Nevada
A tribe in Nevada finally had funding for climate resilience. Then a grant was ripped away
Joseph Frank was one of the first firefighters to respond to a massive wildfire that broke out on the Walker River Reservation in June 2024.
Temperatures that month were well above average, according to the National Weather Service. It was 90 degrees in Schurz, Nevada that day — 5 degrees hotter than normal for the area — when a lead-acid battery from a Bureau of Indian Affairs building overheated and “kind of blew up,” said Frank.
Fueled by vegetation cooked by record heat and drought in the months prior, the fire quickly spread across 65 acres. It took two days to fully contain, cutting off a portion of U.S. Route 95 and causing the evacuation of all the tribe’s administrative offices.
“We ended up calling out all the municipalities to help us, just because of how intense it was,” Frank said of the June 20, 2024, fire.
Wildfire risk in Schurz is higher than 60% of communities in the U.S., according to data from the U.S. Forest Service. But the Walker River Paiute Tribe’s current water system, built in the 1960s, wasn’t designed to provide the water pressure needed to combat the large wildfires the tribe sees now.
It’s one of the major infrastructure problems that could be solved with a $20 million grant from the U.S. Environmental Protection Agency (EPA) awarded to the tribe last winter. But the funding would never come.
Members of the Walker River Paiute Tribe are surrounded on all sides by reminders of their vulnerability to a changing climate.
They see it in the river banks eroded by record floods and the fire-scorched landscape. They see it in the wilting pinon trees and waning pine nut harvest. They see it in the infrastructure that can’t keep up and rising power bills they can’t afford.
Those observations have also turned into plans, and those plans into grant applications for projects that would prepare the tribe and residents of Schurz for a more extreme climate.
It all came together in December when the Walker River Paiute Tribe was awarded $20 million in funding from the EPA’s Community Change Grant, according to Nevada Current. The grant was one of hundreds awarded under the Environmental and Climate Justice Program — a $2.8 billion financial assistance program created by the Inflation Reduction Act under former President Joe Biden.
With the funds, the tribe could execute a multiyear climate resiliency plan to deliver water, energy and food infrastructure to about 1,200 tribal members who live on the Walker River Reservation.
In total, 150 homes would be weatherized and upgraded for energy efficiency and climate resiliency — about 30% of all existing homes on the reservation.
Swamp coolers that aren’t designed to work in 100-degree temperatures would be swapped out for central air conditioning. Insulation and windows that fail to keep out rising heat would be replaced. Rooftops would be repaired and covered in solar panels and battery storage that could keep medication and food refrigerated during summer blackouts.
No one would be left out. The funding would also cover the remaining cost of a planned Community Resilience and Food Storage Hub — a fully electric and solar-powered building with battery storage to shelter the town’s most vulnerable residents during weather emergencies, like floods and extreme heat waves, while increasing food and medication security.
The grant would also fund the last leg of a water infrastructure project that would support dozens of new fire hydrants on the reservation and secure reliable clean water for 425 existing homes and over 100 future homes.
But the January inauguration of President Donald Trump brought new priorities, and a White House crusade against diversity, equity and inclusion (DEI) programs funded by his predecessor’s 2022 climate law.
Within five months, on May 1, the $20 million Community Change Grant was officially terminated by EPA Administrator Lee Zeldin, along with more than 780 other environmental justice grants as part of Trump’s executive order to eliminate DEI across the government.
The tribe only used about $70,000 from the grant before losing access to funding that would have helped the rural community adapt to a rapidly changing climate.
Multiple nonprofits, tribes and local governments sued the EPA, challenging the legality of abruptly terminating congressionally approved funds, but as the case moves through the court system, it’s unclear when — if ever — the funds will be restored.
Fires and floods
Melanie McFalls, the newly elected chair of the Walker River Paiute Tribe, was a month into the job when the EPA first cut off the tribe’s access to the Community Change Grant on Jan. 29. It was one of several grants the tribe would lose in the wake of Trump’s efforts to slash spending and remake the federal government.
Hundreds of emails piled up as McFalls contacted every state and congressional leader she could think of to restore the tribe’s funding.
“I was focused solely on funding cuts, everything else was left on the table because we rely on grant funding. We had to fight for that,” McFalls said in her office, the one she had to evacuate during the wildfire last year with the rest of the tribe’s council.
“We were wondering ‘what else is going to get cut? What’s going to be next? What’s going to happen?’ We had no idea,” McFalls said.
Thirteen years ago, the last time McFalls was chair of the tribe, they didn’t have a climate adaptation plan or an emergency plan for major floods and wildfires. Since then, she’s seen the impacts of climate change piling up on the reservation.
The year before the fire, on May 17, 2023, the Bureau of Indian Affairs (BIA) found that flooding on the Walker River caused by record-breaking rain and snowmelt created enough structural damage to the Weber Dam seven miles northwest of Schurz that it “could have potentially progressed into a life-threatening event” for the tribe.
The Walker River flooded for 48 consecutive days between May and June that year, according to the Nevada Division of Water Resources. It was partially caused by a sudden mid-to-late May warmup that quickly melted record-breaking snowpack in the Walker Basin. By July, streamflows into the Weber Reservoir were seven times the average for the time of year.
About a month after finding the damage in the dam, the BIA told the tribe during a community meeting that if the dam’s spillway failed, they would have to prepare for more than three Olympic-sized pools worth of flooding a minute until the reservoir leveled out. The whole town of Schurz would need to be evacuated within 24 hours.
“It just wiped out our riverbanks. Took most of the land around it. Water was going up to some peoples porches. It was kind of scary to see that happen,” McFalls said.
The Walker River Reservation spans 325,000 acres across three Nevada counties — Mineral, Churchill and Lyon — but nearly every home is built along the flood-prone river. That’s because the reservation’s water system uses a gravity-fed storage tank located at the top of a hill that can only move water down to the lowest point in the valley where the river runs.
Before it was terminated, nearly $2 million from the Community Change Grant was reserved for a planned water infrastructure project that would improve water pressure and allow more than a hundred homes to be built at higher elevations further from the river.
“If we could build higher up and we’re out of the flood zone, that’s one less thing for us to worry about,” said Frank, the firefighter, who also serves as the tribe’s project manager.
Heat and energy
By the next year, the precipitation that flooded Walker River in 2023 was gone. Mineral, Lyon, and Churchill counties only received about a quarter of the rain and snow they typically do from April to June, according to the National Oceanic and Atmospheric Administration (NOAA).
The drought was accelerated by record-breaking heat in 2024, the hottest year on record. But record-breaking heat is becoming the norm. The past decade has been the hottest in two centuries of record-keeping, NOAA reports.
Heat waves are also becoming the norm. Researchers at NASA found that summer heat waves in the U.S. have roughly doubled in number since 1980, increasing from an average of two to four per month.
Rising temperatures have helped Nevada claim two of the fastest warming cities in the nation — Reno and Las Vegas — but rural areas haven’t escaped the heat. When the fire broke out on the Walker River Reservation in June, the nearest weather tower (about 25 miles away) recorded average monthly temperatures 5 degrees above normal.
Since 1950, average temperatures on the Walker River Reservation have increased by 3 degrees, according to Native Climate, a U.S. Department of Agriculture-funded research project to support climate adaptation efforts in Native American communities.
Days over 100 degrees have also tripled on the reservation from an average of five days in 1950, to 20 days in 2025. If emissions continue on their current trajectory, there could be about 40 days over 100 degrees on the Walker River Reservation by the end of the century.
“You can see a huge increase in the number of degree days over 100 degrees,” said Maureen McCarthy, a research professor at Desert Research Institute who led the Native Climate project.
“The extremes are becoming more extreme, in addition to the average temperatures changing,” McCarthy said. “That’s a big impact. We’re not designed to function at 100 degrees.”
The Walker River Housing Department reports that about 44% of homes on the reservation rely on swamp coolers, but evaporative-cooling appliances become less effective at 100 degrees and above. The cost of replacing one with central cooling is also a barrier for low-income households.
Aging infrastructure only makes adapting to rising temperatures and extreme weather more difficult. The Walker River Housing Department reports that two-thirds of homes on the reservation built before 2000 have older, deteriorating roofs and windows that must be replaced to improve climate resilience.
Households on the reservation are already burdened with energy costs that are 24% higher than the state average, according to the U.S. Department of Energy’s Low-Income Energy Affordability Data tool. They also spend twice as much of their income on energy costs compared to the state average.
Replacing inefficient appliances that increase energy costs can also be difficult for lower-income households, including many on the reservation. The median household income for the Walker River Paiute Tribe is around $40,000 – about 53% lower than the median household income for Nevada. Unemployment is about twice as high, according to the latest data from the U.S. Census Bureau’s American Community Survey 5-Year Estimates.
Funding from the Community Change Grant would have covered the purchase of energy-efficient heat pumps, water heaters, induction cooktops, electric ovens and new dryers and refrigerators for 120 homes on the reservation.
“We were devastated when we started hearing all of our funding getting cut because we thought we were going to have these programs,” said Genia Williams, the housing director for the Walker River Paiute Tribe. “There was a lot of work put into it from my grant writers, past chairman, past administrators that worked hard to get this.”
The Nevada Clean Energy Fund — a nonprofit bank created by state legislation — also worked with the Walker River Paiute Tribe to secure the Community Change Grant.
Since becoming the housing director a decade ago, Williams said persistent blackouts have also been a challenge for the rural reservation. The reservation sits at the end of an energy grid, and as demands for electricity rise with more intense summer heat blackouts rise too.
A joint survey by the bank and tribe found that 50% of households surveyed reported experiencing blackouts four to nine times per year, while a third reported experiencing blackouts more than 12 times per year. Two-thirds of households reported that power outages generally last between four and eight hours.
Unreliable power is especially hard on elders who have difficulty operating backup generators, and medically vulnerable residents who rely on ventilators or need to keep medication refrigerated. The Community Change Grant would have allowed the tribe to install solar power and battery storage in 100 of the most vulnerable households.
“We’re just going to have to weather the storm and see what we can come up with and keep moving forward on these things,” Williams said.
Saving graces
The years of planning are not lost, and some of the tribe’s climate resiliency plans are moving forward, but on a smaller scale.
The U.S. Department of Housing and Urban Development awarded the tribe partial funding in 2022 to build a food distribution center that supports the tribe’s long-term food security and sovereignty plan.
Without the Community Change Grant it likely won’t be at the scale of the Community Resilience and Food Storage Hub the tribe envisioned. The solar panels, battery storage, walk-in refrigerators and freezers the grant would have funded won’t be included in the building, but it’ll take the tribe a step closer to their goal.
“We’ve come through a lot of storms. The one thing about our tribe and our community is that we’ve been able to overcome,” Williams said.
In September, the tribe also broke ground on a water infrastructure project that will add a second water storage tank and nearly 1,600 feet of water lines to the Walker River Reservation. The new “water loop” system will make it possible for about 30 new houses to be built on the reservation, allowing many of the 75 tribal members currently on the housing waitlist to live on their ancestral land and in their community.
Frank, the firefighter, took on the role of project manager for the tribe a year ago. When the EPA revoked the Community Change Grant he said it was a “sickening feeling.”
When the EPA revoked the Community Change Grant the tribe had already completed engineering, procurement, and planning for the project. About three-fourths of the total $15.8 million needed for the project was secured from a combination of federal and state funds.
The EPA grant was the last piece of the puzzle. Without it, the tribe would have to dip into their limited reserves. If they didn’t, their remaining funds for the project would be lost.
“We had a deadline to meet the needs of certain funding requirements, and if this was not met, we would have lost the entire project,” said Frank.
The project couldn’t wait. The existing water systems were built like a tree with branches leading off to nowhere; water lines were not connecting to facilities, which led to some situations where hydrants failed to provide water during an emergency.
Frank, the volunteer firefighter, recalls how one of the fire hydrants on the reservation didn’t work during the 2024 fire that burned 65 acres of the reservation.
“These improvements are not just numbers on the page. They represent safer homes, stronger emergency readiness and peace of mind for every community member who depends on the system every day,” Frank said.
In 2019, the Indian Health Service also determined that low water pressure and stagnant water on the Walker River Reservation posed a public health threat in the form of cross-contamination, bacterial diseases that breed in stagnant water from the ageing infrastructure.
The Walker River Paiute Tribe is deeply affected by persistent drought conditions and has lacked reliable access to domestic water supplies for generations. But the water loop project would allow the community to build long-term resilience to drought by increasing water reserves and improving the distribution system.
A 2022 report by the U.S. Geological Survey showed that drought has caused evaporation of the surface water levels of Walker River down to Walker Lake, limiting the recharge of groundwater levels. Groundwater in the area supplies at least half of the drinking water for the tribe, according to the EPA.
Generations of tribal members have left to pursue education with the goal of coming back and building up their community, but the infrastructure wasn’t there, said Williams.
“This is home for a lot of people. It’s where they grew up, or where their families grew up. Now they can come back,” Williams said.
This story was published as part of the Wake Forest University Mellon Foundation Environmental and Epistemic Justice Initiative (EEJI)
MESQUITE (KTNV) — A deadly crash on Interstate 15 near Mesquite prompted a group of bystanders to spring into action before first responders could arrive, pulling a man from a burning motor home after a collision with a semi-truck.
Steven Grossman, a retired Army National Guard veteran, said he was driving northbound on I-15 after a Fourth of July camping trip with his family when he saw a motor home cross the center median from the southbound lanes.
“It was like a pile of dust, it was going across the center medium and down that big hill,” Grossman said.
WATCH | Nevada bystanders pull crash victim from burning motorhome on I-15 near Mesquite
Nevada bystanders pull crash victim from burning motorhome on I-15 near Mesquite
Nevada State Police Highway Patrol said the motor home had a blown tire. When it crossed the median, it crashed into a semi-truck and burst into flames.
Grossman said he immediately pulled over and ran toward the fire.
“I seen it on fire and, you know, we just, I just got out of the truck and just ran over there,” Grossman said.
NSP
Several other drivers also pulled over. Together, they worked to pull the motor home’s driver to safety.
“Let’s grab him and get him out of here. So we just grabbed him and just tugged him into the gutter right there, into the center medium,” Grossman said.
A propane tank exploded shortly after.
Grossman used his military medical training to keep the man still, while another bystander helped stabilize the victim’s neck until paramedics arrived.
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The driver of the motor home, 62-year-old Gregory Louis Painter, later died at the hospital. Fire officials said 3 other people were taken to the hospital for injuries sustained in the crash.
Grossman said he does not consider himself a hero and that stopping to help was simply the right thing to do.
KTNV
“We were just the first ones there that if the next people that were the first ones there would have done the same thing,” Grossman said. “Same thing with behind them if it was 10 cars behind me, the cars behind them would have taken care of it. It’s just I think it’s just our human nature. People just want to help.”
This story was reported on-air by a journalist and has been converted to this platform with the assistance of AI. Our editorial team verifies all reporting on all platforms for fairness and accuracy.
Beach Boys co-founder selling Tahoe mansion for $43 million
The Lake Tahoe mansion of one of the original members of the Beach Boys was listed for $43 million.
You love to see it: local artists on local stages. Here are 12 shows featuring local artists between now and Labor Day, including rock, metal, punk, folk, jazz, hip-hop and more.
Bark Hardly
This indie-folk group from Reno headlines an all-local bill with Glitter Bats, Sad Giants and Anabelle and the Desert Scrubs. It starts at 7 p.m. at Holland Project, 140 Vesta St.
The show is July 10. Tickets are $12. Details: 775-742-1858 or hollandreno.org.
Thrashmob
It’s an all-local hip-hop night featuring this artist as headliner. They perform at 7 p.m. at Club Underground, 555 E. 4th St.
The show is July 11. Tickets are $20-$25. Details at clubundergroundreno.com.
Shared Scars
This Reno metal band celebrates the release of its new EP with a show that also features area metal bands Emberwake, Desolist, Titvn and Everglade. It all begins at 7 p.m. at The Alpine, 324 E. 4th St.
The show is July 11. Tickets are $20-$25. Details at thealpine-reno.com.
Cruz Control featuring Bree Rose
Rock, soul and hip-hop mix with this group from Reno. They play at 7 p.m. the first night and 8 p.m. subsequent nights at Terrace Lounge, Peppermill Resort Casino, 2707 S. Virginia St.
Free shows are July 16-18. Details at peppermillreno.com.
Next Question
The popular indie-punk group from Reno kicks off its tour at this show, which also features locals Blackstallion and Ring Pop Wedding. It begins at 7 p.m. at Holland Project, 140 Vesta St.
The show is July 17. Tickets are $10-$12. Details: 775-742-1858 or hollandreno.org.
Vampirates
The longtime local progressive-punk/noise band performs with Sacramento ska punks Lesdystics and local hardcore punk band The Scattering. It all begins at 7:30 p.m. at Lost Highway, 1526 S. Wells Ave.
The show is July 17 and there is a $10 suggested donation. Details at instagram.com/corrigans_losthighway.
Fireman’s Ball Reignited
A benefit for the Silver City Volunteer Fire Department, this show features some big northern Nevada and regional names including former Tahoe resident and country-rock singer/songwriter Matt Axton. Also on the bill are Darren Senn, Charity Kiss and Next Question, among others. It all starts at 1 p.m. at Silver City Park, 385 High St., Silver City.
This free show, with donations accepted, is July 18. Details at instagram.com/silvercityvfd_nv.
Everything Sucks Fest 2026
The annual punk-band event returns, this time with locals Hired Fun, Irreplaceable Beings, Flicker And Fade and Cold Amber Medicine. It begins at 4 p.m. at Shoe Tree Brewing Co., 1496 Old Hot Springs Road, Carson City.
This free show is July 25. Details at instagram.com/shoetreebrewing.
Reno Jazz Orchestra with Matt Mauser
For their Artown show, this local group will be joined by Mauser, an “America’s Got Talent” finalist who specializes in pop and jazz standards. The show starts at 7 p.m. at Robert Z. Hawkins Amphitheater, 6000 Bartley Ranch Road.
This show is July 29. Tickets are $35. Details at artown.org.
Reno Devilles
Rockabilly meets surf-rock with this local band. They play at 8 p.m. at Pele Utu, 1275 Stardust St.
This free show is Aug. 1. Details at instagram.com/peleutureno.
Jakota Wass
A country singer/songwriter from Gardnerville, Wass plays at 7 p.m. at the Outdoor Stage, Brewery Arts Center, 449 W. King St., Carson City.
The free show is Aug. 8. Details at breweryarts.org.
The Electric
A straight-ahead alternative rock band from Reno, the Electric headline an all-local bill that also features Sad Giants and The Jackeyes. They play at 7 p.m. at Holland Project, 140 Vesta St.
The show is Aug. 15. Tickets are $8-$10. Details: 775-742-1858 or hollandreno.org.
Cape Fear Quartet
This swing-jazz quartet from Reno performs at 8 p.m. at Pele Utu, 1275 Stardust St.
This free show is Aug. 15. Details at instagram.com/peleutureno.
Jelly Bread
Soul music meets alternative rock with this Reno group. They perform at 7 p.m. at the Outdoor Stage, Brewery Arts Center, 449 W. King St., Carson City.
The free show is Aug. 15. Details at breweryarts.org.
Band Wars Music Festival
An extension of the contest at Club Underground earlier this year, the participants now get to play at Bartley Ranch. Contest winners No One Good are joined by Split Persona, Interstate, Giant Skunk and Quitter, among others. It all begins at 2 p.m. at Robert Z. Hawkins Amphitheater, 6000 Bartley Ranch Road.
The show is Sept. 5. Tickets are $25-$35. Details at clubundergroundreno.com.
The dilapidated fishing vessel from which “Rose of Nevada” takes its name disappeared into the sea off the coast of Cornwall, England, in 1993, bringing with it two members of a shorthanded crew. A young fisherman who had called out sick that day later died by suicide; some speculate because of survivor’s guilt. There’s a lot of speculation about that old boat. It was the kind of tragedy from which a tight-knit community never really recovers, and this quaint Cornish fishing village has since been stricken by decades of poverty and rot. Now, 33 years later, the Rose has mysteriously returned. It just showed up, ship-shape and empty, sitting there in the harbor one misty Monday morning. All she needs now is another crew.
How and why the boat returned is not for me to say, nor are such matters of much concern to writer-director Mark Jenkin. A time travel adventure with the cadence of a ghost story, “Rose of Nevada” haunts the viewer like the sound of a faint, distant horn on a foggy night. George MacKay stars as Nick, a loving husband and doting dad who has been out of work for some time now. He’s also a bit of a dummy, caving in their apartment’s roof while trying to patch a leak during a rainstorm. Nick finds himself crewing the Rose out of financial necessity — he’s literally trying to put a roof over his family’s heads — while Callum Turner’s gruff drifter Liam comes aboard seemingly because he’s got nothing better to do.
Any other movie would probably try to explain exactly how these boys return from their maiden voyage with a robust catch to find themselves transported back to 1993. They discover their little town thriving and keep running into younger, happier versions of characters we’ve met in the miserable present. Everyone seems to know who Nick and Liam are, but they’re calling them different names. It’s as if the two have somehow stepped into the shoes of those doomed crewmembers from 33 years ago, brought back here by the Rose either to fix history or repeat it.
Part of what makes the movie so mesmerizing is Jenkin’s artisanal approach. He shoots on an ancient, hand-cranked 16mm Bolex camera — a model slightly less advanced than what my film school class was using three decades ago. Jenkin leans into the grainy imperfections of the image, keeping in all the scratches and light leaks that professional labs and technicians typically scrub out. It’s impossible to capture synchronized sound with this equipment, so background noises and the necessarily sparse dialogue are added later in post-production, lending an eerie, uncanny quality to the proceedings.
The set of self-imposed limitations creates its own aesthetic. Jenkin’s hand-cranked camera won’t run for more than 28 seconds at a time, forcing him to tell the story in a series of punchy, discrete images. Instead of wide establishing shots, he favors tight closeups made even more claustrophobic by 16mm’s boxy 1.33 aspect ratio. Our brains assemble the scenes almost like a mental jigsaw puzzle, getting a full sense of the boat without ever getting a complete look at it. Same goes for the town. It’s amazing how many gaps your mind fills in for you when prompted properly.
Jenkin takes a similar approach to the screenplay, allowing rhyming images and visual cues to provide most of the exposition. I went back and watched the movie a second time to try and understand how I always felt like I knew what was happening, even though I couldn’t possibly explain what was going on. The rhythms of the picture feel almost like a dream, obeying their own strict logic that locks in perfectly at the end. Jenkin’s previous picture, the cryptic Cornish island folk tale “Enys Men,” tried similar tactics, but with annoying, off-putting results. Two of the reasons this film connects so much better are the appealing lead performances by MacKay and Turner, a couple of genuine movie stars with whom we are happy to get lost at sea.
MacKay made no impression at all in the insipid, Oscar-winning World War I gimmick film “1917,” but has since revealed himself to be one of our most adventurous young actors. He was electrifying as a bi-curious, homophobic hooligan in the 2024 Boston Underground Film Festival favorite “Femme,” and nailed multiple roles from swoon-worthy stud to psychopathic incel stalker in Bertrand Bonello’s brain-melting “The Beast.” There’s a performative aspect when most actors play dumb, a theatricality that reminds the audience they’re actually smarter than the character. As our stranded family man Nick, MacKay offers no such condescension. He’s a dim bulb with a big heart in an unfathomable situation; his eyes sometimes touchingly, hilariously blank. So much is already beyond Nick, and then all this happens.
Most readers probably know Turner as Mr. Dua Lipa. For those who have trouble keeping track of their cute British boys, he’s the jug-eared, scruffy one who isn’t Josh O’Connor. I’ve never understood the hubbub about this guy, but he won me over here. It’s tough to recall a character in a science-fiction story quite like Liam, who, when experiencing something as foundation-shattering as time travel, figures, “Sure, why not?” and rolls with it. MacKay has some hilarious reaction shots to his screen partner’s blithe acceptance of their new reality. Though I suppose it helps that in this alternate 1993 timeline, Liam winds up with a beautiful wife and daughter, while Nick just gets stuck with overbearing parents.
I’ve been turning over the movie’s ending in my mind for a couple of weeks. “Rose of Nevada” comes to a conclusion both hopeful and bittersweet, depending on how you want to read it. This is an odd, beguiling film that doesn’t look or sound like anything else you’ll see in theaters this year. The raggedly beautiful imagery is a feast of rust and decay, the film itself dinged up like it’s followed the boat here from a distant, mysterious time.
“Rose of Nevada” opens at the Coolidge Corner Theatre on Friday, July 10.
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