rusty Sabich, the second-in-command at the Kindle County district attorney’s office, is charged with murdering a colleague with whom he had an affair. But Rusty is not the only one with secrets, and the resulting courtroom drama, backroom politics and examination of corruption in the justice system make for a compelling thriller. I remember reading it when it was first published and being absolutely gobsmacked by the reveal at the end. Age spots and all, it’s still one of the best.
By John Grisham
Originally published in 1989 to little fanfare, Grisham’s debut novel is a compelling story about a Black man who kills the white men who sexually assaulted his 10-year-old daughter, and the lawyer who defends him. Although it was Grisham’s later novels that made him a household name, this book is special — a true-to-life courtroom drama that deals with racism but also captures the moral and ethical ambiguities that many criminal defense lawyers wrestle with. Grisham pulls off a unique feat: You find yourself rooting for the murderer, and for the lawyer who knew what was going to happen.
By Allen Eskens
Eskens worked for years as a criminal defense attorney, so it’s not surprising that his novels reflect an insider’s knowledge of how the justice system works; for me, he’s every bit as good a legal thriller writer as Turow and Grisham. “The Stolen Hours” revolves around a recent law school graduate, Lila Nash, working her dream job in a prosecutor’s office while trying to deal with a vengeful, misogynistic boss. When she’s assigned to work on a sexual assault case, the investigation morphs from a single victim into an examination of a series of murders — suggesting a serial killer who, years earlier, may have targeted Lila herself. Eskens skillfully puts us inside the heads of Lila, the lead detective and the killer in a dangerous game of cat and mouse, leading to a conclusion I never saw coming.
By Angie Kim
Kim does a masterful job of using a classic courtroom drama to tell the story of an immigrant family and what parents will do to make a better life for their child. At the center of the story is a mother who has been charged with murder in the death of her young son, who was killed in a fire in a hyperbaric oxygen chamber. The novel is told from the points of view of different characters, all of whom view the fire and the boy’s tragic death through their own lens — which makes trying to piece together what actually happened like looking through a kaleidoscope. The truth finally comes out, but there are no heroes in this story, only victims. This is a great thriller elevated by lessons about the immigrant experience, and the many shapes love takes.
By Kia Abdullah
Abdullah’s protagonist is Zara Kaleel, a Muslim woman and former barrister working as an adviser at a clinic for sexual assault victims in London. As Zara wrestles with personal issues, she takes on a case involving allegations of sexual assault made by a young white woman suffering from neurofibromatosis — a disfiguring disease — against four young, handsome Muslim men. The reader is confronted with the misogyny and disdain directed at the victim, who is considered “ugly,” as well as the Islamophobia and racism that the young men accused of the crime are forced to endure. Abdullah’s heartbreaking story, which alternates points of view, allows you to see the humanity of all the characters and the ways these events will impact them for the rest of their lives. A remarkable work of fiction that allows you to experience what it’s like to be the other.
By Wanda M. Morris
Not all legal thrillers take place in the courtroom: Morris’s layered novel focuses on corruption in the C-suite. Ellice Littlejohn, who grew up poor and Black in the South, is now a successful corporate lawyer trying to deal with her secret past — and with the murder of her boss, who happened to be white, married and her lover. There were times when I wanted to scream at Ellice, “What are you doing?!” But the reasons for how she acts (or doesn’t act) are slowly revealed and, when they are, it all makes painful, perfect sense. There are some books that will stay with you long after you’re done: This is one of them.
Culture
I Think This Poem Is Kind of Into You
A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.
The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.
And then it bursts into flame.
“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.
Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.
We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.
To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.
But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”
That’s the kind of poem she wrote.
“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.
Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.
What happens next? That’s up to you.
Culture
Can You Identify Where the Winter Scenes in These Novels Took Place?
Cold weather can serve as a plot point or emphasize the mood of a scene, and this week’s literary geography quiz highlights the locations of recent novels that work winter conditions right into the story. Even if you aren’t familiar with the book, the questions offer an additional hint about the setting. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the books if you’d like to do further reading.
Culture
From NYT’s 10 Best Books of 2025: A.O. Scott on Kiran Desai’s New Novel
When a writer is praised for having a sense of place, it usually means one specific place — a postage stamp of familiar ground rendered in loving, knowing detail. But Kiran Desai, in her latest novel, “The Loneliness of Sonia and Sunny,” has a sense of places.
This 670-page book, about the star-crossed lovers of the title and several dozen of their friends, relatives, exes and servants (there’s a chart in the front to help you keep track), does anything but stay put. If “The Loneliness of Sonia and Sunny” were an old-fashioned steamer trunk, it would be papered with shipping labels: from Allahabad (now known as Prayagraj), Goa and Delhi; from Queens, Kansas and Vermont; from Mexico City and, perhaps most delightfully, from Venice.
There, in Marco Polo’s hometown, the titular travelers alight for two chapters, enduring one of several crises in their passionate, complicated, on-again, off-again relationship. One of Venice’s nicknames is La Serenissima — “the most serene” — but in Desai’s hands it’s the opposite: a gloriously hectic backdrop for Sonia and Sunny’s romantic confusion.
Their first impressions fill a nearly page-long paragraph. Here’s how it begins.
Sonia is a (struggling) fiction writer. Sunny is a (struggling) journalist. It’s notable that, of the two of them, it is she who is better able to perceive the immediate reality of things, while he tends to read facts through screens of theory and ideology, finding sociological meaning in everyday occurrences. He isn’t exactly wrong, and Desai is hardly oblivious to the larger narratives that shape the fates of Sunny, Sonia and their families — including the economic and political changes affecting young Indians of their generation.
But “The Loneliness of Sonia and Sunny” is about more than that. It’s a defense of the very idea of more, and thus a rebuke to the austerity that defines so much recent literary fiction. Many of Desai’s peers favor careful, restricted third-person narration, or else a measured, low-affect “I.” The bookstores are full of skinny novels about the emotional and psychological thinness of contemporary life. This book is an antidote: thick, sloppy, fleshy, all over the place.
It also takes exception to the postmodern dogma that we only know reality through representations of it, through pre-existing concepts of the kind to which intellectuals like Sunny are attached. The point of fiction is to assert that the world is true, and to remind us that it is vast, strange and astonishing.
See the full list of the 10 Best Books of 2025 here.
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